Tag: Film festival

Tribeca 2012 Review: EDDIE – THE SLEEPWALKING CANNIBAL

EDDIE – THE SLEEPWALKING CANNIBAL is a fun little dark comedy that will surely find a nice audience although it might not rise to a level of cult phenomenon that one might think based on the deliriously twisted plot. Lars Olafssen is a former well-known artist who lost his muse 10 years ago. Finally content with not painting anymore, he takes a small teaching gig in Koda Lake, Canada where he ends up also having to care for Eddie, a seemingly harmless handicapped adult played perfectly by Dylan Smith. Eddie was traumatized as a child by the death of his parents so he no longer speaks. He also has a tendency to wake up in the middle of the night, shed his clothing down to his tighty-whities and eat people while still asleep. This would be horrible if not for the fact that seeing Eddie’s carnage somehow triggers a creative response in Lars, leading him to start painting again.

One of the things I absolutely hate about movies set in the art world is that often people are depicted as creating their so called masterpiece and when you see the artwork, it is nothing special. A large part of EDDIE is Olaf’s paintings yet they are given the golden briefcase treatment, meaning we never actually see them. This is one of the many things the film gets right. It knows exactly what to show, as evidenced by the very brisk pacing and perfectly short running time. While the film may not always be nonstop hilarity or thrills, it is certainly never dull. I do agree with some other people’s sentiments that the film gets better the bloodier it becomes but I think the restraint from showing much gore at first works thematically as both Eddie and Olaf strive towards their magnum opus. There are a lot of other little details in the film that work equally well, such as the running joke of the radio DJ commenting on how each of the classical music pieces played throughout the film directly correlate to tragedy and scenes of death.

Rather than spoil any more surprises, let me just recommend checking out EDDIE when it finds some sort of a release. This is a damn fun film and despite the outlandish concept, it is easy to relate to especially for creative types. There’s no telling how far some artists will go to get their muse back…

Jerry Cavallaro – @GetStuck – JerryCavallaro.com

Tribeca 2012 Review: DON’T STOP BELIEVIN: EVERYMAN’S JOURNEY

With a title like DON’T STOP BELIEVIN: EVERYMAN’S JOURNEY, one might expect a fairly cheesy music documentary that would only appeal to fans of the band. Instead we are treated to a fairly fascinating real life fairy tale where a struggling musician from the Philippines is chosen to be the new lead singer of world famous rock group he has been a fan of since he was a kid. Arnel Pineda had dozens of videos on Youtube of himself performing cover songs, including many of Journey’s biggest hits. Guitarist Neil Schon came across these videos while in the midst of searching for a replacement for their lead singer who was forced to leave the band for medical reasons. This documentary covers everything from Arnel’s initial auditions to the conclusion of their very first tour together as the new & improved musical juggernaut that is Journey.

DON’T STOP BELIEVIN is an inspirational film detailing Arnel’s struggles both before and after joining the band, as well as the subtle changes within the band after his inclusion. One of my favorite moments in the film came when he performed his first full concert in a crowded arena in Chile. Prior to going on stage, he is a wreck asking to go home but once the lights kick on, he owns the stage. Then afterward he is told not to go so crazy on stage because Journey’s music is not meant to be performed that way. He apologizes then tells the cameras that they will get used to it. Arnel really is just a captivating and entertaining presence who is a joy to watch.

My biggest and only real criticism is that the doc does feel its running time of close to 2 hours. There are plenty of little things that could be trimmed to tighten up the pacing although I’m sure Journey fans will want to see it as is. There will probably be some sort of editing depending on the type of release this gets even if just to remove the surprising amount of f-bombs dropped throughout. It also would have been nice to get the opinions of some former band members on the new lineup although I understand how that may not have been possible in some cases. Their absence is not really noticed while watching the film and is more of a curiosity I had after the credits rolled.

You don’t need to be a Journey fan to enjoy this film although you need to at least be able to tolerate them because their music is on constant rotation throughout the film. I would consider myself only a casual listener but I will admit that since watching the film, I thought about buying their greatest hits CD. Then I found out my dad already had one so I just borrowed it from him. Now that’s a scary thought, isn’t it?

