MAXXXINE – Review

(L-R) Mia Goth as Maxine and Halsey as Tabby, in MAXXXINE. Photo Credit: Justin Lubin. Courtesy of A24

Director Ti West and actor Mia Goth are back with a third film in the X horror series. MAXXXINE is a sequel to 2022’s X, while the second in the series, PEARL (also 2022), was a prequel. The first film, X, was a surprise hit at SXSW with audiences and critics, a kind of fun, tongue-in-cheek homage to both horror and porno films of the late 1970s and early 1980s, where the owner of a strip joint and his pals set out in make a porno film titled “The Farmers’ Daughters” at a rural house they have rented from an elderly couple, but without telling the old folks what kind of film they are making. Mia Goth plays in dual roles as one of the actresses in the porno, Maxine, and the elderly farm wife, Pearl. Following the traditions of horror films of that earlier era, their sexual misbehavior is punished by murder and mayhem.

MAXXINE is set in 1985 Hollywood, when the Night Stalker serial killer was roaming the streets. Mia Goth again plays Maxine, the sole survivor of the Texas massacre in the first movie, who is now working in the Hollywood adult film industry under the name Maxine Minx, while concealing her violent past. Maxine is ambitious to make the leap to mainstream movies via horror films, and gets her chance in an audition for “The Puritan II,” a sequel to a horror hit directed by Elizabeth Bender (Elizabeth Debicki).

The film opens with black-and-white home movie footage of Maxine as a child performing on stage while hear her unseen preacher daddy (Simon Prast), who encourages her ambitions to be the “star” of the church, which sets up a backstory for ambitious Maxine. Maxine’s ambitions to step up to stardom via horror is backed by her agent/lawyer Teddy Knight (Giancarlo Esposito). But her closest friend and confidant is Leon (musician Moses Sumney), a clerk at the X-rated video store under her upstairs apartment. Ambitious and hardworking Maxine has a second job, as a live performer at a peep show, and declines two co-workers’ separate invitations to join them at a party at a fancy house near the Hollywood sign. As the Nightstalker takes more victims and police detectives (Bobby Cannavale and Michelle Monaghan) investigate the murders, a mysterious man, wearing black leather gloves, pays to see Maxine at the peep show but reacts with anger at what he sees. Shortly after, a sleazy Southern private detective, Labat (Kevin Bacon), contacts Maxine with a threat to reveal her past if she doesn’t accept his mysterious employer’s invitation to the house under the Hollywood sign.

MAXXXINE is absolutely packed with movie references and shots of icon Hollywood locations, including famous backlot sets, which is actually the biggest thrill in this horror-homage thriller.

As you can guess from the cast, the third film in the series has a bigger budget and hence a more star-studded cast, including Kevin Bacon, Bobby Cannavale, Michelle Monaghan and Giancarlo Esposito.

Like the first film, MAXXXINE is less an actual scary horror movie than an homage to horror movies, and to soft porn videos and drive-in fare of the early 1980s era. The Hollywood setting means the filmmakers could include wonderful location shots, such as the set for PSYCHO, and both visual and dialog references to a host of classic thrillers, including CHINATOWN, often with a dark humor twist, such as one with a Buster Keaton impersonator.

Mia Goth again does the good job she did the the first two films, and adding the stars to the cast are a bonus. A particular standout is Kevin Bacon, as the oily New Orleans private detective bedeviling Maxine, in a sleazy version of Jack Nicholson’s character in CHINTOWN (complete with bandaged nose) crossed with a number of gangster film baddies, until he gets his comeuppance via Giancarlo Esposito’s “Better Call Saul”-ish agent/lawyer.

In fact, the too-few moments like that and the many other movie references, along with the chance to see behind to facades of some famous film sets, such as going inside through the doors of the mansion on the hill behind the Bates Motel, are the major thrills in MAXXXINE. Otherwise, the movie is not very suspenseful or scary, and it has less tongue-in-cheek humor or Hammer Film fake bloodiness than the first one (although cheesy Hammer Film effects do get a mention). Of course, there is some gore and violence, but much less than you might expect, and the tension and thrills are sparse, as are the dark humor moments. It’s not the first time an indie film has been diminished by a bigger budget, of course, but audiences expecting the same horror-homage entertainment as the first one are likely to feel let down. However, fans of Old Hollywood and classic thrillers will get some treats in the movie’s tour of backlots and back streets circa 1985.

