Tribeca 2011: Full Festival Recap

It has been one week since the 2011 Tribeca Film Festival came to a close and I wanted to share with you one last look at my festival experience. Here is the good, the bad & the ugly of Tribeca 2011.

HIGHLIGHTS

There were a lot of great films and moments at this year’s festival. Here are some of my favorites.

  • RABIES – My favorite film of the festival. Smart, funny, inventive & surprising. A slasher that removes the killer from the start and toys with genre conventions.
  • THE DUNGON MASTER – It won best online short, which was well deserved. My favorite short of the festival and one of the best I’ve seen in a long time. Bravo Rider & Shiloh Strong.
  • JANIE JONES – This film is like most road trips in that you may know where it is gong but it is the journey that really counts. Sweet, heartwarming, well made and full of great performances.
  • SAINT – This is an above average horror comedy that reaches levels of perfection at times but sadly those scenes are spread far apart.
  • GRAVE ENCOUNTERS – There is nothing original about the characters or story in this flick but the fantastic execution by the Vicious Brothers makes this one of the best “found footage” films I’ve ever seen.
  • THE TRIP – A very funny, mostly improvised English comedy starring Steve Coogan and Rob Brydon as themselves.
  • Interviews – A big thank you to Abigail Breslin, Alessandro Nivola, Rider Strong & Shilog Strong for sitting down and talking with me during the festival. It was an honor speaking with each of them. I’d also like to thank Dick Maas for answering questions about SAINT via email.
  • Parties – While most are drawn to them for the free alcohol, I actually look forward to the networking opportunities. Festival parties are a great way to meet people within the industry. Thanks to Tribeca, I got to spend some time with awesome people like Peter Gutierrez & Ben Umstead from Twitch.com and Alan LaFave from the Hell’s Half Mile Film + Music Festival. Also, at the JANIE JONES after party I got the chance to watch Abigail Breslin & Alessandro Nivola perform live.
  • Tribeca (Online) Film Festival – A fantastic way for people nationwide to enjoy films from Tribeca & even vote for audience favorites. This is something all film festivals should be doing.
  • Free Magnum Ice Cream And Kind Fruit & Nut Bars – Everyone loves free food, especially when it tastes good.

DISAPPOINTMENTS

When seeing films at a festival like this, there is often not much information available about them. Many of them don’t have a trailer or an official website and sometimes all you have to go by is the description in the program guide. The same goes for some of the events as well. Because of this, there is bound to be some big surprises but there will also be some disappointments. Here are a few of mine.

  • DETACHMENT – I’m not sure what I was expecting but it certainly was not what I got. It almost feels like Ridley Scott made an art film about public education.
  • HIGHER GROUND – A lot of times a festival darling like this one will leave people divided. I was on the other side of the line for Vera Farmiga’s debut as a director.
  • RABIES – This is my favorite film of the festival. I’m just disappointed it did not win Best Online feature because it absolutely deserved it.
  • Chambers Press Pass – It is the lowest level pass one can have at Tribeca and it severely limited the number of events I was able to attend.
  • Online Press Screening Room – In addition to having a public screening section, there was another screening room site only open to press & industry. This is an absolutely brilliant idea that I wish more festivals would adopt. However, I was shocked to discover that this screening room was closed before the festival ended. Because I had the Chambers Pass (see above), there were no screenings I could attend on the last two days of the festival. I saved a bunch of shorts & features to watch online on those days only to find out that it was no longer available Saturday morning. Since this is meant for the press, it would be smart for it to be available when most of us have extra time due to limits on our passes. Ideally, this screening room would be available before and after the festival so that more films could be covered.
  • The Filmmakers – I have said it before but I am extremely upset in how filmmakers promoted their films at the festival. It seems as if there was mostly an attitude of “my film is playing Tribeca so I don’t have to promote it” and that is just not true. There were a few exceptions, such as the Vicious Brothers and their intense online promotion of GRAVE ENCOUNTERS. They really went out of their way to spread the word about their film and it worked; people were talking about the film that did not even attend the festival. Unfortunately many of the filmmakers did absolutely nothing.

WHAT I MISSED

It is impossible to see every film and attend each panel at a festival like this. It is just too massive that you must make tough choices when creating a schedule. Talent availability, overlapping screenings and having the lowest level press pass made creating my schedule especially difficult this year. Here are some things I wish I were able to check out at this year’s festival.

