MY LIFE DIRECTED BY NICOLAS WINDING REFN – The Review

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This review was originally published during Fantastic Fest 2014.

MY LIFE DIRECTED BY NICOLAS WINDING REFN gives us just a peek into the mind of one of cinema’s most celebrated directors. Directed and shot by his wife Liv Corfixen, MY LIFE… is a documentary that follows the Danish director during the making of his 2013 film ONLY GOD FORGIVES. While her film can be appreciated as simply a small portrait of the acclaimed director, it also taps into the fear and anxiety every artist feels during the creative process. A daring undertaking for someone who has never made a documentary before.

Even though we see Refn in the most mundane situations (waking-up, playing with his kids), he still comes across as cool and enigmatic, not unlike his on-screen heroes. Often we see him in a contemplative state. There’s always a long pause for reflection before he answers a question or responds in a cryptic manner. It’s the silence that keeps you interested in what the director will say next. In many ways he embodies the funny and poignant message he says to Ryan Gosling: “Violence is like sex – it’s all about the build up.” As the scene expands, Gosling frequently glances back at the camera in a self-aware manner, creating a moment that is simultaneously humorous, eye opening, and uncomfortable for the viewer. Again… not unlike the films we have seen from the Danish auteur.

Being the wife of the subject you’re filming has its advantages. As a result Corfixen is able to capture some of the more personal moments that might have only been relegated to home videos. We see Refn’s fatherly side come out early on when his daughter puts herself too close to harm’s way at the family’s hotel in Taiwan. Later on we get a lover’s spat over how to balance their individual careers and parental responsibilities. Moments such as these elevate the film to more than just your standard behind the scenes featurette you would find on the Blu-ray of ONLY GOD FORGIVES. What carries the most weight is the revelation right from the beginning that Refn made DRIVE without his wife and kids present in LA. Obviously they are present during every step of the way during ONLY GOD FORGIVES – which sometimes is alluded to as a burden. Considering the amount of personal problems Refn seems to be dealing with during his follow-up to DRIVE, you begin to wonder if Corfixen has touched upon a personal fear of her own and has thus created a film as a form of therapy.

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The idea of legacy and upholding your reputation as a significant artist is a recurring theme in the film. Pressure to live up to expectations following the commercial and critical success of DRIVE weighs heavily on Refn. Seeing an artist at his most vulnerable can be an eye-opening experience. MY LIFE… shows Refn at his most optimistic, and at his deepest low where he openly admits in front of the camera that ONLY GOD FORGIVES is a failure. It almost becomes a guessing game as he switches back and forth between loving and hating the project. As someone who went to art school and continues to produce art in physical and written form, I can tell you that this really is a recurring and often scary feeling.

By the time the film wraps up by showing the premiere of ONLY GOD FORGIVES at the Cannes Film Festival, you feel that the documentary’s swift run-time (58 minutes) has only grazed the surface of some of the problems that Corfixen addresses. Not to mention, when taken out of context and being unaware of the negative press and eventual outcome of ONLY GOD FORGIVES, the doc feels like only a part of a bigger picture. In many ways, the audience – especially the film critics – also becomes a part of the story. We see Refn in the film’s closing minutes reading in bed the reviews following the previous night’s screening in Cannes. He reads aloud a particularly ridiculous and conceited review by a film critic, which ultimately brings a smile to his face. You would think that the hateful words would have a negative effect on the director. It’s a moment that captures all of the feelings of “creating something from nothing” in such an ironic and perfect way. MY LIFE DIRECTED BY NICOLAS WINDING REFN is a thoughtful look at the artistic process and its effects on your personal life. One of the messages to be taken from this is that sometimes a film doesn’t quite connect with its audience. Sometimes it doesn’t even connect with its creators. But then again, that’s life. You just have to grin and bear it.

