RAGNAROK – The Review

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Show of hands… When you first saw the film, who absolutely thought RAIDERS OF THE LOST ARK was the greatest thing on Earth? Me too. Let’s try this again. Show of hands… When you first saw the film, who thought there was nothing more awesome than JURASSIC PARK? Wow. Me too! Well, I’m not about to tell you this film equals either of those modern masterpieces, but what I will tell you is that RAGNAROK is a film that succeeds, in part, because it incorporates the massive influence both of the previously mentioned films have had on modern cinema in a subtle, yet effective way that evokes those memories while maintaining its own vision.

Written by John Kare Raake and directed by Mikkel Braenne Sandemose, RAGNAROK is the story of an archaeologist named Sigurd with family problems who stumbles onto something extraordinary while seeking answers to ancient questions through relics. Sigurd, played by Pal Sverre Hagen, is so committed to his outside the box, often controversial theories, that its costs him his family and possibly his job, but his drive leads him, his two colleagues and two children, on an adventure like nothing they’ve ever dreamed possible.

In Norse mythology, “Ragnarok” roughly means “end of the world,” but this can be somewhat misleading, as this is not a natural disaster movie on steroids, like ARMAGEDDON or THE DAY AFTER TOMORROW. Surprisingly, RAGNAROK is far more low-key and intimate, which is actually a compliment. The film maintains a relatively small cast of characters and is set primarily in a remote mountainous forest, fenced off from the general population and containing a very deep lake that Sigurd determines is historically referred to as “the eye of Odin.” Finding this mysterious lake is key to his unraveling the mystery of a rune stone he found that he believe is actually a map to an important viking discovery.

Sigurd is so focused on his goal, that he loses sight of what’s most important to him. His kids. In a self-serving effort to reconnect with them, he opts to turn his expedition into their family summer vacation. His son jumps at the opportunity, but his older daughter is nothing short of pissed off that they aren’t going on a real vacation. What they find instead will open their eyes and their imaginations, and may even rekindle a new family spirit in the process. So, here’s the thing. RAGNAROK is, with all honesty, more of a family film than anything else. Once again, this is a compliment. While the film is not overly graphic or violent, there’s no nudity and little to no profanity (we’re assuming they aren’t omitting anything in the subtitles), RAGNORAK is still an engaging story that is appropriate for kids and adults without being nauseatingly lame and sappy, like so many family-friendly options.

Get the idea out of your head. This is a foreign film with a modest budget. You will not be inundated with Michael Bay scale special effects or massive action sequences. Believe it or not, there is an actual story that develops and characters to relate to during the first two acts of the film. With that said, we are not introduced to the “creature” until the final act of the film. Trust me, we are rewarded with more than enough exposure to the creature in the final third of the film, and the filmmakers have pulled off the CGI with commendable success. Once again, consider the modest budget and accept that while it’s not Hollywood level stuff, it’s far better than Syfy Channel original films and we eat that SHARKNADO stuff up like its cognac-filled pot brownies laced with acid.

One of the coolest things about RAGNAROK is that it introduces kids of all ages to new elements of mythology outside of the usual norm, even if it’s not entirely historically accurate. To be fair, HOW TO TRAIN YOUR DRAGON gets credit for being the first film in recent years to revitalize the Norse culture and viking legends in mainstream film, but to have a film of that culture make it to our shores is more appealing to me in many ways, and I loves the dragon training films. I know there will be a slew of genre buffs who trash the film for being too mild or catering to a less “pure” genre audience, but I say they need to get over themselves. I, too, am a genre buff, but I make a point not to limit myself and in return I reap the rewards of films like this. No, RAGNAROK is not perfect, but I praise the willingness to embark on such a journey.

RAGNAROK will be available through iTunes/Video On Demand and in select theaters beginning August 15, 2014.

Overall Rating: 3.5 out of 5 Stars

RAGNAROK Domestic adapted Art

TWC Acquires Peter Ho-Sun Chan’s DRAGON (WU XIA)

TWC ACQUIRES PETER HO-SUN CHAN’S MARTIAL ARTS, FILM NOIR EPIC, DRAGON (WU XIA), WHICH PREMIERES AT CANNES ON MAY 14TH

International Superstars Donnie Yen, Takeshi Kaneshiro and Tang Wei Co-Star in Action-Packed Tale of Crime, Family and Redemption

Studio Acquires Distribution Rights for the World Outside of Asia

The Weinstein Company (TWC) announced today that it has acquired from WE Distribution the distribution rights for the world, outside of Asia and French speaking Europe, to the martial arts, film noir epic DRAGON (WU XIA).  TF1 are already confirmed to distribute the film in France.  The film will have its world premiere as part of the official selection at this year’s Cannes Film Festival.  A 2011 theatrical release is expected in the US.

