Based on Richard Osman’s international bestselling novel of the same name, THE THURSDAY MURDER CLUB follows four irrepressible retirees – Elizabeth (Helen Mirren), Ron (Pierce Brosnan), Ibrahim (Ben Kingsley) and Joyce (Celia Imrie) – who spend their time solving cold case murders for fun. When an unexplained death occurs on their own doorstep, their casual sleuthing takes a thrilling turn as they find themselves with a real whodunit on their hands. Directed by Chris Columbus, the film is the latest to be produced through the Netflix and Amblin Entertainment partnership.
See it on Netflix on August 28.
Pierce Brosnan and Helen Mirren also star in Paramount+’s MOBLAND alongside Tom Hardy. The brilliant crime series is executive produced by Guy Ritchie.
In Netflix’s TUDUM post, the article states the film also features Jonathan Pryce (The Two Popes,The Crown), David Tennant (Doctor Who, Inside Man), Richard E. Grant (Can You Ever Forgive Me?, Withnail and I) and Paul Freeman (Raiders of the Lost Ark, Hot Fuzz). Amblin founder Steven Spielberg stopped by the set during production and ran into an old friend — Paul Freeman, who played Belloq, nemesis and “shadowy reflection” of Indiana Jones, in Spielberg’s Raiders of the Lost Ark.
Working with such an adept cast, director Columbus aimed to bring out a balance of humor, intrigue, and heart, and the result is a singularly moving, hilarious, edge-of-your-seat adventure. “There’s a wonderful mystery at its core, so mystery fans will be very happy,” he says. “But thematically it’s interesting that we’ve got four elderly people who are living in a retirement community and who are fascinated by death and murder. They are facing their own demise, yet at the same time they are obsessed with studying cold cases. I fell in love thematically with that. It’s comedic, but it’s also very emotional.”
Helen Mirren as Grandmère in WHITE BIRD: A WONDER STORY. Photo Credit: Larry Horricks. Courtesy of Lionsgate
Helen Mirren stars as a French Jewish grandmother who survived the Holocaust in the family drama WHITE BIRD. Concerned about her grandson Julian (Bryce Gheisar), a boy who is struggling to fit in at his new school after being expelled from his previous one for mistreatment of another student, Grandmere (Mirren) recounts her youthful experiences, a story of her past he has never heard, to teach Julian about the lasting power of kindness. In flashback, the grandmother’s story takes us to WWII France, to her old French village in the woods, where the kindness of a non-Jewish boy saved her life.
Also starring Gillian Anderson, WHITE BIRD is a moving, beautifully-shot and sensitively-told family drama from director Marc Forster, who also directed NEVERLAND. The film is essentially a young adult tale, offering a coming-of-age, historical drama about a grandmother teaching her troubled grandson valuable life lessons about bravery and kindness, by using her own experiences surviving the Holocaust. The screenplay by Mark Bomback is based on a graphic novel by R.J. Palacio, “White Bird: A Wonder Story,” which is a composite of several true stories that are lightly fictionalized. This coming-of-age family drama is part of a series, “Wonder films,” which aims to inspire hope, kindness and humanity.
Rather than the usual historical drama, WHITE BIRD has an unexpected element, which is a hint of Brothers Grimm fairy tale in how this grandmother recounts her wartime experiences to her grandson. Starting with voice-over by Mirren, the film begins its travels to the past by describing the place where she grew up like something out of those Grimm fairy tales: an ancient French town with an old castle at its center and surrounded by deep, dark woods. As a young girl, Sara was afraid to go into the woods, for fear of wolves. The one exception is in the spring, when she and her parents picnic in the woods where the bluebells bloom. Mind you, the tone here is Brothers Grimm, not Disney, with those darker stories’ pattern of a peaceful life falling under darkness and evil but with some light emerging in the end.
The film moves back and forth in time a bit, as storyteller Grandmere Sara weaves her own history into a lesson for her troubled grandson. Young Sara (Ariella Glaser) is a beloved only child, a bit spoiled, the daughter of a doctor father and a math teacher mother. They have a comfortable life. At school, bright Sara also shows a talent for drawing, and is encouraged by her teacher. Sara has a crush on a handsome boy, Vincent (Jem Matthews), but like most of the students, she ignores another boy, who had polio and now walks with a crutch and a leg brace, although some students target him for taunting and bullying.
