SLIFF 2016 Interview: Bill Streeter – Director of ST. LOUIS BREWS

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ST. LOUIS BREWS (a work in progress) screens Thursday, November 3rd at 8:00pm at The Tivoli Theater (6350 Delmar Blvd) as the opening film of this year’s St. Louis International Film Festival. There will be an opening-night reception with complimentary product from local breweries.Ticket information can be found HEREA Facebook invite for the event can be found HERE.

ST. LOUIS BREWS director Bill Streeter is the creator of Lo-Fi St. Louis, a pioneering video blog that’s documented our town, with a particular emphasis on its vibrant music scene, since way back in 2005. Inspired by the same-named 2009 book by Henry Herbst, Don Roussin, and Kevin Kious, ST. LOUIS BREWS examines St. Louis’ defining influence on the beer industry and profiles the innovative craft brewers who are building on that storied tradition. The screening features a generous sampling of three extended sequences from the film, and the Q&A will include a number of the brewers featured. Through interviews, archival footage, memorabilia, and visits to brewing sites of yesterday and today, ST. LOUIS BREWS will quench beer aficionados’ thirst for knowledge, and the fest’s opening-night reception will satisfy their actual desire to drink with complimentary product from local breweries.

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Bill Streeter took the time to talk to We Are Movie Geeks about his upcoming documentary. 

Interview conducted by Tom Stockman October 25th, 2016

Tom Stockman: Last time I interviewed you was five years ago regarding your film BRICK BY CHANCE AND FORTUNE: A ST. LOUIS STORY. What have you been up to since then?

Bill Streeter: I started my own video production business and I’ve been working on this film. I’m still doing Lo-Fi Cherokee and all of that stuff. This film has been on the drawing board for about five years. It’s been sort of on and off again.

TS: What made you interested in telling the story of Saint Louis breweries?

BS: Well first I have a friend named Josh at Reedy Press and they printed the book St. Louis Brews a number of years ago. The second edition was published about a year and a half ago. He suggested that I do this documentary. It’s been a very successful book for them and no one has done a documentary about brewing in  St. Louis which is surprising. I was intrigued by the idea. I really wasn’t planning on going into another documentary right away but I knew there would be plenty of interest in the subject. Unlike the movie about bricks, which is something of an esoteric subject that I didn’t think a lot of people would be interested in. I turned out to be wrong about that as it was fairly successful. It took a while to get off the ground. I’ve been into brewing and beer for a long time.

TS: Do you brew your own beer?

BS: I have. I was into home-brewing 20 or 25 years ago, before anybody recognized the whole craft revolution. Craft beer has been with us for about 30 years, but it’s really just take it off in the past 10 years or so. So I had interest in the topic and it really wasn’t a hard decision for me to choose to make this film.

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TS: Where are you now in the progress of the film?

BS: I’d say we’ve shot well over 90% of what we need in terms of production. There are a few events that we are waiting on. One of our ‘B’ stories is about Earthbound Brewing. We started following them just as they were getting close to finishing the construction of their brewery, about two months before they opened in 2014. We follow them through their first year and well into their second year. They’re moving into a big space soon and have been working there for close to nine months now. The space they’re moving into is a former brewing building, It’s the last remaining building from the old Cherokee Brewery which closed over 100 years ago. So, in this movie we’re trying to connect the history of St. Louis brewing to the modern-day craft brewing business. That story of Earthbound Brewing, these young creative entrepreneurs starting a small brewery on a shoestring and having this old brewery and turning it back into a brewery, we thought was a really interesting story. That’s one of the stories that we are waiting on. They were hoping to be open this summer, then they were saying October, but I think it will probably be next spring. So, whenever they finish up, we want to have that opening in our film. There are a couple of other craft brewers that we have not interviewed yet that we think are important to include in the story. This work in progress has been really good for me. I’ve been getting material ready for it. The historical piece of the film is really solid so most of what people will see at the work in progress screening next week will be the history, with just a little bit of the craft. This could easily be a five hour long, Ken Burns-style documentary.