Jerry Cavallaro – @GetStuck – JerryCavallaro.com

Tribeca 2012 Review: RESOLUTION

Whichever distributor picks this film up is going to have a hell of a time figuring out the proper way to market this beast. RESOLUTION tells the story of Michael (Peter Cilella) who attempts to get his former best friend Chris (Vinny Curran) to leave the burnt out shell of a house he is living in and go to rehab. When Chris refuses, Michael handcuffs him to the wall and plans to wait the seven days it will take for the drugs to clear out of his system. During the course of the week, some strange characters show up including drug dealers, Indian reservation security, and members of a local cult. With Chris suffering from extreme withdrawal, Michael cares for him while piecing together various forms of media he finds scattered throughout the surrounding woods that seem to be hinting at a much bigger story. Oh, and it’s a comedy, albeit a fairly dark one. As I said, not an easy sell but I truly hope someone rises to the challenge because this film deserves to be seen.

Similar to THE CABIN IN THE WOODS in that it is a film that works best with the audience knowing as little as possible going in, I will not reveal anything else about the plot. If you are at least intrigued by the film, I suggest you don’t even watch whatever trailers they eventually release for fear of spoilers. I genuinely had no idea where the film was headed next and that is a rare feat nowadays. Full of clever twists and witty dialogue, the film culminates in what may be the most spectacularly meta ending in cinema history. I know the meta term scares some people but it really works in this film.

The script is sharply written by Justin Benson, who also did an equally fantastic job co-directing with Aaron Moorhead. Visually intriguing, utilizing interesting camera and editing techniques, the film has a great look and feel that really enhances the story it is trying to tell. Peter Cilella and Vinny Curran get the bulk of the screen time, which is great since they have excellent chemistry and are totally engaging to watch. These are really breakout performances for each of them and I look forward to seeing more of them in the future. I am also looking forward to future collaborations between Moorhead and Benson because these guys seriously know what they are doing.

Not that this means anything but of the 18 features I saw, RESOLUTION is my favorite film of the 2012 Tribeca Film Festival.

http://vimeo.com/28909207

Jerry Cavallaro – @GetStuck – JerryCavallaro.com

Tribeca 2012 Review: TAKE THIS WALTZ

TAKE THIS WALTZ opens with a fun little meet-cute between Margot (Michelle Williams) and Daniel (Luke Kirby) who soon find out they are actually neighbors. This is unfortunate because Margot is (un)happily married to a chicken cookbook author played by Seth Rogen. I write it that way because although she doesn’t seem happy most of the time, none of her reasons seem solid enough to justify why she is so upset with her life. At one point she goes into a rant to which Seth Rogen asks what the f— she is talking about, as if speaking for the entire audience. Perhaps it is my slight man-crush on Seth Rogen but he seems like a pretty good husband to the often childish Margot. She is simply just bored of her everyday routine, which is what leads to a growing fascination with the shiny new toy that is Daniel.

But all new things get old eventually. That isn’t spoiling anything by the way. It is pretty much the running theme of the film since it constantly beats you over the head with this message throughout the bloated running time. This grows increasingly more frustrating leading up to an ending that feels more like a series of alternate endings played in succession. Repetition is apparently the name of the game. This may have been a stylistic choice by writer / director Sarah Polley since the film plays out in a steady stream of highs & lows and reoccurring themes much like Margot’s life. However, if that is the case, it just didn’t work for me. It is too bad though because there are some truly great aspects to the film.

Visually the film is stunning in terms of direction, cinematography, locations and even the color palette. This film just looks fantastic and it is often paired with a wonderful soundtrack that adds greatly to the feel. Everything really comes together perfectly for a scene in which Margot & Daniel go on the spinning Scrambler ride while “Video Killed The Radio Star” blasts on the radio. It is a fantastic sequence that says so much without any dialogue. It just works on so many levels, which is part of what makes the film so frustrating. There are moments like this that work so well but they are thrown off by so many other scenes that don’t. One other scene worth noting is an absolutely hysterical segment that has Margot and her sister-in-law (Sarah Silverman) attending a seniors water aerobics class, which was probably one of the funniest moments of any film playing at Tribeca this year. Speaking of Sarah Silverman, she and Seth Rogen really step up to show they have serious dramatic chops in addition to perfect comedic sensibility.

