HAPPY DEATH DAY 2U – Review

(from left) Jessica Rothe as Tree Gelbman, Israel Broussard as Carter and Phi Vu as Ryan in “Happy Death Day 2U,” written and directed by Christopher Landon. Photo Credit: Michele K. Short/Universal Pictures. © 2019 UNIVERSAL STUDIOS

In time for Valentine’s Day comes HAPPY DEATH DAY 2U, a sequel to the 2017 horror/comedy HAPPY DEATH DAY. College student Tree (Jessica Rothe) is back for another day of repeated deaths, but this time it is someone else stuck in the loop of a repeated day. Nonetheless, it is still fierce sorority girl Tree, who went through this before, who must solve the mystery and stop the murderous loop.

Audiences don’t really have to have seen the original to follow the story in the sequel, as HAPPY DEATH DAY 2U provides a quick little recap of the first film, as Tree explains the situation to the new guy caught in the death day time loop. Briefly, in the first film, Tree keeps waking up on her birthday, in the dorm room of a guy she met at a party the night before but does not remember. The rude, self-centered Tree makes her way back to her sorority and goes through her day, only to be killed by someone in a demon baby mask (the college’s weird sports mascot) on the way to another party. But then, like in the Bill Murray comedy GROUNDHOG DAY, she wakes up again on the morning of her birthday and relives the day. The premise, of course, is that Tree has to solve her own murder and prevent it, to get to the next day.

This time the victim is Ryan (Phi Vu), the roommate of Carter (Israel Broussard), in whose dorm room Tree kept waking up in the first film. We quickly learn Ryan is part of a trio of students working on science project that caused his troubles as well as Tree’s. Naturally, the relentless Tree sets out the solve the mystery, with the help of Carter and Ryan.

HAPPY DEATH DAY 2U is placed firmly in the long genre tradition of horror comedy films, and seems aimed mostly at a younger audience with a taste for horror films as date movies. As a sequel, it is not as inventive as the first one but it is not bad either. As genre stuff, it does not offer much for more sophisticated audiences but for those looking for basic popcorn entertainment, it works well enough.

Christopher Landon directed both films, which are from Blumhouse, the studio that gave us GLASS, THE PURGE and GET OUT. While neither HAPPY DEATH DAY films are anywhere near the same league as GET OUT by any means, the first film was a hit and it was rather clever, recycling the idea behind GROUNDHOG DAY while playing with horror film tropes. The best twist was the sorority girl character at the center of it, who, instead of being a screaming victim, is a don’t-mess-with-me hellion.

There is plenty of death and violence in both films but not a lot of blood and gore, with even less in the sequel. HAPPY DEATH DAY 2U adds a new film reference to the GROUNDHOG DAY idea, mixing it with BACK TO THE FUTURE. With the help of Ryan and his nerdy science major friends, Tree time-travels back to her own death day to try to fix the problem, needing more than one trip. The time travel means some scenes from the original are repeated, but instead of re-shooting them from a new point of view, the sequel just lifts the scenes from the first film, both a clever idea and a cost-saving one.

Jessica Rothe reprises her role, and the cast of the first film returns as well, with new characters added. Rothe again does a nice job as the relentless Tree. Like the Bill Murray character, Rothe’s character goes from a jerk to a better person in the first film, and builds on that growth in the sequel, becoming even more resourceful. Broussard is likable again as Carter, with Phi Vu fine as Ryan, as are Suraj Sharma and Sarah Yarkin as his comically nerdy friends. Rachel Matthews is even more obnoxious as sorority president Danielle, Ruby Modine remains mysterious as Tree’s mismatched roommate Lori, and Charles Aitken is even ickier as Prof. Gregory.

For those looking for a scary/funny movie for Valentine’ Day date, HAPPY DEATH DAY 2U would do nicely. HAPPY DEATH DAY 2U opens Wednesday, Feb. 13, at multiple area theaters.