TS: 150 years ago there were almost 50 breweries in St. Louis. Why was St. Louis such a beer capital?

BS: The primary reason was that we had a huge influx of Germans. There were some Germans before that, but there was a huge wave of Germans that came to St. Louis starting in about 1849. There’s an old saying “anytime you have 100 Germans together, you’re going to have a brewery”. Germans had a very different drinking culture then Americans did. Americans were very puritanical in terms of drinking. Americans drank alcohol but it was mostly wine or cider. They drank a lot of whiskey, but they did not drink a lot of beer. The beers they did drink were ales which didn’t travel well and turned very quickly after it was made.  The drinking culture here at the time was, I’d say, dysfunctional. Germans had a very healthy drinking culture. Beer drinking was just part of enjoying life. They loved to go to the park and drink with their family, they would have their kids there and their wives and they would drink and listen to music on a Sunday. Americans were kind of thrown off by this.  Over time Germans figured out how to get Americans to drink beer. Part of that was developing a style of beer that Americans would drink. What the Germans were drinking when they first came here was not something that was particularly appetizing to Americans. It wasn’t until they invented Budweiser and American-style lagers that Americans really took to drinking beer. So essentially it was the Germans, but there were a lot of environmental issues as well. There was good water here and good caves for watering and other things.

TS: Does your film tackle The prohibition period ?

BS: Yes, we talk about prohibition.  There were actually a number of prohibition movements that happened. The big one was of course the one everyone remembers because it was enshrined in the Constitution in the 1920s. But there were efforts to start prohibition long before that. We talk about that. We’re not comprehensive but we talk about all the major points in terms of brewing in St. Louis.

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TS: What happened to the Lemp Brewery? I know they and Anheuser Busch were pretty much the only ones to survive prohibition. 

BS: Yes there’s a big section about Lemp Brewery that we will see you Thursday. Lemp was a very successful brewery here, even larger than Anheuser Busch. William J Lemp, The son of Adam Lemp who started the Lemp Brewery, was the second generation, but was the one who really grew the brewery into a massive business. He was a very ambitious person. They had a number of different beers and were shipping beer all over the world. A couple of things happened. One was that his son Frederick. who he was prepping to take over the business, died at age 28 before William Lemp retired. His wife was ill and his best friend, William Pabst of Milwaukee, committed suicide. His son and best friend died close together and he just went into a deep depression and he eventually committed suicide. When that happened, his son William Junior took over the business. Billy Lemp wasn’t very forward-thinking or a very creative guy.  He grew up kind of spoiled and wealthy and did not take a great interest in the business. He didn’t invest the way he should have. And then prohibition of came along and he was very cynical about that. He thought that that was it, that the business was over. Lemp, and all of the other breweries as well, try to come out with other products. Billy Lemp staked all of its future on this one brand of non-alcoholic beer, actually it was a malt beverage, not even a beer, called Cerva. It failed very quickly after six months. It never took off and Billy went into a funk and sold the brand Falstaff to the Griesedieck brothers. He just shut down the business. He didn’t even tell the employees he was closing. The workers showed up one day and the gates were locked. That was the end of Lemp. Billy eventually committed suicide. It’s a pretty sad story.

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TS: Your film is based on a book by Henry Herbst, Don Roussin and Kevin Kious. Were these guys involved in your film? 

BS: Henry Herbst passed away almost 10 years ago, soon after the book was published. But both Kevin and Don contributed interviews for the film and both of them were very helpful, pointing out certain things and letting me know where some things were. Some of the other people we interview in the film are Maureen Ogle, who wrote a book called Ambitious Brew. She’s up in Iowa. Also Chris Naffziger, who has done some good research mostly about Falstaff and Lemp. And Mimi Harris who I interviewed for the brick film.

TS: The microbrewery scene here in St. Louis is pretty vibrant. It seems like they’re always opening up new ones. Do you think there is a risk of having too many microbreweries here in St. Louis?