Director, Peter Ho-Sun Chan, is one of Asia’s most celebrated filmmakers, his critical and box office hits include award winning THE WARLORDS, which he produced and directed, and BODYGUARDS AND ASSASSINS, which he produced.  With DRAGON (WU XIA) Chan brings to the screen an action-packed tale of crime, family and redemption.

DRAGON (WU XIA) features a dynamic ensemble of internationally celebrated talent, led by action superstar Donnie Yen (BODYGUARDS AND ASSASSINS, IP MAN), a martial arts master, Yen is also the film’s action choreographer; Takeshi Kaneshiro (HOUSE OF FLYING DAGGERS, CHUNGKING EXPRESS) and Tang Wei (LUST, CAUTION, LATE AUTUMN).  The film marks the first film appearance in 17 years of the legendary Jimmy Wang Yu (ONE ARMED SWORDSMAN, THE CHINESE BOXER), who is widely credited as the first Hong Kong kung fu star.

Along with Chan, the stellar lineup behind the camera includes the rising young director of photography Jake Pollock (THE MESSAGE, MONGA), veteran director of photography Lai Yiu-Fai (INFERNAL AFFAIRS, 2046); legendary Hong Kong production designer Yee Chung Man (THE WARLORDS, CURSE OF THE GOLDEN FLOWER); and leading costume designer Dora Ng (BODYGUARDS AND ASSASSINS, LEGEND OF THE FIST: THE RETURN OF CHEN ZHEN).

TWC has also acquired first option to remake rights for the film.

The announcement was made by TWC Co-Chairman Harvey Weinstein and Vice President of Acquisitions Dan Guando.

Said Chan, “During the production, Donnie was telling me that Wu Xia becomes more and more like a Weinstein movie. It’s no coincidence that Harvey likes the film. I am thrilled to work with Harvey and I think TWC is the best company to take this film to the US and international audience.”

Said Weinstein, “Peter Chan is a true artist and with WU XIA he has created a dream project, combining two of my favorite genres: film noir and martial arts.  Peter has been a friend for more than 10 years I could not be happier to be working with him on this film.”

Said Guando, “From the moment the film was announced, TWC has been excited about WU XIA.  It is set to be a martial arts classic that will redefine the genre.”

The deal was negotiated for TWC by Guando, Laine Kline, Executive Vice President Business and Legal Affairs, and Michal Steinberg, Senior Vice President Business Affairs and Acquisitions; and for WE Distribution by Katherine Lee, Executive Vice President.

WU XIA – SYNOPSIS

In the late Qing Dynasty, Liu (Donnie Yen) is a papermaker, leading a simple life with his wife Ayu (Tang Wei) and their two sons.  Into their remote village comes Detective Xu (Takeshi Kaneshiro), who is investigating the deaths of two bandits during a robbery.  Xu quickly realizes that the incident in question was no ordinary botched robbery – and his dogged inquiry threatens to dredge up the dark secrets of Liu’s buried past, threatening not only Liu and his family, but the entire village.

ABOUT THE WEINSTEIN COMPANY

The Weinstein Company (TWC) is a multimedia production and distribution company launched in October 2005 by Bob and Harvey Weinstein, the brothers who founded Miramax Films in 1979.  TWC also encompasses Dimension Films, the genre label founded in 1993 by Bob Weinstein, which has released such popular franchises as SCREAM, SPY KIDS and SCARY MOVIE.  Together TWC and Dimension Films have released a broad range of mainstream, genre and specialty films that have been commercial and critical successes, most recently Tom Hooper’s THE KING’S SPEECH, winner of four 2011 Academy Awards®, including Best Picture; Derek Cianfrance’s Academy Award®-nominated BLUE VALENTINE; and John Wells’ feature directorial debut, THE COMPANY MEN.  Since 2005, TWC and Dimension Films have released such films as GRINDHOUSE; I’M NOT THERE; THE GREAT DEBATERS; VICKY CRISTINA BARCELONA; THE READER; THE ROAD;  HALLOWEEN; THE PAT TILLMAN STORY; PIRANHA 3D; INGLOURIOUS BASTERDS; A SINGLE MAN; and 2011 Golden Globe® Best Foreign Language Film nominee THE CONCERT.   Upcoming releases include MIRAL, SPY KIDS 4, SCREAM 4, APOLLO 18, OUR IDIOT BROTHER, THE DETAILS and MY WEEK WITH MARILYN.  Recently wrapping are I DON’T KNOW HOW SHE DOES IT and COGAN’S TRADE.