MAXXXINE opens Friday, July 5, in theaters.

RATING: 2 out of 4 stars

Mia Goth Goes Hollywood In First Trailer For Ti West’s MaXXXine

A24 has dropped the brand new trailer for writer-director Ti West’s, MaXXXine, the third installment of the X film series.

In 1980s Hollywood, adult film star and aspiring actress Maxine Minx finally gets her big break. But as a mysterious killer stalks the starlets of Hollywood, a trail of blood threatens to reveal her sinister past.

Starring Mia Goth, Elizabeth Debicki, Moses Sumney, Michelle Monaghan, Bobby Cannavale, Halsey, Lily Collins, with Giancarlo Esposito and Kevin Bacon, check out the first look now.

The X series includes an original film, its prequel, and now its star-filled sequel.

Writer-director Ti West (The House of the Devil) followed-up to his hit slasher movie X, with PEARL in 2022. Revisiting the unforgettable character Pearl, the film was about the obsessive old voyeur who relentlessly stalked Mia Goth’s Maxine Minx character across the Texas farm that Pearl never managed to escape. Played in the first film by Mia Goth in a dual role, Maxine/ Pearl explored the dualities and longings of two very different women—a young porn actress in 1979 dreaming of stardom and an octogenarian born at the turn of the last century who yearns for youthful attention.

Pearl remained an indelibly strong, empathetic, even winsome character. Viewed in tandem with X, West’s second installment in the franchise made a poignant statement on aging, regret, and the passage of time. (review)

Written and Directed by Ti West, MaXXXine is produced by Jacob Jaffke, Ti West, Kevin Turen, Harrison Kreiss, Mia Goth.

Director of Photography Eliot Rockett, Production Design by Jason Kisvarday, Editing by Ti West Costume Design by Mari-An Ceo, Sound Design by Karen Baker Landers and Casting by Jessica Kelly. Composer Tyler Bates returns as composer for the third film.

MaXXXine is in theaters on July 5, 2024.
Rated R.

SPINNING GOLD – Review

The film year of 2022 pretty much ended with a “music biopic”, WHITNEY HOUSTON: I WANNA DANCE WITH SOMEBODY (at least I’m making it the “year’s end” as it was the last advance screening I attended). It did fairly well at the box office but didn’t come close to the critical and award accolades of BOHEMIAN RHAPSODY or JUDY. But that’s not going to halt Hollywood from “mining” this material, and so we’re getting a tune-filled “true” tale at the end of 2023’s first quarter. Oh, but this has a twist in that it doesn’t center around a beloved performer. No, this concerns the head of a record company. Yeah kids, in those ancient days before streaming and downloading, people went to brick-and-mortar stores and bought discs produced by these companies AKA recording labels. And one of the biggest of them in the mid-70s into the early 80s was an “upstart” dubbed Casablanca Records, whose goal was to produce “top of the charts” hits. And for a time they were very adept at SPINNING GOLD.


The name of the company is a knowing wink at their “head honcho”, the flamboyant “schmoozer” who named himself Neil Bogart (Jeremy Jordon), hence he’s no relation to the 40s film icon. After a fluffy bit of fantasy involving the tune “Oh, Happy Day”, and a disastrous “showcase” for one of his (eventual) “super-bands”, he guides us through his early years, bouncing from job to job while watching his hustling pop Al (Jason Isaacs) fail to grab the “gold ring”. He meets his future wife Beth (Michelle Monaghan) while teaching dance lessons at her family’s hotel. Soon after, he’s a promoter for MGM records (even scoring as a singer with a “single” tune), which leads to a big spot at “indie” Buddha Records. But Neil has dreams of his own company, so with a few “shady loans from casino mogul Big Joey (Vincent Pastore), he creates Casablanca Records along with a loyal motel crew/staffers (Peyton List, Jay Pharoah, Dan Fogler, and James Wolk). After “poaching” a few established music stars like the Isley Brothers and Gladys Knight, the team hunts for new “properties”. Giorgio Moroder (Sebastian Maniscalo) has produced a unique sound with a transplanted US vocalist in Germany, Donna Summer (Tayla Parx), but what really interests Neil is this hard-rockin’ band that mixes make-up, kinky black jumpsuits, and pyrotechnics called Kiss. And he’s really, really interested in their manager Joyce (Lyndsy Fonseca). Over the next few years, Neil and his posse dodge creditors, evade vengeful record rivals and sign hitmakers like the Village People, Bill Withers, and Parliment as they ride the roller coaster of fame and fortune. But can Steven keep his professional and personal life from crumbling as the temptations of the time, especially that “nose candy”, lure him into a downward spiral?

