The 31-Disc Set of Peter Jackson’s MIDDLE-EARTH ULTIMATE COLLECTOR’S EDITION Available on 4K Ultra HD and Blu-ray October 26th

“Never thought I’d die fighting side by side with an Elf.”

Celebrate 20 years of adventure and friendship as Warner Bros. releases the Middle-Earth Ultimate Collector’s Edition, timed to the 20th anniversary of The Lord of the Rings: The Fellowship of the Ring.  The 31-disc Ultimate Collector’s Edition of Peter Jackson’s Middle-earth saga contains new special features along with the theatrical and extended versions of all six films in 4K Ultra HD and on Blu-ray discs remastered from the 4K master. The Ultimate Collector’s Edition will be released on October 26.

Celebrate 20 years of adventure and friendship as Warner Bros. releases the Middle-Earth Ultimate Collector’s Edition, timed to the 20th anniversary of The Lord of the Rings: The Fellowship of the Ring.  The 31-disc Ultimate Collector’s Edition of Peter Jackson’s Middle-earth saga contains new special features along with the theatrical and extended versions of all sic films in 4K Ultra HD and on Blu-ray discs remastered from the 4K master. The Ultimate Collector’s Edition will be released on October 26.

The Ultimate Collector’s Edition includes the theatrical and extended versions of the six films from New Line Cinema and Metro-Goldwyn-Mayer Pictures in 4K UHD with HDR – The Hobbit: An Unexpected JourneyThe Hobbit: The Desolation of Smaug, and The Hobbit: The Battle of the Five ArmiesThe Lord of the Rings: The Fellowship of the RingThe Lord of the Rings: The Two Towers, and The Lord of the Rings: The Return of the King, which won Academy Awards for Best Picture, Best Director, and Best Adapted Screenplay. 

The Ultimate Collector’s Edition comes in unique “Puzzle Box” collectible packaging and includes a 64-page booklet featuring costumes, photography and production notes from the film, and art cards featuring travel posters and images from iconic locations throughout Middle-earth including The Shire, Lake-Town, Erebor, Anduin, Rohan, Minas Trith, and Rivendell.

Also included are the original Cannes Film Festival presentation reel, and footage from the recent Alamo Drafthouse cast reunion featuring director Peter Jackson along with cast members Sean Astin, Cate Blanchett, Orlando Bloom, Billy Boyd, Ian McKellan, Dominic Monaghan, Viggo Mortenson, Andy Serkis, Liv Tyler, and Elijah Wood.

4K Ultra HD** showcases 4K resolution with High Dynamic Range (HDR) and a wider color spectrum, offering consumers brighter, deeper, and more lifelike colors for a home entertainment viewing experience like never before.   

The 4K remastering process was overseen by Peter Jackson.


The 4K Ultra HD Blu-ray discs of The Hobbit: An Unexpected JourneyThe Hobbit: The Desolation of Smaug, and The Hobbit: The Battle of the Five ArmiesThe Lord of the Rings: The Fellowship of the RingThe Lord of the Rings: The Two Towers, and The Lord of the Rings: The Return of the King will feature Dolby VisionTM HDR that dramatically expands the color palette and contrast range and uses dynamic metadata to automatically optimize the picture for every screen, frame by frame. The 4K Ultra HD Blu-ray discs will also feature a Dolby Atmos® soundtrack remixed specifically for the home theater environment to place and move audio anywhere in the room, including overhead. To experience Dolby Atmos at home, a Dolby Atmos enabled AV receiver and additional speakers are required, or a Dolby Atmos enabled sound bar. Dolby Atmos soundtracks are also fully backward compatible with traditional audio configurations and legacy home entertainment equipment.


