ONE SHOT – Review

Scott Adkins in ONE SHOT. Courtesy of Screen Media

ONE SHOT supports my contention that Scott Adkins is the reliable, taciturn star of low-budget action flicks that Steven Seagal still thinks he is. The man is a legit martial artist. He looks tough, yet smart enough to be the hero of any sort of action flick he’s offered, whether grounded in kick-boxing, organized crime or, as here, soldiering.

In ONE SHOT, Adkins leads a SEAL team deployed to a black-site island prison to transport a suspected terrorist to Washington ASAP. He supposedly knows what’s needed to prevent an imminent nuclear attack in a major American city. His crew brings a civilian agent (Ashley Greene) to try to coax the intel from the detainee, since a period of “extreme interrogation” failed. The guy running the place (Ryan Phillipe) resents the hell out of this insulting intrusion on his domain and resists the extraction order, despite the claimed urgency and scale of the threat.

Horrible timing. Before they can leave, a horde of heavily-armed, disciplined terrorists crashes the party (literally and figuratively), killing the guards, destroying the means of exit, and cutting off communications before reinforcements could be summoned. They want the same inmate for whatever their end-game may be, regardless of the body count on either side.

What follows is a long, large-scale shootout between a horde of bad guys, amplified by the other prisoners they set free, and a greatly outnumbered and outgunned cluster of Adkins-led defenders. The clash plays out somewhat like a video game through the large, maze-like complex, both indoors and out, racking up a massive body count of anonymous characters, plus casualties among those we know by name and care about.

Adkins does what Adkins does as convincingly as ever. I started this review by calling him reliable for a reason. His brand of predictable is a significant asset, not a critique. The dude delivers exactly what his fans expect of him, which is largely a high score on the adrenaline scale that minimizes cerebral exertion. Here’s a satisfying example for your guilty-pleasure enjoyment.

ONE SHOT opens Nov. 5 in theaters and on demand.

RATING: 2.5 out of 4 stars

First Look Photo of Pierce Brosnan In The Thriller URGE

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Pierce Brosnan gets wild in a scene from the upcoming thriller URGE.

In the movie, a group of friends on an island getaway experiment with a new designer drug that makes them lose their ability to control their urges.

URGE also features Ashley Greene (TWILIGHT trilogy) and is directed by Aaron Kaufman (producer on SIN CITY: A DAME TO KILL FOR, MACHETE KILLS).

The film is written by Aaron Kaufman, Jason Zumwalt, and Jerry Stahl and produced by Skip Williamson (UNDERWORLD) and Mark Neveldine (CRANK, upcoming THE VATICAN TAPES).

Brosnan starred last year in THE NOVEMBER MAN and can be seen in NO ESCAPE alongside Owen Wilson and Lake Bell – due in theaters Sept. 2, 2015.

Fortitude International is handling international sales of URGE at the European Film Market.

Variety has it listed as one of the Top Buzz Titles at the Berlin Film Festival.

Win Tickets To The Advance Screening Of WISH I WAS HERE In St. Louis

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WISH I WAS HERE is the first movie directed by Zach Braff since his indie breakout hit GARDEN STATE. The original screenplay is by the director and his brother Adam. The new movie tells a funny, touching, universal story of what it means to be at a major crossroads as a parent, spouse, and child – all at once.

Aidan Bloom (Zach Braff) and his wife Sarah (Academy Award nominee Kate Hudson) live in Los Angeles with their two children, Grace (Joey King of Fargo) and Tucker (Pierce Gagnon of Looper). Sarah supports the family with her public service job, while struggling actor Aidan auditions and escapes into fantasies about being the futuristic space knight of his childhood dreams.

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Gabe (Mandy Patinkin of Homeland), the widowed father to Aidan and bachelor Noah (Josh Gad of Frozen), has been paying for his grandchildren’s schooling but now no longer can. While Gabe musters considerable strength to battle his serious illness, Aidan eschews cultural traditions and embarks on a chaotic attempt to home-school Grace and Tucker. Away from his brother’s household, Noah tries to assert his creativity by crafting a distinctive costume to wow a comic-book convention and woo cosplay enthusiast Janine (Ashley Greene of Twilight).