In the end, there is enough good in the film that I wouldn’t tell anyone to avoid it but I wish they found a way to say more with less.

http://vimeo.com/40636873

Jerry Cavallaro – @GetStuck – JerryCavallaro.com

Tribeca 2012 Review: SIDE BY SIDE

SIDE BY SIDE is a highly informative and thoroughly entertaining documentary covering the very timely topic of digital vs. film. And it is hosted by Keanu Reeves. No, seriously. Even more shocking is that he does a pretty damn good job interviewing the likes of Martin Scorsese, David Lynch, Robert Rodriguez, David Fincher, Chris Nolan, James Cameron, Lars von Trier, Stephen Soderbergh, George Lucas and many more. There are a few moments where he gives single word responses to his interview subjects in a way that seems like he is parodying an early 90s version of himself, but those few times just add a bit of humor to an already funny documentary. And yes it is quite funny. Many of the interviewees give humorous answers but the funniest moments stem from whenever David Lynch appears on screen. There is just something absolutely hysterical about the way he keeps dropping “Keanu” in his answers.

From a technical standpoint, this is a very well put together documentary. It covers almost every topic that can be brought up when discussing digital technology vs. film. I was a bit disappointed that they skipped over 20 years of video cameras prior to mini-dv but it is clear the doc had a more mainstream focus. It still would have been interesting to see some discussion on video nasties from the 80s such as REDNECK ZOMBIES that were among the first to be shot digitally way before the Dogma 95 films that this doc uses as a reference point. Despite the omission, nearly everything else is covered including arguments that I have not even heard before even though I have read quite a bit on this subject. The doc even spends a lot of time with editors, colorists and cinematographers to get their opinions on digital technology and these interviews often bring up the most interesting points

One other nitpicky criticism I have is that there really is very little side-by-side comparison footage. There are dozens of clips from movies shot both digitally and on film, which made viewing the doc on the big screen such a joy. But there isn’t much shown side-by-side which I found odd because of the film’s title. As I said, a very nitpicky criticism. Seeing those classic clips from some of my favorite films, even if just for a few seconds, really made viewing this in a theater a fantastic experience. It also makes me hope this doc gets a proper Blu-Ray release when it comes out.

It may not be so engrossing for everyone but if you have any interest at all in filmmaking or technology, I definitely recommend seeking this film out.

Jerry Cavallaro – @GetStuck – JerryCavallaro.com

Tribeca 2012 Daily Recap: April 28th

I ended up skipping the festival yesterday due to feeling pretty crumby when I woke up. I slept most of the afternoon away and then caught a few films in the online press screening room at night. Feeling much better today, I made my final trip into the city for the 2012 Tribeca Film Festival.

Being a big fan of James Franco, I was looking forward to checking out FRANCOPHRENIA despite the intensely mixed reactions. It is not an easy film to judge. Very experimental and free form, I’m still not quite sure what I watched even after the Q & A with Ian Olds (co-director, co-writer) & Paul Felton (writer). It starts out as a fairly regular behind the scenes look at the making of a special episode of GENERAL HOSPITAL cut together from the mundane stuff usually left on the cutting room floor. Then it switches into something quite weird through the magic of strange editing & sometimes hilarious voice-over done by Ian Olds. I wouldn’t call it anything you must see but it is certainly a strange curiosity that I am glad to have watched once. After the surprisingly long Q & A, a final pit stop at the press lounge, another super cheap NY pizza lunch & a 30-minute walk to the other theater, I settled in for my final screening of the festival.

MANSOME is a documentary by Morgan Spurlock although he does not appear in the film as often as you would assume based on his previous work. In fact, Jason Bateman & Will Arnett appear much more often, in little comedic vignettes setting up the subject for each section of the doc. The main focus of the film is modern men’s grooming techniques and as you can imagine, it is far more entertaining than enlightening. There are some truly fascinating personalities put on display for each section and talking head pieces of people weighing in, including Paul Rudd, Judd Apatow, and Zach Galifianakis. Unfortunately no one was on hand for a post screening Q & A so after the credits rolled, I left the theater and made my way to the bus home. Of course there was massive traffic downtown, which doubled my commute time. A perfect way to cap off a great festival.