Middle-Earth Ultimate Collector’s Edition contains the following special features:

  • Cannes Film Festival Presentation Reel
  • Alamo Drafthouse Cast Reunion
  • “The Fellowship of the Ring” – RT: 39:38​ (with Billy Boyd, Dominic Monaghan, Sean Astin and Elijah Wood) 
  • “The Two Towers” – RT: 32:24​ (with Cate Blanchett, Orlando Bloom, Liv Tyler and Viggo Mortenson)​
  • “The Return of the King” – RT: 29:48 (with Ian McKellan, Andy Serkis, and Peter Jackson)​

A DANGEROUS METHOD – The Review

Psychoanalysis is arguably still as polarizing in today’s society as it was a century ago when Sigmund Freud first conceived it. The very idea of all human neurosis being derived from a primal sexual foundation has controversy written all over it, which is what makes it such a fitting topic for David Cronenberg. Cronenberg’s career has spanned from RABID (1977) to A HISTORY OF VIOLENCE (2005) and most vividly with VIDEODROME (1983) and NAKED LUNCH (1991) – all of these films have one thing in common; sexually charged, taboo subject matter.

A DANGEROUS METHOD tells the story of Carl Jung, a protégé of Freud’s, and his triangular relationship with him and patient Sabina Spielrein during the emergence of psychoanalysis. Jung and Sabina go through a sort of symbiotic metamorphosis. Cronenberg focuses on the shift in character that occurs in Jung, which occurs in conjunction with his treatment of Sabina. They’re relation begins as strictly doctor-patient but transgresses into a sexual enlightening experience for both parties, leading to events to affect the professional relationship of all three characters.

For Cronenberg, A DANGEROUS METHOD is impressively subdued. The film is far less visually graphic and the events are far more cerebral than visceral. Regardless, the thematic elements of sexual taboo, fear and perversion are still very much in play. The film is adapted from the book of the same name by John Kerr, which lends the film its historical relevance. This is most likely the primary reason for a more restrained approach, but the film still works remarkably well.

Michael Fassbender (INGLOURIOUS BASTERDS) plays Carl Jung, a highly educated and passionate follower of Freud’s theories, the first to apply these concepts in treating a patient. That patient in Sabina Spielrein, played with remarkable intensity by Keira Knightley (NEVER LET ME GO). Freud is played by Viggo Mortensen (THE ROAD). Each character carries a specific level of emotional intensity throughout the film, allowing the dialogue-driven story to convey peaks and valleys to further engage the audience. Vincent Cassel (BLACK SWAN) plays Otto Gross, a small character with a significant purpose as a catalyst for Jung’s metamorphosis. Cassel also provides the sole source of crucial comic relief as the morally uninhibited and sexually obsessed doctor turned patient in Jung’s reluctant care.

Mortensen, playing a somewhat older character, is the calming element of the triangle. Freud rarely steps away from his levelheaded, perhaps stubbornly confident roots. Freud is very much a supporting character, a vessel through which Jung and Sabina channel their destructive yet therapeutic behavior. Fassbender strips away the confidence of Jung’s youthful ambition, breaking his psyche down into its conflicting parts from which he rebuilds himself. He shows the most range within his single character. But its Keira Knightley who outdoes herself in A DANGEROUS METHOD, showing an entirely new depth to her range, an extreme not similar to but far beyond her performance in DOMINO.

Easily the most exhilarating and profound moment in A DANGEROUS METHOD is during Jung’s initial session with Sabina. The film begins with Sabina being carried, kicking and screaming, into the hospital where Jung will attempt to treat her. In this long, boldly static scene the camera remains stationary. Cronenberg composes the frame carefully, creating a geometrically aggressive shot with Sabina in the foreground and Jung seated just off to the side and behind her, just slightly out of focus as he proceeds to dissect Sabina’s condition through a series of questions. Knightley’s performance is at first intimidating, even off-putting as she virtually assaults the viewer with her interpretation of Sabina’s physically manifesting psychosis. However, after a very short period of time, as I began to be drawn into the intricacies of her acting I began to realize the brilliance of the scene. Cronenberg set up the shot, and then allowed Knightley to carry the scene and she does with spellbinding conviction.