 

Overall rating: 3.5 out of 5

MY LIFE DIRECTED BY NICOLAS WINDING REFN will play in select theaters and will be available On-Demand February 27th

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MY LIFE DIRECTED BY NICOLAS WINDING REFN In Theatres & On Demand February 27th

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After BRONSON, VALHALLA RISING, DRIVE, and ONLY GOD FORGIVES,  Nicolas Winding Refn is one of the most exciting directors working today. Refn burst onto the film scene in the late 1990s with the delightfully nasty PUSHER trilogy, and has continued to produce some of the most thought-provoking and visually spectacular genre-benders of any modern auteur. From Tom Hardy’s career-defining titular Bronson to Mads Mikkelsen’s feral One Eye to Ryan Gosling’s icy cold Driver, Refn has time and again crafted nuanced portraits of deeply conflicted but undeniably charismatic antiheroes.

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In MY LIFE DIRECTED BY NICOLAS WINDING REFN, Refn’s own deep conflict is swinging in the breeze as we witness him wrestle with the particularly challenging production of ONLY GOD FORGIVES. Directed and shot by his wife Liv Corfixen over the duration of the production and subsequent Cannes debut, MY LIFE DIRECTED BY NICOLAS WINDING REFN captures the very private and intimate moments to which a traditional documentary crew simply wouldn’t have access. The result is a fascinating, detailed look at a creative genius at work and also a portrait of a director torn between the general public’s desire for a “DRIVE 2” and his own mission to explore more challenging narrative territory.

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MY LIFE DIRECTED BY NICOLAS WINDING REFN will play in select theaters and will be available On Demand February 27th

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Check out the trailer for MY LIFE DIRECTED BY NICOLAS WINDING REFN

Fantastic Fest 2014: MY LIFE DIRECTED BY NICOLAS WINDING REFN – The Review

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MY LIFE DIRECTED BY NICOLAS WINDING REFN gives us just a peek into the mind of one of cinema’s most celebrated directors. Directed and shot by his wife Liv Corfixen, MY LIFE… is a documentary that follows the Danish director during the making of his 2013 film ONLY GOD FORGIVES. While her film can be appreciated as simply a small portrait of the acclaimed director, it also taps into the fear and anxiety every artist feels during the creative process. A daring undertaking for someone who has never made a documentary before.

Even though we see Refn in the most mundane situations (waking-up, playing with his kids), he still comes across as cool and enigmatic, not unlike his on-screen heroes. Often we see him in a contemplative state. There’s always a long pause for reflection before he answers a question or responds in a cryptic manner. It’s the silence that keeps you interested in what the director will say next. In many ways he embodies the funny and poignant message he says to Ryan Gosling: “Violence is like sex – it’s all about the build up.” As the scene expands, Gosling frequently glances back at the camera in a self-aware manner, creating a moment that is simultaneously humorous, eye opening, and uncomfortable for the viewer. Again… not unlike the films we have seen from the Danish auteur.

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Being the wife of the subject your filming has its advantages. As a result Corfixen is able to capture some of the more personal moments that might have only been relegated to home videos. We see Refn’s fatherly side come out early on when his daughter puts herself too close to harm’s way at the family’s hotel in Taiwan. Later on we get a lover’s spat over how to balance their individual careers and parental responsibilities. Moments such as these elevate the film to more than just your standard behind the scenes featurette you would find on the Blu-ray of ONLY GOD FORGIVES. What carries the most weight is the revelation right from the beginning that Refn made DRIVE without his wife and kids present in LA. Obviously they are present during every step of the way during ONLY GOD FORGIVES – which sometimes is alluded to as a burden. Considering the amount of personal problems Refn seems to be dealing with during his follow-up to DRIVE, you begin to wonder if Corfixen has touched upon a personal fear of her own and has thus created a film as a form of therapy.