Making extensive use of his stage musical skills (the original Broadway “Newsies”), Jordan’s giving it his all to make Bogart an endearing “wildcard”. It all comes together best when Jordan joins the “hitmakers’ during the creative process, especially with Knight (who’d take a “Midnight Train to Houston”), but he flounders when the script tries to get past Bogart’s moral failing, making his repeated defense of his adultery, “It’s complicated”, a lazy punchline. In order to make this complex, flawed character work, perhaps a more seasoned screen presence was needed, though Jordan is a talent on the rise. Monaghan is captivating as the first wife under his spell, but the story jettisons her in the last act, reducing her to Neil’s suffering “doormat”, while Fonseca’s Joyce pushes against the “other woman” label, she’s fair too tolerant of Neil’s recklessness. Isaac’s as the neer-do-well papa drops into the tale randomly, to remind Neil of his roots and to show him that the “apple doesn’t fall far…”. Wolk, List, and Gad are almost interchangeable as Neil’s “funky flunkies” (Gad is the go-to comic “pitbull”), but SNL vet Pharoah is effective as Neil’s “window to reality”. Ditto for another “SNL-er”, Chris Redd as a DJ who becomes the “well-oiled” doorway for Casablanca’s product. Unfortunately, the funny Maniscalo has little to do as producer Moroder, other than affect a low ethnic rumble line delivery. Of the label’s “talent,” the stand-outs are Casey Like as the surly mercenary Kiss frontman Gene Simmons and Parx as the often perplexed but sultry songstress Summer.

Since the person at the heart of this biopic is the son of the main subject (with his other heirs listed as producers, you might think that Timothy Scott Bogart had written and directed an affectionate “fluff piece”, extolling his pop’s genius. Well, there’s a bit of that, though he doesn’t gloss over the “dents and dings” in Neil’s armor. Yup, the high points of his legacy shine through, with some stars getting better treatment than others (why do the Village People only get a minute or so, almost as an afterthought). We’re meant to think of Neil as a charming “rascal”, a “bad boy” made good by out-hustling “the squares”. But mostly his showboating comes off as a flashy arrogance, a grating ‘showboat” constantly pulling fiery magician’s flash-paper out of his pockets (what “money man” would take him seriously). we even get an ongoing “debt or profit” title card for “time jumps”. Like his tricks, Neil and his antics become tiresome over the over two-hour runtime. Ditto for the 70s fashions and facial hair (it’s kitschy, we get it) and the constant chainsmoking (an excuse for the young cast to seem cooler and “edgy”). And could they have picked a more cliched final fadeout tune? Despite its “adult themes” (a recent hyped-up movie ursine would snort it up), this “jukebox musical life story” seems more suited to basic cable TV. The end result is closer to zirconium with the ponderous SPINNING GOLD.

1.5 Out of 4

SPINNING GOLD opens in select theatres on Friday, March 31, 2023

Blumhouse’s And Columbia Pictures’ THE CRAFT: LEGACY From Writer/Director Zoe Lister-Jones, to Hit PVOD and EST For Halloween, Starting Midnight October 28

Blumhouse Productions and Columbia Pictures announced today that The Craft: Legacy will be available widely on PVOD this Halloween on October 28 with leading digital retailers for a 48-hour rental period at a suggested retail price of $19.99, and for premium digital purchase at a suggested retail price of $24.99. An international theatrical release is anticipated in several territories, with details to be solidified in the weeks ahead.