RATING: 3 1/2 out of 5 stars

The First Trailer For FROZEN 2 Is Here

From the Academy Award®-winning team—directors Jennifer Lee and Chris Buck, and producer Peter Del Vecho—and featuring the voices of Idina Menzel, Kristen Bell, Jonathan Groff and Josh Gad, and the music of Oscar®-winning songwriters Kristen Anderson-Lopez and Robert Lopez, Walt Disney Animation Studios’ “Frozen 2” opens in U.S. theaters on Nov. 22, 2019.
©2019 Disney. All Rights Reserved.

From the Academy Award®-winning team—directors Jennifer Lee and Chris Buck, and producer Peter Del Vecho—and featuring the voices of Idina Menzel, Kristen Bell, Jonathan Groff and Josh Gad, and the music of Oscar®-winning songwriters Kristen Anderson-Lopez and Robert Lopez, Walt Disney Animation Studios’ “Frozen 2” opens in U.S. theaters on Nov. 22, 2019.

Check out the new teaser trailer from Walt Disney Animation Studios’ “Frozen 2.”

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@DisneyFrozen

@DisneyFrozen

From the Academy Award®-winning team—directors Jennifer Lee and Chris Buck, and producer Peter Del Vecho—and featuring the voices of Idina Menzel, Kristen Bell, Jonathan Groff and Josh Gad, and the music of Oscar®-winning songwriters Kristen Anderson-Lopez and Robert Lopez, Walt Disney Animation Studios’ “Frozen 2” opens in U.S. theaters on Nov. 22, 2019.
©2019 Disney. All Rights Reserved.

Gerard Butler in THE VANISHING Arrives on Blu-ray and DVD March 5


Some treasures are better left unfound when The Vanishing arrives on Blu-ray™ (plus Digital) and DVD March 5 from Lionsgate.

Some treasures are better left unfound when The Vanishing arrives on Blu-ray™ (plus Digital) and DVD March 5 from Lionsgate. This film is currently available on Digital and On Demand. Based on a true story, this suspenseful thriller follows the lives of three lighthouse keepers whose worlds are turned upside down with paranoia and greed following the discovery of lost treasure. Starring Gerard Butler, Primetime Emmy® nominee Peter Mullan (Best Supporting Actor in a Miniseries or Movie, TV’s “Top of the Lake,” 2013), and Connor Swindells, and from the producers of Black Mass and Hacksaw Ridge, this film will keep you guessing until the very end. The Vanishing will be available on Blu-ray and DVD for the suggested retail price of $21.99 and $19.98, respectively.

Gerard Butler (Hunter Killer) and Peter Mullan (TV’s “Ozark”) star in this tense, action-packed thriller based on true events. After three lighthouse keepers arrive for work on a remote Scottish isle, they make a fateful discovery: a wrecked rowboat—with a chest full of gold. As a mysterious boat heads toward the island, the three men make a choice that will change their lives forever, ensnaring them in a web of greed, paranoia, and murder.

BLU-RAY / DVD / DIGITAL SPECIAL FEATURES

  • “Emerging from the Darkness: The Vanishing” Featurette

CAST

Gerard Butler                          Hunter Killer300Law Abiding Citizen

Peter Mullan                            Children of MenThe Magdalene Sisters, TV’s “Ozark”

and Connor Swindells             VS.Harlots, TV’s “Jamestown”

Nicholas Hoult is TOLKIEN – Check Out the New Trailer – Opens May 10th


TOLKIEN opens only In Theaters May 10, 2019

Check out this amazing trailer:

TOLKIEN explores the formative years of the orphaned author as he finds friendship, love and artistic inspiration among a group of fellow outcasts at school. This takes him into the outbreak of World War I, which threatens to tear the “fellowship” apart. All of these experiences would inspire Tolkien to write his famous Middle-Earth novels.