When the Nazis arrive, nothing much changes at first, even for French Jewish families like Sara’s, because the town is in “unoccupied” France. Then things do start to change, with signs banning Jews going up in shop windows and Jewish people losing their jobs, including Sara’s mother. When Nazis come to the school to round up the Jewish students, Sara manages to escape and hides in the school. She is unsure what to do, until the boy with the crutch, whose name is Julien (Orlando Schwerdt), offers his help. Julien smuggles her out and takes her to his parents’ farmhouse, where his kind-hearted non-Jewish parents hide her.
Sara is hidden in the barn, because Julien’s kindly parents, Vivienne (Gillian Anderson) and Jean Paul (Jo Stone-Fewings), worry that their nosey neighbors might be Nazi sympathizers and might expose her. Hiding her puts them at risk too but Vivienne especially is warm and supportive of the frightened girl. Thoughtful Julien brings Sara food, but also drawing materials and books, and tutors her in school work, so she can keep up. In the barn, they two young people grow close, escaping into a world of imagination by using an old car to pretend to travel, making up stories of adventure.
As expected, Helen Mirren is charmingly winning as the lively, artist grandmother. The bulk of the film is the historical flashback, and there both Ariella Glaser and Orlando Schwerdt excel in their roles as Sara and Julien, with an especially good performance from young Schwerdt. Gillian Anderson is very good as Julien’s warm, supportive mother but it is really the young actors who shine at the center of this drama.
As the tense story of the Jewish girl hidden in the barn unfolds, director Forster skillfully weaves in a message of hope and human empowerment into this sensitively-told wartime drama. The story mirrors many of the true stories of hidden children or families aided by their non-Jewish neighbors. The Nazi threat is always looming, and increased when a group of local boys, including Sara’s crush Vincent, join the Nazis as a town militia. Yet Forster’s storytelling puts an emphasis on the power of human kindness, and bravery in the face of cruelty. The film is, by turns, tense and dramatic or touching and inspiring, portions that Forster skillfully balances. Part coming-of-age tale, part war drama, the film also looks at friendship, budding romantic feelings, and focuses on the power of imagination and art.
This is an emotionally powerful film, that is mostly very well-told, apart from one scene, with wolves in the woods, that leans a bit too heavily into the Grimm’s fairy tale aspect. Overall, WHITE BIRD is a moving, hopeful tale of courage that has the benefit of being a rare survivor’s story film that one is told in a manner appropriate for younger people (preteens, although not the very young) while still teaches some valuable lessons about the power of human kindness in overcoming evil. As the grandmother says near the film’s end, paraphrasing Martin Luther King, “You cannot fight darkness with darkness, only with light.”
WHITE BIRD opens Friday, Oct. 4, at Landmark’s Plaza Frontenac Cinema.
Helen Mirren as Golda Meir and Liev Schreiber as Henry Kissinger, in Bleecker Street/ShivHans Pictures’ GOLDA Photo credit: Sean Gleason, Courtesy of Bleecker Street/ShivHans Pictures
Helen Mirren portrays Golda Meir, Israel’s first women prime minister, during the 1973 Yom Kippur War, in GOLDA. Internationally, Golda Meir is known as the “Iron Lady of Israel” and is an admired figure but she is more controversial in her home country of Israel. In the British historical drama GOLDA, Israeli-American director Guy Nativ and British scriptwriter Nicholas Martin aim to offer a fresh look at Golda Meir by focusing on her during the Yom Kippur War, when Israel found itself facing two invading armies, from Egypt in the Sinai and Syria in the Golan Heights.
Mirren plays Golda Meir in heavy makeup and prosthetics, transforming her appearenceappearance to more closely resemble the much-photographed Golda Meir and allow director Nativ to more easily include generous use of archival footage and even insert Mirren into some of those scenes. Mirren’s physical transformation is impressive enough to draw gasps, but some have criticized the makeup as restricting her performance, while others, including this writer, feel that Mirren still delivers an affecting performance, which some have called Oscar-worthy.
Adding to the controversy is that Helen Mirren is not Jewish, raising objections to “Jew face” casting. However, Israeli-American director Guy Nativ sought her out for this role, after she was first suggested by Golda Meir’s grandson Gideon Meir, who was a consultant on the drama. Mirren’s carefully-researched, restrained performance gives little room for criticism, and having an Israeli-born director, plus a strong supporting cast with many Israel and Jewish actors, also goes a ways towards softening the issue.
GOLDA is neither a true biopic nor is it a battlefield war epic, and people expecting either will be disappointed. Instead, it is a engrossing and tense, ticking-clock drama in which Helen Mirren gives a taut portrayal of Golda Meir during the Yom Kippur War, which was an existential threat to Israel but ultimately led to the peace accord and recognition with Egypt.
