HAMNET – Review

Jessie Buckley stars as Agnes and Paul Mescal as William Shakespeare in director Chloé Zhao’s HAMNET, a Focus Features release. Credit: Agata Grzybowska / © 2025 FOCUS FEATURES LLC

Jessie Buckley and Paul Mescal give striking performances in Chloe Zhao’s lushly beautiful, romantic and heartbreaking tale of William Shakespeare’s marriage to his wife Anne and the death of their young son Hamnet, whose loss led the Bard to write perhaps his great play “Hamlet.” As a title card at the film’s start tells us, the names Hamnet and Hamlet were considered essentially the same, alternate ways of spelling it. In Zhao’s drama, Shakespeare’s mysterious wife is renamed Agnes. As little is actually known about Shakespeare’s wife Anne and their marriage, which gives director Chloe Zhao free rein to be inventive. Love, death, pain and hope are the themes.

The film was inspired by Maggie O’Farrell’s award-winning novel “Hamnet” and written for the screen by director Zhao and the author, the resulting drama is more Chloe Zhao’s vision than a true adaptation of the book. Oscar-winner Chloe Zhao proved herself a master of powerful imagery framing human questing and connection in NOMADLAND, and brings those gifts to this tale as well, but in this case in a more intimate way, of two people falling in love and having a family.

While the real William Shakespeare was 18 when he married 26-year-old Anne Hathaway, the director chose to ignore that age gap in casting Jessie Buckley and Paul Mescal. In the film, William Shakespeare is a young struggling Latin tutor, now doing farm work for neighboring families to help out his parents who had fallen into debt. Anne, now Agnes, is the strong-willed oldest daughter of a more well-off family, where Will is doing some manual labor. Smitten on first sight, the young tutor offers to teach the family’s younger children, as a way to be closer, in order to woo Agnes.

Beautiful, wild, independent Agnes, for her part, is less keen on young Will, but he wins her over with poetry and persistence. Despite opposition by both families (with an excellent Emily Watson as Will’s severe mother), they wed and have three children, oldest daughter Susanna (Bodhi Rae Breathnach) and fraternal twins, Judith (Olivia Lynes) and Hamnet (Jacobi Jupe).

The drama follows their marriage and the launch of Shakespeare’s career in London, while wife Agnes and the children stay behind in the English countryside. Their bond is strong but nothing is more tragic for any couple than the loss of a child, and it has a transformative effect on their lives and relationship.

HAMNET is visually stunning throughout and particularly magical in the early portions. Period costumes and props are perfectly done. The setting is often a wild English countryside of old forests haunted by secrets and ancient Celtic magic. The film ranges from that wild, natural world beginning to the London stage of the Globe Theater where the play born of tragedy takes form.

Jessie Buckley is particularly moving in this drama, as a wild soul who seems as much a child of forest as anything human. There are references that her true mother was a forest-dweller, with all the magical implications of that, and the daughter is only partly of this staid village world, hints often presented in vivid, visual form. Zhao blends the visual and the dramatic well in creating these characters and their lives but she is aided greatly by Jessie Buckley’s strong performance. Paul Mescal’s William Shakespeare comes across as more grounded but firmly determined to have this wild woman and to build their lives.

HAMNET does not try to answer all questions about Shakespeare’s marriage or the creation of “Hamlet.” The film is, of course, romantic but in a human, passionate and believable way, rather than a conventional film romance. Tragedy breaks that lovely dream, throwing the characters in conflict, as they each grapple with grief in their own ways. Unlike many films this year, this one focuses purely on the personal and the individual rather than the large world, putting the experience of love and of grief at its center. The stunning natural-world photography suggests something epic and enduring, but real focus of this drama are the human emotions, of love and heartbreak, from which comes the creation of something that endures for the ages.

HAMNET opens in theaters on Friday, Dec. 5, 2025.

RATING: 4 out of 4 stars

THE TASTE OF THINGS – Review

Juliette Binoche and Benoit Magimel in THE TASTE OF THINGS. Courtesy of IFC

Warning: Don’t see this film hungry! Delicious shots of delicious food in a luscious landscape fill the French romantic drama THE TASTE OF THINGS but it is the perfect Valentine’s Day movie, particularly if you are a foodie, or a romantic. A visually luscious film starring Juliette Binoche, the story centers on two people who express their love for each other and for fine food, by cooking together. Set in 1889 in an old rural manor house, THE TASTE OF THINGS creates a beautiful dreamworld in the French countryside where the abundance of the land provides all they need. THE TASTE OF THINGS is a feast for both the eyes and the hungry heart, with the bonus of the Oscar-winning Juliette Binoche. It was the official Oscar entry for France.

