GRINGO – Review

 

Though it’s here in just a few weeks, Spring’s arrival feels years away. Alright, how about a trip south to much warmer temps. Way south, south of the border in fact. But what if things get a lot hotter than expected? Not just food that’s muy caliente, but the kind of heat you get from getting involved with the wrong crowd. That’s what happens to the title hero of this new caper comedy/ action thriller. This guy’s so out of his element. And though he does have a name, to most of the locals, here’s merely that GRINGO.

 

The “gringo” in question is mild-mannered Nigerian-born Harold Soyinka (David Oleyowo). He’s sharing a suburban house with his interior designer wife Bonnie (Thandie Newton) in those cold Chicago suburbs. On the way to work downtown, Harold has a breakfast meeting with his accountant who explains that he’s not only “cash poor”, he is, in fact, “poor poor”. No worries, Says Harold, he can depend on his middle management job at the pharmaceutical company. Ah, but Mr. CPA informs him of a pretty solid rumor that his firm may be merging with another big drug company (and usually the ax falls on those not at the top). Getting in to work, Harold talks with the company head (Bonnie’s working on his new loft) Richard Rusk (Joel Edgerton), who tells his ole’ pal not to worry. Oh, and he’s flying down to their factory in Mexico to go over some inventory problems. The two, along with the company’s second in command Elaine Markinson (Charlize Theron) soon arrive in the much warmer site of operation. The plant is producing a “pot pill”, a tiny green capsule that looks like a vitamin, but packs the punch of primo weed. The inventory problems were a plot between the factory director, Richard, and Elaine to sell that “product’ under the table to a local drug kingpin known as the “Black Panther” (no kidding). This deal will need to be stopped before the merger, of course. Back at the hotel, Harold finds out about the plans to fire him (the old “leave your cell phone on the table to record” trick) and hatches a plan to fake his own kidnapping. He leaves in the middle of the night and checks into a seedy tourist trap in the rough side of town. Along with the two dimwits that run the front desk, Harold calls Richard with the ransom demand (insurance will cover it, of course). Oh, also at the hotel is a young American couple, Miles (Harry Treadaway) and Sunny (Amanda Seyfried), who appear to be on vacation. But Miles is there to nab a few “pot pill” samples for some small-time drug hustlers to copy the formula (Sunny knows nothing of this, naturally). Speaking of that “pill”, the “Panther” doesn’t wish the deal to end (the plant director gets a taste of the Panther’s claws), and decides to grab the formula for himself. But it’s locked up in a safe that can only be opened by…you guessed it…Harold. Oh, it turns out that Richard let the kidnapping insurance lapse, but he does have life insurance on Harold. And so enters Richard’s brother Mitch (Sharlto Copley) to find Harold, rescue him, then, you know. Looks like Harold’s plan has backfired in a very, very big way.

 

 

Sounds pretty convoluted, eh? Well, the double and triple crosses are fairly clear thanks to the lead performance by Oyelowo who brings a real sense of pathos to the standard “patsy” role. But his panic and “sad sack” look mask a man with real smarts and determination. Rather than plunge into despair, we see his mind go into overdrive, his eyes dart about to weigh all of his options. After seeing him in so many heavy dramatic roles, it’s great to see Oyelowo flex his comedy chops. He is very funny, but the film’s comedy MVP is the wonderful Theron finally getting a role to showcase the biting wit we’ve seen on all the TV talk shows (it helps that she’s one of the film’s producers). Her Elaine uses her sexuality aggressively to further her plans, an interesting take on the current conflicts over gender dynamics. In seducing the company’s potential investors, Elaine’s completely in control, her targets both aroused and more than a bit frightened. She’s a voracious blonde barracuda, ready to dispatch anyone who doesn’t satisfy her. What a fabulous character, one that allows Theron to dominate every scene and energize the film’s sometimes sagging pace. I’d love a spinoff sequel to see her take on and take out more dimwitted dupes (she’s more than a step ahead, always). Though he’s her frequent bedroom toy, Edgerton as the blustering Richard, is merely a stepping stone (and about as smart as one). He’s the perfect preening business “bro”, with no loyalties or scruples. As his brother with morals, Copley dials down his usual mania and delivers an interesting twist on the thriller “hit man”. Unfortunately Newton and Seyfried don’t have much to do as the aloof wife and the bright-eyed innocent, though Sunny’s sweet demeanor is probably meant as an antidote to the toxic Elaine (not hardly).

