DON’T STOP BELIEVIN’ : EVERYMAN’S JOURNEY – The Review

Arnel Pineda’s life of poverty and struggle was forever turned upside down after being discovered on Youtube by they iconic rock band Journey. DON’T STOP BELIEVIN’ : EVERYMAN’S JOURNEY narrates through Pineda’s personal tale of struggle, and his transformation into the lead singer of a world renowned band.

Arnel Pineda might be the fourth leading man for the classic rock band Journey, but he certainly has an interesting tale that makes him stand out from the pack. The band was faced with the challenge of finding a new front man to replace iconic vocalist Steve Perry, who left the band for both personal and health reasons in 1998. Steve Augeri took the reigns from 1998 until 2006, when the band dropped him due to chronic throat problems. Jeff Scott Soto filled in for the remainder of the tour, but they band still needed to find a permanent singer.

That’s when lead guitarist Neal Schon took to the Youtube, scouring through hundreds of Journey cover bands in search of someone who fit the bill. At the 11th hour, he stumbled upon a video of Pineda singing ‘Faithfully’, and alerted the bands manager. Within three weeks they had flown Pineda to the U.S. to audition for the band.

For those of you expecting to see a ton of information on Steve Perry, this isn’t the film for you. They do not focus on him leaving the band, nor is he interviewed for the film. This is the story of Arnel Pineda, and the bands drive to continue its legacy.

The thing that’s interesting about the film is that it follows the band, and Pineda’s growth as a front man throughout the Revelation Tour in the Unites States. It shows him learning, and becoming a full member of the band. The film briefly brings up the controversy of Pineda not being from America, showing a fan spouting that they think the new lead singer should be a U.S. citizen, but it doesn’t focus on it. I would have liked to have heard more opinions from the crowd, especially before and after seeing Pineda for the first time. Still, the film comes full circle when they travel back to Manila, Philippines and play for 25,000 people.

 Along with hearing a bit more from the crowds attending their shows, I think the film could have explored Pineda’s past a bit more, as well as the struggle of finding a new frontman. This would give the story a bit more fluidity, since there are some spots that drag on or lack substance. Also, I would have liked them to address the language barrier between Pineda and the band. It has to be a bit of a struggle. Despite these small issues, the film is still inspiring… and it has a kick-ass soundtrack! Journey fan’s will be pleased.

OVERALL RATING: 3.5 out of 5 stars

http://everymansjourney.com/

https://www.facebook.com/JourneyMOVIE

 

Tribeca 2012 Review: DON’T STOP BELIEVIN: EVERYMAN’S JOURNEY

With a title like DON’T STOP BELIEVIN: EVERYMAN’S JOURNEY, one might expect a fairly cheesy music documentary that would only appeal to fans of the band. Instead we are treated to a fairly fascinating real life fairy tale where a struggling musician from the Philippines is chosen to be the new lead singer of world famous rock group he has been a fan of since he was a kid. Arnel Pineda had dozens of videos on Youtube of himself performing cover songs, including many of Journey’s biggest hits. Guitarist Neil Schon came across these videos while in the midst of searching for a replacement for their lead singer who was forced to leave the band for medical reasons. This documentary covers everything from Arnel’s initial auditions to the conclusion of their very first tour together as the new & improved musical juggernaut that is Journey.

DON’T STOP BELIEVIN is an inspirational film detailing Arnel’s struggles both before and after joining the band, as well as the subtle changes within the band after his inclusion. One of my favorite moments in the film came when he performed his first full concert in a crowded arena in Chile. Prior to going on stage, he is a wreck asking to go home but once the lights kick on, he owns the stage. Then afterward he is told not to go so crazy on stage because Journey’s music is not meant to be performed that way. He apologizes then tells the cameras that they will get used to it. Arnel really is just a captivating and entertaining presence who is a joy to watch.

My biggest and only real criticism is that the doc does feel its running time of close to 2 hours. There are plenty of little things that could be trimmed to tighten up the pacing although I’m sure Journey fans will want to see it as is. There will probably be some sort of editing depending on the type of release this gets even if just to remove the surprising amount of f-bombs dropped throughout. It also would have been nice to get the opinions of some former band members on the new lineup although I understand how that may not have been possible in some cases. Their absence is not really noticed while watching the film and is more of a curiosity I had after the credits rolled.