A DANGEROUS METHOD is a sexual film, without being blatantly graphic and direct with that sexuality. Cronenberg works so comfortably within this context that it never feels awkward or forbidden, but rather like the logical progression of such relatively fringe science to the time. Psychoanalysis is a science that feels much more like an art, a curious juxtaposition that really doesn’t occur in any other branch of the sciences. Cronenberg successfully presents a portrait of two maverick minds in a way that humanizes them, instead of placing them infallibly on pedestals. A DANGEROUS METHOD suggests the human animal is not greater than its primal instincts, but has the power to accept itself for what it is and in turn discover freedom from blindly imposed sexual morals.

Overall Rating: 4 out of 5 stars

Sony Pictures Classic Acquires US Rights to David Cronenberg’s A DANGEROUS METHOD

SONY PICTURES CLASSICS GETS DANGEROUS WITH DAVID CRONENBERG

NEW YORK (June 16, 2011) – Sony Pictures Classics announced today that they have acquired the US Rights to David Cronenberg’s A DANGEROUS METHOD from UK based Hanway Films. The film, produced by Jeremy Thomas (THE LAST EMPEROR, SEXY BEAST), stars Viggo Mortensen, Keira Knightley, Michael Fassbender, and Vincent Cassel. The film is currently in post-production.

Cronenberg once again gathered a prestigious crew to work on A DANGEROUS METHOD, director of photography Peter Suschitsky (A HISTORY OF VIOLENCE, EASTERN PROMISES), composer Howard Shore (THE LORD OF THE RINGS Trilogy, AVATAR), editor Ronald Sanders (A HISTORY OF VIOLENCE, EASTERN PROMISES, CORALINE), costume designer Denise Cronenberg (A HISTORY OF VIOLENCE, EASTERN PROMISES, THE INCREDIBLE HULK) and production designer James McAteer (GOOD WILL HUNTING, A HISTORY OF VIOLENCE, THE LEAGUE OF EXTRAORDINARY GENTLEMAN). The screenplay was adapted by Christopher Hampton (ATONEMENT, THE QUIET AMERICAN) from his own play.

Seduced by the challenge of an impossible case, the driven Dr. Jung (Michael Fassbender) takes the unbalanced yet beautiful Sabina Spielrein (Keira Knightley) as his patient in A DANGEROUS METHOD. Jung’s weapon is the method of his master, the renowned Sigmund Freud. Both men fall under Sabina’s spell.

“David Cronenberg and Jeremy Thomas have made a film that not only has an impeccable cast and crew working at the height of their talents but tells one of the most fascinating love triangles of the twentieth century. The American public will enthusiastically embrace this picture. We are delighted to be in business again with Jeremy and David,” states Sony Pictures Classics.

Producer Jeremy Thomas adds, “I’m very excited to be working again with my friends at Sony Pictures Classics on David’s wonderful film.”

Sony Pictures Classics released David Cronenberg’s SPIDER as well as several films produced by Jeremy Thomas (Takeshi Kitano’s BROTHER, Wim Wender’s DON’T COME KNOCKING, and David Mackenzie’s YOUNG ADAM).

ABOUT SONY PICTURES CLASSICS

Michael Barker and Tom Bernard serve as co-presidents of Sony Pictures Classics—an autonomous division of Sony Pictures Entertainment they founded with Marcie Bloom in January 1992, which distributes, produces, and acquires independent films from around the world. Barker and Bernard have released prestigious films that have won 25 Academy Awards® (24 of those at Sony Pictures Classics) and have garnered over 100 Academy Award® nominations (93 at Sony Pictures Classics) including Best Picture nominations for AN EDUCATION, CAPOTE, HOWARDS END, AND CROUCHING TIGER, HIDDEN DRAGON.