The idea of legacy and upholding your reputation as a significant artist is a recurring theme in the film. Pressure to live up to expectations following the commercial and critical success of DRIVE weighs heavily on Refn. Seeing an artist at his most vulnerable can be an eye-opening experience. MY LIFE… shows Refn at his most optimistic, and at his deepest lows where he openly admits in front of the camera that ONLY GOD FORGIVES is a failure. It almost becomes a guessing game as he switches back and forth between loving and hating the project. As someone who went to art school and continues to produce art in physical and written form, I can tell you that this really is a recurring and often scary feeling.

By the time the film wraps up by showing the premiere of ONLY GOD FORGIVES at Cannes, you feel that this documentary’s swift run-time (58 minutes) has only grazed the surface of some of the problems that Corfixen addresses. Not to mention, when taken out of context and being unaware of the negative press and eventual outcome of ONLY GOD FORGIVES, the doc feels like only a part of a bigger picture. In many ways, the audience – especially the film critics – also becomes a part of the story. We see Refn in the film’s closing minutes reading in bed the reviews following the previous night’s screening in Cannes. He reads aloud a particularly ridiculous and conceited review by a film critic, which ultimately brings a smile to his face. You would think that the hateful words would have a negative effect on the director. It’s a moment that captures all of the feelings of “creating something from nothing” in such an ironic and perfect way. MY LIFE DIRECTED BY NICOLAS WINDING REFN is a thoughtful look at the artistic process and its effects on your personal life. Sometimes a film doesn’t quite connect with its audience. Sometimes it doesn’t even connect with its creators. But then again, that’s life. You just have to grin and bear it.

 

Overall rating: 3.5 out of 5

 

Make sure to check out my interview with Liv Corfixen and Nicolas Winding Refn

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PRETTY WOMAN And Fist Metaphors : Melissa Talks With NICOLAS WINDING REFN About ONLY GOD FORGIVES

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One of the most discussed and debated films of the 2013 Cannes Film Festival, ONLY GOD FORGIVES marks the second collaboration between Nicolas Winding Refn and Ryan Gosling. Recently, I sat down with Refn to talk about the film that has been causing quite a buzz with critics and audiences. Check it out below.

Julian (Ryan Gosling), a respected figure in the criminal underworld of Bangkok, runs a Thai boxing club and smuggling ring with his brother Billy.  Billy is suddenly murdered and their crime lord matriarch, Crystal (Kristin Scott Thomas) arrives from the U.S. to bring back the body.  When Crystal forces Julian to settle the score with his brother’s killers, Julian finds himself in the ultimate showdown.

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You went from writing and directing the PUSHER series – to films such as DRIVE, and now ONLY GOD FORGIVES. What has your journey been like from PUSHER to now?

NICOLAS WINDING REFN:  Fun. Well, it’s hard. What was it like? I mean, I still make the films I make. I think everything changed when I made BRONSON. That was me forcing into english speaking films. I realized that’s where I wanted to stay. I’ve just been able to make the movies that I want to make. I still live in Copenhagen. I still live a mundane, boring life with a wife and kids. I do mundane, boring stuff.

You’ve collaborated with Ryan Gosling on two projects now. What is it about the relationship, or dynamic between you both that works so well? Is it true that he sought you out for DRIVE? 

NICOLAS WINDING REFN: Yeah. He asked if I would make a movie with him. It’s good. It works… on a professional level, which is important, and on a personal level. It’s about having trust and respect for each other.

ONLY GOD FORGIVES was planned before DRIVE. Why did you put DRIVE first?

NICOLAS WINDING REFN: Well, I had… I was ready to make ONLY GOD FORGIVES, and then I decided to go to America to do a film called THE DYING OF THE LIGHT, because Paul Schrader had this script that I wanted to make with Harrison Ford in it… or cast Harrison Ford in it… and then that film didn’t happen. I was like “Fuck!” I went to America and nothing happened. It’s a cliché. Then DRIVE came about, and I said “I’m not going to leave this city without making a movie.” – and so I did DRIVE knowing that I would do ONLY GOD FORGIVES after.

You’re films kind of have a Spaghetti Western feel to them. A kind of Clint Eastwood, Sergio Leone quality – where your leading man is a “man with no name”… the strong, silent type. I’m curious if those types of movies influence you? Where do you find influence and inspiration?

