Tag Archives: murder mystery

SHEEP DETECTIVES – Review

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(L to R) Tommy Birchall as the voice of The Winter Lamb and Hugh Jackman as George Hardy in THE SHEEP DETECTIVES, from Amazon MGM Studios. Photo credit: Courtesy of Amazon MGM Studios © 2026 Amazon Content Services LLC. All Rights Reserved.

– By Cate Marquis –

Hugh Jackman stars as a shepherd whose sheep love hearing him read them murder mystery stories, in the warm, witty live action/CGI animated mystery/action/comedy THE SHEEP DETECTIVES. When the shepherd, George Hardy, dies under mysterious circumstances, the sheep are on the case, of course, to find out whodunit, using the techniques they learned from those murder mysteries.

The delightful CGI sheep talk among themselves when people aren’t around. When people are there, all the humans hear is bleating – because, of course, sheep speak “sheep.” On the other hand, the sheep understand what humans are saying, or at least the words if not always the meaning.

The sheep are not animated in the traditional sense but CGI. Usually, one expects a movie with talking animals to be animated or annoyingly cute. This film is neither. THE SHEEP DETECTIVES is a delightful film, with a more serious and emotionally complexity bent which making it interesting for adults as well as kids. But just to be clear, , as there is plenty of humor, action and a mystery to solve.

While kids can appreciate and enjoy the story, it is too intense for very young children, with some scary moments and discussions of death and grief that might not be right for the youngest.

Besides reading to his flock every night, kind-hearted George (Hugh Jackman) only raises them for their wool, not for meat, which most other sheep operations around him do. George is a bit of a hermit, and lives alone in a trailer out with his flock and likes it that way. He loves all his sheep and takes very good care of them. He has fended off several attempts by the local butcher or other sheep owners to buy his flock for slaughter, but George cares more about his sheep than he cares about making money.

George’s flock are a bit of a motley lot, with a ram (Bryan Cranston) who likes wander and is a bit of a mystery himself, another wise old ram Mopple (voiced by Chris O’Dowd) who is a kind of repository of memories the others have forgotten, and an ewe who is a kind of leader, Lily (voiced by Julia Louis-Dreyfus). There is also a particularly fluffy sheep who likes to have some attention, as well as a couple of lambs full of questions and a pair of young ram brothers full of energy (but little sense). There is another youngster, a “winter lamb,” who is rejected by the flock, as a lamb born too early in the season often is, but who is cared for by George.

When the sheep find George dead, lying in the field, they are shocked and unsure what to do next. Then it occurs to them that they have to solve the mystery of who killed him, and the murder mystery books George read to them might be their guide. Lead sheep Lily (Julia Louis-Dreyfus), with old Mopple’s (Chris O’Dowd) help, steps up to lead the investigation. That task involves doing things she has never done and going places she has never been, with some assistance from that wandering ram, Sebastian (Bryan Cranston) who is more worldly than the flock knew.

Meanwhile, the people in the nearby village launch their own investigation, led by the village’s sole policeman (Nicholas Braun ). A few newcomers come into the mix, a young journalist (Nicholas Galitzine) from a neighboring town, and a visitor from America (Molly Gordon) who had been writing to George from across the pond, along with her solicitor (Emma Thompson). Other villagers include a grouchy innkeeper (Hong Chau), the village priest (Kobna Holdbrook-Smith), another sheep farmer interested in buying George’s flock (Tosin Cole), and his pal, the butcher (Conleth Hill).

There is more than a dash of Agatha Christie in this story set in a little English village and surrounding lovely countryside where the sheep turn detective, based on the novel “Three Bags Full.” The mystery is charming and funny but the humor is more silly than whimsical, like in BABE. Directed by Kyle Balda, the script is from Craig Mazin, who, surprisingly, was the writer behind “The Last of Us” and “Chernobyl.” THE SHEEP DETECTIVES is a family film with a serious side, and a message for kids and grown-ups, about dealing with death, overcoming fear, trying something new, and the importance of remembering. The subject matter is a bit too serious, and occasionally scary, for very young kiddies, but a good fit for older kids.

The voice cast is impressive, including not just Chris O’Dowd and Julia Louis-Dreyfus but Bryan Cranston, Patrick Stewart, Bella Ramsey, Regina Hall and others. The cast in the live action portion includes stars too, with Emma Thompson particularly good as the sharp and sharp-tongued lawyer. Hugh Jackman disappears fairly early in the story, too soon perhaps for some fans, but we do get a bit more Jackman in flashbacks.

The story moves back and forth between the sheep trying to solve the mystery and the sole policeman in the village, who is trying to working things out, with a little help from some others, and the sheep. The characters in town provide plenty of red herrings and sometimes are more hindrance than help, including the ambitious young journalist from a nearby larger town, hoping to find a scope to make his name. The young woman from America, who has been exchanging letters with George, as well as her solicitor, are another mystery to solve.