Golda Meir was an Israeli national hero when she was chosen as Israel’s first (and so far only) woman prime minister but she was considered an interim choice because the sides could not agree on a choice. By any standard, Meir had a remarkable life, from her childhood in Ukraine under the Russia empire, to her family’s emigration to Milwaukee, to her decision as a young woman to move to Israel and fight in its war for independence. But GOLDA neither a full biography nor is it a full examination of the events of the Yom Yippur War, but a hybrid of the two that focuses on Golda Meir’s experience of that war.
The 1973 Yom Kippur War came not long after the Six Days War, where that quick victory left Israeli generals feeling overconfident. GOLDA opens with a brief montage of archival images and video to recap some early Israeli history, and then moves on to a post-Yom Kippur War hearing, where Prime Minister Golda Meir (Mirren) is being questioned by the Agranat commission about controversial decisions made during the war, which had high casualties on all sides.
The commission is used as a framing devise for Golda to tell her story of the war, from her perspective. That retelling begins with Prime Minister Golda Meir getting a report from the head of Mossad, Zvi Zamir (Israeli actor Rotem Keinan), about a source warning of an imminent attack by both Egypt and Syria, Israel’s neighbors to the south and north, a warning that comes in October just as Yom Kippur is approaching.
Unfortunately, this same Mossad source has warned of an attack earlier in the year, which never took place. so Meir knows defense minister Moshe Dayan (Israeli actor Rami Heuberger) will be skeptical. When she meets with her military advisors, all men, they show her little respect, barely remembering to stand for her as they would for any prime minister. Overconfident after the success of the Six Day War, the generals mostly dismiss the idea of an attack during the high holy days, even though Meir warns is a perfect time for one. Military intelligence head Eli Zeira (Israeli actor Dvir Benedek) assures her that their secret listening system will warn them of any attack well in advance, even despite the holiday. He’s wrong.
The film is packed with famous figures of Israeli history, and the cast includes Israel stars Lior Ashkenazi as General David “Dado” Elazar and Ohad Knoller as a young Ariel Sharon, while Liev Schreiber plays U.S. Secretary of State Henry Kissinger. The acting is strong but nuanced throughout, but the drama is more emotionally restrained than explosive.
While billed as a “political thriller,” GOLDA lacks the pulse-pounding pace of a thriller. Instead, it is more a tense, involving drama, as we follow Golda Meir closely as she copes with war on two fronts, a team of over-confident all-male generals who are shocked when their forces are at first overwhelmed, and her own anguish over war casualties. The sexism of the era is present, as the men who are supposed to serve her as prime minister often fail to even stand when she enters, as they have done for every other prime minister, but the film does not dwell on this. Instead the focus is on Golda Meir’s skill as a leader and decision-maker, despite her lack of military experience, and her anguish at the war’s loss of life, losses she records day by day in a notebook.
Mirren’s Golda is a chain-smoking, flinty character with a sharp political mind and cunning skill in manipulating the men who surround her and anticipating the plans of her enemies. At the time, Golda Meir was 76 years old and suffering from cancer, something depicted in a few scenes. She was in poor physical shape, so travel to the war zone was largely not possible, which means this war-time story largely takes place in Golda Meir’s office, the hallways and bunkers where Meir and her generals discussed military actions and listened to radio reports from the two fronts.
Watching the grandmotherly figure navigate the politics of the strong male personalities in the room with a flinty strength, while making decisive, smart strategic military decisions despite her lack of soldierly training, is inspiring, and one of the highlights of Mirren’s performance. Away from the meetings, we see the more haunted and personal side of Golda.
Among the film’s best moments are when Golda Meir charms and cajoles Kissinger into providing aid for Israel, despite the Watergate scandal unfolding at the same time. They talk by phone and then Kissinger visits Israel to talk in-person with Meir. Meir feeds Kissinger borscht, and then gets to work. Schreiber’s Kissinger cautions her ” “Madame Prime Minister, in terms of our work together, I think it is important to remember I am first an American, second I am Secretary of State, and third I am a Jew.” Golda Meir replies “You forget that in Israel, we read from left to right.” It provides a rare moment of lightness and humor in the drama.
The carefully-researched film recreates the period look. While much of the drama takes place in smoke-filled rooms and half-lit hallways, Nativ captures the horror of the war with clips of archival footage and actual audience recordings of battlefield exchanges. There is also frequent use of other archival footage, including some with the real Golda Meir, and some where Mirren is inserted into the archival image. The film works hard to accurately recreate Golda Meir’s clothes, appearance and smoking, as well as the look of her office and other spaces where the story unfolds, with the help of Meir’s grandson Gideon as a consultant.
