*** Fair warning, this review may contain some very, very MINOR spoilers. ***
It’s a rare thing that a sequel surpasses it’s predecessor, and in the case of WRATH OF THE TITANS, the theory wavers slightly. CLASH OF THE TITANS (2010) was a remake of the 1981 Ray Harryhausen classic that had action and lots of CGI special effects but did little to honor the original, nor did it compare to the thrill and excitement the 1981 original still offers fans. With this sequel, loosely based on the the 1981 screenplay written by Beverley Cross, who also wrote the 1981 original CLASH OF THE TITANS, the film ponies up a more fluid story with better special effects, but the pacing differs greatly from the 2010 CLASH OF THE TITANS.
WRATH OF THE TITANS takes place a decade after Perseus (Sam Worthington) defeated the Kraken. Having turned down his god-father Zeus’ offer to rule by his side from Olympus, the demi-god [half human/half god] Perseus now attempts to live a normal, human life with his son in a small village. Perseus devotes his life to his son now, but when Zeus returns asking for Perseus to fight once more to save the world, Perseus sticks to his guns and stays with his son… at first. Perseus doesn’t realize the severity of his father’s need for his help.
Meanwhile, in the realm of the gods, Hades (Ralph Fiennes) has something up his cloak and is secretly plotting to dethrone Zeus (Liam Neeson) and free their father Kronos from the prison within which Zeus and Hades once confined him. The key to this story is that the gods are growing weaker as humanity no longer prays to them, which means the safeguards they have placed in the world to protect humanity weaken along with their power, threatening to unleash the Titans on the world. This is bad news, but it takes nearly losing his father to bring Perseus around once more and step into his big boy shoes to save the day for all mankind.
WRATH OF THE TITANS is directed by Jonathan Liebesman, who’s last outing was in last years BATTLE LOS ANGELES, a film I would describe as great looking but story lacking. While the story itself was a plus in WRATH OF THE TITANS — and it did look great, with cinematography from Ben Davis — I do see some pacing similarities between the two films. Both have some extremely intense action sequences that are well constructed, but the time spent between these high-octane moments tends to falter a bit, losing some of the momentum, requiring a fresh buildup to the next round of excitement, acting as a slow, unnecessary buffer.
Sam Worthington has hair this time around, which I consider a good thing. His quasi-miliatry buzz cut from CLASH OF THE TITANS always bothered me, as if he just came off the set of AVATAR to shoot CLASH. Leading man aside, the cast was one of the high points in this sequel. Neeson and Fiennes aside, both of whom were naturally enjoyable, Danny Huston returns for a short time as Poseidon and Edgar Ramirez plays Ares, the god of war. Queen Andromeda features a new face, played this time around by Rosamund Pike, replacing Alexa Davalos.
However, the real acting treat in WRATH OF THE TITANS comes from Bill Nighy, who plays the “fallen one” Hephaestus and whom serves a vital role in the quest of Perseus. Nighy, a veteran actor not unaccustomed to fantasy and genre films, is usually a fan favorite, from his roles in SHAUN OF THE DEAD to the UNDERWORLD franchise. Covered in long, gray hair and a ratty beard, it’s difficult at first to recognize the actor, especially when he attempts to disguise his voice, but the tell-tale vocal trademarks and mannerisms do still shine through, resulting in a pleasant “hey, I know him” epiphany. Nighy delivers a fun time in the middle of a movie that mostly takes itself very seriously.
As I mentioned, the special effects are better in WRATH OF THE TITANS than in the CLASH remake. From the monstrous double-bodied soldiers called the Makhai, wielding a relentless onslaught of death and destruction onto the human army, to the fire-breathing bat-dog things and the Chimera, a small band of giant Cyclops, the creature design and effects are the true stars of the film. In this way, WRATH feels like a Harryhausen film, but not it’s equal. Kronos, in particular — albeit lumbering and slow — is quite the eyeful of coolness and scary to boot when you consider what he is and what it would be like in real life. The one creature design I was disappointed in was during the labyrinth segment — a very well designed segment, I might add — when Perseus confronts the minotaur, which I felt lacked greatly, resembling little more than THE GOONIES’ Sloth with horns stuck to his head.
Overall, WRATH OF THE TITANS is a solid film, a true summer blockbuster that will draw crowds and makes lots of money. WRATH is slightly more accomplished than the CLASH remake, enough so to be noticeable and enjoyable. Perhaps it was just me, but beware the down time between the action sequences. These would be good times to sip freely from your caffeine tank, nestled closely in your cup holder. Finally, I suppose I’ll mention the ever present 3D, which is a far cry better than the virtually non-existent 3D of CLASH OF THE TITANS, rendered pointlessly in post-production. The 3D is there in WRATH, visible and effective, if you’re into the blatantly self-conscious, somewhat gimmicky style of 3D in film. My recommendation — as usual — go old school and see the film in 2D.
Overall Rating: 3 0ut of 5 stars