Lesson of the Day: Sometimes enjoying copious amounts of free water can come back to bite you on the ass, like when you are stuck in massive traffic on your bus home.

Jerry Cavallaro – @GetStuck – JerryCavallaro.com

Tribeca 2012 Daily Recap: April 26th

Today was a fairly solitary experience at Tribeca. No industry cocktails or drinks with filmmakers. Just 3 films, a few press lounge pitstops for free Magnum ice cream and a few moments of conversation with Jeremy Wein from ThisMyShow.net.

ANY DAY NOW may have a story that seems fitting for a Lifetime Movie of the Week but that doesn’t change the fact that it is a incredibly well crafted film full of surprisingly powerful performances. Despite being set in the late 70s, it shares an important message that is still relevant today. The film never feels too heavy-handed and has some funny comedic beats sprinkled throughout. While it didn’t get my tear ducts flowing, quite a few people left the theater with tissues in hand so it appears I was not the only one moved by it. With less than 5 minutes until my next screening, I went straight to the next film. I had originally planned to see JACK & DIANE but after hearing some less than stellar critiques, I opted for something a little more light-hearted.

LOLA VERSUS is the story of Lola (Greta Gerwig) who is dumped by her fiancé right before her wedding so she sleeps with a couple of guys and bitches about love while trying to find herself. I am oversimplifying it but this is a perfect example of the type of comedies I complained about yesterday. The film is entertaining but it just felt like everyone was trying way too hard. While some of the dialogue is genuinely witty, other moments felt completely forced. I am a huge fan of pop culture references in dialogue (as known by anyone who has seen any of my work) but it needs to fit naturally into the conversation or it runs into the danger of coming across as a desperate attempt to seem hip. Overall, the film had a general feeling that it was made by indie-minded creatives trying to appeal to both mainstream and arthouse audiences. In my opinion, some of it worked but more of it didn’t.

Regardless of the film, I would like to commend Daryl Wein on his passion for the project. He apparently showed up to the press screening for a Q & A which I’ve never heard of anyone actually doing for press. Unfortunately, it was not announced and nearly everyone was already gone so he just left. It is too bad because I would have been interested in hearing what he had to say and possibly chatting with him about the film. If it is any consolation Daryl, I once did a Q & A via Skype for my film STUCK LIKE CHUCK where only 3 people stayed after the film. Yeah, that probably doesn’t change anything. I still commend him for the effort. Following the screening and a super quick lunch at my new favorite TFF dining establishment, 2 Bros. Pizza, I rushed back to Chelsea Clearview Cinemas for my final film of the day.

DEADFALL is bound to get comparisons to FARGO. With a few minor script tweaks and slightly different accents, this could have been passed off as FARGO 2. It is not that there are any similar characters or storylines but more so in the look and feel of the film. This is not a criticism but merely an observation. In fact, if this were FARGO 2, I would call it a pretty worthy follow-up. It is fast-paced, witty, and beautifully twisted. Eric Bana gives a stunning performance as truly compelling villain. Some fellow press members told me that the film was not worth my time but it ended up being one of my favorites of the festival so far.

Lesson of the DAY: We press people don’t know shit sometimes… Also, when the hell did Bill Pullman get so old?

Jerry Cavallaro – @GetStuck – JerryCavallaro.com

Tribeca 2012 Daily Recap: April 20th

My Friday morning at TFF started off with more Magnum Ice Cream, of course. It doesn’t matter what time of the day, it is always a good time for free ice cream. After enjoying my super nutritional frozen breakfast, I walked over to Clearview Cinemas for one of my most anticipated films of the fest.

There are moments in TAKE THIS WALTZ that I absolutely loved and there are moments I was put off by the forced subtlety and repetition. That seems to be exactly how Margot (Michelle Williams) feels about her marriage in the film so this may have been a stylistic choice on the part of writer / director Sarah Polley. Or it could just be that I am not a fan of watching grounded-in-reality relationships where no one says what they actually mean. It is probably pretty telling that despite everyone’s fantastic emotionally charged performances, my favorite was Seth Rogen who seemed to be most at ease handling the intense mix of drama and comedy.