The personal side of Meir comes out mostly in her scenes with her personal assistant and friend, Lou Kaddar (French actress Camille Cottin), which are warm and sometimes depict her defiance or moments of doubt. The soundtrack is tense, often with a percussive character and metallic, strident bells. The film concludes with the perfect choice of Leonard Cohen’s song “Who By Fire,” which he wrote after visiting Israeli troops during this war.
GOLDA, in English and Hebrew with English subtitles, opens Friday, Aug. 25, at Landmark’s Plaza Frontenac Cinema and other theaters nationally.
Academy Award® winner Helen Mirren is Golda Meir, Israel’s first female Prime Minister, in the new trailer for Bleeker Street’s GOLDA.
Written by Nicholas Martin (Florence Foster Jenkins), Golda is a ticking-clock thriller – sharing the intensely dramatic events, high-stake responsibilities, and controversial decisions that Meir – also known as the ‘Iron Lady of Israel’ – faced during the Yom Kippur War in 1973. Israeli Prime Minister Golda Meir (Helen Mirren), faced with the potential of Israel’s complete destruction, must navigate overwhelming odds, a skeptical cabinet, and a complex relationship with US Secretary of State Henry Kissinger (Liev Schreiber), with millions of lives in the balance. Her tough leadership and compassion would ultimately decide the fate of her nation and leave her with a controversial legacy around the world.
Camille Cottin plays Lou Kaddar, Golda’s long-time personal assistant, who stood beside her throughout the war.
When the film was announced in 2021, Mirren said “Golda Meir was a formidable, intransigent and powerful leader. It is a great challenge to portray her at the most difficult moment of her extraordinary life. I only hope I do her justice!”
GOLDA had its world premiere at the 73rd Berlin International Film Festival on February 20, 2023. It also screened at the Jerusalem Film Festival on July 13, 2023.
So, I stated in a review from a couple of weeks ago that the Summer movie season has officially begun with the early May foray into the Marvel Cinematic Universe. And just when does the movie madness kick in, where’s the big action blockbusters? Well, it goes full-throttle right now as we shift (see what I’m doing here) from the MCU to the F&FU (maybe I should leave off that last letter). We can officially call this one of our most enduring film franchises as it’s now well over 21 (so don’t imbibe before sliding into the driver’s seat). This weekend, and for a few weeks thereafter, action enthusiasts will buckle up at the multiplex for FAST X. And man, you can pop your corn on those searing engines.
Just like today’s big streaming release, this one starts with a flashback, to the big stunt set piece from FAST FIVE. That’s when our heroes trekked to Rio in order to literally rip a big armored safe from the wall of the HQ of drug kingpin Hernan Reyes (Joaquim de Almeida). As radio comic Jerry Cologna said (aging myself here), “Ah, something new’s been added”. Turns out that part of the big chase was Hernan’s son, Dante (Jason Momoa), who took a dip as his pop was offed. And now we’re back to today as Dom Toretto (Vin Diesel) hosts a big outdoor feast for his visiting grandmother Abuelita (Rita Moreno). Oh, and it’s also a going away party for the agency-backed mission in Rome lead by, appropriately, Roman (Tyrese Gibson), aided by Ramsey (Nathalie Emmanuel), Han (Sung Kang), and, of course, Tej (Ludacris). All seems right until they get a surprise late-night visitor, former enemy Cipher (Charlize Theron), who is badly wounded. Seems that she and her crew were ambushed by Dante and his squad. Dom contacts his man with US intel, Little Nobody (Scott Eastwood) who has no knowledge of the Rome mission. It’s a set-up, a trap! It’s off to Italy for Dom and his wife Letty (Michelle Rodriguez), who arrive just in time for Dante’s frame job. The Toretto crew is thought to have unleashed a big explosive device that almost levels Vatican City. Letty is nabbed, while Dom embarks on a globe-wide hunt for Dante, with the new agency head Aimes (Alan Ritchson) in hot pursuit. Luckily Mr. Nobody’s daughter Tess (Brie Larson) believes in Dom, as does brother Jakob (John Cena) and a reluctant Shaw (Jason Statham).