TOLKIEN stars Nicholas Hoult, Lily Collins, Colm Meaney, Anthony Boyle, Patrick Gibson, Tom Glynn-Carney, Craig Roberts, Laura Donnelly, Genevieve O’Reilly, Pam Ferris and Derek Jacobi


Directed by: Dome Karukoski Written by: David Gleeson and Stephen Beresford

 

THE WITCH Arrives on 4K Ultra HD Combo Pack Plus Blu-ray and Digital April 23rd

The critically acclaimed film, The Witch comes to 4K Ultra HD™ Combo Pack (Plus Blu-ray™ and Digital) on April 23 from Lionsgate. Relive the terrifying experience of witchcraft in this soon-to-be horror classic!

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One of the most original horror films of the past decade has never looked so good as when The Witch arrives on 4K Ultra HD™ Combo Pack (plus Blu-ray™ and Digital) April 23 from Lionsgate. Directed by Robert Eggers, winner of Best Director at the 2015 Sundance Film Festival, this supernatural horror tale stars Ralph Ineson, Katie Dickie, and up-and-coming star Anya Taylor-Joy in a “breakout performance” (Jake Coyle, Associated Press), and has been hailed by Indiewire as “the most exciting and genuinely horrifying American horror film since The Blair Witch Project.” Experience four times the resolution of Full HD with the 4K Ultra HD Combo Pack, which includes Dolby Vision®HDR, bringing entertainment to life through ultra-vivid picture quality. When compared to a standard picture, Dolby Vision can deliver spectacular colors never before seen on-screen, highlights that are up to 40 times brighter, and blacks that are 10 times darker. Available for the very first time in this absolutely stunning format, The Witch 4K Ultra HD™ Combo Pack includes an audio commentary with director Robert Eggers, a featurette, a Q&A with cast and crew, and a design gallery, and will be available for the suggested retail price of $22.99.

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New England, 1630: William and Katherine lead a devout Christian life with their five children, homesteading on the edge of an impassible wilderness. When their newborn son mysteriously vanishes and their crops fail, the family begins to turn on one another. The Witch is a chilling portrait of a family unraveling within their own fears and anxieties, leaving them prey to an inescapable evil.

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4K ULTRA HD / BLU-RAY SPECIAL FEATURES

  • The Witch: A Primal Folklore” Featurette
  • Salem Panel Q&A
  • Design Gallery
  • Audio Commentary with Director Robert Eggers

CAST

Anya Taylor-Joy         GlassSplitMorgan

Ralph Ineson               Ready Player OneThe Hurricane HeistThe Huntsman: Winter’s War

Katie Dickie                 Prometheus, TV’s “Game of Thrones”, TV’s “The Cry”

 

 

 

WAMG Interview – Diane Franklin: Star of AMITYVILLE II THE POSSESSION and THE AMITYVILLE MURDERS

Diane Franklin is an iconic 80s film actress, known for her dark curly hair and winning smile. Diane started with modeling, theater, commercials, and soap opera work. She then won the lead role as the dream girl, Karen, in cult classic THE LAST AMERICAN VIRGIN (1982) and soon after played the daughter, Patricia Montelli in AMITYVILLE II: THE POSSESSION. Her break-out film role was the spirited French-exchange student, Monique Junot, opposite John Cusack in the off-beat comedy BETTER OFF DEAD. She also played the medieval Princess-babe, Joanna in the iconic comedy, BILL & TED’S EXCELLENT ADVENTURE.


Diane Franklin in AMITYVILLE II: THE POSSESSION

AMITYVILLE II: THE POSSESSION was a 1982 prequel to the hit film THE AMITYVILLE HORROR (1979). It told of the true story of Ron Defeo Jr., who had massacred his family in 1974 in the house that subsequently sold to the Lutz family, who claimed it was haunted. Diane Franklin played Defeo’s younger sister. The Lutz family’s story became the book, and then the movie THE AMITYVILLE HORROR. Now director/writer Daniel Farrands has re-told the story of the Defeo family in THE AMITYVILLE MURDERS,  which is out in theaters, on demand and digital now. Diane Franklin is back in the new film, this time playing the mother of the daughter she played in 1982.

Diane Franklin took the time to talk to We Are Movie Geeks about her career and about starring in both versions of this same story.