You don’t need to be a Journey fan to enjoy this film although you need to at least be able to tolerate them because their music is on constant rotation throughout the film. I would consider myself only a casual listener but I will admit that since watching the film, I thought about buying their greatest hits CD. Then I found out my dad already had one so I just borrowed it from him. Now that’s a scary thought, isn’t it?

Jerry Cavallaro – @GetStuckJerryCavallaro.com

Tribeca 2012 Daily Recap: April 20th

My Friday morning at TFF started off with more Magnum Ice Cream, of course. It doesn’t matter what time of the day, it is always a good time for free ice cream. After enjoying my super nutritional frozen breakfast, I walked over to Clearview Cinemas for one of my most anticipated films of the fest.

There are moments in TAKE THIS WALTZ that I absolutely loved and there are moments I was put off by the forced subtlety and repetition. That seems to be exactly how Margot (Michelle Williams) feels about her marriage in the film so this may have been a stylistic choice on the part of writer / director Sarah Polley. Or it could just be that I am not a fan of watching grounded-in-reality relationships where no one says what they actually mean. It is probably pretty telling that despite everyone’s fantastic emotionally charged performances, my favorite was Seth Rogen who seemed to be most at ease handling the intense mix of drama and comedy.

After dissecting (i.e., criticizing) the ending with some fellow press, I made my way over to the Filmmaker Lounge to meet up with Ala LaFave. I thought the press lounge was bad; the Filmmaker Lounge truly is a hike from the main festival venues. It is the perfect distance to make you question walking, but not far enough to warrant paying for a cab. Upon leaving the lounge, I noticed a table by the door full of postcards & posters for the films playing at TFF. Why is there nothing like this at the press lounge or at the theaters for the public to see?

Before making the trek back to the theater, Alan and I decided to grab a “quick” lunch at Shake Shack. I have heard constantly that it is the best burger in NY and despite being a New Yorker my whole life; I’ve never eaten there. Apparently the 1-hour wait is no myth. It took 55 minutes to order & another 10 minutes before the food was ready. We had to eat the food on the walk back to make the next movie on time. Sadly the food was good but definitely not worth the time or money. At least the movie that followed was quite entertaining and inspiring.

DON’T STOP BELIEVIN: EVERYMAN’S JOURNEY is nowhere near as cheesy as you might assume based on the title. The documentary covers the “journey” of Arnel Pineda from his beginnings as a poor musician in Manila to becoming the new lead singer of Journey. It is a thoroughly enjoyable doc that works for fans or even just casual listeners. After watching, I couldn’t believe how many of their songs I actually knew. It made me want to go pick up a greatest hits CD. Thankfully, my dad already had one for me to borrow. (Now that is a scary thought.) Even more shocking, this doc would be rated R due to language. Who knew the drummer from Journey cursed so much?

I talked a bit with Chris Bourne (@bournecinema) about the doc before heading right into my final flick of the day, RESOLUTION. I heard some great things from the pre-festival screening and I’ve been tweeting with co-director Aaron Moorhead leading up to the fest so I had high hopes for the film. It did not disappoint. RESOLUTION is a perfect blend of suspense and dark comedy, which concludes with perhaps one of the most fantastically meta endings in cinema history. Much like the spectacularly brilliant CABIN IN THE WOODS, this film works best knowing as little as possible about it. I genuinely found myself wondering what the hell was going to happen next and that is a rare feat to accomplish these days. I know it is still early but just like what happened with last year’s second day screening of RABIES, RESOLUTION has easily become my front-runner for best of the fest. I stuck around after the screening to tell that to Aaron personally and he invited me to the bar across the street with the cast and crew of the film. I said I’d come by for a few minutes. 3 hours later I went home.

Lesson of the Day: Apparently you really shouldn’t stop believin’

Jerry Cavallaro – @GetStuckJerryCavallaro.com

THE WAY BACK – The Blu Review

In 1941, a group of men from various countries and personal backgrounds makes a daring escape from a Russian gulag during the height of the Soviet Union’s brutal and inhumane rise to power as a Communist powerhouse. This rag tag group of men traveled more than 4,000 miles by foot across the most rugged and harsh landscapes; across the bitter cold of Siberia, through the endless desert and finally across the Himalayan mountains, to reach their freedom, defined differently by each man. Three men survived this awesome trek. THE WAY BACK is inspired by these real events.