  • TURN ME ON, GODDAMNIT – With a title like this, your film is sure to get talked about but the buzz around this flick was insane. It left the festival with some awards / honorable mentions and nearly everyone there I spoke with could not stop raving about it.
  • JESUS HENRY CHRIST – It was cute that they had the press screening on Easter but that unfortunately meant I could not see it. I’ll be honest, I heard nothing about the film from anyone at the festival but I still think it looks great.
  • THE GUARD – My choice was to either cut the Rider & Shiloh Strong interview short or skip this dark comedy starring Brendan Gleeson and Don Cheadle. I made the right choice but I hope to see this soon.
  • GOD BLESS OZZY OSBOURNE – It’s Ozzy open and uncensored. What more do you need?
  • NEWLYWEDS – I am a huge fan of Edward Burns and was upset that there were no press screenings for his latest offering.
  • TROLLHUNTER – Whoever approved the press screenings for TROLLHUNTER & GRAVE ENCOUNTERS to be at the same time sucks. I have heard some amazing things even before the festival and look forward to eventually checking out this Magnolia release.
  • A GOOD OLD FASHIONED ORGY – What the hell is a film like this doing in the Tribeca lineup? I’m not sure but I am mad as hell they did not have a press screening for it. I’m also very curious as to what the after party was like.
  • CHEAT – I got an email asking me to check out this short film starring Bill Burr, Colin Quinn and Rich Vos. With comedic talent like that, I was really looking forward to checking it out but this short ended up as one of the casualties of the Online Screening Room problem I mentioned above.
  • YEAR ZERO – A 24 minute short zombie epic made by a fellow New Yorker. Another unfortunate casualty of the online screening room.
  • PREFERABLY BLUE – A short animation about a feud between the Easter Bunny & Santa Clause that claims to be based on a real story. Yet another online screening room missed opportunity.
  • Meet the Filmmaker At Apple Store SoHo – One of the really cool things Apple does with Tribeca is invite some of the filmmakers and actors from the fest to do a Q & A at the nearby Apple Store. Luckily all these events are available to download as audio podcasts. Just search for MEET THE FILMMAKER on itunes.
  • Opening Night – The festival kicked off with a free outdoor screening of THE UNION by Cameron Crowe followed by a concert from the film’s subject, Sir Elton John. This is all kinds of awesomeness that I unfortunately was unable to attend.

While there was a lot that I missed and some that I wish I missed, this was still a very cool festival experience. I’d like to thank everyone at the festival for putting on a great event and letting me attend. I’d also like to thank all of you for reading my coverage throughout the festival. There will be a few more reviews coming in as I have a chance to write them but this will be my final posting about the festival itself.

Jerry Cavallaro  – www.StuckLikeChuck.com

Tribeca 2011: Award Winners

You can tell how massive and diverse a festival like Tribeca is by the fact that I saw 10 features and a whole bunch of shorts, yet only one film I saw won an award and none received special mention. I want to congratulate Rider & Shiloh Strong for winning best online short for their amazing film, THE DUNGEON MASTER. I have been pushing it as my favorite short of the festival and apparently many people agreed with me. Below is the list of all the winners & special mentions. Congratulations to all of them and congrats to everyone who just played at the festival, which is a huge honor by itself.

WORLD NARRATIVE COMPETITION CATEGORIES:

The jurors for the 2011 World Narrative Competition were Souleymane Cissé, Scott Glenn, David Gordon Green, Rula Jebreal, Art Linson, Jason Sudeikis and Dianne Wiest.

The Founders Award for Best Narrative Feature She Monkeys (Apflickorna), directed by Lisa Aschan, written by Josefine Adolfsson and Lisa Aschan (Sweden). Winner receives $25,000 and the art award “Anna Christie Entering the Bar, 1965-1967” The award was given by Jane Rosenthal and Robert De Niro and Larry Korman from AKA Residences.

Jury Comments:  “Haunting, resonant, but never posed. Conventional shots become dangerous. With balanced storytelling that moves between danger and innocence, this film speaks of sex, adolescence, power, and ambition. It is original and authentic.”