Besides the mystery and some thrills and actions, there is plenty of humor and gags, often in a kind of slapstick mode. Turning detective also challenges the sheep, takes them out of their comfortable routine, and forces them to reconsider some of their assumptions and beliefs.

THE SHEEP DETECTIVES is pure delight, an intelligent, well-made family film that is both funny and has something meaningful to say, something very rare indeed now.

THE SHEEP DETECTIVES opens nationally in theaters on Friday, May 8, 2026.

RATING: 4 out of 4 stars

ANOTHER SIMPLE FAVOR – Review

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This week’s big streaming feature film release could be compared to the return of an unexpected Fall romance from several years ago, seven to be precise. This movie captured my heart, along with my critical sensibilities. when it seemed to appear seemingly out of nowhere, with little fanfare or hype. Yes, I was, and remain, a fan of the filmmaker and one of the lead actors, but this was a real step out of their “comfort zone” with an engaging murder mystery full of snark and satire, along with fabulous fashions. That movie, A SIMPLE FAVOR, nabbed a spot on my top ten list of 2018. And now, almost everyone is back for a sequel, but is that magical spark still there? Will I have that same frothy fun and romance with ANOTHER SIMPLE FAVOR? Or was the original “just one of those things, just one of those crazy flings…”?


In the opening sequence, much has changed in the sleepy California suburb. “Home lifestyle vlogger” Stephanie Smothers (Anna Kendrick) has expanded her “brand” and is the author of a true-life murder mystery novel based on her past experience there (y’know, the first flick). She’s doing a “reading” from that work at the town’s bookstore with her “mom pals” there along with a small audience, under the guidance of her aggressive manager Vicki (Alex Newell). All is pretty normal until someone arrives late, Sasshaying up the aisle (as if it were a fashion show runway) is none other than Emily Nelson (Blake Lively). Seems a pack of high-powered lawyers have gotten her released from prison, just in time for nuptials to her new wealthy fiancé (who paid for the legal team). Emily wants Stephanie to be her maid of honor at the big wedding ceremony…in Capri. Steph balks, but Emily insists, saying that her law squad could sue her for libel and slander unless she agrees to go. Luckily, Steph’s son Miles is off to Summer camp, so …bon voyage. Actually she boards (with Vicki in tow) the private jet of the wealthy, perhaps “connected” family of Emily’s beau, the hunky, handsome Dante Versano (Michele Morrone). Upon landing, they’re whisked away to a fancy hotel where Steph meets him and reunites with Emily’s ex (and her former “fling”), the boozing Sean Townsend (Henry Golding). He’s brought along his son with Emily, Nicky (Ian Ho). At the big pre-wedding reception, we meet the Versano matriarch Portia (Elena Sofia-Ricci), who detests Em and her pals. But she’s got a surprise for her future daughter-in-law. She’s flown in her dingy mother, Margaret (Elizabeth Perkins), and her pushy sister, who Em hasn’t seen in thirty years, Aunt Linda (Allison Janney). With the “players in place, the “game” soon begins with multiple murders that point to Stephanie. Has Emily set up the whole event as a way to exact revenge on her former friend who helped send her to the slammer years ago?

Well, the two leads haven’t missed a “beat”, effortessly going into that verbal ‘dance” they aced so well way back in 2018. Yes, Kendrick is still a delightful snarky “hot mess”, as she doles out the “burns” while trying to grasp all the chaos swirling about her. She gets us back on her “side” even as she has to go into the cliche drunk/stoned bits in the story’s troubled (more about that later) second half. Lively as Emily is still the epitome of swaggering super-confidence (I mean, look at those wild outfits that she “works” expertly), though there’s more than a hint of sadness in the veiled threats she utters casually to Kendrick, perhaps to always keep her off-balance. Her character is a supermodel who’s always ready to strike. As for the supporting players, the real standout may be Ricci, who is constantly “shooting daggers” at the “Americans” as she spews venom through her perfectly clenched teeth. Morrone is a prime “Euro-stud” with a smouldering but dangerous stare and primo product-filled hair and white linen tailored suits. He’s the opposite of Em’s “ex,” who Golding plays as an ever “open wound” in need of constant liquid medication in a thankless expendable role. Ditto for the rest of Emily’s “side” with the talented Perkins reduced to playing a dotty, daft unfiltered harridan (think of a really nasty Sofia of “The Golden Girls”) and the usually superb Oscar-winner Janney who has to bark out threats while doing a variation of the old villainous “mustache-twirling”. They’re both such gifted actresses, saddled with subpar material. And then there’s Newell, whose Vicky may be the standard “fish out of water American doofus”, but his stint as the comic relief reactor is marred by constant “mugging” and a delivery right out of a 70s sitcom, maybe due to some misguided direction. But happily, we do get some brief early scenes with Steph’s “Greek chorus” back home led by the terrific Andrew Rannells. Plus, we get a new comic character from an energetic screen newcomer, Taylor Ortega.