ABOUT SONY PICTURES ENTERTAINMENT

Sony Pictures Entertainment (SPE) is a subsidiary of Sony Corporation of America (SCA), a subsidiary of Tokyo-based Sony Corporation. SPE’s global operations encompass motion picture production and distribution; television production and distribution; digital content creation and distribution; worldwide channel investments; home entertainment acquisition and distribution; operation of studio facilities; development of new entertainment products, services, and technologies; and distribution of filmed entertainment in more than 100 countries.

RECORDED PICTURE COMPANY

Recorded Picture Company was established by Thomas in 1974 and has since produced over 50 films, including nine-time Academy Award winner The Last Emperor. Notable productions include The Sheltering Sky and Merry Christmas Mr Lawrence, and more recently, Sexy Beast, Crash, Young Adam and The Dreamers. In 2010, RPC premiered Takashi Miike’s 13 Assassins at Venice along with Jerzy Skolimowski’s Essential Killing, which went on to garner the Jury Prize and two others in an unprecedented triple win. In 2011, RPC premiered Wim Wenders’ 3D film Pina at Berlin to great acclaim, and went on to premiere Takashi Miike’s Hara-Kiri: Death of a Samurai at Cannes, the first 3D film to show In Competition. RPC is currently in post-production on David Cronenberg’s A Dangerous Method, starring Viggo Mortensen, Keira Knightley, Michael Fassbender and Vincent Cassel, and is in production on the epic adventure Kon-Tiki with directors Joachim Roenning and Espen Sandberg. Upcoming projects include those by Vincenzo Natali and Phillip Noyce.

HANWAY FILMS

Hanway Films’ current slate includes Seven Psychopaths from director Martin McDonagh starring Christopher Walken, Mickey Rourke, Colin Farrell and Sam Rockwell; Great Expectations from director Mike Newell starring Helena Bonham Carter and Ralph Fiennes; Takashi Miike’s 3D film Hara-Kiri: Death of a Samurai which premiered In Competition at Cannes 2011, Kon-Tiki, an epic from directors Joachim Roenning and Espen Sandberg which is currently in production; Wim Wenders’ acclaimed 3D dance film Pina, David Cronenberg’s A Dangerous Method starring Viggo Mortensen, Keira Knightley, Michael Fassbender and Vincent Cassel; Girls’ Night Out from director Michael Hoffman starring Dakota Fanning; Quartet directed by Oscar-winner Dustin Hoffman from a script by Oscar-winning screenwriter Ronald Harwood; Andrea Arnold’s Wuthering Heights; Steve McQueen’s Shame starring Michael Fassbender and Carey Mulligan from Academy Award-winning producers Iain Canning and Emile Sherman; Kevin MacDonald’s groundbreaking documentary Life In A Day produced by Ridley Scott; the box office hit TT3D: Closer To The Edge, and Simon Barrett’s home invasion thriller You’re Next from producers Keith Calder and Jessica Wu.

Trailer for ‘The Road’ like a highway to Hell!

theroadmovieviggoboy

If you haven’t seen this already, you REALLY need to watch the trailer for ‘The Road’… like, right now! The beginning intro of th trailer does sort of feel like ‘The Happening’ meets ‘The Day After Tomorrow’ but, trust me, it gets much better! If the remainder of this trailer doesn’t get you all giddy and crazy-effing pumped up to see ‘The Road’ then I worry about your mental state. Between the incredible cinematography and killer production design combined with the added bonus of what looks like an outstanding performance from Viggo Mortenson… oh yeah, and it’s adapted from a book by Cormac McCarthy (who also wrote the book ‘No Country for Old Men’)… how could this movie NOT end up being a total, adrenaline producing fear-filled terror trip? ‘The Road’ is set to open nationwide in October 2009.

Viggo Mortenson is ‘Good’ in first trailer

So, I think we have another candidate for Oscars with this one. ‘Good’ stars Viggo Mortenson in a dramatic story about a professor that’s conflicted over the rise of the Nazi party’s power and with their ulterior motives. This first trailer makes the film look great, the acting looks great… however, no release date has been announced yet for the US… not good. [Trailer courtesy of FilmSchoolRejects.com]