Zoe Lister-Jones’ film, from Blumhouse and Red Wagon Entertainment for Columbia Pictures, is a continuation of the cult hit The Craft (1996), in which an eclectic foursome of aspiring teenage witches get more than they bargained for as they lean into their newfound powers. Written and directed by Zoe Lister-Jones, the film stars Cailee Spaeny (Bad Times at the El Royale, On the Basis of Sex), Gideon Adlon (The Society, Blockers, The Mustang), Lovie Simone (Selah & the Spades, Greenleaf), Zoey Luna (Pose, Boundless), and Nicholas Galitzine (Cinderella), with Michelle Monaghan and David Duchovny.

 “I’m thrilled to be able to share The Craft: Legacy with audiences all over the world this Halloween,” said the film’s writer and director, Zoe Lister-Jones. “It’s been a true privilege to take on such an iconic title. I can’t wait for the world to meet the incredible young women who make up our new coven.”

 “Zoe Lister-Jones has put a bewitching twist on continuing The Craft franchise, and October is the perfect season for it,” said producer Jason Blum. “We’re thrilled that our partners at Sony Pictures are looking at the landscape opportunistically this Halloween, for audiences to watch at home in the U.S.”

 Zoe Lister-Jones is writing, directing, and executive producing. Jason Blum is producing for Blumhouse. Academy Award-winning producer Douglas Wick (who also produced the original film) and Lucy Fisher are producing for Red Wagon Entertainment. Executive producing are Andrew Fleming, who directed and co-wrote the original film; Lucas Wiesendanger, from Red Wagon Entertainment; Daniel Bekerman; Beatriz Sequeira, Jeanette Volturno, and Couper Samuelson for Blumhouse; and Natalia Anderson.

MISSION: IMPOSSIBLE – FALLOUT – Review

Oh no, those dreaded “back to school” commercials and sales flyers are suddenly popping up everywhere. Action film fans must realize that the Summer movie season will be over in a few short weeks. Serious cinema will be on its way post Labor Day. SKYSCRAPER was weeks away, while the return of Denzel as THE EQUALIZER may be too brutal for the pre-teen date crowds (it”s rated “R” for “really rough”). The superheroes have packed away their tights and capes for a few months. How about some spies, instead? Well, we won’t be seeing the “JB” duo, Bond and Bourne, anytime soon. So, blockbuster thriller fans will have to rely on another franchise, now in its 22nd year and its sixth installment. And all from a broadcast network TV show, which had a pretty good run of seven seasons, along with one of the greatest opening title music tracks ever (as instantly recognizable as Monty Norman’s 007 intro riff). Of course having one of the biggest movie stars of the last four decades helps. Multiplexes may need to install safety belts to their theatre seats as Tom Cruise returns as Ethan Hunt to lead his IMF (Impossible Missions Force) in MISSION: IMPOSSIBLE-FALLOUT.

This mission begins with Hunt (Cruise) getting his latest assignment via the signature device (a compact reel to reel tape deck) from the TV show (the second best holdover from the series other than Lalo Schifrin’s iconic theme). If course it’s “tricked-out” with a video projector and a pop-up needle to grab a blood sample ID (ouch). Hunt learns of the underground terror organization known as “the Apostles” and its mysterious leader “John Lark” (a phony name for an individual whose face is unknown). They plan to change civilazation through chaos (“the bigger the war, the bigger the peace”) and are targeting three cities with great religious significance (naturally). Seems that three globes of plutonium have been smuggled out of the former Soviet Union, and Lark has plans for them as part of three portable explosive devices. Ethan accepts the mission (was there any doubt) and soon his team, Luther (Ving Rhames) and Benji (Simon Pegg), are posing as buyers for the globes. Unfortunately an unknown third party disrupts the dark alley deal, and the globes are “in the wind”. After a nifty bit of deception pulled on a radical scientist, the IMF learns that the globes are in Paris, the property of a lauded philanthropist/secret arms provider known as the “White Widow” (Vanessa Kirby). But just as Ethan’s boss, former CIA head Hunley (Alec Baldwin), is about to send Hunt to a meeting with the Widow, the current CIA director Sloan (Angela Bassett) arrives on the tarmac with her number one operative August Walker (Henry Cavill). Sloan informs Hunley that the president is tired of the IMF’s “Halloween” games, and since they lost the globes, the CIA will now take over. After some fast negotiations, the operation becomes a joint mission between the two agencies with Hunt and Walker now a team (the two are most reluctant ). The men continue to butt heads during the Paris meet, even as they are suddenly joined by a former acquaintance of Hunt’s, MI-6 agent Ilsa Faust (Rebecca Ferguson), who we saw in the last film MISSION IMPOSSIBLE: ROGUE NATION. The quest for the deadly globes soon involves a former IMF foe, master terrorist Solomon Lane (Sean Harris) from MISSION IMPOSSIBLE: GHOST PROTOCOL, and even Hunt’s former wife Julia (Michelle Monaghan). Perhaps the film’s subtitle should’ve been “Homecoming”.