It all begins in the garden, of course, where cook Eugenie (Juliette Binoche) is harvesting vegetables for the day’s meals. Back in the kitchen, she is joined by Dodin (Benoit Magimel), the gourmand owner of the manor house, and the two immediately set to cooking, side-by-side and nearly wordlessly, as equals, with the ease of long familiarity.

The large country kitchen looks like something out of period still-life paintings, with gleaming copper pots, big cast iron stoves, well-worn wooden tables, and the garden’s produce arranged in pleasing vignettes around the kitchen. Eugenie has worked for Dodin for decades, and they work together seamlessly, like long-time dance partners moving through familiar but beloved routines. Dodin has been in love with Eugenie for years, and although the two are lovers as well as partners in the kitchen, she has steadfastly refused his offers of marriage. Why she refuses is not entirely clear, but maintaining her sense of independence maybe part of it.

Eugenie’s assistant Violette (Galatéa Bellugi) has brought her young niece Pauline (Bonnie Chagneau-Ravoire) into the kitchen, a girl interested in learning to cook, and as Dodin and Eugenie work, Dodin explains to science behind the art of cooking – gastronomy. The newcomer gives us the chance to learn about cooking techniques, but Dodin’s regular dinners with his four gourmand friends allow us to listen in on their conversations as well, which often touch on the history of gastronomy. In these lively discussions, we hear about the evolution of French cuisine and the traditions of fine dining, and a great deal about the famous chefs Antonin Carême, who helped create French cuisine, and Auguste Escoffier, who followed a generation later, and whose book on French cooking is the chef’s bible to this day.

Dodin’s and Eugenie’s life of delicious meals in lovely rustic settings, surrounded by friends, is interrupted by a health scare, as Eugenie experiences alarming fainting spells, which prompts worried Dodin to redouble his pleas to her to marry him. Eugenie waves off both the proposal and concerns about her health, saying she feels fine. Dodin, determined to make her rest and hoping to woo her, does something he has not done before. He cooks for her, and even serves her, bringing her dish after delicious dish.

The story is deeply romantic but with its bittersweet side, and the film further charms us with its lushly green landscapes, stately old stone house, and wonderful exploration of the art and science of haute cuisine against a backdrop of friends gathered around the dining table. The romantic story and its idyllic historical setting soothes us, and immersion in their world of the kitchen, with the tidbits of French culinary history, completes the magical spell the film casts. Juliette Binoche is wonderful as the middle-aged cook, a down-to-earth woman who is still a true artist in the kitchen. Her scenes with Benoit Magimel are delightful, and the two actors have wonderful chemistry (and the pair do have an romantic history). Handsome Benoit Magimel is charming as Dodin, a man who loves everything about food and the culinary arts, almost as much as he loves his cook with whom he shares the joy of cooking.

This lovely film is so immersed in everything French that it is a bit surprising that the director, Tran Anh Hung, was not born in France. The director was born in Vietnam but has lived in France since 1975, and studied filmmaking in Paris at l’École Nationale Louis Lumière. His most recent film, before this one, was the French-language ETERNITY (2016), starring Audrey Tautou, Berenice Bejo and Melanie Laurent.

In addition to director Tran, the film also has a gastronomic director, Pierre Gagnaire, which is pretty much essential in a film so much about the love of fine cooking. The film has no music, except at the very end, but the soundtrack is filled with the sounds of cooking – the sizzle of meat in the pan, the chopping of vegetables, the crack of eggs, and the bang of spoons and whisks in those gorgeous copper metal pots.

THE TASTE OF THINGS is a perfect relaxing escape for foodies, romantics, and Francophiles, with the great Juliette Binoche and Benoit Magimel whipping up romance and gourmet dishes in a classic French country manor setting. Although there is some heartbreak

, it is hard to imagine a more perfect Valentine’s Day date movie drama.

THE TASTE OF THINGS, in French with English subtitles, opens Friday, Feb. 9, in theaters.

RATING: 3.5 out of 4 stars

Win Passes To See CRAZY, STUPID, LOVE.

