THE TASTE OF THINGS – Review

Juliette Binoche and Benoit Magimel in THE TASTE OF THINGS. Courtesy of IFC

Warning: Don’t see this film hungry! Delicious shots of delicious food in a luscious landscape fill the French romantic drama THE TASTE OF THINGS but it is the perfect Valentine’s Day movie, particularly if you are a foodie, or a romantic. A visually luscious film starring Juliette Binoche, the story centers on two people who express their love for each other and for fine food, by cooking together. Set in 1889 in an old rural manor house, THE TASTE OF THINGS creates a beautiful dreamworld in the French countryside where the abundance of the land provides all they need. THE TASTE OF THINGS is a feast for both the eyes and the hungry heart, with the bonus of the Oscar-winning Juliette Binoche. It was the official Oscar entry for France.

It all begins in the garden, of course, where cook Eugenie (Juliette Binoche) is harvesting vegetables for the day’s meals. Back in the kitchen, she is joined by Dodin (Benoit Magimel), the gourmand owner of the manor house, and the two immediately set to cooking, side-by-side and nearly wordlessly, as equals, with the ease of long familiarity.

The large country kitchen looks like something out of period still-life paintings, with gleaming copper pots, big cast iron stoves, well-worn wooden tables, and the garden’s produce arranged in pleasing vignettes around the kitchen. Eugenie has worked for Dodin for decades, and they work together seamlessly, like long-time dance partners moving through familiar but beloved routines. Dodin has been in love with Eugenie for years, and although the two are lovers as well as partners in the kitchen, she has steadfastly refused his offers of marriage. Why she refuses is not entirely clear, but maintaining her sense of independence maybe part of it.

Eugenie’s assistant Violette (Galatéa Bellugi) has brought her young niece Pauline (Bonnie Chagneau-Ravoire) into the kitchen, a girl interested in learning to cook, and as Dodin and Eugenie work, Dodin explains to science behind the art of cooking – gastronomy. The newcomer gives us the chance to learn about cooking techniques, but Dodin’s regular dinners with his four gourmand friends allow us to listen in on their conversations as well, which often touch on the history of gastronomy. In these lively discussions, we hear about the evolution of French cuisine and the traditions of fine dining, and a great deal about the famous chefs Antonin Carême, who helped create French cuisine, and Auguste Escoffier, who followed a generation later, and whose book on French cooking is the chef’s bible to this day.

Dodin’s and Eugenie’s life of delicious meals in lovely rustic settings, surrounded by friends, is interrupted by a health scare, as Eugenie experiences alarming fainting spells, which prompts worried Dodin to redouble his pleas to her to marry him. Eugenie waves off both the proposal and concerns about her health, saying she feels fine. Dodin, determined to make her rest and hoping to woo her, does something he has not done before. He cooks for her, and even serves her, bringing her dish after delicious dish.

The story is deeply romantic but with its bittersweet side, and the film further charms us with its lushly green landscapes, stately old stone house, and wonderful exploration of the art and science of haute cuisine against a backdrop of friends gathered around the dining table. The romantic story and its idyllic historical setting soothes us, and immersion in their world of the kitchen, with the tidbits of French culinary history, completes the magical spell the film casts. Juliette Binoche is wonderful as the middle-aged cook, a down-to-earth woman who is still a true artist in the kitchen. Her scenes with Benoit Magimel are delightful, and the two actors have wonderful chemistry (and the pair do have an romantic history). Handsome Benoit Magimel is charming as Dodin, a man who loves everything about food and the culinary arts, almost as much as he loves his cook with whom he shares the joy of cooking.

This lovely film is so immersed in everything French that it is a bit surprising that the director, Tran Anh Hung, was not born in France. The director was born in Vietnam but has lived in France since 1975, and studied filmmaking in Paris at l’École Nationale Louis Lumière. His most recent film, before this one, was the French-language ETERNITY (2016), starring Audrey Tautou, Berenice Bejo and Melanie Laurent.

In addition to director Tran, the film also has a gastronomic director, Pierre Gagnaire, which is pretty much essential in a film so much about the love of fine cooking. The film has no music, except at the very end, but the soundtrack is filled with the sounds of cooking – the sizzle of meat in the pan, the chopping of vegetables, the crack of eggs, and the bang of spoons and whisks in those gorgeous copper metal pots.

THE TASTE OF THINGS is a perfect relaxing escape for foodies, romantics, and Francophiles, with the great Juliette Binoche and Benoit Magimel whipping up romance and gourmet dishes in a classic French country manor setting. Although there is some heartbreak

, it is hard to imagine a more perfect Valentine’s Day date movie drama.

THE TASTE OF THINGS, in French with English subtitles, opens Friday, Feb. 9, in theaters.

RATING: 3.5 out of 4 stars

Review: ‘(500) Days of Summer’

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I went into this film knowing essentially two things:

1) It stars Joseph Gordon-Levitt and Zooey Deschanel, and
2) It’s not a love story but rather a story about love

In my opinion, that’s the best way to see this (or any) film, so if you’re a fan of Joseph Gordon-Levitt or Zooey Deschanel, or if you’re intrigued by the idea of a romantic comedy that, against all odds, isn’t a generic, boring, waste of time, then by all means, go and see this film as soon as it opens tomorrow (7/24). However, if you’re still on the fence about it, here’s my take on the film.

Since Scott and Jeremy reviewed (500) Days of Summer when it was screened at Sundance and Cinevegas, HERE and HERE, and I completely agree with both of their takes on it, I’ll try to take a different approach. About a third into the movie, during a particularly ingenious musical number, the thought hit me, “this feels like Ferris Bueller’s Day Off!” Not because it was ripping off Ferris Bueller, in fact the two stories couldn’t be more different, but because of the strong emphasis on characters over story and the general likability of the entire cast.

The film takes place through the eyes of Tom (Joseph Gordon-Levitt). He’s universally loved by his coworkers, he’s fun to hang out with, and he’s an all around great guy. (Sound familiar?) But that’s only on his good days. Throughout the film, we get to see glimpses into the 500 days that Tom spends with his love at first sight (Zooey Deschanel) and when he’s on a good day everything is pretty great. On the bad days? Not so much.

Through the film, we are greeted by title cards which let us know what the current day of summer is, and we also get a preview of how the day will turn out. (I could explain more, but it’s kind of cool to just see and experience for yourself. One of the many little touches that make this film great.) On the bad days Tom is more of a Cameron: whiny, moping, and full of hate. This contrast lets us know, right from the start, that all bets are off as to where this relationship will end up.

Like Ferris Bueller, this film is genuinely fun, funny, and manages to bring the dramatic bits without spoiling the humor in the end. If there’s one thing I hate about comedies, it’s when the first two acts are full of laughs and then as soon as the inevitable dramatic moment hits in the third act, everyone goes silent (basically every terrible romantic comedy out there). Partly because of the non-linear nature of the story, and partly because of the very tight editing (no fat here) the film never drags, and it never loses its momentum as a comedy. One of my favorite bits came totally unexpected, so I won’t spoil it here, but I’ll just say it was a brief cameo from a 1977 movie character…

While the Ferris Bueller character similarities pretty much end with Tom, this is really his story, so it’s a good fit. Go into the film with “Ferris Bueller’s (500) Days” in your mind, and I think you’ll see what I mean.

All in all, with (500) Days of Summer, you can expect a tightly woven, well-crafted, technically brilliant film that will leave you smiling (and possibly wishing that your girlfriend looked like Zooey Deschanel).