So, I’m reminded of that old phrase from WWII, “Was this trip really necessary?” when thinking about this flick. Well, I’m not so sure if it was needed. All the right elements are back, including comedy movie master Paul Feig and the original screenwriters. Mind you, the first act is lots of fun with the reunion of Steph and Em. fraught with fun and danger. Unfortunately, the film soon goes “off the rails” when the murder mystery kicks in. We’re given a “heads up” with a bizarre flashback to a recent mystery with Steph, that may be there to plant some doubt on her sleuthing skills, but just serves little function till a quick final act nod. Part of the problem may be the often conflicting acting styles, with Feig giving a bit too much “leeway” with some of the performance “choices”. And this is the director who guided Melissa McCarthy in her best movies, really. Maybe this is a way to “sell” the script. to make the muddled plot revelations, with each new “twist” trying to “upend” the previous one to the point of exhaustion (for us, the audience). Maybe this is meant to be a dark, satirical “soap opera”, with triple-crosses, and “ret-cons” of storylines in the first flick which induce migraines rather than laughs. Plus, we get some “travel cliches” including “mafia mirth” and even a chase on a Vespa, of course. Sure, the location work is spectacular, a great “tourism pitch” in those long shots, and those wild fashion styles are still fun (Em wears a hat that’s bigger than a stingray), but it’s not enough to smooth out the story glitches where we’re meant to see Emily as a naughty “scamp’ rather than the mudering mastermind “diva deviL’. So, to answer my earlier question, no, this isn’t the same delicious romp from 2018, so perhaps it’s best to leave that movie romance there, even though Kendrick and Lively are a different kind of dynamic duo of crime comedy, they just can’t deliver the charm and laughs with ANOTHER SIMPLE FAVOR.

2 Out of 4

ANOTHER SIMPLE FAVOR streams exclusively on Amazon Prime Video beginning on May 1, 2025

“Roots of Evil” – TV Series Review

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Fahri Yardim as Larssen and Henriette Confurius as Ulrika, in the German crime series “Roots of Evil.” Courtesy of MHzChoice

German TV gives us this complex crime series, “The Roots of Evil,” (originally “Die Quellen des Bosen”) that straddles more genres than most even attempt. Set in a small community in 1993, it’s a murder mystery involving child abuse, long-buried emotional scars, arcane ritualistic symbols, political machinations (some left over from before The Wall was torn down a few years earlier), supernatural (?) elements, multiple family entanglements, and a large dose of bigotry in a product that blends standard contemporary procedurals with heavy Gothic overtones. The result is a highly bingeable production in six 45-minute episodes.

Ulrika (Henriette Confurius) is the lead detective, working with newly-arrived partner Larssen (Fahri Yardim). While hunting in the forest, Ingrid (Cloe Heinrich), a strange teenager from an even stranger family, finds the body of a young woman meticulously laid out in a tableau of bedding, covered with symbols carved into her skin. This reminds Uli of a case from 20 years earlier that may or may not have actually occurred, involving one of her childhood friends from the nearby orphanage, Christa (Angelina Hantsch). Christa has married a truly loathsome Neo-Nazi petty crook, and has a daughter Sabrina (Sonja Joanne Geller) with whom Uli’s brother Marc (Filip Schnack) is smitten, getting him caught up in the unsavory beliefs and business dealings of her step-dad and his brutish cohorts. Don’t worry. All of that turns out less soapy than how this paragraph reads.

Larssen has his own issues, trying to locate a wife and son who’d left him five years earlier for reasons that slowly unfold. The current case leads to discovery of sex trafficking, with likely connections to whatever happened two decades earlier. Beyond that, the less you know of the plot lines, the more you’ll enjoy the suspenseful proceedings, including a few surprises along the way.

Violence is sparse; displays of the essential gory bits are restrained. No sex or nudity on camera, though sexual activities provide several key plot elements. Many forms of crazy come into play from many characters, and all are well-acted. Casting is solid all around. No one is so glamorous or super-skilled that they undermine the grim, realistic-scale tone of the production. The scripts by two credited writers, based on a story by Ada Fink, maintain several elements of tension while developing a diverse array of believable character arcs.

The package ends with closure on the major issues, succeeding as a self-contained miniseries. There area few minor lingering questions, leaving possibilities to explore in a second season, if enough interest is generated. I’d welcome another round if it is meant to be.

“The Roots of Evil,” in German with English subtitles, streams on MHzChoice starting Apr. 30.

RATING: 2.5 out of 4 stars

Ulrike (Henriette Confurius) in the German crime series “Roots of Evil.” Courtesy of MHzChoice