The “golden boy”, who’s now 56, bounces back from his last two action flick disasters (AMERICAN MADE was a character “dramedy”, while THE MUMMY and the second Jack Reacher debacles stopped two franchises dead in their tracks), much as Ethan seems to bounces off any surface with the slightest of injuries (a limp that lasts seconds till he’s back to full flexibility). His ability to “sell” a stunt or “action gag” is still a marvel, but Cruise is no mere “mint” action figure toy. We get to see a bit more of what makes Hunt “tick”. Yes, he’s a confident, always charging (primo Cruise running meme material here) dynamo, but there’s an inner conflict. He doesn’t want to harm an innocent, or “civilian”, no matter the stakes . He’s paying a big price here for his humanity. His “missions” have cost him a new romance (with Ilsa or even the sultry Widow) and his former wife. Plus there’s the continued frustration of having his loyalties doubted via a really elaborate “frame”. Cruise shows us Hunt’s physicality and conflicted soul, which gives all the shooting, jumping, dangling, and punching an extra “oomph”. As for his teammates, Rhames also shows his warmer side, being more than just “the man in the van”. Unfortunately the gifted Pegg has less opportunity to showcase his comedic gifts in this outing, but he gets in on the stunts a bit more. Ferguson still generates some sparks with Cruise, as his female counterpart whose motives always seem questionable. She’s out for herself, despite the helping hand she offers. Baldwin’s an endearing “hard case”, who goes from strict taskmaster to supportive father-like mentor. Harris is pure dead-eyed evil, his words spitting from his beard like a snake’s venom-tipped tongue. Bassett is “cold as ice’ as the smooth, demanding rival. The great surprise here is Cavill, the man from Krypton who’s truly  playing against type as the arrogant, back-stabbing (literally) ruthless Walker, almost the “anti-Ethan”. With his glaring eyes and thick mustache (no CGI there), he’s the bullying jock as ultimate blunt force weapon. Even though he’s on “our side”, he’s just as dangerous as any of the thugs and assassins.

Writer/director Christopher McQuarrie is another returning IMF vet having helmed the last installment (he’s the first director of two MI flicks). He keeps things moving at a brisk pace, improving on his work in ROGUE NATION (though the series best remains MISSION IMPOSSIBLE: GHOST PROTOCOL from INCREDIBLES 2’s Brad Bird), making sure the time between action set pieces is brief. This is one film that requires you to get your snacks (and do your bathroom business) before it begins, so as to not take a chance on missing some incredible stunt work. As for the script, it doesn’t feel as though the plot was shoe-horned into said stunt scenes, rather it has a more natural flow. But, as with many entries in this franchise, there are a few too many double, triple and quadruple crosses, stretching plausibility for the team to predict and prepare for any outcome (one character actually says something close to “Why must it always be so difficult?”). And as said earlier, we just have to believe that Cruise and company have endless stamina and Wolverine-like healing abilities (if the FAST AND THE FURIOUS series can ignore the laws of gravity, then…). After all, audiences return again and again to see what crazy bits of derring-do will try and top previous installments. McQuarrie and crew promise thrills and they certainly deliver, along with gorgeous exotic locations and impeccably tailored heroes and villains. Right now, the biggest “bang for your buck”, action-wise is the sixth, but far from final dangerous assignment, MISSION IMPOSSIBLE: FALLOUT. Somewhere the spirits of those first film action stars, Fairbanks, Keaton, and Lloyd must be pleased to see that the “thrill’ spectacles live on.