Aidan’s curriculum for Grace and Tucker leads to some surprising self-discoveries for everyone. Further reassessing his career, his family, and his faith, Aidan realizes that he and those closest to him can find fulfillment by exploring new chapters in their lives.

WISH I WAS HERE opens in St. Louis on July 18th.

WAMG invites you to enter to win passes to the advance screening on Thursday, July 17th at 7PM in the St. Louis area.

Answer the following:

“Wish I Was Here would not have come to fruition without our 46,520 Kickstarter backers. They were amazingly supportive, and continue to be – through post-production, our debut screening at Sundance, and now the theatrical release; we have been in constant contact for over a year now.

“Coming together, they gave me the opportunity to tell the story with no compromises, and with a great many creative people. What a wonderful way to make a movie.”

Zach Braff’s career has encompassed acting, writing, producing, and directing in and on films, television series, and stage productions. Tell us your favorite Zach Braff role.

OFFICIAL RULES:

1. YOU MUST BE IN THE ST. LOUIS AREA THE DAY OF THE SCREENING.

2. ENTER YOUR NAME AND ANSWER IN OUR COMMENTS SECTION BELOW.

3. YOU MUST SUBMIT THE CORRECT ANSWER TO OUR QUESTION ABOVE TO WIN. NO PURCHASE NECESSARY.

This film has been rated R

Follow at:
http://www.facebook.com/wishiwasherefilm
http://www.twitter.com/wiwhfilm
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Official Site www.wishiwasherefilm­

Photos: Merie Weismiller Wallace, SMPSP / Focus Features

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First Trailer for Zach Braff’s WISH I WAS HERE Lands

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A delightful new trailer for the upcoming comedy WISH I WAS HERE has come online.

Director Zach Braff’s follow-up to his indie breakout hit GARDEN STATE is the story of a thirtysomething man who finds himself at major crossroads, which forces him to examine his life, his career, and his family.

The film premiered at the Sundance Film Festival in January. The Hollywood Reporter‘s Boyd van Hoeij called it, “A more mature work from actor-director-producer Zach Braff that feels like a Garden State for grown-ups.

HitFix‘s Drew McWeeny wrote, “this is the film that he took to Kickstarter, even as people complained about the idea of a millionaire asking people for hand-outs. Beyond that, though, hating “Garden State” has become a cottage industry. The only thing Braff could possibly do to counter all of the naysayers would be to make a genuinely great movie…. which, thankfully, is exactly what he did.”

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The film stars Zach Braff, Josh Gad, Mandy Patinkin, Ashley Greene, Donald Faison, and Jim Parsons.

Written by Zach Braff and Adam Braff, WISH I WAS HERE opens July 18th; expands on July 25th.

Facebook: www.facebook.com/WishIWasHereFilm
Twitter: www.twitter.com/WIWHFilm
Instagram: www.instagram.com/WIWHFilm

Photos: Merie Weismiller Wallace, SMPSP / Focus Features

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WAMG At The CBGB Press Day

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Ever wonder how the legendary CBGB came to be? In the new film, appropriately titled CBGB, director Randall Miller and co-writer Jody Savin give audiences a glimpse into the world that Hilly Kristal built… a little bar that became the birthplace of American punk music.

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Recently, WAMG attended a press day for the film at the famous WHISKY A GO GO in West Hollywood, CA. Participating in the press conference were Johnny Galecki (Terry Ork), Freddy Rodriguez (Idaho), Joel David Moore (Joey Ramone), Director/Co-Writer Randy Miller, and Co-Writer Jody Savin. Check it out below. (Side note: Sorry if it is a bit shaky. I was trying out my new camera.)