NICOLAS WINDING REFN: I get influence from everywhere, of course. I’m a child of cinema. I like cinema. I can’t get enough of it. But then again, I could be looking out the window, I could be staring out a plane, I could be going on a bus brining my kids to kindergarten. I could be hearing a piece of music. Music a lot! It’s very inspiring because I don’t do drugs anymore, so music enhances my emotion, which is what you tap into to be creative. You tap into your emotions. So, it’s all over. I try not to be dogmatic about anything. I don’t get up at 9 o’clock every morning and start working unless I have to. If I don’t have to I do it at night.

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Building off of the last question, what in particular inspired you to write this?

NICOLAS WINDING REFN: Many things. I think the first thing that really appeared in my mind was – I had this idea about doing a film about – when I held my arm like this [holds arm up with a clenched fist, palm side facing him] – the sense of the physical metaphor – the sexual metaphor of the erection that essentially can be an act of violence through your fists. And then going like this [moves hand down] is submission… and in this movement, I knew there was going to be a movie.

This is a random question, but I notice you don’t use the same DOP (Director of Photography) for your films. Is there a reason for that?

NICOLAS WINDING REFN: It forces me to always add a different look to my films. It forces me to never be too much in a comfort zone. Always to remind myself – every film I make – how I want to make it different from the one I did before. If I repeat myself I’ll be really depressed.

You wrote and directed this film, but you didn’t write DRIVE. Do you prefer to write your own script, or do you prefer to adapt?

NICOLAS WINDING REFN: To me, it doesn’t really make a difference as long as I can make the film that I want to make. Filmmaking is a directors medium. I was lucky enough on drive to have great source material, and have a wonderful screenwriter working with me. It took a lot of burden off my shoulders. To me, it doesn’t really matter who does what as long as I can control what I want to make. If anyone’s there to help me, then great. It’s good to know how to do it yourself, just incase you have to. You know, that’s an important lesson.

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You acted in PUSHER, but you haven’t really acted since. [Refn laughs] Is there a reason for that, or do you prefer to stay behind the camera?

NICOLAS WINDING REFN: [Laughs] I think, I’m suppose to be very good at comedy. So, Ryan and I talked that we have to do a comedy next, because he’s also very good at comedy. I just never really pursued it.

I’ve noticed a bit of a pattern. BRONSON was done in England, VALHALLA RISING in Scotland, DRIVE in America, and then Thailand for ONLY GOD FORGIVES… Your locations go in a circle around the globe. How important is it for you to always use a different filming location, and environment? Also, were you conscious of this circle? 

NICOLAS WINDING REFN: I like to go be a stranger in a strange land because it takes me out of my comfort zone. It means I won’t make the same movie that I did before because I’m somewhere else. Going from Nottingham to the Scottish Mountains is pretty different. And then going from a Scottish Mountain to LA is very different. From LA to Bangkok is very different. So, it’s a constant seeking… other places. It forces me to do something different each time.

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You mentioned your love for cinema… What are some of your favorite movies?

NICOLAS WINDING REFN: Of all time?

Sure! You can even through some guilty pleasures in!

NICOLAS WINDING REFN: I like all kinds of films. I love PRETTY WOMAN.

Really?

NICOLAS WINDING REFN: I think that’s one of the few films that I’ve actually paid numerous times to see in the cinema. I think it’s an incredible piece of , of just the greatest trick played on an audience. And it’s so enduring and charming and romantic and fluffy – and yet so twisted. I like all classic, American TCM movies. There’s this film called METROPOLIS that I really like.

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Refn is currently writing his next film, I WALK WITH THE DEAD, co-produced with Wild Bunch and Gaumont, and is also turning his attention to television to develop BARBARELLA.

For More Info: 

FACEBOOK: https://www.facebook.com/onlygodforgivesfilm

ONLY GOD FORGIVES is in theaters now

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