Interview conducted by Tom Stockman January 30th, 2019

Tom Stockman: Hi Diane. It’s so nice to talk to you. You and I are about the same age, so I have been watching your films for a long time. I saw them when they were new. I’d like to talk about two of your movies. One is THE AMITYVILLE MURDERS, which I know you are out promoting. I watched it the other day and then when it was over I immediately watched AMITYVILLE II THE POSSESSION from 1982. 

Diane Franklin: That must be interesting for you to have watched those back to back I’d like to know what you think.

TS: I was surprised how much THE AMITYVILLE MURDERS was a remake of AMITYVILLE  II. The new film ends with the murders, but the 1982 film goes into this whole weird second half with the priest and the exorcism and all of the monsters.


Diane Franklin with  John Robinson in THE AMITYVILLE MURDERS

DF: I’ll tell you why. It’s because Dino DeLaurentis produced the film and didn’t have the rights to make it just another AMITYVILLE HORROR. He didn’t want it to be too similar so he decided to get it out of the house. So he made the first half about the home and the family, and then the second half about possession.

TS: Yes, they are very similar. I’d say there are even some identical scenes. I will also say that the AMITYVILLE  II THE POSSESSION has aged well. It really holds up.

DF: Well, that’s good to hear.

TS: There are other differences in the films as well. For example, the incest angle from the 1982 film is absent in the new one.

DF: I was curious about that as well. When I first read the script, I was wondering what director/writer Daniel Farrands was doing. I think he wanted to make more of a gentle reference to the incenst instead of making it something that was the focus of the story. Everybody remembers the incest scene from AMITYVILLE  II, but the second film is more about the abuse and the family relationships. Because Daniel had made a documentary about Amityville, I think he wanted to stay true to the facts of what he knew. It was stated but never proven that there was an incestual relationship between these siblings, so it was really the directors call. I don’t know if including an incest scene in the new one would’ve helped or hurt it. What I like about the new film it is based more on fact. This new one is more real to me.

TS: I think it’s neat that you made this film that is a remake where you were playing the mother of a character that you had played in a movie over 35 years ago. I can’t think of that even happening in a remake of a film before.

DF: Yes, I am the only actress that has ever played the mother and the daughter in two versions of the same story so I get those two different perspectives. That was what was so amazing. When I got the role I wondered how I was so lucky to get this experience. When I played the daughter in 1982, I allowed myself to be completely innocent,, and not give off any negative energy. I wanted that character to be pure and upbeat and free. And when I played the mother in the new film, I had to let that negative energy in and show that I know that there are problems and feel them. As a mother you know everything and you feel it the most, so it was a very different experience doing it this time. And I was more spooked this time that I was the first time.


Diane Franklin in AMITYVILLE  II THE POSSESSION

TS: In the 1982 film, the family name was Mantelli. The real name of the family was The Defeos, and in the new movie they are called that. Was that another thing that DeLaurentis was trying to save money on back in 1982.

DF: Probably. I think back in the 1980s, they rarely used real names which probably had something to do with lawsuits or something.  Since Daniel had made the documentary about the murders, he looked at this film as more of a docudrama.

TS: Well of course in this one you were able to use that great Walter Cronkite clip where he talks about the Defeo family.

DF: Yes Daniel did a great job of putting things in that made it really feel like the 70s. There are so many levels in which to like this film. On a historic level, kids don’t know what it was like during that time. Also I think people will look at the abuse by Mr. Defeo and understand what that was like. People can watch it with a lot of different perspectives.

TS: Do you know much about the real Ron Defeo Jr.? I believe he is still in prison.

DF: Yes he is still locked up. I believe Daniel tried to get an interview with him but he couldn’t. I don’t know what happened.  His story about the murders changed so many times and I think that was a real problem.

TS: Yes, at first he said some mobsters did it, and then he said his sister did it. He’s where he belongs. Have you ever been to the actual Amityville house?