CBGB looks at New York’s dynamic punk rock scene through the lens of the ground-breaking Lower East Side club started by eccentric Hilly Kristal in 1973 originally as a home for “country, bluegrass and blues” (thus the club’s name) and which showcased cutting-edge bands through its closing in 2006. The Talking Heads, Patti Smith, The Ramones, Blondie, The Dead Boys, Bad Brains, Green Day, Soul Asylum, The Police, Bruce Springsteen, Everclear, George Thorogood, The Velvet Underground, Sonic Youth, The Black Crowes, The Flaming Lips, The Goo Goo Dolls, The Red Hot Chili Peppers, The B-52s, The Runaways, Tom Petty & The Heartbreakers, Tool and The Wallflowers are just some of the thousands of bands that played the club over the years.

The film stars Alan Rickman, Malin Akerman, Justin Bartha, Richard de Klerk, Johnny Galecki, Ashley Greene, Rupert Grint, Taylor Hawkins, Stana Katic, Donal Logue, Joel David Moore, Freddy Rodriguez, Mickey Sumner and Bradley Whitford. Randall Miller directed the film and co-wrote the screenplay with Jody Savin.

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For More Info:

Website: http://UnclaimedFreightProductions.com

Twitter: https://twitter.com/CBGBtheMovie

Facebook: https://www.facebook.com/CBGBtheMovie

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XLrator Media will release the film in Los Angeles on October 11, 2013. The film will roll out to NY and select cities through October

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THE TWILIGHT SAGA: BREAKING DAWN – PART 2 – The Review

We all knew that this tale had to finally come to an end, but not even the hardest of Twi-Hards knew that it would end like this!

In the final installment of THE TWILIGHT SAGA, Bella has opened her eyes to a whole new world. A vampire world. She is finally immortal, and can spend forever with her beloved Edward… or so she thinks. Although she is finally an immortal, as promised to the Voltouri, their daughter Renesmee is seen as an immortal child, which is forbidden. The Cullen family is now on a race to prove that Renesmee is the child of Bella and Edward, and that she poses no threat to any of the clans… otherwise, the Voltouri will destroy them all.

THE TWILIGHT SAGA: BREAKING DAWN – PART 2 proved to be the best film in the series. Although it took a risk, and deviated from the book, I think the film did a great job in wrapping up the immortal love story. The film does have its mix of silly, and even ridiculous flaws, but what do you expect? If we have learned anything from the other four films, it’s not to expect a serious movie.

SPOILER ALERT! You have been warned.

The film jumps right in, pacing itself rather nicely. I don’t really think they had much of a choice with that, considering BREAKING DAWN – PART 1 spent the entire film focusing on Bella and Edwards sex life, and the pregnancy/birth of Renesmee. In an ideal world, the two films would have given a little more room for us to get to know Renesmee, and build on the relationship between Bella and her daughter. As someone who has read the books, I realized halfway through the film that I felt like I understood their relationship because I had the back story of the books rather than feeling it build throughout the movie. I mean, rather than staging an arm wrestling contest with Emmett, they could have focused more on building Renesmee’s character. Although… good lord! I see why they felt the need to put that scene in.

Kellan Lutz… your arms… I like that… good job…

Let’s talk about the pink elephant in the room, or, should I say the freakishly horrible computer generated child?! Whose idea was that? Who brought that idea to the table? A real child would have benefitted the story more. Poor Mackenzie Foy, who plays Renesmee, was animated the majority of the film. I understand that the character grows fast, but subbing siblings of various ages, or searching for a few children that looked incredibly similar would have been a much better choice. It was distracting from the story. Still, it got down right creepy when they showed a grown up version of Renesmee standing with Jacob.They used computers to take a little girl of 11, who resembles a child of around 7 years old, and place her in a scene as a grown up with Jacob, who has imprinted on her. Obviously, nothing happens in the scene, but the whole thing doesn’t feel right. Despite the horrible CGI, which has never been their strong suit, the film took one risk that really paid off. They deviated from the book and added a fight scene.