The action is so, well, F&F, it’s tough to focus on principal performances. Of course, the lead is, once again, Diesel, who is the anchor and father figure to his “famlee”, offering sage advice and mentorship to “little B’, a bit of romance to Letty, and snarling retorts to all the baddies. And the main one this time is the scenery-chewing Momoa, who seems to truly enjoy channeling his “dark side” as the gleefully sadistic Dante. Imagine the crossed DNA of the Joker (one scene actually recreates a bit of the 1989 BATMAN) and Fabio (could this be his audition for DC’s “Lobo”). Although many of the one-liners are “groaners”, nobody can accuse him of “phoning it in” even as he seems too “campy” for a fellow avenging his father. Theron gets to go more villainess in the last act, while MCU sister Larson flexes her martial arts chops while engaging in verbal showdowns with Ritchson. Coming off her recent triumph in the D&D flick, Rodriguez is a full warrior queen. Cena scores some laughs as the affable protector of Dom’s nephew, while Statham flaunts that surly attitude as Shaw. Naturally, we get to see Gibson and Ludacris bicker and squabble in bits that were tiresome three movies ago. And it’s nice to see screen vets Moreno and Helen Mirren even though they have little to do other than lend their still white-hot charisma.
The traffic cop in the director’s chair this time out is Louis Leterrier, who is able to keep the film moving even as it slows down for some exposition that builds to another “can we top this” action set piece. And that’s in between the many locale changes, swiftly going from Rome to LA, to London to Puerto Rico and Portugal, with a side trek through the frozen tundra. What’s truly surprising is that the script, for one scene as Aimes gloms over the history of Dom’s crew, actually goes “meta” even veering into satire as it embraces the absurdity of the stunts (monitors behind Aimes replay clips from previous entries). So, yes they know it’s some goofball…stuff. It’s odd that they start with a sequence from FIVE since that’s the one that perhaps began the “break from reality” along with physics and gravity. And I know these flicks are review-proof since anyone that’s been exposed to the franchise knows what they’re “getting into”, despite what will probably be an irritating final act (at least they’re placated with a nifty mid-credits scene). If you approach this with the proper frame of mind, you’ll enjoy the wonky excess (and I’m including Momoa) of FAST X. For the rest of us, at least it’s well short of three hours. Whew!
Check out this new behind the scenes featurette of FAST X.
The end of the road begins.
Fast X, the tenth film in the Fast & Furious Saga, launches the final chapters of one of cinema’s most storied and popular global franchises, now in its third decade and still going strong with the same core cast and characters as when it began.
Vin Diesel is Dom in FAST X, directed by Louis Leterrier
Over many missions and against impossible odds, Dom Toretto (Vin Diesel) and his family have outsmarted, out-nerved and outdriven every foe in their path. Now, they confront the most lethal opponent they’ve ever faced: A terrifying threat emerging from the shadows of the past who’s fueled by blood revenge, and who is determined to shatter this family and destroy everything—and everyone—that Dom loves, forever.
In 2011’s Fast Five, Dom and his crew took out nefarious Brazilian drug kingpin Hernan Reyes and decapitated his empire on a bridge in Rio De Janeiro. What they didn’t know was that Reyes’ son, Dante (Aquaman’s Jason Momoa), witnessed it all and has spent the last 12 years masterminding a plan to make Dom pay the ultimate price.
Dante’s plot will scatter Dom’s family from Los Angeles to the catacombs of Rome, from Brazil to London and from Portugal to Antarctica. New allies will be forged and old enemies will resurface. But everything changes when Dom discovers that his own 8-year-old son (Leo Abelo Perry, Black-ish) is the ultimate target of Dante’s vengeance.
Directed by Louis Leterrier (Clash of the Titans, The Incredible Hulk), Fast X stars returning cast members Michelle Rodriguez, Tyrese Gibson, Chris “Ludacris” Bridges, Nathalie Emmanuel, Jordana Brewster, Sung Kang, Jason Statham, John Cena and Scott Eastwood, with Oscar® winner Helen Mirren and Oscar® winner Charlize Theron.
The film also features an extraordinary new cast including Oscar® winner Brie Larson as Tess, a rogue representative from the Agency; Alan Richtson (Reacher) as Aimes, the new head of the Agency who doesn’t hold the same fondness for Dom’s crew as his predecessor, Mr. Nobody; Daniela Melchior (The Suicide Squad) as a Brazilian street racer with a powerful tie to Dom’s past; and legendary Oscar® winner Rita Moreno as Dom and Mia’s Abuelita Toretto.
Fast X is produced by Neal H. Moritz, Vin Diesel, Justin Lin, Jeff Kirschenbaum and Samantha Vincent. The executive producers are Joseph M. Caracciolo, Jr., David Cain, Chris Morgan, Amanda Lewis and Mark Bomback. www.thefastsaga.com
BARBIE THE MOVIE might be hitting theaters this summer, but today we have this first look at the new posters and second trailer for the film that’s sure to be a splash!
