Review: UP IN THE AIR

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If Tom Hanks is the modern day version of Jimmy Stewart, as he’s so popularly claimed to be, then George Clooney is his icy cool stepbrother. With all the charm and grace of Stewart, he commands a scene, drifting through roles and making them memorable sheerly by a grin. This isn’t a criticism, it’s a compliment: it’s what he’s best at, and his role as Ryan Bingham in Jason Reitman’s new film UP IN THE AIR evokes that side of him wonderfully.

As a character, Bingham embodies what Clooney is best at: a shielding grin, which protects him from the rage and tears of those he terminates as he floats around the country, releasing employees from their jobs when their employers lack the backbone to do so themselves. Bingham is a spartan minimalist, valuing miles on airplanes the way others value love and family. He has a side career of motivational speaking, in which he promotes the lifestyle of “emptying one’s backpack” and leaving the weight of people on the curb.

The challenge for Bingham comes in the form of two complications: a beautiful counterpart (more like mirror image) Alex, played by Vera Farmiga, and a spunky-bitchy young business woman Natalie Keener, who introduces a new termination system that will replace Bingham’s way of life.

I have been surrounded by Reitman’s film for quite a while now: buzz was enormously positive when the film was first screened at festivals, and it was shot in my own back yard at Lambert Airport in St. Louis. I feel a sort of attachment to the film that makes me want to love it unabashedly, as so many others seem to.

When it comes down to it, I really like, but don’t (yet) love UP IN THE AIR. The problem isn’t with Reitman, whom people are already comparing with his father Ivan to find who’s a “better” director. The way I see it, the younger Reitman has a technical artistry that rivals that of his father, while the rise and fall of Ivan’s films have always been dictated by their actors. Jason Reitman is three for three — whether you love or hate JUNO and THANK YOU FOR SMOKING, they accomplish dramatic achievements in ways that his father has never dared to.

The problem that is at least initially barring me from loving UP IN THE AIR is the iciness that penetrates the front end of the film, which is indeed the very point. While the emotional resonance of Bingham’s journey has to stem from some sense that his character must tune in to an untapped part of himself, and that is all well and good, he’s also surrounded by Alex and Natalie, who are in their own ways rigid. The problem is that the film simply stalls too long before revealing sides of these characters to fall in love with.

Which is confounding, because once that point is reached, UP IN THE AIR soars — pun absolutely intended. Clooney comes into his own, while Vera Farmiga crafts a character of depth and beauty, and Anna Kendrick as Natalie Keener stands strongly beside them both. Without spoiling anything, Reitman takes a direction with the film that defies its formula and the audience’s expectations.

There is a deeper story to be told here than the first portion of the film indicates, and that is why it’s unbearably frustrating. Beneath all the hype surrounding UP IN THE AIR lays a small drama that is centered on characters that are very honest and feel very real. Comedy blends seamlessly with drama here; there is nothing played for laughs that should be played for tears and vice versa. There are characters in UP IN THE AIR that are stronger than most we’ve seen in 2009 — characters which include talking heads of real former employees, a directorial choice that some have seen as emotionally coercive on Reitman’s part. I see it as the point from which the film takes off and lands from, making it immediate and ultimately more meaningful.

And while I hesitate to love Reitman’s work as much as others have, I won’t deny that it’s the sort of film with the potential to grow on me, alongside experience and time. A testament to how emotionally salient the film is (particularly in an economic climate like this one), UP IN THE AIR’s relatability is inarguably its strongest suit.

Top Ten Tuesday: George Clooney

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From humble beginnings in films like RETURN TO HORROR HIGH and RETURN OF THE KILLER TOMATOES, a two-time “Sexiest Man Alive”, four-time Academy Award nominee (so far), and one-time winner of Best Supporting Actor (so far) was born.  George Clooney’s career has been a long and winding road in both film and television.  Today, he takes all roles from absolutely serious (SYRIANA) to comical (LEATHERHEADS) to downright silly cameos (SOUTH PARK: BIGGER, LONGER, AND UNCUT and SPY KIDS 3-D: GAME OVER).  It is for this eclectic mix of performances and characters that we salute this week the top 10 of George Clooney.  Whether it is his performance or the roles themselves he brings to life, each character listed below is memorable in their own right.  And, with films like UP IN THE AIR and THE AMERICAN forthcoming, we are sure to see even more memorable characters brought to life by Clooney.

10. Jack Geismer in THE GOOD GERMAN
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It’s rare that you can find an actor that can fit into any genre and era of film. George Clooney is such an actor, and his role as Jake Geismer in THE GOOD GERMAN is one such role. Jake is a military journalist covering the peace agreements between The US and Germany after World War II and in true film noir fashion a murder sends him on a completely different course than he set out. Jake is an inquisitive hero, the kind Hitchock would have created in a film that would have likely shot, had he not been dead long before it was made. Clooney’s Geismer is a timeless character in the truest sense.

