Fantastic New Trailer for Noah Hawley’s ALIEN: EARTH Hits – “We’re Seeing More Xenomorph than any of These Movies.”

It’s a great time to be an ALIEN fan. A brand new trailer was released on Thursday for the highly anticipated FX’s Alien: Earth.

This is absolutely brilliant, especially the final shot – what a great trailer. Can’t wait for August 12!

In an interview with Collider, creator Noah Hawley and executive producer and director Dana Gonzales had a ton of new info about the series:

“I think we designed something that is very photographable and scary and detailed. I don’t know if some of the older movies had some of the stunt techniques that we have now, the wirework, and the fact that we can kind of fly the Xeno around and stuff like that. So it’s not so much just coming out and scaring you and having that kind of jump scare. It’s literally flying through the air. It’s chasing. There’s a lot that supports the fact that you see it, and I don’t know if those other films had that.”

While the Alien franchise has featured some top-tier visual effects over the years and Alien: Earth does involve CG in post-production, Gonzales made a point to emphasize, “We don’t have any CG Xenomorph. It’s 100% real.” He continued:

“And the Facehuggers we have, they’re all real. I don’t know how many we have, but we have many Facehuggers that do different things. So there are mostly real creatures. I think [it’s] the fact that Wētā built these incredible characters that do several things really well that we can see them longer. Even the eggs are quite sophisticated, and we can show them. I think that’s gonna be the strength of the show, especially to have eight hours of that compared to an hour and a half movie and, like you said, four minutes. I don’t know our running time of creatures, but it’s going to be quite a bit.”

“There’s a lot of Xenomorph activity going on wall-to-wall.” He also teased, “Two and 3, I can tell you, are massive episodes. One, 2 and 3 together are going to be unbelievable.”

While Gonzales wouldn’t go as far as giving us a Xenomorph count for Alien: Earth, he did promise, “We’re seeing more Xenomorph than any of these movies.” He continued:

“All the movies, if you really study them, are like, 20 frame, two seconds, they show the Xenomorph. We have huge sequences where all you’re seeing is the Xenomorph.

In addition to showing more Xenomorph, Hawley emphasized another overall goal he and the team had when incorporating the iconic creatures into their story:

“I am trying to re-mystify Alien. So much of what made that first movie and the second movie so horrifying was that every time you thought you knew what the lifecycle of this creature was, it just got worse. It was like, okay, it’s an egg, and this giant crab comes out and grabs your face, and you think, ‘I’m out.’ Then it’s like, ‘No, I’m not done.’ Now, the giant crab lays another egg inside of you that then bursts out of your chest, and you’re like, ‘Okay, game over.’ Then it’s like, ‘No, now it grows to be 10 feet tall.’ Then James Cameron added, ‘Well, who’s laying those eggs?’ But you’re never going to get an audience to be surprised by that again, and so I’ve tried to come up with ways that the show returns that sense of, ‘What’s going to happen next? That’s so gross!’”

Check out the recently updated website too – with new Immersive Content: https://www.fxnetworks.com/shows/alien-earth/immersive-content

When the mysterious deep space research vessel USCSS Maginot crash-lands on Earth, “Wendy” (Sydney Chandler) and a ragtag group of tactical soldiers make a fateful discovery that puts them face-to-face with the planet’s greatest threat in FX’s Alien: Earth.

In the year 2120, the Earth is governed by five corporations: Prodigy, Weyland-Yutani, Lynch, Dynamic and Threshold. In this Corporate Era, cyborgs (humans with both biological and artificial parts) and synthetics (humanoid robots with artificial intelligence) exist alongside humans. But the game is changed when the wunderkind Founder and CEO of Prodigy Corporation unlocks a new technological advancement: hybrids (humanoid robots infused with human consciousness). The first hybrid prototype named “Wendy” marks a new dawn in the race for immortality. After Weyland-Yutani’s spaceship collides into Prodigy City, “Wendy” and the other hybrids encounter mysterious life forms more terrifying than anyone could have ever imagined.

Led by Chandler, the series showcases an expansive international cast, which includes Timothy Olyphant (“Kirsh”), Alex Lawther (“Hermit”), Samuel Blenkin (“Boy Kavalier”), Babou Ceesay (“Morrow”), Adrian Edmondson (“Atom Eins”), David Rysdahl (“Arthur Sylvia”), Essie Davis (“Dame Sylvia”), Lily Newmark (“Nibs”), Erana James (“Curly”), Adarsh Gourav (“Slightly”), Jonathan Ajayi (“Smee”), Kit Young (“Tootles”), Diêm Camille (“Siberian”), Moe Bar-El (“Rashidi”) and Sandra Yi Sencindiver (“Yutani”).

FX’s Alien: Earth is created for television and executive produced by Peabody and Emmy® Award-winning Noah Hawley. Ridley Scott, David W. Zucker, Joseph Iberti, Dana Gonzales and Clayton Krueger also serve as executive producers. Alien: Earth is produced by FX Productions.