BS: That’s not really a question for me to answer, but we’ve brought that up. I guess there could be a bubble but now it’s a growing market. There are more and more people interested. The market for beer in general has been shrinking for a number of years for a number of different reasons, but the craft brewing segment is a growing segment.  There’s a general cultural trend in people appreciating local stuff, handmade stuff. One interesting thing is that, you mentioned that over 100 years ago there were between 40 and 50 breweries operating in St. Louis and this year there will be 50 breweries operating in St. Louis, so we’re sort of back to the future with the number of breweries. But we may see a repeat of history happening. In the 19th century there was a whole shift in business and consolidation of breweries and that could happen again.  Anheuser Busch has certainly bought their share of craft beer brands. They own maybe six or eight of them now.

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TS: How much of the rough-cut will we see Thursday, November 3 at the film festival?

BS: There will be about one hour of material, Mostly the history stuff. There will be about five scenes. There may be stuff that will end up cut out of the final film so there’s a good chance that people who come to the screening may see stuff that won’t be shown again.  It will be a good way for me to gauge how it’s going, with audience reaction, see if I’m going in the right direction. It will primarily be about the German immigrants in the origins of American beer. We’ll talk about the Lemp story and the Falstaff story and then we’ll talk a little bit about Earthbound.  Those are the main topics that people will see you next Thursday.

TS: And they will be serving beer before and after?

BS: I’m not sure about after but there is a beer reception that starts prior to the film, around 6:30. Seven local breweries will be serving beer.

TS: That sounds good. Good luck with the film and maybe we can review it here when it’s complete.

BS: That would be good. Thank you

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SLIFF 2016 – ST. LOUIS BREWS Documentary Kicks Off The St. Louis International Film Festival Nov. 3rd

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ST. LOUIS BREWS (a work in progress) screens Thursday, November 3rd at 8:00pm at The Tivoli Theater (6350 Delmar Blvd) as the opening film of this year’s St. Louis International Film Festival. There will be an opening-night reception with complimentary product from local breweries.Ticket information can be found HERE.

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The schedule for the 25th Annual Whitaker St. Louis International Film Festival (SLIFF) has been announced and once again film goers will be offered the best in cutting edge features and shorts from around the globe. The festival takes place November 3-13,  2016. SLIFF kicks off on November 3 with the opening-night selection ST. LOUIS BREWS, the latest home-brewed documentary by local filmmaker Bill Streeter, director of BRICK BY CHANCE AND FORTUNE: A ST. LOUIS STORY (read my interview with Bill HERE).

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SLIFF kicks off their 25th anniversary with a beer blast: a suds-centric reception and a work-in-progress screening of ST. LOUIS BREWS, Bill Streeter’s celebration of all things hops-related in the Lou. Streeter — an alum of the fest whose 2011 documentary BRICK BY CHANCE AND FORTUNE: A ST. LOUIS STORY premiered at the St. Louis Filmmakers Showcase and was reprised at SLIFF — is the creator of Lo-Fi St. Louis, a pioneering video blog that’s documented our town, with a particular emphasis on its vibrant music scene, since way back in 2005. Inspired by the same-named 2009 book by Henry Herbst, Don Roussin, and Kevin Kious, ST. LOUIS BREWS examines St. Louis’ defining influence on the beer industry and profiles the innovative craft brewers who are building on that storied tradition. The screening features a generous sampling of three extended sequences from the film, and the Q&A will include a number of the brewers featured. Through interviews, archival footage, memorabilia, and visits to brewing sites of yesterday and today, ST. LOUIS BREWS will quench beer aficionados’ thirst for knowledge, and the fest’s opening-night reception will satisfy their actual desire to drink with complimentary product from local breweries.

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Full information on SLIFF films, including synopses, dates/time, and links for purchase of advance tickets is available on the Cinema St. Louis website.

SLIFF 2016 – The St. Louis International Film Festival Schedule Announced

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The schedule for the 25th Annual Whitaker St. Louis International Film Festival (SLIFF) has been announced and once again film goers will be offered the best in cutting edge features and shorts from around the globe. The festival takes place November 3-13,  2016.