9. Billy Tyne in THE PERFECT STORM
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Look at Clooney up there, all angry and defiant.   He’s helming a fishing boat that’s on its way up a 100-foot rogue wave, and he’s pissed off.   Now look at Wahlberg.   He’s freaking out.   He doesn’t think they’re going to make it.   Clooney’s Billy Tyne has no reservations.   He knows they’re going to break the top of that wave, coast down the other side, and be home in time to watch the series finale of CHEERS.   Doesn’t matter a lick that he’s wrong.   He’s confident, and the fact that the Andrea Gail is about three nanoseconds away from capsizing over backwards isn’t about to break his resolve one bit.   Clooney was a perfect choice for Tyne, cold when he needed to be, a leader when his men become disheartened, and caring when a giant shark gets pulled up on the deck.   No one is as caring as Clooney wielding a shotgun about to carve off some shark steak for himself and his men.   There’s real love there, and it shows.   Up in that picture above, there’s anger and hardheadeness.   Clooney brings it.   Now look at Wahlberg.   Wimp.

8. Fred Friendly in GOOD NIGHT, AND GOOD LUCK
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Not only is Fred Friendly one of Clooney’s best roles, it’s one of his most subdued. Fred is not the main character in GOOD NIGHT, AND GOOD LUCK, instead the character’s almost mirroring what George was actually doing with the film, directing. Fred Friendly was the man behind Murrow, or rather below him during their time on CBS together. He would lead Murrow on the show that would eventually be the hour known as 60 minutes. Clooney is actually MUCH better looking than the real Friendly, but he does the man justice by being the driving force behind Edward R. Murrow, striving for excellence in news reporting.

7. Jack Foley in OUT OF SIGHT
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Coming off of two critical and box office bombs (The Peacemaker & Batman and Robin), Georgie boy struck gold in me with his cool, slick role of Jack Foley.   Based off of a Elmore Leonard novel (his other adapted works are Get Shorty, Jackie Brown & 3:10 to Yuma among others) and directed by Steven Soderbergh, ‘Out of Sight’ tells the story of a bank robber who escapes out of jail and through a kink in the plan with his partner in crime, played by Ving Rhames, ends up kidnapping   Federal Marshall Karen Sisco, played by Jennifer Lopez.   What is essentially a “criminal on the loose & the fed trying to catch him” story turns into an odd romance between Foley and Sisco.   Sisco wants to get entangled with him but obviously can’t because of his profession.   It’s one of my favorite Soderbergh films and Clooney roles.   Clooney’s charisma romances Sisco and the viewer to the point where sometimes you kind of forget he is a bank robber.   This was obviously a role tailor-made for Clooney as I still think that this   was the precursor to the character of Danny Ocean from Ocean’s Eleven which was also directed by Soderbergh.   If you haven’t seen this flick yet, you definitely need to check it out.

6. Mr. Fox in THE FANTASTIC MR. FOX
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The actor once called the “sexiest man alive” makes only his second appearance on the big screen without his iconic face, lending his voice to the title character. This is the first time George Clooney has done this since 1999 when he voiced Dr. Gouache in SOUTH PARK: BIGGER, LONGER & UNCUT. This time, his voice is distinctly his and adds an unmistakable level of charm to the character of Mr. Fox, who is after all… Fantastic! Clooney has become a popular choice for such talented and indie-spirited filmmakers as Steven Soderbergh and The Coen Brothers, so it seems only natural that Wes Anderson would take a crack at casting him as well. Mr. Fox comes to life as a result of Clooney’s and Anderson’s teamwork, giving the character depth but also an unforgettable personality. One of the best scenes in the movie, a classic in my opinion, is when Mr. Fox and Badger (voiced by Bill Murray) go at it over a real estate deal… George Clooney and Bill Murray in a comical animated scuffle as wild animals? It doesn’t get much better than that!

5. Harry Pfarrer in BURN AFTER READING
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As evidenced by this list, Mr. Clooney is a master of both subtle dramatic roles and over the top comedic ones. At his best, however, he’s a little bit of both, and he’s probably never straddled this line as well as he did for the Coens in BURN AFTER READING  last year. Many of the most memorable aspects of Mr. Pfarrer, Clooney’s womanizing government agent, happen offscreen, only to be revealed in some hilarious moments (which I won’t get into, in case you haven’t seen the film yet — for shame!). In particular, I’m thinking about a crazy contraption the likes of which we’ve never seen in a mainstream film. If nothing else, Pfarrer will go down on history for spending more time with a triangular sex position pillow than any character in motion picture history; at best, he’s an example of how multifaceted and intricate the Coens’ characters can be, brought to life by one of the best actors in the business.