4 Out of 5 Stars

Win Passes To The Advance Screening Of MISSION: IMPOSSIBLE – FALLOUT, Starring Tom Cruise, In St. Louis

PARIS, FRANCE – JULY 12: Tom Cruise attends the Global Premiere of ‘Mission: Impossible – Fallout’ at Palais de Chaillot on July 12, 2018 in Paris, France. (Photo by Kristy Sparow/Getty Images for Paramount Pictures)

An early review says, “Mission: Impossible — Fallout is one of the best action movies ever made.”
– David Ehrlich, IndieWire

MISSION: IMPOSSIBLE – FALLOUT had its premiere in Paris. France last week.

Stars Tom Cruise, Vanessa Kirby, Angela Bassett, Michelle Monaghant, Henry Cavill and Simon Pegg attended the Global Premiere of ‘Mission: Impossible – Fallout’ at Palais de Chaillot on July 12, 2018. (Photo by Pascal Le Segretain/Getty Images)

PARIS, FRANCE – JULY 12: General atmosphere during the Global Premiere of ‘Mission: Impossible – Fallout’ at Palais de Chaillot on July 12, 2018 in Paris, France. (Photo by Aurelien Meunier/Getty Images for Paramount Pictures)

Global Premiere of ‘Mission: Impossible – Fallout’ at Palais de Chaillot on July 12, 2018 in Paris, France.

Watch the stars walk the red carpet at the world premiere of Mission: Impossible – Fallout.

Experience Mission: Impossible – Fallout in theatres, RealD 3D and IMAX on July 27, 2018.

The best intentions often come back to haunt you. MISSION: IMPOSSIBLE – FALLOUT finds Ethan Hunt (Tom Cruise) and his IMF team (Alec Baldwin, Simon Pegg, Ving Rhames) along with some familiar allies (Rebecca Ferguson, Michelle Monaghan) in a race against time after a mission gone wrong. Henry Cavill, Angela Bassett, and Vanessa Kirby also join the dynamic cast with filmmaker Christopher McQuarrie returning to the helm. Music is by Lorne Balfe.

ENTER FOR YOUR CHANCE TO WIN A PASS GOOD FOR TWO!

Date: July 23 at 7PM in the St. Louis area.

Answer the following:

What actor played IMF leader Jim Phelps in the original TV series?

Add you name, answer and email in our comments section below.

NO PURCHASE REQUIRED. A pass does not guarantee a seat at a screening. Seating is on a first-come, first served basis. The theater is overbooked to assure a full house.

Visit the official site:

https://www.missionimpossible.com

Rated PG 13.

Director Christopher McQuarrie And Tom Cruise, Henry Cavill, Ving Rhames, Simon Pegg Talk MISSION: IMPOSSIBLE – FALLOUT

Director Christopher McQuarrie and stars Tom Cruise, Henry Cavill, Ving Rhames & Simon Pegg discuss the non-stop thrill ride of the upcoming MISSION: IMPOSSIBLE – FALLOUT in the latest behind the scenes look at the movie.

The best intentions often come back to haunt you. MISSION: IMPOSSIBLE – FALLOUT finds Ethan Hunt (Tom Cruise) and his IMF team (Alec Baldwin, Simon Pegg, Ving Rhames) along with some familiar allies (Rebecca Ferguson, Michelle Monaghan) in a race against time after a mission gone wrong. Henry Cavill, Angela Bassett, and Vanessa Kirby also join the dynamic cast with filmmaker Christopher McQuarrie returning to the helm.

Experience MISSION: IMPOSSIBLE – FALLOUT in theatres, RealD 3D and IMAX on July 27, 2018.

Get tickets here: https://www.missionimpossible.com/

Left to right: Simon Pegg as Benji Dunn and Ving Rhames as Luther Stickell in MISSION: IMPOSSIBLE – FALLOUT

© 2018 Paramount Pictures. All rights reserved.