DF: I can’t believe that I have not ever been to the real Amityville house because I grew up just a couple of towns away, in Plainview Long Island. But my dream is to go to that house with Ghost Adventures program and do some kind of show there. Wouldn’t that be wonderful?

TS: That would be great. I assume that for both films then, they rebuilt the exterior of the house as a set.

DF: Yes, they did it at different locations. In 1982 we filmed in Toms River New Jersey, and the new film was made here in Los Angeles.

TS: Burt young shows up in the first scene of THE AMITYVILLE MURDERS, and he had played your father back in 1982. Talk about Burt Young.

DF: I loved working with him. We have a beautiful scene together in the new film. Yes, he plays my dad in this film and he played my dad in the first film so he’s the grandfather in this new one. I saw a Burt at a convention a couple of years ago and we both got teary-eyed and I’m so glad I was able to work with him again.


Diane Franklin and Jack Magner in AMITYVILLE II THE POSSESSION

TS: The actor who played your older brother in the original film was a guy named Jack Magner. I can’t place him in a single other film. What happened to him?

DF:  I know he lives on the East Coast and stopped acting soon after that. He was talented but not everybody chooses life of an actor. I think it’s great that people remember him from that film and I really liked him.

TS: Yes, he was quite good in the film. You’ve done some of these autograph shows and horror movie conventions. Do you enjoy doing that?

DF: I love it. I’ve gone to comic-cons and horror cons, The Hollywood show, and celebrity shows and everybody I meet is so nice. Especially at the horror convention, where they love the make-believe and dressing up. It’s like Halloween all the time at those conventions. It’s like they have never lost their sense of fun or creativity. I make sure everyone who comes and sees me he has a great time. I will bring the coat that I wore in BETTER OFF DEAD and let them try it on. I’m coming out with a new book. I have written two books about my career so far. The new book will be focusing on BETTER OFF DEAD so anyone who wore my coat can be in that book. Just send the pictures to me.

TS: I hope someday you’ll come to one of the conventions close to me so I can meet you.

DF: We’ve been talking about doing a convention with John Cusack in Chicago.


Chelsea Ricketts in  THE AMITYVILLE MURDERS

TS:  I’ll look for that. There’s an actress who plays your daughter Dawn in the new film. Her name is Chelsea Ricketts. I thought she looked remarkably like you, and that that was good casting.

DF: Yes, Dan told me about her and said that she was a really good actress. I was so happy when I met Chelsea. She is a lovely girl and a great actress and we got along wonderfully. I had these amazing flashbacks while watching her play the character I had played. It was very gratifying to do this film with her.


Diane Franklin with Paul Ben-Victor and John Robinson in THE AMITYVILLE MURDERS

 TS: You have an actress daughter of your own named Olivia who is right around that age. Did they ever consider casting her?

DF: For about one minute, we were considering having Olivia audition. But my daughters specialty is comedy, and I wanted her to do her thing. Recently a film that she wrote and will be directing got optioned, so I will soon be acting in a movie with her. She is shooting that sometime this year.

TS: Tell me about that movie.

DF: It’s called THIS GET ROUGH. Kimberly Tate, who played the other princess in BILL AND TED’S EXCELLENT ADVENTURE, is producing the film. She loves Olivia‘s work. If you are interested. In Olivia‘s work, Go to Barely Legal Comedy on YouTube and you will find my daughter and her comedy sketches there. This is her year. She just got a Snapchat series picked up and she’s working on another series for a production company at Warner Bros. She’s 22 years old and this is all so exciting.

TS: Good luck to her and to you and I hope everybody reading this interview checks out  THE AMITYVILLE MURDERS.

DF: Thank you

Will Smith Is The Genie In First Look Trailer For Guy Ritchie’s ALADDIN

Aladdin (Mena Massoud) meets the larger-than-life blue Genie (Will Smith) in Disney’s live-action adaptation ALADDIN, directed by Guy Ritchie.