 

Kudos are earned by director Nash Edgerton (Joel’s brother) for keeping all the “plates spinning”, meshing all the conflicting plotlines into a fairly coherent dark, nearly “pitch black” comedy. Still the script from Anthony Tambakis and Mattheew Stone could have lost a couple of subplots (the movie seems to put on the brakes too often for the meandering Miles and Sunny story). This really derails the momentum, draining its energy just as things should be heating up. And couldn’t they have changed the kingpin’s street name (every time I hear BP, I just thought of the much better film that’s probably just down the hallway at your local multiplex)? Still, there are some solid laughs thanks to the inspired comic work from Oyelowo and the marvelous magnetic “man-eater” played to perfection by Theron. Those two make the GRINGO a good, not quite great, escape from the Winter movie blues.

 

3.5 Out of 5

 

Win Passes To The Advance Screening Of GRINGO In St. Louis

David Oyelowo, Charlize Theron and Joel Edgerton star in GRINGO. Photo Courtesy of Amazon Studios

An exhilarating mix of dark comedy, white-knuckle action and dramatic intrigue, Gringo joyrides into Mexico, where mild-mannered businessman Harold Soyinka (David Oyelowo) finds himself at the mercy of his back-stabbing business colleagues back home, local drug lords and a morally conflicted black-ops mercenary. Crossing the line from law-abiding citizen to wanted criminal, Harold battles to survive his increasingly dangerous situation in ways that raise the question: Is he out of his depth – or two steps ahead?

GRINGO also stars Charlize Theron (ATOMIC BLONDE, MAD MAX: FURY ROAD), Joel Edgerton (LOVING, THE GREAT GATSBY), Thandie Newton (“Westworld”, CRASH), Amanda Seyfried (LES MISERABLES, MAMMA MIA), and Sharlto Copley (FREE FIRE, DISTRICT 9). Directed By Nash Edgerton.

Check out the trailer below.

Amazon Studios and STX Entertainment will release GRINGO in theaters March 9, 2018.

For the chance to win TWO (2) seats to the advance screening of GRINGO, March 7, at 7:00 pm in St. Louis.

Answer the Following:

Charlize Theron’s most recent film is ___________
Joel Edgerton recently starred in which Netflix film ____________
David Oyelowo recently starred in which Netflix film ____________

ENTER YOUR NAME, ANSWERS AND EMAIL IN OUR COMMENTS SECTION BELOW.

OFFICIAL RULES:

1. YOU MUST BE IN THE ST. LOUIS AREA THE DAY OF THE SCREENING.

2. No purchase necessary. A pass does not guarantee a seat at a screening. Seating is on a first-come, first served basis. The theater is overbooked to assure a full house.

Rated R

Visit the official site: https://www.gringo-movie.com/

THE CLAPPER – Review

Ed Helm (center, with hat) as Eddie and Tracy Morgan (to right) as Chris, in THE CLAPPER. Photo courtesy of Momentum Pictures ©

THE CLAPPER is an indie film about a different side of Hollywood, a kind of romantic comedy about an anonymous worker in Los Angeles who ekes out a living as a paid face in the crowd for audiences for infomercials. It is a job kind of like a movie extra but ranked much lower, as clappers are impersonating ordinary people in audiences in advertisements impersonating television programs. Clappers are part of the background that creates the illusion that producers are selling to their real audience.

Director Dito Montiel adapted the script from his novel “Eddie Krumble is the Clapper,” his second book after “A Guide to Recognizing Your Saints,” which was also made into an indie film.. The story is semi-autobiographical, based on Montiel’s experiences after moving to L.A. and making living on Hollywood’s edge.

Eddie Krumble (Ed Helms) and his best friend Chris Plork (Tracy Morgan) are clappers, paid professional audience members for infomercials and other low-end shows needing a live studio audience but not popular enough to draw one from tourists and fans. The programs pay the clappers to look like ordinary people as they enthusiastically respond to the claims of infomercial hawker/hosts promoting whatever product they are pitching. Whether the program is promoting a real estate investment or a new kitchen gadget, clappers are amazed, delighted or cheering on cue. It is low-pay work on the lowest rung of the industry, paid by the gig with a little extra if the clapper is cast to ask a scripted question. The most essential qualification for the job is to look ordinary and to be unknown.

Eddie Krumble certainly fits that qualification. When the widowed Eddie moved to Los Angeles for a fresh start, he may have had some idea about acting but he has no such plans now. Still, Eddie is sincere about his work, taking care with his various disguises and practicing his lines in front of a mirror. He actually likes the low-key quirky job he fell into, although he would like to make a little more money doing it. He is pretty settled in his unambitious life, taking gigs as a clapper, hanging out with his pal Chris, and flirting with the pretty cashier at the local gas station, Judy (Amanda Seyfried).

But Eddie’s low-key life is disrupted when a notoriously mean late night talk show host, Jayme Stillerman (Russell Peters), spots him in the audience of several infomercials, and singles him and his job out for a routine of comic ridicule. The segment captures the public’s attention and turns into a pop culture craze, which as the host and his producer (Adam Levine) build with a media campaign to hunt for “the clapper.” While most people in L.A. would eagerly embrace this 15 minutes of fame, Eddie is horrified because becoming famous could cost him his livelihood. Eddie’s quiet life turns into a nightmare, as he is shoved into this unwelcome spotlight. .As the talk show stunt continues, it threatens Eddie’s budding romance with Judy as well as his job.