Best Actor in a Narrative Feature FilmRamadhan “Shami” Bizimana as Yvan in Grey Matter (Matière Grise), directed and written by Kivu Ruhorahoza (Rwanda, Australia). Winner receives $2,500. The award was given by Rula Jebreal.

Jury Comments: “In a world shattered by genocide, this performance was so pure.”

Best Actress in a Narrative Feature FilmCarice van Houten as Ingrid Jonker in Black Butterflies, directed by Paula van der Oest, written by Greg Latter (Germany, Netherlands, South Africa). Winner receives $2,500. The award was given by Rula Jebreal.

Jury Comments: “There are a million colors in this complicated performance. We award this honor for bravery and fragility, and for showing tremendous range and strength throughout.”

Best Cinematography in a Narrative Feature FilmLuisa Tillinger, Artificial Paradises (Paraisos Artificiales) (Mexico).  Winner receives $5,000 and $50,000 in post production services provided by Company 3. The award was given by Rula Jebreal.

Jury Comments: “A beautiful portrait of landscape and emotion.”

Best Screenplay for a Narrative Feature FilmJannicke Systad Jabobsen, Turn Me On, Goddammit (Få meg på, for faen) (Norway). Winner receives $5,000. The award was given by Rula Jebreal.

Jury Comments: “This jury was unanimous. Hands-down this is the best screenplay.”

BEST NEW NARRATIVE DIRECTOR:

The jurors for the 2011 Best New Narrative Director Competition were Paul Dano, Atom Egoyan, Zoe Kazan, Anna Kendrick, Rainn Wilson.

Best New Narrative Director – Park Jungbum, writer and director of Journals of Musan (Musan Il-gi) (South Korea). Winner receives $25,000, sponsored by American Express; $50,000 in post production services provided by Company 3; and the art award “Double Happiness” by Nate Lowman. The award was given by Zoe Kazan and Jessica Igoe from American Express.

Jury Comments: “This film is an extraordinary study of an outcast, one that examines a complex journey with compassion and grace. The jury was unanimous in honoring this rare film, which is both emotionally arresting and an important social document. We are proud to commend this auspicious debut from an extremely talented filmmaker.”

Special Jury Mention – Kivu Ruhorahoza, writer and director of Grey Matter (Matière  Grise). The announcement was made by Anna Kendrick.

Jury Comments:For its audacious and experimental approach, this film speaks of recent horrors and genocide with great originality. We wanted to give a special commendation to this filmmaker for his courage and vision.”

WORLD DOCUMENTARY COMPETITION CATEGORIES:

The jurors for the 2011 World Documentary Competition were Amir Bar-Lev, Michael Cera, RJ Cutler, Abigail Disney, Whoopi Goldberg, Louie Psihoyos and Peter Scarlet.

Best Documentary FeatureBombay Beach, directed by Alma Har’el (USA, Israel). Winner receives $25,000 and the art award “Nathans” by Jeff Chien-Hsing Liao. The award was given by Louie Psihoyos.

Jury Comments: “Our unanimous award for the film’s beauty, lyricism, empathy and invention.”

Best Editing in a Documentary FeaturePurcell Carson, Semper Fi: Always Faithful (USA). Winner receives $5,000. The award was given by Amir Bar-Lev.

Jury Comments: “The film skillfully weaves journalistic investigation with emotional personal narrative.”

BEST NEW DOCUMENTARY DIRECTOR COMPETITION:

The jurors for the 2011 World Documentary Competition were Margaret Bodde, Jared Cohen, J.D. Heyman, Lauren Hutton, Annie Sundberg.

Best New Documentary DirectorPablo Croce for Like Water, (USA). Winner receives $25,000, sponsored by American Express; and the art award “Path to the Stage” by Inka Essenhigh. The award was given by Lauren Hutton and Jessica Igoe from American Express.

Jury Comments: “The film opens up a violent world in an unexpected way through its sensitive and seamless portrayal of its complex hero, ultimate fighter Anderson Silva.”

Special Jury MentionMichael Collins, director of Give Up Tomorrow (UK, USA). The announcement was made by Lauren Hutton.

Jury Comments: “A powerful work of investigative journalism. We honor the filmmakers six years of hard work in illustrating how a society can clash with justice, and the impact on an individual life. Everyone should see this film.”

