MY LIFE DIRECTED BY NICOLAS WINDING REFN – The Review

mylife4

This review was originally published during Fantastic Fest 2014.

MY LIFE DIRECTED BY NICOLAS WINDING REFN gives us just a peek into the mind of one of cinema’s most celebrated directors. Directed and shot by his wife Liv Corfixen, MY LIFE… is a documentary that follows the Danish director during the making of his 2013 film ONLY GOD FORGIVES. While her film can be appreciated as simply a small portrait of the acclaimed director, it also taps into the fear and anxiety every artist feels during the creative process. A daring undertaking for someone who has never made a documentary before.

Even though we see Refn in the most mundane situations (waking-up, playing with his kids), he still comes across as cool and enigmatic, not unlike his on-screen heroes. Often we see him in a contemplative state. There’s always a long pause for reflection before he answers a question or responds in a cryptic manner. It’s the silence that keeps you interested in what the director will say next. In many ways he embodies the funny and poignant message he says to Ryan Gosling: “Violence is like sex – it’s all about the build up.” As the scene expands, Gosling frequently glances back at the camera in a self-aware manner, creating a moment that is simultaneously humorous, eye opening, and uncomfortable for the viewer. Again… not unlike the films we have seen from the Danish auteur.

Being the wife of the subject you’re filming has its advantages. As a result Corfixen is able to capture some of the more personal moments that might have only been relegated to home videos. We see Refn’s fatherly side come out early on when his daughter puts herself too close to harm’s way at the family’s hotel in Taiwan. Later on we get a lover’s spat over how to balance their individual careers and parental responsibilities. Moments such as these elevate the film to more than just your standard behind the scenes featurette you would find on the Blu-ray of ONLY GOD FORGIVES. What carries the most weight is the revelation right from the beginning that Refn made DRIVE without his wife and kids present in LA. Obviously they are present during every step of the way during ONLY GOD FORGIVES – which sometimes is alluded to as a burden. Considering the amount of personal problems Refn seems to be dealing with during his follow-up to DRIVE, you begin to wonder if Corfixen has touched upon a personal fear of her own and has thus created a film as a form of therapy.

mylife5

The idea of legacy and upholding your reputation as a significant artist is a recurring theme in the film. Pressure to live up to expectations following the commercial and critical success of DRIVE weighs heavily on Refn. Seeing an artist at his most vulnerable can be an eye-opening experience. MY LIFE… shows Refn at his most optimistic, and at his deepest low where he openly admits in front of the camera that ONLY GOD FORGIVES is a failure. It almost becomes a guessing game as he switches back and forth between loving and hating the project. As someone who went to art school and continues to produce art in physical and written form, I can tell you that this really is a recurring and often scary feeling.

By the time the film wraps up by showing the premiere of ONLY GOD FORGIVES at the Cannes Film Festival, you feel that the documentary’s swift run-time (58 minutes) has only grazed the surface of some of the problems that Corfixen addresses. Not to mention, when taken out of context and being unaware of the negative press and eventual outcome of ONLY GOD FORGIVES, the doc feels like only a part of a bigger picture. In many ways, the audience – especially the film critics – also becomes a part of the story. We see Refn in the film’s closing minutes reading in bed the reviews following the previous night’s screening in Cannes. He reads aloud a particularly ridiculous and conceited review by a film critic, which ultimately brings a smile to his face. You would think that the hateful words would have a negative effect on the director. It’s a moment that captures all of the feelings of “creating something from nothing” in such an ironic and perfect way. MY LIFE DIRECTED BY NICOLAS WINDING REFN is a thoughtful look at the artistic process and its effects on your personal life. One of the messages to be taken from this is that sometimes a film doesn’t quite connect with its audience. Sometimes it doesn’t even connect with its creators. But then again, that’s life. You just have to grin and bear it.