The first TV spot for Disney’s upcoming live-action adaptation ALADDIN is here and includes new, never-before-seen footage. Be sure to check it out and on May 24, 2019 hop on a magic carpet and go see ALADDIN in theaters nationwide.

A thrilling and vibrant live-action adaptation of Disney’s animated classic, “Aladdin” is the exciting tale of the charming street rat Aladdin, the courageous and self-determined Princess Jasmine and the Genie who may be the key to their future.

Directed by Guy Ritchie, who brings his singular flair for fast-paced, visceral action to the fictitious port city of Agrabah, “Aladdin” is written by John August and Ritchie based on Disney’s “Aladdin.” The film stars Will Smith as the Genie; Mena Massoud as Aladdin; Naomi Scott as Jasmine; Marwan Kenzari as Jafar; Navid Negahban as the Sultan; Nasim Pedrad as Dalia; Billy Magnussen as Prince Anders; and Numan Acar as Hakim.

Mena Massoud as the street rat with a heart of gold, Aladdin, and Will Smith as the larger-than-life Genie in Disney’s ALADDIN, directed by Guy Ritchie.

“Aladdin” is produced by Dan Lin, p.g.a., and Jonathan Eirich, p.g.a., with Marc Platt and Kevin De La Noy serving as executive producers. Eight-time Academy Award®-winning composer Alan Menken provides the score, which includes new recordings of the original songs written by Menken and Oscar®-winning lyricists Howard Ashman and Tim Rice and includes two new songs written by Menken and Oscar and Tony Award®-winning songwriters Benj Pasek and Justin Paul.

Like on Facebook: https://www.facebook.com/DisneyAladdin

Follow on Twitter: https://twitter.com/DisneyAladdin

Instagram: https://www.instagram.com/DisneyAladdin

Sean Patrick Flanery in 100 YARDS Available on DVD and Digital on March 5th

RLJE Films (NASDAQ: RLJE) will release 100 YARDS on Digital and DVD on March 5, 2019. The film stars Sean Patrick Flanery (“Dexter”), Steven Brewis (“Tabloid”), Danielle Rayne (“Switched at Birth”) and Rebecca Lim (“The Pupil”). The film is the directorial debut of screenwriter Ross Campbell who co-directed with Dale Fabrigar (Lonely Boy). RLJE Films will release 100 YARDS on DVD for an SRP of $27.97.

 

In 100 YARDS, Rich Porter (Steven Brewis) had it all: talent, good looks and a bright future playing quarterback for an American football team…then tragedy struck. His mother goes missing while volunteering in a remote area of the Philippines, and Rich’s attempts to find her are in vain. Giving in to despair, he receives more bad news when he is diagnosed with cancer. Then, at the hospital, a young boy with the same condition and a compassionate nurse do their best to bring hope back to the ailing Rich. They show him that the game of his life is a struggle for every yard, but – with the help of faith and friends – it can be won.

THE ROCKY HORROR PICTURE SHOW Screening Midnights This Weekend at The Moolah


THE ROCKY HORROR PICTURE SHOW will be screening Midnights this weekend (Feb 15th and 16th at The Moolah Theater and Lounge (3821 Lindell Blvd, St. Louis, MO 63108). Tickets are $7. A Facebook page for the event can be found HERE


They come wearing bustiers, corsets, and great gouts of eyeliner. And some women get into the act too! THE ROCKY HORROR PICTURE SHOW, the longest-running midnight and audience partici-(SAY IT!)-pation movie of them all, will play at The Moolah Theater and Lounge (3821 Lindell Blvd, St. Louis, MO 63108) in St. Louis this weekend at midnight (February 15th and 16th).


ROCKY HORROR will be an interactive movie experience with a live “Shadow Cast” by the Flustered Mustard. who perform scenes during the movie and of course the audience is encouraged to respond to the on-screen action as well. The Moolah will encourage folks to attend in costume, and an admission discount will be given to those who arrive in full RHPS costume. Props, shirts,  and  other merchandise will be there for sale.