SHORT FILM COMPETITION CATEGORIES:

The 2011 Best Narrative Short Competition jurors were Nora Ephron, Ceci Kurzman, Denis Leary, Fran Lebowitz, David O. Russell, Paul Schneider and Jimmy Wales.

Best Narrative ShortMan and Boy, directed by David Leon and Marcus McSweeney, written by David Leon and Rashid Rasaq (UK). Winner receives $5,000, sponsored by Persol; 5,000 feet of film stock donated by Kodak; and the art award “Gold Dust (Undeclared) by Taryn Simon. The award was given by Denis Leary and Victor Melendez from Persol.

Jury Comments: “The jury liked this film’s marriage of brilliant acting, superb technical prowess, and provocative subject matter, and it’s a movie memorable for upending expectations.”

Special Jury Mention – The Terms, written and directed by Jason LaMotte (UK)

Jury Comments: “Dark, original and beautifully written.”

The 2011 Best Documentary and Student Short Competition jurors were Ahmed Ahmed, Agnes Gund, Zoe Kravitz, Nicole Lapin, Lisa Shields, Christine Vachon and Patrick Wilson.

Best Documentary ShortIncident in New Baghdad, written and directed by James Spione (US). Winner receives $5,000, sponsored by Persol; 5,000 feet of film stock donated Kodak; and the art award “Big Penny” by Tom Otterness. The award was given by Nicole Lapin and Victor Melendez from Persol.

Jury Comments: “The winner is a film that bravely explores the residual effects of experiencing trauma in war in a truthful and fearless manner. Using a mixture of archival and current material, this timely film is the story of one man’s struggle to reconcile war, his place in it, and the legacy he will pass on to his children.”

Special Jury Mention – Guru, written and directed by Jonathan VanBallenberghe (USA).

Jury Comments: “Congratulations to a film that started in one direction and ended up going in another. This unexpected journey was well crafted and followed a unique character for whom we were rooting.”

Student Visionary AwardRooms, written and directed by Joanna Jurewicz (USA). Winner receives MacPro Desktop with Final Cut Pro and a 24-inch monitor provided by Apple; and the art award “Study: Northern City Renaissance (Mass MoCA #79N)” by Stephen Hannock. This award was also given by Ahmed Ahmed.

Jury Comments: “A simply told story with great depth that examines an average day in the life of an ordinary person living through other people. We applaud this director for her focus, attention to detail, and nuanced acting.”

Special Jury Mention: Eva – Working Title, written and directed by Dor Fadlon (Israel)

Jury Comments: “Characterized by bold directorial choices, this film is a disturbing and intriguing story of an actor’s struggle, and examines the price paid for realizing one’s dreams. We congratulate this filmmaker for his ability to fully realize this story in a unique structure.”

TRIBECA (ONLINE) FILM FESTIVAL CATEGORIES:

The 2011 Tribeca (Online) Film Festival winners were voted on by visitors to tribecafilm.com.

Tribeca (Online) Film Festival Best Feature Film: Donor Unknown, directed and written by Jerry Rothwell (UK). Winner receives $25,000, sponsored by American Express, and the art award “Untitled” by Sarah Crowner. The award was given by Geoffrey Gilmore and Jessica Igoe from American Express.

Tribeca (Online) Film Festival Best Short Film: Dungeon Master, directed by Shiloh & Rider Strong (UK). Winners receive $5,000, sponsored by Accenture. The award was given by Geoffrey Gilmore and Dr. Gavin Michael from Accenture.

HEINEKEN AUDIENCE AWARD WINNER – GIVE UP TOMORROW

Give Up Tomorrow received a Special Jury Mention in the World Documentary Competition at this year’s TFF and played to rapturous response and standing ovations.  The film was also supported by the Tribeca Film Institute’s Gucci Tribeca Documentary Fund, and the filmmaker is an alumnus of the Tribeca Film Institute’s Tribeca All Access program.

Jerry Cavallaro  – www.StuckLikeChuck.com

Tribeca 2011 Interview: Rider & Shiloh Strong


My favorite short film of the 2011 Tribeca Film Festival was a dark comedy called THE DUNGEON MASTER. Apparently it was your favorite as well because it won Best Short from the Tribeca (Online) Film Festival. Earlier this week I had the opportunity to sit down with Rider & Shiloh Strong to talk about the film, which they wrote and directed. I want to thank them for taking the time to speak with me and also for signing some Tribeca program guides, which we are giving away right HERE.