The cast is rounded out with Brenda Vaccaro as Eddie’s overbearing mother, who calls constantly from back home, and real infomercial hosts Wendy Braun and Billy Blanks, plus the late Alan Thicke as infomercial pitchmen.

There is a certain charm in this tale of people on the economic margins of L.A., although some viewers may disdain their lack of ambition. One wonders at first if the film will mock this unambitious man with the laughably odd occupation but director Montiel treats him with surprising sympathy. That view likely comes out of the semi-autobiographical nature of the source material, as Montiel based the story on his and a friend’s experience living on the lowest levels of Hollywood, where his friend worked as a clapper. There certainly is plenty that is laughable about being a clapper but the ridicule comes later when Eddie and his strange job become fodder for the talk show host. There is a classic good guy – bad guy thing in this film, and Montiel’s sympathy is with the kind-hearted underdogs getting by on the margins rather than the ambitious and ruthless types with the successful talk show.

 

Even before Eddie comes under that harsh gaze, there is a sense he is hiding. Unlike countless would-be actors, Eddie did not move across the country to L. A. to seek stardom. It is an odd choice for a fresh start, one which is never explained, but his weird job seems to give him a kind of self-expression he wouldn’t get as a cashier at Walmart, or as a gas station attendant like Judy.

In his comments on his film, director Montiel noted how people are drawn to Los Angeles by the myth of Hollywood, only to find living there very different from the dream. He was also struck by “what a blue-collar town Hollywood really is,” with many more people working as extras, carpenters, market researchers, and in other un-glamorous occupations than movie stars and studio heads. Some of the jobs are really odd – like professional audience members.

If you are expecting a biting satire on Hollywood, an in-depth exploration of an odd-ball profession, or a psychological study, you won’t get that with THE CLAPPER. Although it starts down all those roads, it then detours into a standard romantic comedy. It is too bad because while that makes an interesting backdrop for a rom com, the film leaves a lot of potentially more interesting and unique material unused.

Still, THE CLAPPER does have a certain charm, particularly in Ed Helms’ low-key, even sweet performance as a guy who likes his strange job and would rather just be left alone. The film raises a lot of questions with this character, like why he moved to Los Angeles, without really answering them, but Helms does what he can to suggest answers. Tracy Morgan likewise turns in a n unexpectedly restrained performance as Eddie’s loyal friend but whose lack of sophistication makes him easy prey for Adam Levine’s calculating producer.

While Eddie has no ambitions, Amanda Seyfried’s tender-hearted Judy does have one, to open an animal shelter in Mexico, for the discarded and damaged animals like the one-horned goat she adopted. That she has a goal, something the drifting Eddie lacks, may be part of the attraction. However, we do not find out because (and here is where the film goes wrong) the film once again does not delve into Eddie’s inner life. Instead, the film transforms into just romantic comedy, one that does not go beneath the surface of any of the characters. While there is a sweetness to the ending, one is left with a sense there could have been something more.

THE CLAPPER is not a film for everyone. It is a small film that has some charm as a sweet oddball rom com but which falls short in exploring its characters. However, someone expecting a raucous comedy laughing at losers scraping by at the bottom of Hollywood’s food chain won’t find that in this film.

RATING: 3 out of 5 stars

Watch Cher In First Trailer For MAMMA MIA! HERE WE GO AGAIN

Get ready to sing and dance, laugh and love all over again with MAMMA MIA! HERE WE GO AGAIN.

Ten years after Mamma Mia! The Movie grossed more than $600 million around the world, you are invited to return to the magical Greek island of Kalokairi in an all-new original musical based on the songs of ABBA.

With the film’s original cast returning, Meryl Streep, Pierce Brosnan, Colin Firth,  Stellan Skarsgård, Julie Walters, Amanda Seyfried, and Christine Baranski as well as new additions including CHER, Andy Garcia and Lily James (Cinderella, Baby Driver), the musical comedy will open on July 20, 2018.

MAMMA MIA! HERE WE GO AGAIN is produced by Judy Craymer and Gary Goetzman, producers of the original film. Craymer is also the creator and producer of the worldwide smash-hit stage musical.

Ol Parker, writer of The Best Exotic Marigold Hotel, writes and directs the sequel from a story by Catherine Johnson, Richard Curtis and Parker. Benny Andersson and Björn Ulvaeus return to provide music and lyrics and serve as executive producers. Tom Hanks, Rita Wilson, Phyllida Lloyd, Richard Curtis and Nicky Kentish Barnes also serve as executive producers.