To live in Barbie Land is to be a perfect being in a perfect place. Unless you have a full-on existential crisis. Or you’re a Ken.
From Oscar-nominated writer/director Greta Gerwig (“Little Women,” “Lady Bird”) comes “Barbie,” starring Oscar-nominees Margot Robbie (“Bombshell,” “I, Tonya”) and Ryan Gosling (“La La Land,” “Half Nelson”) as Barbie and Ken, alongside America Ferrera (“End of Watch,” the “How to Train Your Dragon” films), Kate McKinnon (“Bombshell,” “Yesterday”), Michael Cera (“Scott Pilgrim vs. the World,” “Juno”), Ariana Greenblatt (“Avengers: Infinity War,” “65”), Issa Rae (“The Photograph,” “Insecure”), Rhea Perlman (“I’ll See You in My Dreams,” “Matilda”), and Will Ferrell (the “Anchorman” films, “Talladega Nights”). The film also stars Ana Cruz Kayne (“Little Women”), Emma Mackey (“Emily,” “Sex Education”), Hari Nef (“Assassination Nation,” “Transparent”), Alexandra Shipp (the “X-Men” films), Kingsley Ben-Adir (“One Night in Miami,” “Peaky Blinders”), Simu Liu (“Shang-Chi and the Legend of the Ten Rings”), Ncuti Gatwa (“Sex Education”), Scott Evans (“Grace and Frankie”), Jamie Demetriou (“Cruella”), Connor Swindells (“Sex Education,” “Emma.”), Sharon Rooney (“Dumbo,” “Jerk”), Nicola Coughlan (“Bridgerton,” “Derry Girls”), Ritu Arya (“The Umbrella Academy”), Grammy Award-winning singer/songwriter Dua Lipa and Oscar-winner Helen Mirren (“The Queen”).
Gerwig directed “Barbie” from a screenplay by Gerwig & Oscar nominee Noah Baumbach (“Marriage Story,” “The Squid and the Whale”), based on Barbie by Mattel. The film’s producers are Oscar nominee David Heyman (“Marriage Story,” “Gravity”), Robbie, Tom Ackerley and Robbie Brenner, with Michael Sharp, Josey McNamara, Ynon Kreiz, Courtenay Valenti, Toby Emmerich and Cate Adams serving as executive producers.
Gerwig’s creative team behind the camera included Oscar-nominated director of photography Rodrigo Prieto (“The Irishman,” “Silence,” “Brokeback Mountain”), six-time Oscar-nominated production designer Sarah Greenwood (“Beauty and the Beast,” “Anna Karenina”), editor Nick Houy (“Little Women,” “Lady Bird”), Oscar-winning costume designer Jacqueline Durran (“Little Women,” “Anna Karenina”), visual effects supervisor Glen Pratt (“Paddington 2,” “Beauty and the Beast”), music supervisor George Drakoulias (“White Noise,” “Marriage Story”) and Oscar-winning composer Alexandre Desplat (“The Shape of Water,” “The Grand Budapest Hotel”).
Warner Bros. Pictures Presents a Heyday Films Production, a LuckyChap Entertainment Production, a Mattel Production, “Barbie.” The film will be distributed worldwide by Warner Bros. Pictures and released in theaters only nationwide on July 21, 2023 and beginning internationally on July 19, 2023.
L to R: Vin Diesel and Daniela Melchior in FAST X, directed by Louis Leterrier
Watch the thrilling Big Game spot for FAST X, hitting theaters May 19.
Fast X, the tenth film in the Fast & Furious Saga, launches the final chapters of one of cinema’s most storied and popular global franchises, now in its third decade and still going strong with the same core cast and characters as when it began.
Over many missions and against impossible odds, Dom Toretto (Vin Diesel) and his family have outsmarted, out-nerved and outdriven every foe in their path. Now, they confront the most lethal opponent they’ve ever faced: A terrifying threat emerging from the shadows of the past who’s fueled by blood revenge, and who is determined to shatter this family and destroy everything—and everyone—that Dom loves, forever.
In 2011’s Fast Five, Dom and his crew took out nefarious Brazilian drug kingpin Hernan Reyes and decapitated his empire on a bridge in Rio De Janeiro. What they didn’t know was that Reyes’ son, Dante (Aquaman’s Jason Momoa), witnessed it all and has spent the last 12 years masterminding a plan to make Dom pay the ultimate price.