After dissecting (i.e., criticizing) the ending with some fellow press, I made my way over to the Filmmaker Lounge to meet up with Ala LaFave. I thought the press lounge was bad; the Filmmaker Lounge truly is a hike from the main festival venues. It is the perfect distance to make you question walking, but not far enough to warrant paying for a cab. Upon leaving the lounge, I noticed a table by the door full of postcards & posters for the films playing at TFF. Why is there nothing like this at the press lounge or at the theaters for the public to see?

Before making the trek back to the theater, Alan and I decided to grab a “quick” lunch at Shake Shack. I have heard constantly that it is the best burger in NY and despite being a New Yorker my whole life; I’ve never eaten there. Apparently the 1-hour wait is no myth. It took 55 minutes to order & another 10 minutes before the food was ready. We had to eat the food on the walk back to make the next movie on time. Sadly the food was good but definitely not worth the time or money. At least the movie that followed was quite entertaining and inspiring.

DON’T STOP BELIEVIN: EVERYMAN’S JOURNEY is nowhere near as cheesy as you might assume based on the title. The documentary covers the “journey” of Arnel Pineda from his beginnings as a poor musician in Manila to becoming the new lead singer of Journey. It is a thoroughly enjoyable doc that works for fans or even just casual listeners. After watching, I couldn’t believe how many of their songs I actually knew. It made me want to go pick up a greatest hits CD. Thankfully, my dad already had one for me to borrow. (Now that is a scary thought.) Even more shocking, this doc would be rated R due to language. Who knew the drummer from Journey cursed so much?

I talked a bit with Chris Bourne (@bournecinema) about the doc before heading right into my final flick of the day, RESOLUTION. I heard some great things from the pre-festival screening and I’ve been tweeting with co-director Aaron Moorhead leading up to the fest so I had high hopes for the film. It did not disappoint. RESOLUTION is a perfect blend of suspense and dark comedy, which concludes with perhaps one of the most fantastically meta endings in cinema history. Much like the spectacularly brilliant CABIN IN THE WOODS, this film works best knowing as little as possible about it. I genuinely found myself wondering what the hell was going to happen next and that is a rare feat to accomplish these days. I know it is still early but just like what happened with last year’s second day screening of RABIES, RESOLUTION has easily become my front-runner for best of the fest. I stuck around after the screening to tell that to Aaron personally and he invited me to the bar across the street with the cast and crew of the film. I said I’d come by for a few minutes. 3 hours later I went home.

Lesson of the Day: Apparently you really shouldn’t stop believin’

Jerry Cavallaro – @GetStuck – JerryCavallaro.com

Tribeca 2012 Daily Recap: April 19th

Thursday was my first day at the 2012 Tribeca Film Festival. After passing by the location twice, I finally found the fairly well hidden Tribeca Cadillac Press Lounge. I quickly checked in with the very friendly Tribeca staff. Despite the time, I went on to enjoy one of my favorite perks of the festival: Magnum Ice Cream. After killing a few minutes flipping through the press & industry film guide, I made my way over to the Clearview Cinemas Chelsea for my first screening.

SIDE BY SIDE is a serious documentary on the film vs. digital debate hosted by Keanu Reeves. Yes, seriously. Even more shocking; how thoroughly entertaining and informative of a doc it is. I am not quite sure what kind of release this film will eventually get but it is highly recommended for anyone even remotely interested in filmmaking or technology.

Off to a good start, I decided to waste some time walking around the theater a bit since the press lounge is a little more of a hike than it was last year. While wandering, I bumped into Alan LaFave from the Hell’s Half Mile Film + Music Festival in Bay City, Michigan. For those of you who read my previous Tribeca coverage, I hung out with Alan often last year. My first feature STUCK LIKE CHUCK played his festival in 2009 and we have kept in touch online since. It turned out he was heading into the same screening as me.

DEATH OF A SUPERHERO has a lot more to do with death than superheroes. It is a visually interesting but ultimately disappointing dram. One of the highlights of the film is the acting, including a fine supporting performance by Andy Serkis, one in which he is not painted over with cgi.