 

Overall rating: 3.5 out of 5

MY LIFE DIRECTED BY NICOLAS WINDING REFN will play in select theaters and will be available On-Demand February 27th

My_Life_Directed_POSTER_FINAL_A_AIM.indd

MY LIFE DIRECTED BY NICOLAS WINDING REFN In Theatres & On Demand February 27th

mylife2-1

After BRONSON, VALHALLA RISING, DRIVE, and ONLY GOD FORGIVES,  Nicolas Winding Refn is one of the most exciting directors working today. Refn burst onto the film scene in the late 1990s with the delightfully nasty PUSHER trilogy, and has continued to produce some of the most thought-provoking and visually spectacular genre-benders of any modern auteur. From Tom Hardy’s career-defining titular Bronson to Mads Mikkelsen’s feral One Eye to Ryan Gosling’s icy cold Driver, Refn has time and again crafted nuanced portraits of deeply conflicted but undeniably charismatic antiheroes.

mylife5

In MY LIFE DIRECTED BY NICOLAS WINDING REFN, Refn’s own deep conflict is swinging in the breeze as we witness him wrestle with the particularly challenging production of ONLY GOD FORGIVES. Directed and shot by his wife Liv Corfixen over the duration of the production and subsequent Cannes debut, MY LIFE DIRECTED BY NICOLAS WINDING REFN captures the very private and intimate moments to which a traditional documentary crew simply wouldn’t have access. The result is a fascinating, detailed look at a creative genius at work and also a portrait of a director torn between the general public’s desire for a “DRIVE 2” and his own mission to explore more challenging narrative territory.

mylife4

MY LIFE DIRECTED BY NICOLAS WINDING REFN will play in select theaters and will be available On Demand February 27th

mylife2

Check out the trailer for MY LIFE DIRECTED BY NICOLAS WINDING REFN

Fantastic Fest 2014: MY LIFE DIRECTED BY NICOLAS WINDING REFN – The Review

refn2__large

MY LIFE DIRECTED BY NICOLAS WINDING REFN gives us just a peek into the mind of one of cinema’s most celebrated directors. Directed and shot by his wife Liv Corfixen, MY LIFE… is a documentary that follows the Danish director during the making of his 2013 film ONLY GOD FORGIVES. While her film can be appreciated as simply a small portrait of the acclaimed director, it also taps into the fear and anxiety every artist feels during the creative process. A daring undertaking for someone who has never made a documentary before.

Even though we see Refn in the most mundane situations (waking-up, playing with his kids), he still comes across as cool and enigmatic, not unlike his on-screen heroes. Often we see him in a contemplative state. There’s always a long pause for reflection before he answers a question or responds in a cryptic manner. It’s the silence that keeps you interested in what the director will say next. In many ways he embodies the funny and poignant message he says to Ryan Gosling: “Violence is like sex – it’s all about the build up.” As the scene expands, Gosling frequently glances back at the camera in a self-aware manner, creating a moment that is simultaneously humorous, eye opening, and uncomfortable for the viewer. Again… not unlike the films we have seen from the Danish auteur.

75

Being the wife of the subject your filming has its advantages. As a result Corfixen is able to capture some of the more personal moments that might have only been relegated to home videos. We see Refn’s fatherly side come out early on when his daughter puts herself too close to harm’s way at the family’s hotel in Taiwan. Later on we get a lover’s spat over how to balance their individual careers and parental responsibilities. Moments such as these elevate the film to more than just your standard behind the scenes featurette you would find on the Blu-ray of ONLY GOD FORGIVES. What carries the most weight is the revelation right from the beginning that Refn made DRIVE without his wife and kids present in LA. Obviously they are present during every step of the way during ONLY GOD FORGIVES – which sometimes is alluded to as a burden. Considering the amount of personal problems Refn seems to be dealing with during his follow-up to DRIVE, you begin to wonder if Corfixen has touched upon a personal fear of her own and has thus created a film as a form of therapy.

The idea of legacy and upholding your reputation as a significant artist is a recurring theme in the film. Pressure to live up to expectations following the commercial and critical success of DRIVE weighs heavily on Refn. Seeing an artist at his most vulnerable can be an eye-opening experience. MY LIFE… shows Refn at his most optimistic, and at his deepest lows where he openly admits in front of the camera that ONLY GOD FORGIVES is a failure. It almost becomes a guessing game as he switches back and forth between loving and hating the project. As someone who went to art school and continues to produce art in physical and written form, I can tell you that this really is a recurring and often scary feeling.