Brie Larson is Tess in FAST X, directed by Louis LeterrierJason Momoa is Dante in FAST X, directed by Louis Leterrier
Dante’s plot will scatter Dom’s family from Los Angeles to the catacombs of Rome, from Brazil to London and from Portugal to Antarctica. New allies will be forged and old enemies will resurface. But everything changes when Dom discovers that his own 8-year-old son (Leo Abelo Perry, Black-ish) is the ultimate target of Dante’s vengeance.
Directed by Louis Leterrier (Clash of the Titans, The Incredible Hulk), Fast X stars returning cast members Michelle Rodriguez, Tyrese Gibson, Chris “Ludacris” Bridges, Nathalie Emmanuel, Jordana Brewster, Sung Kang, Jason Statham, John Cena and Scott Eastwood, with Oscar® winner Helen Mirren and Oscar® winner Charlize Theron.
The film also features an extraordinary new cast including Oscar® winner Brie Larson as Tess, a rogue representative from the Agency; Alan Richtson (Reacher) as Aimes, the new head of the Agency who doesn’t hold the same fondness for Dom’s crew as his predecessor, Mr. Nobody; Daniela Melchior (The Suicide Squad) as a Brazilian street racer with a powerful tie to Dom’s past; and legendary Oscar® winner Rita Moreno as Dom and Mia’s Abuelita Toretto.
Fast X is produced by Neal H. Moritz, Vin Diesel, Justin Lin, Jeff Kirschenbaum and Samantha Vincent. The executive producers are Joseph M. Caracciolo, Jr., David Cain, Chris Morgan, Amanda Lewis and Mark Bomback.
Check out the brand new trailer for director David F. Sandberg’s (“Shazam!,” “Annabelle: Creation”) SHAZAM! FURY OF THE GODS.
Hitting theaters on March 17, the film continues the story of teenage Billy Batson who, upon reciting the magic word “SHAZAM!,” is transformed into his adult Super Hero alter ego, Shazam.
Bestowed with the powers of the gods, Billy Batson and his fellow foster kids are still learning how to juggle teenage life with having adult Super Hero alter-egos. But when the Daughters of Atlas, a vengeful trio of ancient gods, arrive on Earth in search of the magic stolen from them long ago, Billy—aka Shazam—and his family are thrust into a battle for their superpowers, their lives, and the fate of their world.
Check out the trailer breakdown HERE with Sandberg where he talks about dragons, the daughters of Atlas and the magic word.
“Shazam! Fury of the Gods” stars returning cast members Zachary Levi (“Thor: Ragnarok”) as Shazam; Asher Angel (“Andi Mack”) as Billy Batson; Jack Dylan Grazer (“It Chapter Two”) as Freddy Freeman; Adam Brody (“Promising Young Woman”) as Super Hero Freddy; Ross Butler (“Raya and the Last Dragon”) as Super Hero Eugene; Meagan Good (“Day Shift”) as Super Hero Darla; D.J. Cotrona (“G.I. Joe: Retaliation”) as Super Hero Pedro; Grace Caroline Currey (“Annabelle: Creation”) as Mary Bromfield / Super Hero Mary; Faithe Herman (“This Is Us”) as Darla Dudley; Ian Chen (“A Dog’s Journey”) as Eugene Choi; Jovan Armand (“Second Chances”) as Pedro Pena; Marta Milans (“White Lines”) as Rosa Vasquez; Cooper Andrews (“The Walking Dead”) as Victor Vasquez; with Djimon Hounsou (“A Quiet Place Part II”) as Wizard.
Joining the cast are Rachel Zegler (“West Side Story”), with Lucy Liu (“Kung Fu Panda” franchise) and Helen Mirren (“F9: The Fast Saga”).
The film is directed by David F. Sandberg (“Shazam!,” “Annabelle: Creation”) and produced by Peter Safran (“Aquaman,” “The Suicide Squad”). It is written by Henry Gayden (“Shazam!,” “There’s Someone Inside Your House”) and Chris Morgan (“Fast & Furious Presents: Hobbs & Shaw,” “The Fate of the Furious”), based on characters from DC; Shazam! was created by Bill Parker and C.C. Beck. Executive producers are Walter Hamada, Adam Schlagman, Richard Brener, Dave Neustadter, Victoria Palmeri, Marcus Viscidi and Geoff Johns.
Joining director Sandberg behind-the-camera are director of photography Gyula Pados (the “Jumanji” franchise), production designer Paul Kirby (“The Old Guard,” “Jason Bourne”) and editor Michel Aller (“Shazam!,” “The Nun”). The music supervisor is Season Kent (“DC League of Super-Pets,” “The Addams Family 2”) and the music is by Christophe Beck (“Free Guy,” “Frozen II”).