CUSTOMS FRONTLINE – Review

A scene from Hong Kong action crime film CUSTOMS FRONTLINE. Courtesy of Well Go USA Entertainment

In CUSTOMS FRONTLINE, Hong Kong delivers plenty of high-octane, large-scale action in this subtitled contemporary cop adventure. The protagonists are the city’s harbor patrol, charged with stopping maritime smuggling. They learn a major international arms dealer that no one in law enforcement has ever seen may be routing heavy-duty weaponry through their waters. The case begins with their boarding an inbound ship with all its crew having been murdered. The retirement benefits for employees in that “industry” seem severely lacking. No union? No perks.

The harbor police teams with reps from Interpol in the pursuit. Our heroes are two guys leading the way. Cheung (Jacky Cheung) is the grizzled veteran. Lai (Nicholas Tse) is his adoring disciple. The story is complex, with scenes occurring in multiple countries, on land and sea, keeping lots of balls in the air, including who is trustworthy among the authorities. We know who the big bad boss is long before the cops do and witness the level of cold cruelty on that side of the crime coin. Many times.

Although Erica Li’s script is above average for the genre with a few surprises along the way, the real stars are director Herman Yau and the horde of stunt and F/X specialists who crafted the sets and choreographed the mayhem. Several sequences are epic in proportion, with a stunning array of shootouts, explosions and crashes while running up an impressive body count. Hong Kong’s sleek, modern architecture and picturesque harbor contrast nicely with the sordid events occurring therein.

Character development is better than most but the action provides more than sufficient reason to watch, and preferably on the largest available screen.

CUSTOMS FRONTLINE, in Mandarin and Cantonese Chinese with English subtitles, opens in theaters on Friday, July 19.

RATING: 2.5 out of 4 stars

TWISTERS – Review

(From left) Lily (Sasha Lane) and Tyler (Glen Powell) in TWISTERS, directed by Lee Isaac Chung. Courtesy of Universal Pictures

It’s summer, and tornadoes might be on the news and on your mind, so if a studio is releasing a disaster film with blockbuster hopes, tornadoes and storm-chasing are a good bet. There was just such a blockbuster hit back in the ’90s, TWISTER, starring Helen Hunt and Bill Paxton. TWISTERS, starring the rising star of the moment, Glen Powell, and the cute Daisy Edgar-Jones, is a kind of decedent of that action thrill ride, although not exactly a remake nor a sequel but a hybrid of both. Of course, the real star is the visual effects, many generations advanced from the original, with flying objects and terrifying, unpredictable power of tornadoes. In sequel and remake mad Hollywood, you have to wonder what took them so long

The original action thriller had Helen Hunt as a research meteorological scientist chasing storms and grant-funding and Bill Paxton as her estranged husband, a researcher turned weatherman who is done with storm-chasing, plus competition from a corporate weather research company headed by a former colleague. Directed, surprisingly, by Lee Isaac Chung, the Oscar-nominated writer-director of MINARI, TWISTERS has some echoes of that original film but no academic researchers this time and a very different romance in the story. Instead, we have a professional meteorologist, Kate Carter (Daisy Edgar-Jones) working with a private company and a tornado chaser Tyler Owens (from Texas, no less – Glen Powell), who meet on the windswept plains of Oklahoma. She isn’t there for academic research but to aid an old friend, Javi (Anthony Ramos) whose private weather research company is testing some new equipment and needs her expertise. The two have different reasons for being there, different style, different methods, different equipment, but both are there to chase tornadoes.

Glen Powell plays a showboat YouTube channel sensation, who along with his motley crew, chases tornadoes for their daredevil social media show, selling tee-shirts and trinkets along the way. Daisy Edgar-Jones is a professional in meteorology, now a respected figure working out of a high-tech office in New York, but once a storm-chasing Oklahoma graduate student, until a field test of her theory on how to “kill” a tornado goes tragically wrong, a traumatic experience that we see at the opening of the film.

But she is lured back to into the field, and her native Oklahoma, by an old friend who was part of the team helping her test her theory that day. The two have not seen each other for years but he reaches out to her for her expert help testing some new equipment for his weather-data collection business, providing precise, local data on tornadoes to his paying customers. We also get the sense that he has hope to reconnect with her in hopes of kindling romance.

The meteorologists gather in a field with other storm-chasers, some serious and others not, to watch the skies for a developing front with storm potential. YouTube star … and his wild crew pull in a red pickup truck and assorted dinged up vans with music blazing and hoots, drawing a crack from one in the crowd about rednecks from Arkansas.