By the time the film wraps up by showing the premiere of ONLY GOD FORGIVES at Cannes, you feel that this documentary’s swift run-time (58 minutes) has only grazed the surface of some of the problems that Corfixen addresses. Not to mention, when taken out of context and being unaware of the negative press and eventual outcome of ONLY GOD FORGIVES, the doc feels like only a part of a bigger picture. In many ways, the audience – especially the film critics – also becomes a part of the story. We see Refn in the film’s closing minutes reading in bed the reviews following the previous night’s screening in Cannes. He reads aloud a particularly ridiculous and conceited review by a film critic, which ultimately brings a smile to his face. You would think that the hateful words would have a negative effect on the director. It’s a moment that captures all of the feelings of “creating something from nothing” in such an ironic and perfect way. MY LIFE DIRECTED BY NICOLAS WINDING REFN is a thoughtful look at the artistic process and its effects on your personal life. Sometimes a film doesn’t quite connect with its audience. Sometimes it doesn’t even connect with its creators. But then again, that’s life. You just have to grin and bear it.

 

Overall rating: 3.5 out of 5

 

Make sure to check out my interview with Liv Corfixen and Nicolas Winding Refn

photo-5-560x505

Fantastic Fest 2014: Red Carpet Interview and Premiere of MY LIFE DIRECTED BY NICOLAS WINDING REFN

photo 1

The world premiere of MY LIFE DIRECTED BY NICOLAS WINDING REFN was held at Fantastic Fest yesterday in Austin. The wife of Refn, Liv Corfixen, and the renowned subject of her documentary walked the red carpet and greeted fans Saturday morning. Refn and his personal and artistic struggles during the making of ONLY GOD FORGIVES is the subject of Corfixen’s film.

You can find photos from the event below. Both spoke openly to me about the challenges they faced being behind and in front of the camera. Check out what they had to say.

photo 4

What was his (Nicolas) reaction when you first approached him with the project?

Liv – He was open to it. We did a similar thing about 10 years ago. He has quite an exhibition side even though he doesn’t like to watch himself afterwards. We wouldn’t have been able to do it if he wasn’t so open to it.

Was there anything you learned about Nicolas while filming him on set that was something new for you that you hadn’t previously discovered in your personal relationship together?

Liv – No. Not really. It just confirmed that he’s super intense and…

Nicolas – …Sexy.

Liv – No… that he’s a very good director. And I knew that, but sometimes I was a little impressed by that on set and how fast he moves and can change things and take control. Because I’ve seen him since PUSHER, so seeing him develop as a director has been there all along.

Was there any habits of yours (Nicolas) or elements of your film process that you were afraid to share on camera or wanted to keep hidden?

Nicolas – No. I always say: “the only thing I know is nothing.” So I can never go wrong.

Was there any sort of advice that you gave her before you started this?

Nicolas – No. I think it was just her thing. Me and Ryan (Gosling) were just puppets in this.

Liv – He really didn’t want to interfere. He was just like, “this is your movie and you have to do it your way.”  Of course in the end when it was almost done, he was in the ending room seeing this.

Nicolas – You had final cut (addressing Liv). I didn’t do anything.

                            (pause)

                  I wanted stuff out and she said, “No.”

Was there a specific idea or narrative you wanted to translate to film?

Liv – I didn’t really plan to make the movie when we moved to Bangkok. It was sort of an idea that came to me while I was there. I started to film and realized it would be interesting to do a documentary about our lives at the time. It just sort of happened. Mainly in the editing room. Of course I have a specific idea of what I like

The culture shock of going over to Thailand and then coming back must have been hard. What was worse? 

Nicolas – Moving over there.

                            (laughs)

                  We came back to Copenhagen. Back to normality. Now we’re living in LA. Now that’s culture

                   shock.

                           (with a smile)

photo 2

photo 3

photo 5