Visual effects supervisors are Bruce Jones (“Aquaman,” “It”) and Raymond Chen (“Alita: Battle Angel,” “The Meg”). The costume designer is Louise Mingenbach (“Jumanji: The Next Level,” “Godzilla: King of the Monsters”).
New Line Cinema presents A Peter Safran Production of A David F. Sandberg Film, “Shazam! Fury of the Gods,” which is set to open in theaters internationally beginning 15 March 2023 and in North America on March 17, 2023
Check out the first trailer for director David F. Sandberg’s SHAZAM! FURY OF THE GODS.
The trailer appeared to a hyped up crowd during Warner Bros. Pictures’ theatrical panel in Hall H at the San Diego Comic Con 2022. Zachary Levi, Director David F. Sandberg, Asher Angel, Jack Dylan Grazer and Lucy Liu attended the panel to discuss the sequel set to open in theaters internationally beginning 15 December 2022 and in North America on December 21, 2022.
The most energetic moment of the panel was when Helen Mirren and Rachel Zegler appeared remotely via video, and Mirren celebrated her female costars by saying, “Yay, pussy power!”
During the audience Q&A, Levi was asked if Superman would appear in this movie. “I can neither confirm nor deny allegations such as these,” he replied winkingly. He also fielded the question about a possible “Shazam 3” by encouraging fans to support the sequel, saying, “If you guys go and see this one and you like it.”
Zachary LeviJack Dylan GrazerLucy LiuAsher Angel, Lucy Liu, Jack Dylan Grazer, Zachary Levi
From New Line Cinema comes “Shazam! Fury of the Gods,” which continues the story of teenage Billy Batson who, upon reciting the magic word “SHAZAM!,” is transformed into his adult Super Hero alter ego, Shazam.
“Shazam! Fury of the Gods” stars returning cast members Zachary Levi (“Thor: Ragnarok”) as Shazam; Asher Angel (“Andi Mack”) as Billy Batson; Jack Dylan Grazer (“It Chapter Two”) as Freddy Freeman; Adam Brody (“Promising Young Woman”) as Super Hero Freddy; Ross Butler (“Raya and the Last Dragon”) as Super Hero Eugene; Meagan Good (“Day Shift”) as Super Hero Darla; D.J. Cotrona (“G.I. Joe: Retaliation”) as Super Hero Pedro; Grace Caroline Currey (“Annabelle: Creation”) as Mary Bromfield / Super Hero Mary; Faithe Herman (“This Is Us”) as Darla Dudley; Ian Chen (“A Dog’s Journey”) as Eugene Choi; Jovan Armand (“Second Chances”) as Pedro Pena; Marta Milans (“White Lines”) as Rosa Vasquez; Cooper Andrews (“The Walking Dead”) as Victor Vasquez; with Djimon Hounsou (“A Quiet Place Part II”) as Wizard.
Joining the cast are Rachel Zegler (“West Side Story”), with Lucy Liu (“Kung Fu Panda” franchise) and Helen Mirren (“F9: The Fast Saga”).
The film is directed by David F. Sandberg (“Shazam!,” “Annabelle: Creation”) and produced by Peter Safran (“Aquaman,” “The Suicide Squad”). It is written by Henry Gayden (“Shazam!,” “There’s Someone Inside Your House”) and Chris Morgan (“Fast & Furious Presents: Hobbs & Shaw,” “The Fate of the Furious”), based on characters from DC; Shazam! was created by Bill Parker and C.C. Beck.
Executive producers are Walter Hamada, Adam Schlagman, Richard Brener, Dave Neustadter, Victoria Palmeri, Marcus Viscidi and Geoff Johns. Joining director Sandberg behind-the-camera are director of photography Gyula Pados (the “Jumanji” franchise), production designer Paul Kirby (“The Old Guard,” “Jason Bourne”) and editor Michel Aller (“Shazam!,” “The Nun”). The music supervisor is Season Kent (“DC League of Super-Pets,” “The Addams Family 2”) and the music is by Christophe Beck (“Free Guy,” “Frozen II”). Visual effects supervisors are Bruce Jones (“Aquaman,” “It”) and Raymond Chen (“Alita: Battle Angel,” “The Meg”). The costume designer is Louise Mingenbach (“Jumanji: The Next Level,” “Godzilla: King of the Monsters”).
New Line Cinema presents A Peter Safran Production of A David F. Sandberg Film, “Shazam! Fury of the Gods,” which is set to open in theaters internationally beginning 15 December 2022 and in North America on December 21, 2022.