Writer/director Peter Weir (THE TRUMAN SHOW, DEAD POET’S SOCIETY) brings us THE WAY BACK, one story of a less-familiar part of history from the WWII era, whereas the cruelty of Stalin’s Communist Soviet empire was greatly overshadowed by Hitler’s Nazi Germany. Innocent men, both young and old, were sentenced to as much as 25 years in filthy, ramshackle gulags — or prisons — for as little as speaking negatively about the Communist party, participating in religion or the arts, or for merely being a foreigner.

THE WAY BACK makes a stellar first impression, featuring a cast including Ed Harris, Jim Sturgess, Saoirse Ronan, and Colin Farrell. Ed Harris (APPALOOSA, GONE BABY GONE) plays an American engineer who goes by the name Mr. Smith, determined to escape and survive as a way of self-punishment. Jim Sturgess (HEARTLESS, ACROSS THE UNIVERSE) plays Janusz, a polish man betrayed by his own wife, determined to return home to his wife someday. Colin Farrell (CRAZY HEART, IN BRUGES) plays Valka, a Russian career criminal who serves a utilitarian purpose for the first leg of their journey to freedom.

All three actors deliver fine performances, but I especially enjoyed watching Farrell take on a somewhat animated but realistic Russian criminal. Personally, my top praise goes to Saoirse Ronan (HANNA, THE LOVELY BONES) who plays Irena, a polish teenage girl who fled the Communist takeover of Poland. Ronan continues to prove she is a major star in the making; she gives a compelling performance as Irena, a girl with more heart and drive than she can bare. Among the multi-national cast, its also worth mentioning Mark Strong (SHERLOCK HOLMES, ROBIN HOOD) who plays the motion picture actor Khabarov; a role that is brief but well portrayed.

The landscapes play a major role in THE WAY BACK. In the beginning of the film, an authority of the gulag explains to his prisoners how the true prison is not the guards, dogs and barbed wire, but rather the Siberian land itself… all 5 million square miles of the rugged, snow-covered country and it’s below zero extreme temperatures. In keeping with that powerful notion, Weir focuses his camera greatly on the vast and uninviting terrains in which the characters must cross by foot, with little to no water or food, and only their desire for freedom and each other to keep them alive.

THE WAY BACK (2010) is 133-minutes in length, but the pace allows the film to move along at a slightly more comfortable rate. I did not find myself checking the time or yawning at any point in the film, keeping my attention and interest; keeping my hopes for the characters up and my anticipation to see who survives the journey on a level equal to the average reality TV junkie’s. Ultimately, this is a film about human nature and our drive to survive and be free, no matter what the cost or obstacle standing before us, we’ll always find a way… or die trying.

THE WAY BACK Blu-Ray and DVD were released on April 19th, 2011.

Blu-Ray Special Features:

  • Behind-the-Scenes Featurette, “The Journey of the Journey”
  • THE WAY BACK Trailer
  • Trailers for THE RESIDENT and EVERY DAY

The special feature on this blu-ray disc are minimal, primarily consisting of the featurette titled “The Journey of the Journey.” This featurette contains a fair amount of actual behind-the-scenes footage, notably most interesting is how they constructed a forest in a sound stage which ultimately was used far more than the director has anticipated. The featurette does, however, contain a load of interview time with not just director Peter Weir, but also with the stars, including but not limited to Ed Harris, Colin Farrell, Jim Sturgess and Saoirse Ronan. These cast interviews offer an array of intimate perspectives on the history that inspired this film.

Otherwise, you’ll get a trailer for THE WAY BACK included in the special features and two trailers at the head of the film for THE RESIDENT and EVERY DAY, the first of which is somewhat forgettable and the second boasting another sizable cast of recognizable talent. The video transfer for THE WAY BACK, presented in 1080p High-Definition, suits the film, laden with landscapes and environmental textures. The audio within the film is mostly peaceful and serene, maintaining a consistent level, presented in DTS-HD Master Audio 5.1/Dolby Digital Stereo. THE WAY BACK blu-ray comes packaged in the standard translucent blue plastic keep case.