Following the screening, Alan and I went to a nearby bar to catch up and talk a bit about our expectations for this year’s festival. After an hour or so, I made my way over to Rye House to meet Chris Bourne, Ben Umstead, Alexander Thebez & several other guys from TWITCH for dinner. Nearly 3 hours of delicious food and lively cinematic conversations followed. The only drawback to this wonderful meal was that it meant I would miss COMMUNITY. However, even that wasn’t so bad since Danny Pudi showed up at the restaurant & ate just one table away from us. Despite being such a fan that I have Abed & Troy as Batman & Robin wallpaper on my iPhone, I decided not to bother him during his meal. We all said our goodbyes and I made my way home exhausted after an extended first day at the festival.

Lesson of the Day: Keanu Reeves is actually a pretty good interviewer and watch COMMUNITY Thursday nights on NBC.

Jerry Cavallaro – @GetStuck – JerryCavallaro.com

Tribeca 2012: Events Preview

Yesterday I posted a PREVIEW of some of our most anticipated films at this year’s Tribeca Film Festival. Since there are a lot of other things going on besides movie screenings, I thought I’d share with you some of the coolest events also taking place as part of TFF. Unfortunately I will be unable to attend nearly all of these events but hopefully some of you will be able to check them out!

100 Years of Universal

In celebration of 100 years of Universal Pictures, join us for a conversation with iconic actors and directors Robert De Niro, Meryl Streep and Judd Apatow as they share their favorite moments and memories from Universal’s extraordinary history. Moderated by Film Editor for Deadline Hollywood Mike Fleming.

****This event will be streamed for FREE at TribecaFilm.com today at 3 PM! ***

MEET THE FILMMAKERS AT APPLE

The SoHo and 14 St. Apple stores will be hosting a series of Meet the Filmmaker events with people like Jenna Fischer, Lynn Shelton, Morgan Spurlock & many more. These events are usually recorded and available for free download via itunes. They are also free for the public to attend but space is usually very limited. For a full schedule of Apple events, visit http://www.apple.com/retail/tribeca/.

DRIVE-IN SCREENINGS

Yes, I know I said this article is meant to focus on events & not screenings. Trust me, these two film screenings are EVENTS. And they are FREE!

JAWS

With the summer beach season in full swing, a bloodthirsty great white shark begins terrorizing the small island community of Amity. A police chief, a marine scientist, and a grizzled fisherman set out to hunt it down… but they’re going to need a bigger boat. Roy Scheider, Richard Dreyfuss, and Robert Shaw lead the cast of this groundbreaking Academy Award-winning thriller. Steven Spielberg’s masterpiece returns to the big screen! See the movie that thrilled a generation, launched the summer blockbuster, and has become one of the most enduring action-suspense films of all time. Come early to celebrate Universal Studios’ 100th Anniversary with trivia contests, live music from Afro-jazz pioneers Nomo, and surprise special guests, courtesy of the upcoming New York Downtown Jazz Festival. Later this year, fans can own Jaws for the first time ever on Blu-ray featuring an all-new, fully restored and digitally remastered picture from original 35mm film elements. Fans of John Williams’ iconic score will also love the Blu-ray’s DTS-HD Master 7.1 sound, which optimizes the film for the home screening environment.

THE GOONIES

When their Oregon neighborhood—affectionately dubbed “the Goon Docks”—is threatened by real estate developers, a group of pre-teen friends needs to find enough money to halt the demolition. Lucky for them, they’ve discovered an old treasure map, sparking an adventure to unearth the long-lost fortune of 17th-century pirate One-Eyed Willie. Sean Astin, Corey Feldman, Martha Plimpton, Josh Brolin, and Joe Pantoliano star in the movie that captured a generation’s imagination. Relive the adventure with Mikey, Mouth, Stef, Data, Chunk, and all the unforgettable characters in this beloved classic. Come early to take part in the “truffle shuffle” contest and win prizes in the first-ever Tribeca Treasure Hunt. Live music from afro-jazz pioneers NOMO, courtesy of the upcoming New York Downtown Jazz Festival.