I used to see ROCKY HORROR at the (now-defunct) Varsity theater in the late 1970′s and not much has changed in 35+ years, my only observation being that this new generation of fans is even less inhibited and likes to show off more skin (not that I’m complaining – they’re in better shape!) We hope to see everyone this weekend at the Moolah (3821 Lindell Blvd, St. Louis, MO 63108). Tickets are $7.

Join Norman Bates and His Mother – PSYCHO Screening at Webster University February 14th – ‘Grave Tales’

“She might have fooled me, but she didn’t fool my mother.”

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The ‘Grave Tales’ Horror film series continues at Webster University Thursday February 14th with a screening of Hitchcock’s Horror classic PSYCHO (1957) starring Tony Perkins and Janet Leigh. The screening will be at Webster University’s Moore Auditorium (470 East Lockwood). The movie starts at 7:30. A Facebook invite for the event can be found HERE. Look for more coverage of the  ‘Grave Tales’ Horror film series here at We Are Movie Geeks in the coming weeks.

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Everyone remembers the most famous scene in PSYCHO: the oft-copied but seldom equaled artistry of the shower murder, with its nerve-wracking staccato string music, its implied nudity and stabbing, and its 78 separate edits. But what everyone does not realize is that this iconic sequence – one of the most famous in film history – was actually a creative response thought up by Saul Bass and Alfred Hitchcock to avoid censorship. In 1959, censorship (the Code) was still alive and well in Hollywood, movie ratings were still years away, and Alfred Hitchcock was at a crossroads in his career. With a string of box office hits and a popular hit TV show, Hitch was one of Hollywood’s most bankable and recognizable directors. But Hitch was also troubled by the critical and box office failure of VERTIGO, one of his most personal films. He felt that his next project should be something different other than the same big studio crowd-pleasers he had built his reputation on, so when he read a review of a new novel by Robert Bloch inspired by the real-life serial killer Ed Gein , Hitch was immediately attracted to the lurid subject matter, with its themes of transvestism, incest, necrophilia, and a dose of taxidermy. Hitch began story conferences with screenwriter Joseph Stefano (later to produce TV’s OUTER LIMITS), getting more and more excited at the prospect of filming cheaply, dealing with taboo subject matter, and – most importantly – killing off his leading lady in the first act. He decided to forgo the usual studio crew for one made up primarily from his TV show, which could shoot quickly and economically.

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With a few exceptions, such as visual consultant Bass and composer Bernard Herrmann, Hitch kept the production low-budget and under the radar. At a time when Technicolor had become almost commonplace, PSYCHO was shot in black and white for both artistic and cost-saving reasons. (Hitch once responded to a question of why he didn’t film in color with, – That would have been in bad taste.) In today’s horror climate of “torture porn” and overblown SAW-like deaths, it’s easy to forget how difficult it was to make a film like PSYCHO, breaking new ground in telling an adult story in adult terms. The problem of how to film a brutal murder without actually showing anything was just one of many hurdles Hitch had to solve. Setting the tone with its opening voyeuristic shot of a barely-clad couple in the throes of a passionate affair, PSYCHO portrayed an openness about sex that only foreign films at that time had shown.Hitch tread carefully with the censors, often asking for more than he actually wanted, but Stefano remembers that even such a mundane item as a toilet had never been shown onscreen in a major studio film, let alone a toilet flushing! Made at the peak of his genius, Hitchcock’s PSYCHO has rightly claimed its throne as Father (or Mother) of the modern horror film, influencing thrillers for decades and creating a new sense of realism that continues through the slasher films of today. Stripping the bleak essence of human nature to austere, colorless banality, PSYCHO would have assured Hitchcock’s reputation even if it were his only film.

Don’t miss PSYCHO when it screens at Webster University Thursday February 14th

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Admission is:

$7 for the general public
$6 for seniors, Webster alumni and students from other schools
$5 for Webster University staff and faculty

Free for Webster students with proper I.D.

Advance tickets are available from the cashier before each screening or contact the Film Series office (314-246-7525) for more options. The Film Series can only accept cash or check.