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SLIFF kicks off on November 3 with the opening-night selection ST. LOUIS BREWS, the latest home-brewed documentary by local filmmaker Bill Streeter, director of BRICK BY CHANCE AND FORTUNE: A ST. LOUIS STORY (read my interview with Bill HERE)

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According to SLIFF, the festival will feature more than 125 filmmaking guests, including honorees: Actress Karen Allen (RAIDERS OF THE LOST ARK, ANIMAL HOUSE), director Charles Burnett (KILLER OF SHEEP, TO SLEEP WITH ANGER), winner of the Cinema St. Louis Lifetime Achievement Award; and director Steve James (HOOP DREAMS).

Full information on SLIFF films, including synopses, dates/time, and links for purchase of advance tickets is available on the Cinema St. Louis website.

Check the site regularly for updates: http://cinemastlouis.org/about-festival

The St. Louis International Film Festival is one of the largest and highest­ profile international film festivals in the Midwest. The majority of the films screened – many of them critically lauded award winners – will receive their only St. Louis exposure at the festival.

Celebrating its 25th anniversary in 2016, SLIFF is presented by the nonprofit Cinema St. Louis, which also annually produces the locally focused St. Louis Filmmakers Showcase, the LGBTQ-­focused QFest, and the Classic French Film Festival. In addition, Cinema St. Louis is the local producer of the 48 Hour Film Project and hosts educational programs, competitions, screenings, and special events throughout the year. Attendance has increased steadily during the festival’s 35 years, with over 24,000 filmgoers attending in 2015.

Because SLIFF is one of only three dozen fests that serve as qualifying events for Oscar live­-action and animated narrative shorts, the festival has an especially strong selection of short subjects. In fact, in 2006, the Best Short Film­Live Action winner, “West Bank Story,” received Oscar consideration because it won SLIFF’s “Best of Fest” shorts award in 2005. In 2014, the Academy added SLIFF as a qualifying festival for documentary shorts.

Highlights from this year’s festival include:

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JACKIE Sunday, Nov. 13 at 6:00pm
Directed by Pablo Larraín (“No,” the upcoming “Neruda”), “Jackie” is a searing and intimate look at one of the most important and tragic moments in American history, as seen through the eyes of the iconic First Lady, Jacqueline Bouvier Kennedy (Natalie Portman). The film places the viewer in Jackie’s world during the days immediately following her husband’s assassination, offering a psychological portrait of the First Lady — known for her extraordinary dignity and poise — as she struggles to maintain her husband’s legacy and the “Camelot” that they created together and loved so well. The extraordinary cast includes Peter Sarsgaard (as Bobby Kennedy), Greta Gerwig, Billy Crudup, and John Hurt. Hailing Portman as “altogether astonishing,” Britain’s Guardian describes “Jackie” as “great cinema”: “a singular vision from an uncompromising director that happens to be about one of the most famous women in American history.”