Hello class! It’s your nerd with the word Melissa here, with a very special lesson plan. So, take a seat while I break it down for you.

Let’s face it… dating sucks! Sure, when we meet that special someone who makes our knees weak, and sends our caged stomach insects (butterflies, duh!) into a frenzy, it can be incredible…

But add the amount of times that you’ve had your heart broken by someone who once made you giggly, multiply that with the number of cheesy pick-up lines that you’ve had to encounter, and then factor in all of the times that you have had to endure a friends tales of epic failure in the romance department and that equals stupid! If you had a hard time following my equation, don’t worry.You can enter to win tickets to an advanced screening of CRAZY, STUPID, LOVE. and take notes as the good, the bad, and the awkward sides of dating play out on the big screen.

The screening for CRAZY, STUPID, LOVE. will be on JULY 25th, at RONNIES 20 THEATER, 7pm.

OFFICIAL RULES:

1. YOU MUST BE IN THE ST. LOUIS AREA THE DAY OF THE SCREENING.

2. FILL OUT YOUR NAME AND EMAIL ADDRESS BELOW.

3. ANSWER THE FOLLOWING: What is the worst date that you have ever been on?

WINNERS WILL BE CHOSEN THROUGH A RANDOM DRAWING OF QUALIFYING CONTESTANTS.

NO PURCHASE NECESSARY. PASSES WILL NOT BE SUBSTITUTED OR EXCHANGED.

SYNOPSIS:

At fortysomething, straight-laced Cal Weaver (Steve Carell) is living the dream—good job, nice house, great kids and marriage to his high school sweetheart. But when Cal learns that his wife, Emily (Julianne Moore), has cheated on him and wants a divorce, his “perfect” life quickly unravels. Worse, in today’s single world, Cal, who hasn’t dated in decades, stands out as the epitome of un-smooth. Now spending his free evenings sulking alone at a local bar, the hapless Cal is taken on as wingman and protégé to handsome, thirtysomething player Jacob Palmer (Ryan Gosling). In an effort to help Cal get over his wife and start living his life, Jacob opens Cal’s eyes to the many options before him: flirty women, manly drinks and a sense of style that can’t be found at Supercuts or The Gap. Cal and Emily aren’t the only ones looking for love in what might be all the wrong places: Cal’s 13-year-old son, Robbie (Jonah Bobo), is crazy about his 17-year-old babysitter, Jessica (Analeigh Tipton), who harbors a crush on Cal. And despite Cal’s makeover and his many new conquests, the one thing that can’t be made over is his heart, which seems to keep leading him back to where he began.

 

CRAZY, STUPID, LOVE. HITS THEATERS JULY 29th

Blu Monday: March 1, 2011

Your Weekly Source for the Newest Releases to Blu-Ray

Another big week for Blu-Ray, this time loaded with fresh new films. Danny Boyle’s Oscar-contender 127 HOURS debuts and is certain to have viewers cringing, but also feeling incredibly uplifted. Disney’s beloved animated classic BAMBI steps out from the woods and into your home viewing library; and Steven Soderbergh’s adaptation of Elmore Leonard’s OUT OF SIGHT is now visible. Cher and Christina put on the glitz and get risque in the hit musical BURLESQUE, and if you’re a big fan, go to Best Buy for their exclusive version including Burlesque corsets. Blue Underground is giving Harry Kumel’s stylish 70’s vampire flick DAUGHTERS OF DARKNESS a Blu-Ray day pass, while the PIRATE OF THE CARIBBEAN unite to bring force in numbers to your home-viewing experience.

Blu-Ray for Tuesday, March 1st, 2011

  1. James Franco in Danny Boyle’s 127 HOURS (2010)
  2. Disney’s BAMBI (1942)
  3. Cher and Christina Aguilera in BURLESQUE (2010)
  4. Jim Carrey in THE CABLE GUY (1996)
  5. Richard Martini’s Hollywood spoof CANNES MAN (1996)
  6. DAUGHTERS OF DARKNESS (1971)
  7. Dwayne Johnson and Billy Bob Thornton in FASTER (2010)
  8. GENIUS WITHIN: THE INNER LIFE OF GLENN GOULD (2009)
  9. Jake Gyllenhaal and Anne Hathaway in LOVE & OTHER DRUGS (2010)
  10. A MARINE STORY (2011)
  11. Stephen Soderbergh’s OUT OF SIGHT (1998)
  12. PIRATES OF THE CARIBBEAN: CURSE OF THE BLACK PEARL (2003)
  13. PIRATES OF THE CARIBBEAN: DEAD MAN’S CHEST (2006)
  14. PIRATES OF THE CARIBBEAN: AT WORLD’S END (2007)
  15. PIRATES OF THE CARIBBEAN Trilogy: 7-Disc Set
  16. WAITING FOR DUBLIN (2007)