Now, I am going to try to speak about this without giving anything away, but I did say spoiler alert above, so take this as your second, and final warning. There is no fight scene in the book. Jane (a member of the Voltouri) goes on the attack, as does Alec (again, Voltouri) , but that it pretty much it. Bella’s shield (which is her special vampire power) protects everyone, but in the movie they have limited it to Edward, and a bit to Alice. I will spare you with the minor details of the stand-off, because at the end of the day, they aren’t very important. What’s important is that they threw in this massive twist, that none of us expected, and it really paid off. It brought the film to a whole new level, and despite Aro having the scariest reaction to meeting a child that I have ever seen (or heard), the fight scene had the entire audience on the edge of their seats. When there is an established fandom, such as with the TWILIGHT books, it’s very easy to upset them when you deviate from the original tale that they have grown to love. There is an attachment to it, a feeling of ownership, of being part of the journey alongside the characters… When you mess with the content, it can cause chaos. Having said that, I did not hear a single complaint from the Twi-Hards in the theater, or in the lobby last night. I only heard rave reviews and excited shock over the added twist. Also, I don’t think the films are serious enough to pull off an ending like the one in the book. The films have a campy subtext that doesn’t seem fitting of a quieter, more refined ending. The chaos is just what the film version needed.

At the end of the day I am happy with the final product. I’d say that the films have really come a long way, but it would be more accurate to give this one the most improved player award. The film tied up any loose ends, and gave the audience the satisfaction of a complete journey. That, along with the included homage to all of the characters (not just those in the last film), really helped end things on a pleasant note.

THE TWILIGHT SAGA: BREAKING DAWN – PART 2 is in theaters now.

OVERALL RATING: 3.75 out of 5 stars

THE APPARITION Trailer Is Freaky Scary – Stars Tom Felton, Ashley Green & Sebastian Stan

Ashley Greene, Sebastian Stan, and Tom Felton will have you believing that “Once you believe it’s real, you die” in Dark Castle Entertainment’s and Warner Bros Pictures’ trailer for THE APPARITION. From writer and director Todd Lincoln, the supernatural thriller will be in theaters on August 24.

When frightening events start to occur in their home, young couple Kelly (Ashley Greene) and Ben (Sebastian Stan) discover they are being haunted by a presence that was accidentally conjured during a university parapsychology experiment. The horrifying apparition feeds on their fear and torments them no matter where they try to run. Their last hope is an expert in the supernatural (Tom Felton), but even with his help they may already be too late to save themselves from this terrifying force…

THE APPARITION is from producers Joel Silver, Andrew Rona, and Alex Heineman & Executive Producers Steve Richards, Sue Baden-Powell, and Daniel Alter.

Visit the official site: http://theapparition.warnerbros.com/

“Like” on Facebook: https://www.facebook.com/theapparition

This film has been rated PG-13 for terror/frightening images and some sensuality.

2011 SPOTLIGHT INITIATIVE AWARDS ANNOUNCED FOR TIFF

SPOTLIGHT INITIATIVE AWARD WINNERS ANNOUNCED FOR
2011 TORONTO INTERNATIONAL FILM FESTIVAL

Honorees Include Ashley Greene, Anna Kendrick, David Paymer,
Morgan Spurlock and Roland Emmerich

The Creative Coalition is pleased to announce that Ashley Greene (Butter, Twilight), Anna Kendrick (50/50, Up in the Air), David Paymer (Twixt, The American President), Morgan Spurlock (Comic Con: Episode IV – A Fan’s Hope, Super Size Me) and Roland Emmerich (Anonymous, 2012) have been named as honorees for the 2011 Spotlight Initiative Awards. The awards will be bestowed to honorees during the upcoming Toronto International Film Festival.

The dinner honoring this year’s recipients will be attended by influential players from the arenas of art and entertainment and takes place on Saturday evening, September 10th at the Roosevelt Room.

Representing all aspects from the world of independent filmmaking, the 2011 class of honorees embodies the tenets of The Creative Coalition’s Spotlight Initiative. The Spotlight Initiative was created in 2008 to support independent films with messages that make a positive difference in the world and celebrate the art and craft of filmmaking for their social relevance.

The Creative Coalition CEO, Robin Bronk said, “The range of work from this year’s honorees is a true testament to why we created the Spotlight Initiative Award. Actors and filmmakers are under no obligation to use film as a venue to educate audiences on social issues, but our 2011 class of recipients has done a masterful job in doing so throughout their respective careers.”