Below is a video of our full interview, in which we talk about making the film, Dungeons & Dragons, social media, embarrassing childhood magic shows and more. Enjoy!

BONUS VIDEO

Before the interview, I talked with Rider & Shiloh about a short film I made a few years ago that was also D & D inspired. It shares a similar theme with DUNGEON MASTER but their film is far better in every possible way. It was filmed in one afternoon for a contest so please forgive the terrible acting and low production values. Enjoy!

Jerry Cavallaro  – www.StuckLikeChuck.com

Tribeca 2011 Daily Recap: April 27th

Because I was running late today, I unfortunately had to skip my customary breakfast ice cream. Instead today started right up with an early screening of GRAVE ENCOUNTERS by The Vicious Brothers. I was thoroughly surprised by this very fun flick. While I love the found footage genre, I much prefer TV shows like GHOST HUNTERS to found footage ghost (or demon) films like PARANORMAL ACTIVITY. While there really isn’t anything original in GRAVE ENCOUNTERS, the execution really makes it worthwhile.

Following the screening, I made my way to the Doha Film Institute Filmmaker Lounge for an interview with Rider and Shiloh Strong. I was really looking forward to the interview, not just because I grew up watching BOY MEETS WORLD religiously but also because I truly loved their short, THE DUNGEON MASTER. In fact, in the 30+ minutes that we spoke, we never talked about any of their previous work except for their first short film, IRISH TWINS. (We didn’t even talk CABIN FEVER despite it being one of my favorite horror films)

It was an honor getting to speak with the brothers Strong and I want to thank them for being so gracious with their time. They were also kind enough to sign some Tribeca Film festival programs for us to give away. I’ve already posted a contest for it HERE so be sure to check it out.

Since the interview lasted longer than I thought it would, which is always cool, I missed the press screening for THE GUARD. Ironically, after the interview I ended up having a nice conversation with THE SECURUTY GUARD of the filmmaker lounge. After that, I made my way to the SVA Theater for the Tribeca Talks panel, THE BUSINESS OF ENTERTAINMENT.

It was an interesting panel but I expected something quite different. It was billed in the guide as a panel with a “focus on financing films in the 21st century.” I expected them to talk about modern film funding techniques like crowdfunding and what low-budget filmmakers struggling to raise money should do. Instead they talked mostly about VOD, how easy it is to get distribution nowadays because of the digital revolution and how that’s making it easier to get funding as well. As a no-budget indie filmmaker, I can say neither of those statements are true for filmmakers at my level. If you would like to see the panel yourself, it is available in the online screening room.

After the panel, I spent a few minutes in the press lounge before finally heading home. I will work on getting some more reviews up tomorrow, as well as at least one of the interview videos. I will also be sending in some questions to Dick Maas, the writer/director of SAINT, so if there is anything you want me to ask him, let me know. You can read my review for SAINT right HERE.

Jerry Cavallaro  – www.StuckLikeChuck.com

Win a signed Tribeca program from Rider & Shiloh Strong!

If you have been following my coverage from the 2011 Tribeca Film Festival, you already know that WAMG had a chance to sit down with Rider & Shiloh Strong to talk about their new film, THE DUNGEON MASTER. I absolutely loved this short and highly recommend you check it out.

To help promote the film, Rider & Shiloh have signed a few Tribeca Film Festival Official Guides for us to give away!

Want to win one plus a postcard for THE DUNGEON MASTER?

All you have to do is watch the film for free on the Tribeca Film Festival website and then come back here to let us know what you thought of it. Be sure to leave your comments on the TFF website as well.

Here’s a direct link to the DUNGEON MASTER screening room:

http://www.tribecafilm.com/tribecaonline/streaming-room/dungeon_master-film33955.html

The film is only available until the morning of May 1. We will choose a winner shortly after. Because the screening room is only available in the United States, this contest is only open to US residents. Sorry.

Keep checking back for the rest of our Tribeca 2011 coverage, including our interview with Rider & Shiloh Strong!

Jerry Cavallaro  – www.StuckLikeChuck.com