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A TRIBUTE TO KIM TUCCI Wednesday, Nov. 9 at 6:30pm
Cinema St. Louis pays tribute to longtime board chair Kim Tucci as part of SLIFF’s 25th-anniversary celebration. Kim’s service to the St. Louis region includes investing in the community, raising funds to fight disease, and enabling projects of civic pride. And still, somehow, he finds time to enjoy the movies. While many cinephiles would be content with outings to the local multiplex, Kim has put his love of film to greater use by serving on the board of Cinema St. Louis for the past decade, chairing the organization since 2008. He also served for many years as chair of the Missouri Film Commission. His selfless work has both helped build the film industry here in Missouri and allowed Cinema St. Louis to bring some of the world’s best films to St. Louis. The evening — held at the recently opened Delmar Hall — begins with a cocktail reception at 6 p.m. and is followed by a program that includes a Lifetime Achievement Award presentation, a live auction to benefit Cinema St. Louis, and a short conversation about movies between Kim and Y98’s Guy Phillips. The night is capped with a screening of one of Kim’s favorite films, “Harold and Maude” (see listing in Film Features section). The tribute portion of the program is a fundraiser for Cinema St. Louis, but the screening of “Harold and Maude” — which starts at 8 p.m. — is free and open to all (though donations are encouraged).
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NO CROSSOVER: THE TRIAL OF ALLEN IVERSON Sunday, Nov. 6 at 7:00pm
On Valentine’s Day 1993, 17-year-old Bethel High School basketball star Allen Iverson was bowling in Hampton, Va., with five high-school friends. It was supposed to be an ordinary evening, but it became a night that defined Iverson’s young life. A quarrel soon erupted into a brawl pitting Iverson’s young black friends against a group of white patrons. The fallout from the fight and the handling of the subsequent trial landed the teenager — considered by some the nation’s best high-school athlete — in jail and sharply divided the city along racial lines. Oscar nominee Steve James (“Hoop Dreams”) returns to his hometown of Hampton, where he once played basketball, to take a personal look at this still-disputed incident. With director Steve James.
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Fritz Lang’s DESTINY (1921) Saturday, Nov. 5 at 8:00pm
This new restoration of Fritz Lang’s “Destiny (Der müde Tod)” is a dizzying blend of German Romanticism, Orientalism, and Expressionism. The film marked a bold step for Lang, away from conventional melodrama and into the kind of high-concept filmmaking that would culminate in such über-stylized works as “Die Nibelungen” and “Metropolis.” In the film, a young woman (Lil Dagover) confronts the personification of Death (Bernhard Goetzke) in an effort to save the life of her fiancé (Walter Janssen). Death weaves three romantic tragedies, offering to unite the girl with her fiancé if she can prevent the death of the lovers in at least one of the episodes. The great surrealist filmmaker Luis Buñuel once enthused: “When I saw ‘Destiny,’ I suddenly knew that I wanted to make movies. Something about this film spoke to something deep in me; it clarified my life and my vision of the world.” SLIFF’s favorite band, the Rats & People Motion Picture Orchestra, provides an original score and live accompaniment.
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A TRIBUTE TO KING KONG Sunday, Nov. 6 at 6:00pm
The St. Louis International Film Festival bows down to the King — Kong, that is — with a double bill of LONG LIVE THE KING and the 1933 classic that introduced the giant gorilla to the awestruck world. The documentary LONG LIVE THE KING explores the enduring fascination with one of the biggest stars in Hollywood history: the mighty King Kong. The documentary devotes primary attention to the 1933 classic, celebrating the contributions of filmmakers Merian C. Cooper and Ernest B. Schoedsack, stars Fay Wray, Robert Armstrong, and Bruce Cabot, and especially stop-motion innovator Willis O’Brien. But Kong’s legacy is also fully detailed: the sequel SON OF KONG the cinematic kin MIGHTY JOE YOUNG, the Dino DeLaurentis and Peter Jackson remakes, even the Japanese versions by Toho Studios. The double bill concludes — of course! — with KING KONG, allowing viewers to return to the treacherous jungle of Skull Island and thrill again as Kong climbs the Empire State Building with Fay Wray gently cradled in a giant paw.With introduction and discussion by We Are Movie Geeks editor Tom Stockman.
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EYES OF FIRE Tuesday, Nov. 8 at 7:30pm