4. Danny Ocean in OCEAN’S ELEVEN
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You know who loves it when a plan comes together…other than the A-Team, of course?   Danny Ocean.   Not only has he brought a team together to pull off the greatest heist in history, he’s done it three times, now, getting one over on Andy Garcia, Vincent Cassel, and Al Pacino.   Really, there would be very little interest in a remake of the Rat Pack-headed OCEAN’S 11 without the likes of Clooney taking over the Frank Sinatra role.   He, like Sinatra, exerts that classy cool appeal that makes believers out of all of us that he can actually pull these heists off without breaking a sweat.   It doesn’t hurt that he has Brad Pitt and Matt Damon backing him up, but Clooney in the OCEAN’S films gives out such an appeal of confidence that you never question he could do all of this on his own.   If for nothing else, Clooney as Danny Ocean makes you want to book the next flight to Vegas, pronto.

3. Michael Clayton in MICHAEL CLAYTON
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In the 2007 drama MICHAEL CLAYTON, George Clooney played a lawyer at a firm who doesn’t practice law in the traditional sense, but rather is the go-to guy when things need fixing and gets sent out to clandestinely smooth over unsavory legal problems involving the firm’s top clients. The senior members at the firm respect Clayton because none of them have the particular skill set to do what Clayton does so effortlessly. Unfortunately for Clayton, his personal life is a disaster – a messy divorce, gambling problems, and massive debt from an unsuccessful business venture. Faced with these various quandaries, Clayton must choose what’s right while also facing increased danger. MICHAEL CLAYTON was a complex mix of crowd-pleasing action and whip-smart storytelling and contained perhaps Clooney’s most nuanced performance. For all of the actor’s considerable charm, not enough is made of how well he can dial it down. Instead of the grinning, twinkly-eyed movie star we know and love, Michael Clayton is simply a beaten-down man who hates his job and his life but is powerless to do anything about either until circumstances force him to take a stand. Clooney sells it with gusto, exuding intelligence and conflict over choices which can never fully be atoned for especially during that memorably prolonged closing close-up.

2. Archie Gates in THREE KINGS
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Archie Gates is a great all-around character. Fed up with the war in Iraq, Gates and three compatriots start out looking for Iraqi gold and are soon stuck in the middle of what would be the genocide of a small group of people. Gates is one of those characters that’s out for his own, that has to learn a lesson through an impossible to deal with situation, and he’s damn funny the entire time. Archie Gates is easily one of Clooney’s more action oriented characters, but also one of the most heroic. A warrior, a bit of a scum bag, and a heroic man, Archie Gates is very memorable character, and THREE KINGS is one of the better modern war films for this reason.

1. Seth Gecko in FROM DUSK TILL DAWN (tie)
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Of all of George Clooney’s roles, Seth Gecko stands out the most. Is it truly his best performance? Probably not, but it is his most badass. Seth Gecko is a cold blooded murderer, kidnapper, bank robber and social degenerate… in other words he’s everything you want in an anti-hero. He’s a hero by circumstance, not by choice. Thrown into a situation no one could possibly see coming, he soon tries to save the people he’s threatened to kill, in order to stay alive in a strip club full of gnarly looking vampires. He’s a fun character, easy to remember, and now, years later it’s hard to believe the man that played Seth Gecko would be nominated for an Academy Award for Best Director. Seth Gecko, we salute you.

1. Everett in O BROTHER, WHERE ART THOU? (tie)
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“Damn! We’re in a tight spot!” Everett finds himself in this situation frequently. George Clooney truly outdid himself as the fugitive Everett, whom considers himself more brilliant than he actually is, repeatedly using a lexicon made up entirely in his own mind. Words such as “mixaphorically” and “paterfamilias” come to mind in what would become the first of three films in which he is directed by The Coen Brothers. Clooney showcases his off-beat comical side in this film, which The Coen Brothers would re-employ later in BURN AFTER READING. Everett led two other dimwit fugitives on a getaway journey as he attempts to regain the respect of his family. The story loosely follows that of Homer’s The Odyssey, making for a film that’s not only hilarious and brilliantly directed, but also a strangely thought-provoking film that brings ancient literature to life through a more recent history of our own for a modern audience. If you want to experience on of the best comical trio’s to grace the screen since The Three Stooges, you need to see George Clooney along with Tim Blake Nelson and John Turturro in O BROTHER, WHERE ART THOU?

‘Up In The Air’ Schedules a New Date of Departure

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A day after the trailer for ‘Up In The Air’ hit the net, /Film is reporting that the film has received a new release date.

Paramount Pictures had originally planned to release Jason Reitman’s new film Up in the Air on December 4th, but the overwhelming possitive buzz created by screenings at the Telluride Film Festival have resulted in a change of plans.

