Indy’s back, in a new chapter that is a throw-back to that original Steven Spielberg RAIDERS OF THE LOST ARK that hooked us to begin with. While Harrison Ford returns as archaeologist/adventurer Indiana Jones, along with a bunch of other Spielberg characters from the first one (along with some new ones), and this is the final film in the series and a farewell to Ford as the character, Spielberg does not direct INDIANA JONES AND THE DIAL OF DESTINY. Fear not, director James Mangold (FERRARI VS FORD) seamlessly captures the Spielberg vibe. You’d never know if you didn’t look at the credits. Plus, the story is still by George Lucas and Philip Kaufman, with a screenplay by co-written by Mangold, Jez Butterworth, David Koepp and John-Henry Butterworth.
James Mangold may be less well known that Spielberg but he has a string of excellent films to his credit, including LOGAN, the 310 TO YUMA remake, and GIRL, INTERRUPTED. While the original RAIDERS OF THE LOST ARK was gangbusters, a film that hearkened back to 1940s adventure films, the Indiana Jones sequels that followed were more a mixed bag, with some better than others. This final Indiana Jones movie recaptures some of the original’s magic.
INDIANA JONES AND THE DIAL OF DESTINY is a wonderful farewell to the role for Harrison Ford, who is no longer the young thing he was in the 1981 RAIDERS OF THE LOST ARK. Unlike other Indy sequels, this one acknowledges that passage of time, and even makes it work for the story. The film opens with a fabulous flashback sequence, that takes us back to the early days, battling Nazis who are looting archaeological treasures.
Harrison Ford plays the part as the young Indy thanks to some impressive visual sampling, motion-capture and other special effects. The result is so effective, it is thrilling, even awe-inspiring, and worth the price of admission alone.
Actually, Harrison Ford, young or old, alone is worth the price of admission; he is that good . Going back to the ’40s lets this Indiana Jones movie do something that is always a mark of a good one in the series – have Indy punch Nazis. Having Harrison Ford play the part, instead of a younger actor playing Ford playing the part, is part of the fun, thanks to modern movie magic.
Late in WWII, Indiana Jones, disguised in a Nazi uniform, and his fellow archaeologist Basil Shaw (Toby Jones) infiltrate a Nazi operation that is smuggling art and archaeological treasures back to the Reich. The Nazi in charge of this operation is looking for a certain item rumored to have mystical powers but a young Nazi scientist Dr. Voller (Mads Mikkelsen, also de-aged) alerts him to an object with more impressive power, the Archimedes Dial (inspired by, and resembling, a real-life archaeological treasure, the Antikythera mechanism). Fights and a thrilling chase onboard a racing train ensues, as Indy and the Nazi scientist struggle for control of the object.
After the flashback, the story moves to 1969, where an older Indy (Ford) is jolted out of bed – in just his boxer shorts – by a blast of rock music and a parade celebrating the moon landing just outside the window of his little big-city apartment. We see Harrison Ford, in all his craggy glory, as the older Indy, long past his adventuring days and actually getting ready to retire from his job as professor of archaeology But the wrench in the works for that plan, is his long-lost god-daughter Helena (Phoebe Waller-Bridge), the child of his buddy in the adventure we just saw, who turns up seeking a lost archaeological treasure she believes Indy has. But there is a hitch because that same Nazi scientist (Mikkelsen again), now working for NASA and hiding his past, is after it too. And of course, he’s still secretly a Nazi.
Echoing the original, this young woman draws a reluctant Indy into the adventure, in this case by stealing the object. We also get brief appearances by old friends, like John Rhys-Davies as Sallah, and a whole lot of fast-paced adventuring fun.
The MacGuffin that both the Nazis and Indy are chasing, the Archimedes Dial, looks a lot like the real-world Antikythera device, but the ancient device in the movie is not only in working order but has the power to find fissures in time. Or could, if they had both halves.
Pursuit of this object sparks a chase across continents and plenty of thrilling action and adventures (including punching Nazis), with call-backs to scenes from the original. The abundant chases and fight scenes are breathless and exciting, with danger mixed with touches of humor. We also get a car chase in Tangiers, in tuk tuks, those tiny three-wheeler vehicles that are small enough to navigate the narrow, twisting lanes, which is great fun.
While many fans of the original will delight in this throw-back film, built to wrap up the Indiana Jones story while providing that nice farewell to the role for Harrison Ford, INDIANA JONES AND THE DIAL OF DESTINY is also a bit of a love-it-or-hate-it film because it departs from the basic premise of what might happen in a 1940s adventure movie, by introducing a bit of sci-fi. No details, to avoid spoilers, but sci-fi haters won’t be happy.
To be honest, the plot does run a bit out-of-control late in the film. Some extra suspension of disbelief is required, but no more so than needed for the typical MISSION IMPOSSIBLE gravity- and physics-optional CGI stunt fest.
While some of this plot is a stretch, a little forgiveness is warranted, as INDIANA JONES AND THE DIAL OF DESTINY does right by the characters and by the spirit of the Indiana Jones series. It ties up everything nicely, in a touching, reasonable and satisfying bow. Why ask for more?
INDIANA JONES AND THE DIAL OF DESTINY opens in theaters on Friday, June 30.
RATING: 3 out of 4 stars