Personally, I prefer more science in my science fiction (which this kind of is, since it deals in the science of weather and tornadoes), but there is little actual science in this remake/sequel. Kate’s old idea for stopping a tornado is pure fiction and there is a scene with an “eye” in a tornado (that’s hurricanes, not tornadoes, folks). But for most audiences, that won’t matter because they are just there for the FX, with are present in abundance – dazzling visual effects of the power of one of the most terrifying, dangerous forces in nature, the unpredictable tornado.

And you do get those visual jaw-droppers and a visceral thrill ride, although it takes awhile for the story to get started after the early terrifying sequence that shows why Kate is afraid to go back into the field of storm-chasing. After that flashback sequence, the film flashes forward to introduce characters in the present. We get some meet-cute scenes showing the differences between the free-wheeling Tyler and the more professional Kate, and to establish some of the differences between those chasing storms for data-collection and those chasing for thrills and social media likes.

Things really get underway as both sets of storm chasers are taking a break, with Tyler and Kate taking in a local rodeo. Things pick up quickly for the excitement and the storm effects, when a surprise night-time storm hits, sending everyone scrambling.

The effects in TWISTERS are truly thrilling, and massive things fly through the air (although no cows this time). The above sequence, and another awesome one with a movie screen, echo scenes in the original but everything is much bigger, and more impressive. However, audiences should note not to take advice from this film on what to do in a real tornado – heading for a movie auditorium is not the safe choice.

There is little science or accurate information about tornadoes in this one, and Kate’s theory on how to kill a tornado is pure fiction, but the tornado scenes do supply summer escapist thrills, if no practical advice. Also, the romance between the two leads never really takes off, unlike a number of truck and buildings, as there is little to no romantic chemistry between stars Daisy and Glen.

TWISTERS can provide some popcorn fun and summer thrills in the only safe way to encounter a tornado but movie fans hoping for a repeat of the emotional appeal of the original TWISTER likely will be disappointed, as this story is less involving. If you are just there for big visual effects, TWISTERS has thrill delights for you, particularly in a sequence in a movie theater.

TWISTERS opens Friday, July 19, in theaters.

RATING: 2 out of 4 stars

“The Oscars. You’re on notice, mother&$%ers. Maybe we can get a token VFX nod next year!” Ryan Reynolds Accept Creative Arts Emmy As Deadpool

On January 7th the Television Academy presented the second of its two 75th Creative Arts Emmy Awards ceremonies honoring outstanding artistic and technical achievement in television at the Peacock Theater at L.A. LIVE. The ceremony awarded many talented artists and craftspeople in categories including animation, documentary/nonfiction, game shows, reality and variety series.

FX’s “Welcome To Wrexham” won five Emmys and Ryan Reynolds and Rob McElhenney, executive producers on the show, accepted the award… kinda. McElhenney started off thanking the Television Academy only to be  hilariously interrupted by the Merc with a Mouth.

“Mr. Lively couldn’t be here to accept this broken Emmy, so he sent me on his behalf. First and foremost, Wrexham, we love you. Thank you for letting Rob and the other guy tell your story. Cymru am byth, bitches . I’d also like to thank The Academy for this honor and for not asking us to attend the televised awards show with the real celebrities.

I’d also like to thank FX and Disney for their support and in exchange, Mr. Lively promises to not f&$k up my next movie.

Lastly The Oscars. You’re on notice, mother&$%ers. Maybe we can get a token VFX nod next year! The amount of work on Hugh and Ryan’s face alone is at least worth a nod.

Welcome to Wrexham. All episodes now streaming on Hulu and Disney.”

The FX show won 5 Emmys including OUTSTANDING CINEMATOGRAPHY FOR A REALITY PROGRAM, OUTSTANDING UNSTRUCTURED REALITY PROGRAM, OUTSTANDING DIRECTING FOR A REALITY PROGRAM, OUTSTANDING PICTURE EDITING FOR AN UNSTRUCTURED REALITY PROGRAM and OUTSTANDING SOUND MIXING FOR A REALITY PROGRAM (SINGLE OR MULTICAMERA).

Rob McElhenney (It’s Always Sunny in Philadelphia) and Ryan Reynolds (Deadpool) navigate running the 3rd oldest professional football club in the world. Welcome to Wrexham is a docuseries tracking the dreams and worries of Wrexham, a working-class town in North Wales, UK, as two Hollywood stars take ownership of the town’s historic yet struggling football club.

https://www.fxnetworks.com/shows/welcome-to-wrexham

An edited presentation of the awards presented on both nights of the Creative Arts Emmys will air Saturday, Jan. 13, at 8:00 PM EST/PST on FXX and be available for streaming on Hulu on Sunday, Jan. 14.

Netflix Nuggets: October 2011

Netflix has revolutionized the home viewing market for movies with their instant streaming service. Netflix Nuggets is my way of spreading the word about films of all genres worth holding a spot on your instant viewing queue. (Release dates are subject to change.) Continue reading Netflix Nuggets: October 2011