The plan now is to release the film in limited markets (yet to be decided) on November 13th, and go wide on November 25th for the Thanksgiving Holiday. My exhibitor spies had told me that Paramount was originally considering a November 20th limited / November 25th wide release, but decided to go earlier to capitalize on the buzz while the film is hot, and likely to get an edge on The Road, which was just moved back for a Thanksgiving release . The film will now hit theaters the same day as Roland Emmerich’s new disaster film 2012 and the limited release of Wes Anderson’s stop-motion animated adaptation of Fantastic Mr. Fox.

The wide release on Thanksgiving weekend will see a lot of competition. Not only will it go head to head with the “wide” release of The Road, but Fantastic Mr. Fox’s wide expansion, Ninja Assassin, Old Dogs, and the NY/LA limited engagement of Disney’s The Princess and the Frog.

After ‘Up In The Air’ screened at Telluride, the  Academy Awards  buzz over  the film  was almost deafening. Here’s a taste of what some of the Oscar pundits had to say:

Anne Thompson of indieWIRE’s  Thompson on Hollywood wrote:

The director, who debuted Juno here two years ago at the same theater, delivers a winner. Loosely based on Walter Kirn’s novel, Reitman’s updated movie, which he started working on six years ago, has become, with the economic downturn, far more timely. It’s a witty, charming and moving exploration of a world we all recognize.

In Contention’s Kristopher Tapley said:

This is one of the year’s finest films.

Lastly, Todd McCarthy  with his review from  Variety:

The tale of an aloof, high-flying exec whose millions of frequent-flyer miles can’t keep him permanently above the emotional turbulence he seeks to avoid, “Up in the Air” is a slickly engaging piece of lightweight existentialism highlighted by winning turns from George Clooney and Vera Farmiga. Just as “Thank You for Smoking” and “Juno” did in their own ways, Jason Reitman’s third film cleverly taps into specific cultural aspects of the contemporary zeitgeist, although in a somewhat less comically convulsive manner. Unlike many of the characters onscreen, nobody is going to lose any jobs on the basis of their work here, as a buoyant commercial flight lies ahead.  

We’ll see what happens to the film next as it flies from Telluride over to the Toronto International Film Festival which begins tonight.

‘Up in the Air’ Teaser Trailer Hits

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The teaser trailer for Jason Reitman’s latest writing/directing effort, ‘Up in the Air,’ has gone live.   Courtesy of the fellas over at /film, it is based around one of Clooney’s Ryan Bingham’s speeches, one about the things we hold dear in our lives and the line between relationships and our personal freedoms.   Very elegantly spoken by Clooney, the teaser is equally elegant in its editing and the beautiful music that accompanies it.

Early buzz from Telluride is that this is going to be one to watch come Oscar time, both for Reitman and Clooney.

Sample a taste right here:

Up in the Air Teaser Trailer from /Film on Vimeo.

You can also check out the trailer in High Definition here: 480p and 720p.

‘Up in the Air’ is slated to release on December 4th.

First Poster for ‘Up in the Air’ Released

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The first, official poster for Jason Reitman’s new film, ‘Up in the Air,’ starring George Clooney, has been released, courtesy of Empire.   The poster’s got a nice structure, and it seems to give us a feel for the film without really giving too much away about the story.   For some, strange reason, I really dig that lone, little bird hanging at the top.

up in the air poster

The film centers on a corporate hatchetman whose sole job is to help companies downsize.   Naturally, as with any good comedy, he meets the woman who steals his heart while traveling millions of miles around the world.   Vera Farmiga shows up as the love interest.

‘Up in the Air’ comes out on September 10th.

Jason Bateman ‘Up in the Air’

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Jason Bateman, who has had a very welcome resurgence over the past couple of years, will reunite with his ‘Juno’ director, Jason Reitman, on ‘Up in the Air’. Â  The film stars George Clooney.

Clooney plays  a corporate downsizer who is obsessed with collecting frequent flyer miles at the expense of having a life. Bateman will play his boss.

‘Up in the Air’ is currently filming all over the country.

Source: Variety

George Clooney in Saint Louis for new movie!

According to KMOV News Channel 4, actor George Clooney will be filming part of a new movie by director Jason Reitman called ‘Up in the Air’ in Saint Louis at the Lambert International Airport. Filming is expected to begin on January 5th, but it’s not clear when the Lambert Airport parts will be filmed.

Click HERE to watch an interview with George Clooney at Lambert.

Clooney and Reitman are ‘Up in the Air’

Clooney is set to join the airline travel dramedy which follows the exploits of a man who sets out to reach a million frequent flyer miles which simultaneously brings his life into ruin.   Reitman adapted the screenplay and hopes to direct as his follow up to Juno.   Could be a winner, sounds good to me though.   Variety has all the details here.