These panels are always fun and informative. They are filled with great information and usually are a must for filmmakers attending the fest. Here are some of the most interesting panels at this year’s fest:

Film and Brands

Brands and filmmakers are increasingly collaborating on film projects to achieve a range of objectives from marketing and public relations to corporate storytelling and philanthropy. As the number of projects as well as the platforms for distribution increase, the bar has been raised for how to make these projects effective corporate storytelling pieces as well as quality filmmaking. Join producer and director Brett Ratner, American Express’ Vice President of Global Media, Sponsorship and Experiential Marketing Rich Lehrfeld, GE’s Global Executive Director of Advertising and Branding Judy Hu, the Norman Lear Center’s Managing Director and Director of Research Johanna Blakley; and Chief Marketing Officer of Chipotle Mexican Grill Mark Crumpacker for a conversation about how they are collaborating and where this increasingly complex and sophisticated world is heading. Moderated by Jon Patricof, President and Chief Operating Officer of Tribeca Enterprises.

Imagine More

Project Imagin8ion was the first photo contest to inspire a Hollywood film, resulting in the Ron Howard production when you find me, shot using Canon cameras. Join us for a screening of this short film, followed by a discussion with Canon representatives and filmmakers about the versatility of shooting with Canon cameras and creating films through collaborative storytelling. Panelists include Canon USA Technical’s Chuck Westfall, The Russian Winter director Petter Ringbom, CatCam director Seth Keal, and others.

Sponsored by Canon

The Business of Entertainment

Now in its second decade as a signature sponsor of TFF, Bloomberg returns with its Business of Entertainment program at the Festival. This year’s discussion, entitled “Going Global: Will Co-Production Save the Film Industry?” will focus on the recent rise of international co-production, exploring the benefits and obstacles of this often complex but rewarding strategy. Bloomberg convenes major producers, financiers, and other key industry decision-makers who play leading roles in financing today’s film and entertainment industries. Panelists include co-producer of The Girl and CEO of Bonita Films Tania Zarak, Chairman and CEO of Endgame Entertainment James D. Stern, and Director of European Film and TV Group, Exclusive Media, Ben Holden. Moderated by Bloomberg News entertainment reporter Michael White.

Sponsored by Bloomberg

The Future is Short: Storytelling in the Digital Age

As the Internet and other platforms like Hulu, Netflix, Yahoo!, and the New York Times become more commercially viable as distribution outlets for good stories told through film, the opportunities for creating original short-form content have never been bigger, or more lucrative. What do content producers want from original episodic or serial programs, and how do filmmakers who’ve dipped their toes in short-form storytelling, even as brief as three minutes, feel about the work they’ve done? Where might it all be headed? Join CINELAN co-founder Morgan Spurlock (Mansome), filmmaker Annie Sundberg (Knuckleball!), Jason Spingarn-Koff of the New York Times Op-Docs series, and others to discuss the power, art, and business of short-form storytelling. Moderated by Jason Wishnow, Director of Film and Video at TED.

Sponsored by GE / FOCUS FORWARD – Short Films, Big Ideas

New Filmmakers on Film

Panavision’s New Filmmaker Program has helped young directors and cinematographers break into the industry for the past 25 years, supporting films such as Requiem for a Dream and Napoleon Dynamite. While a growing number of filmmakers turn to digital technology, Panavision’s grant program still offers artists the chance to shoot on film by providing them with exclusive camera packages with legendary Panavision lenses, as well as a wide range of digital cameras. Join Una Noche director Lucy Mulloy, Kodak’s US Account Manager of Features and Post-Production Bob Mastronardi, cinematographer Guy Godfree, and other film artists as they discuss the program and new opportunities for emerging talent. Moderated by Panavision’s New Filmmaker Program Manager, Mike Dallatorre.

Sponsored by Panavision

The Pen Versus the Sword

Social change can be implemented through a variety of creative methods—from artists who write and create work that makes people look at society from a new perspective, to bloggers spreading information, opinions, and images to those who need it most, to regular individuals speaking out. Hear from TFF filmmakers Antonino D’Ambrosio (Let Fury Have the Hour), Raymond De Felitta (Booker’s Place: A Mississippi Story), and Stephen Maing (High Tech, Low Life) on how writing and action can make an impact in the world. Moderated by film and culture critic Caryn James.

All descriptions come from the official Tribeca website. There are many more events taking place throughout the festival so be sure to visit http://TribecaFilm.com for more info!

Jerry Cavallaro – @GetStuck – JerryCavallaro.com