Watch Tom Cruise Do The Awesome HALO JUMP Stunt From 25,000 Feet For MISSION: IMPOSSIBLE – FALLOUT

Some missions are not a choice. Watch the official featurette from MISSION: IMPOSSIBLE – FALLOUT starring Tom Cruise where he completes a High Altitude Low Open skydive jump from over 25,000 feet while the plane is travelling at 165mph.

It’s an insane stunt, but Cruise pulls it off – awesome!

The best intentions often come back to haunt you. MISSION: IMPOSSIBLE – FALLOUT finds Ethan Hunt (Tom Cruise – “Top Gun,” “American Made,” “The Mummy”) and his IMF team (Alec Baldwin – “Saturday Night Live,” “The Boss Baby,” “Beetlejuice,” Simon Pegg – “Star Trek,” “Ready Player One,” Ving Rhames – “Pulp Fiction,” “Guardians of the Galaxy Vol. 2”) along with some familiar allies (Rebecca Ferguson – “The Greatest Showman,” ”The Girl on the Train,” Michelle Monaghan – “The Bourne Supremacy,” “The Heartbreak Kid”) in a race against time after a mission gone wrong.

Henry Cavill (“Justice League,” “Man of Steel”), Angela Bassett (“Black Panther,” “American Horror Story”), and Vanessa Kirby (“Me Before You,” “The Crown”) also join the dynamic cast with filmmaker Christopher McQuarrie (“Jack Reacher”) returning to the helm.

MISSION: IMPOSSIBLE – FALLOUT is in theatres July 27, 2018.

Visit the official site: facebook.com/MissionImpossibleMovie

Tom Cruise as Ethan Hunt

Photo Credit: Paramount Pictures
© 2018 Paramount Pictures. All rights reserved.

New MISSION: IMPOSSIBLE – FALLOUT Posters Feature Tom Cruise, Simon Pegg and Angela Bassett

The new character posters for MISSION: IMPOSSIBLE – FALLOUT have arrived.  Stars Tom Cruise, Henry Cavill, Simon Pegg, Rebecca Ferguson, Ving Rhames, Sean Harris, Angela Bassett, Vanessa Kirby and Alec Baldwin are featured.

The best intentions often come back to haunt you. MISSION: IMPOSSIBLE – FALLOUT finds Ethan Hunt (Tom Cruise) and his IMF team (Alec Baldwin, Simon Pegg, Ving Rhames) along with some familiar allies (Rebecca Ferguson, Michelle Monaghan) in a race against time after a mission gone wrong. Henry Cavill, Angela Bassett, and Vanessa Kirby also join the dynamic cast with filmmaker Christopher McQuarrie returning to the helm.

MISSION: IMPOSSIBLE – FALLOUT is in theatres July 27, 2018

Visit the film on Facebook: facebook.com/missionimpossiblemovie

Thrilling New Trailer For MISSION: IMPOSSIBLE – FALLOUT Stars Tom Cruise As IMF Agent Ethan Hunt

Paramount Pitures has released a killer new trailer for director Christopher McQuarrie’s MISSION: IMPOSSIBLE – FALLOUT, starring Tom Cruise. Check it out below.

The best intentions often come back to haunt you. MISSION: IMPOSSIBLE – FALLOUT finds Ethan Hunt (Tom Cruise) and his IMF team (Alec Baldwin, Simon Pegg, Ving Rhames) along with some familiar allies (Rebecca Ferguson, Michelle Monaghan) in a race against time after a mission gone wrong. Henry Cavill, Angela Bassett, and Vanessa Kirby also join the dynamic cast.

The latest chapter is produced by Tom Cruise, Christopher McQuarrie, Jake Myers and J.J. Abrams.

MISSION: IMPOSSIBLE – FALLOUT is in theatres July 27, 2018.

facebook.com/missionimpossiblemovie

Credit: Paramount Pictures
© 2018 Paramount Pictures. All rights reserved.

Tom Cruise as Ethan Hunt in MISSION: IMPOSSIBLE – FALLOUT