DVD for Tuesday, March 1st, 2011

  1. 420 HIGH DESERT WAY
  2. 8.5 HOURS (2011)
  3. ANNELIESE: THE EXORCIST TAPES (2010)
  4. Bai Ling in A BEAUTIFUL LIFE (2008)
  5. Vinnie Jones and Michael Madsen in THE BLEEDING (2009)
  6. Richard Martini’s Hollywood spoof CANNES MAN (1996)
  7. DR. BLACK, MR. HYDE: 35th Anniversary Edition (1976)
  8. Dwayne Johnson and Billy Bob Thornton in FASTER (2010)
  9. GENIUS WITHIN: THE INNER LIFE OF GLENN GOULD (2009)
  10. Claude Chabrol’s JUST BEFORE NIGHTFALL (1971)
  11. Jake Gyllenhaal and Anne Hathaway in LOVE & OTHER DRUGS (2010)
  12. Claude Sautet’s MADO (1976)
  13. MY GIRLFRIEND’S BACK (2010)
  14. Melissa Joan Hart in SATIN (2011)
  15. Alex Kingston and Emily Blunt in WARRIOR QUEEN (2003)

Review: ‘(500) Days of Summer’

500daysofsummermovie

I went into this film knowing essentially two things:

1) It stars Joseph Gordon-Levitt and Zooey Deschanel, and
2) It’s not a love story but rather a story about love

In my opinion, that’s the best way to see this (or any) film, so if you’re a fan of Joseph Gordon-Levitt or Zooey Deschanel, or if you’re intrigued by the idea of a romantic comedy that, against all odds, isn’t a generic, boring, waste of time, then by all means, go and see this film as soon as it opens tomorrow (7/24). However, if you’re still on the fence about it, here’s my take on the film.

Since Scott and Jeremy reviewed (500) Days of Summer when it was screened at Sundance and Cinevegas, HERE and HERE, and I completely agree with both of their takes on it, I’ll try to take a different approach. About a third into the movie, during a particularly ingenious musical number, the thought hit me, “this feels like Ferris Bueller’s Day Off!” Not because it was ripping off Ferris Bueller, in fact the two stories couldn’t be more different, but because of the strong emphasis on characters over story and the general likability of the entire cast.

The film takes place through the eyes of Tom (Joseph Gordon-Levitt). He’s universally loved by his coworkers, he’s fun to hang out with, and he’s an all around great guy. (Sound familiar?) But that’s only on his good days. Throughout the film, we get to see glimpses into the 500 days that Tom spends with his love at first sight (Zooey Deschanel) and when he’s on a good day everything is pretty great. On the bad days? Not so much.

Through the film, we are greeted by title cards which let us know what the current day of summer is, and we also get a preview of how the day will turn out. (I could explain more, but it’s kind of cool to just see and experience for yourself. One of the many little touches that make this film great.) On the bad days Tom is more of a Cameron: whiny, moping, and full of hate. This contrast lets us know, right from the start, that all bets are off as to where this relationship will end up.

Like Ferris Bueller, this film is genuinely fun, funny, and manages to bring the dramatic bits without spoiling the humor in the end. If there’s one thing I hate about comedies, it’s when the first two acts are full of laughs and then as soon as the inevitable dramatic moment hits in the third act, everyone goes silent (basically every terrible romantic comedy out there). Partly because of the non-linear nature of the story, and partly because of the very tight editing (no fat here) the film never drags, and it never loses its momentum as a comedy. One of my favorite bits came totally unexpected, so I won’t spoil it here, but I’ll just say it was a brief cameo from a 1977 movie character…

While the Ferris Bueller character similarities pretty much end with Tom, this is really his story, so it’s a good fit. Go into the film with “Ferris Bueller’s (500) Days” in your mind, and I think you’ll see what I mean.

All in all, with (500) Days of Summer, you can expect a tightly woven, well-crafted, technically brilliant film that will leave you smiling (and possibly wishing that your girlfriend looked like Zooey Deschanel).