TWC is also active in television production, with credits including the Emmy® Award-winning hit reality series “Project Runway,” the new VH1 series “Mob Wives,” and the critically acclaimed HBO comedy/crime series “The No. 1 Ladies Detective Agency.”  The company is producing two “Project Runway” spinoffs, “Project Runway: Masters” and “Project Runway: Accessories,” which are expected to debut in 2011.  The company currently has 17 series in different stages of development, including: “Marco Polo,” a scripted historical series about the great explorer; “The Nanny Diaries,” based on the hit book; and “The Mad Ones,” adapted from the Mafia novel of the same name.

Blu Monday: February 8, 2011

Your Weekly Source for the Newest Releases to Blu-Ray

There’s a whole lot of everything to choose from this week. Criterion serves up the 2008 Japanese gem STILL WALKING along with a fine dose of Fellini with AMARCORD, while on the opposite end we are graced by the release of Panela Anderson’s BARB WIRE on blu-ray. One of my favorite animated flicks on 2010, HOW TO TRAIN YOUR DRAGON, hits store shelves and there’s a Samsung 3D starter version of the blu-ray disc available with certain 3D TV purchases. Doesn’t that make you want to run out and throw down $3000? Both versions of I SPIT ON YOUR GRAVE hit blu-ray and DVD, but I still prefer my Millennium Edition DVD featuring a commentary by Joe Bob Briggs.  Two “rivers” converge on blu-ray for you viewing pleasure and THELMA & LOUISE get the anniversary treatment.

Blu-Ray for Tuesday, Feb. 8, 2011

  1. AMARCORD: Criterion Collection (1973)
  2. BARB WIRE (1996)
  3. FOR COLORED GIRLS: Blu-Ray/DVD Combo (2010)
  4. HOW TO TRAIN YOUR DRAGON (2010)
  5. I SPIT ON YOUR GRAVE (2010)
  6. I SPIT ON YOUR GRAVE (1978)
  7. LIFE AS WE KNOW IT (2010)
  8. MIDDLE MEN (2010)
  9. MY SOUL TO TAKE (2010)
  10. ONG BAK 3 (2010)
  11. PARANORMAL ACTIVITY 2 (2010)
  12. A RIVER RUNS THROUGH IT (1992)
  13. THE RIVER WILD (1994)
  14. STILL WALKING: Criterion Collection (2008)
  15. THELMA & LOUISE: 20th Anniversary Edition (1991)
  16. UNCLE BUCK (1989)
  17. YOU AGAIN (2010)

Lots of foreign films hit DVD this week, such as BAD DAY TO GO FISHING, an intriguing Spanish film about a former “Strongest Man in the World” become traveling wrestling organizer. Some classics also make it back to DVD for re-release, including Alfred Hitchcock’s STRANGERS ON A TRAIN and Howard Hawks’ BRINGING UP BABY, starring Katherine Hepburn and Cary Grant. The 70’s have their moment as well, with DVD releases of RIOT, starring Jim Brown and Gene Hackman, and WUSA, starring Paul Newman and Joanne Woodward.

DVD for Tuesday, Feb. 8, 2011

  1. BAD DAY TO GO FISHING (2009)
  2. BRINGING UP BABY (1938)
  3. THE CELLULOID SALESMAN: Classic Educational Shorts, Vol.4
  4. FOR COLORED GIRLS (2010)
  5. A FRENCH GIGOLO (2008)
  6. THE GIRL (2009)
  7. HIDEAWAY [Le Refuge] (2011)
  8. HIGH LANE (2009)
  9. I SPIT ON YOUR GRAVE (2010)
  10. I SPIT ON YOUR GRAVE (1978)
  11. IT’S KIND OF A FUNNY STORY (2010)
  12. LIFE AS WE KNOW IT (2010)
  13. MIDDLE MEN (2010)
  14. MY SOUL TO TAKE (2010)
  15. ONG BAK 3 (2010)
  16. PARANORMAL ACTIVITY 2 (2010)
  17. RIOT (1969)
  18. SAFE… NOT SORRY: Classic Educational Shorts, Vol.3
  19. STILL WALKING: Criterion Collection (2008)
  20. STRANGERS ON A TRAIN (1951)
  21. TAMARA DREWE (2010)
  22. TESIS [THESIS] Remastered Edition (1996)
  23. UNMADE BEDS (2009)
  24. WUSA (1970)
  25. YOU AGAIN (2010)