A few years back, SLIFF by chance came into possession of a print of “Eyes of Fire,” an unjustly forgotten horror film shot more than three decades ago in the backwoods of Missouri. On our 25th anniversary, SLIFF felt duty-bound to give a respectful nod to our celluloid past — every other work in the fest screens digitally — by cracking open the film cans and offering a rare opportunity to view this criminally underseen gem in glorious 35mm. Set in the Colonial era, “Eyes of Fire” — the film debut of experimental photographer Avery Crounse — recounts the creepy doings that occur when a preacher accused of adultery is banished with his followers to the unsettled wilderness, an isolated forest haunted by the spirits of long-dead Native Americans. LA’s Cinefamily, which held its own screening of “Eyes of Fire” earlier this year, aptly describes the film as a “supernatural battle between good and evil, rife with impressively fantastical set pieces — from trees with faces and a mysterious naked forest-dwelling sect to rains of skulls and bones — all swung on a shoestring budget.”
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A JERRY LEWIS DOUBLE FEATURE Saturday, Nov. 12 at 1:00pm
JERRY LEWIS THE MAN BEHIND THE CLOWN. Since his earliest days, SLIFF Lifetime Achievement Award honoree Jerry Lewis had the masses laughing with his visual gags, pantomime sketches, and signature slapstick humor. But Lewis was far more than just a funny performer. After the breakup of his famed partnership with Dean Martin, Lewis moved behind the camera, writing, producing, and directing many of the adored classics in which he starred: “The Bellboy,” “The Ladies Man,” “The Errand Boy,” and “The Nutty Professor.” By becoming a “total filmmaker,” Lewis emerged as a driving force in Hollywood, breaking boundaries with his technical innovations, unique voice, and keen visual eye. Lewis garnered particular respect and praise overseas, especially in France. But if his French admirers regarded Lewis as a true auteur, American critics proved far more skeptical, often dismissing him as nothing more than a clown. Gregory Munro’s brisk, informative documentary offers answers to questions that have perplexed American pop culture for more than 50 years: Why do Europeans love Jerry Lewis? What is the inexplicable aversion many Americans have toward him? Is he just a brash, anything-for-laugh buffoon or is he a creative genius in the tradition of Chaplin and Keaton? Who is the man behind the clown? Plays on a double bill with THE NUTTY PROFESSOR. With video introduction by Jerry Lewis, a SLIFF Lifetime Achievement Award honoree.
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DRAWING HOME Thursday, Nov. 10 at 6:30pm
In 1920s Boston, East Coast debutante Catharine Robb (newcomer Julie Lynn Mortensen) is dating the most eligible bachelor in the world, John D. Rockefeller III. Her future seems set: a dream life in the upper echelons of society. But Catherine finds her careful plans upended when she meets a young painter, Peter Whyte (Juan Riedinger), from one of the most beautiful places on Earth, the Canadian Rocky Mountains. Although their worlds are polar opposites, a mutual love of art draws them together. They soon face a universal question: Can you find “home” in another person? Inspired by the true story of the central couple, “Drawing Home” features a cast that includes Kate Mulgrew (“Orange Is the New Black”), Emmy winner Peter Strauss (“Rich Man, Poor Man”), Kristin Griffith, Rutger Hauer, and Wallace Shawn. The film was shot on location in Canada’s gorgeous Banff and Yoho National Parks.With lead actors Juan Riedinger and Julie Lynn Mortenson and producers Allan Neuwirth and Margarethe Baillou.
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WITHIN OUR GATES Saturday, Nov. 12 at 7:30pm
As part of our 25th-anniversary celebration, SLIFF reprises a special event from our 2009 edition by screening “Within Our Gates,” writer-director Oscar Micheaux’s impassioned response to D.W. Griffith’s “Birth of a Nation.” The film shines a revealing light on the racism of U.S. society, provocatively including scenes of lynching and attempted rape. Micheaux was a pioneering African-American filmmaker and novelist whose career stretched from the silent era through the 1940s. “Within Our Gates,” one of the oldest surviving “race” films, was thought lost until a print was discovered in Spain in 1990 and restored by the Library of Congress in 1992. This screening features a new restoration that offers an even more faithful approximation of the film as originally released. SLIFF has again invited Cairo, Ill.’s Stace England & the Salt Kings to play the original score the group created for our 2009 presentation. The band will also offer a few selections from its album “The Amazing Oscar Micheaux,” whose songs were inspired by the filmmaker’s life and work.With live accompaniment by Stace England & the Salt Kings.

And of course there is much much much much more! Check the site for the complete schedule and for updates: http://cinemastlouis.org/about-festival