Reprising their roles from Mamma Mia! The Movie are Academy Award winner Meryl Streep as Donna, Julie Walters as Rosie and Christine Baranski as Tanya. Amanda Seyfried and Dominic Cooper reunite as Sophie and Sky, while Pierce Brosnan, Stellan Skarsgård and Oscar® winner Colin Firth return to play Sophie’s three possible dads: Sam, Bill and Harry.

As the film goes back and forth in time to show how relationships forged in the past resonate in the present, James will play the role of Young Donna. Filling the roles of Young Rosie and Young Tanya are Alexa Davies (A Brilliant Young Mind) and Jessica Keenan Wynn (Broadway’s Beautiful). Young Sam will be played by Jeremy Irvine (War Horse), while Young Bill is Josh Dylan (Allied) and Young Harry is Hugh Skinner (Kill Your Friends).

Visit the official site: http://www.mammamiamovie.com/

Nash Edgerton’s GRINGO To Be Released In Theaters March 2018

Amazon Studios and STX Films have announced GRINGO is the official title for the Untitled Nash Edgerton Project.

GRINGO will get a domestic release in theaters March 9, 2018.

Combining dark comedy with dramatic intrigue, Gringo joyrides across the border into Mexico, where all is not as it seems for mild-mannered American businessman Harold Soyinka (David Oyelowo). Crossing the line from citizen to criminal, Harold tangles with duplicitous business partners, Mexican drug lords, international mercenaries, and the DEA. As he attempts to survive in one of the most dangerous places on earth, the question lingers: is this ordinary man in way over his head, or is he two steps ahead?

Directed by Nash Edgerton, who made his feature length directorial debut with the acclaimed Australian thriller The Square, Gringo also stars Joel Edgerton, Amanda Seyfried, Charlize Theron, Yul Vazquez, Thandie Newton, and Sharlto Copley.

Financed by Amazon Studios, the film is written by Anthony Tambakis and Matthew Stone, and produced by Rebecca Yeldham, Nash Edgerton, Beth Kono, A.J. Dix, Charlize Theron and Anthony Tambakis.

Watch Russell Crowe And Amanda Seyfried In Clip From FATHERS AND DAUGHTERS

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Exclusively on DIRECTV NOW and in Theatres July 8 is the film FATHERS AND DAUGHTERS.

The film stars Russell Crowe, Amanda Seyfried, Aaron Paul, Diane Kruger, Quvenzhané Wallis, Bruce Greenwood, Kyle Rogers, Janet McTeer, Octavia Spencer, and Jane Fonda.

Written by Brad Desch and directed by Gabriele Muccino, here’s a new clip from the movie.

Jake Davis (Russell Crowe), a Pulitzer-winning novelist, finds himself fighting the world when a fatal car crash leaves him alone to raise his 5-year-old daughter, Katie. Overcome with guilt from the loss of his wife, he struggles with the daily routine of raising his daughter compounded by his overbearing relatives’ intent on taking her from him.

As the narrative sweeps back and forth between the 1980s and present day, we come to learn how 30-year-old Katie (Amanda Seyfried) battles the demons that stem from her troubled childhood while simultaneously watching Jake fight to hold on to the thing he loves most—his daughter—at the cost of his fortune, sanity and ultimately his own life.

Told through beautifully woven narratives set 25 years apart, FATHERS AND DAUGHTERS is a powerful story of love, loss and the tragedies that bring us together and tear us apart.

Rated “R” by the MPAA for some sexual content/references.

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LOVE THE COOPERS – The Review

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Social media is filled with complaints about retailers jumping the gun on Christmas. Hey the jack-o-lantern’s not yet ripe when the tinsel and wreaths go on sale. Well at least this inspired one of the great double holiday flicks, THE NIGHTMARE BEFORE CHRISTMAS. So, if the mall starts early, why not the attached (usually) multiplex theatres. Hollywood loves sending out movies at the end of the year set around the staples of the season. So, before you even think about grabbing the  turkey (let’s not get ahead of this piece) for Thanksgiving, here’s a flick about a big, big family getting things set for the big Christmas Eve shindig. Now Mom’s a perfectionist, so everything has to be plotted out and just right. Of course, like most families, things are far from perfect. Doesn’t mean they can’t try their darndest in the new star-packed cinema stocking, LOVE THE COOPERS.

It’s early morning, December 24 (CE Day if you will) and Charlotte (Diane Keaton) and Sam (John Cooper) are on the road. Things aren’t going well in their marriage (they plan to separate in the new year), but they don’t want the family to find out. First, it’s off to son Hank’s (Ed Helms) home to pick up his pre-K daughter Madison (Blake Baumgartner) ,but oh oh, she’s repeating a naughty phrase! Hank has separated from his wife Angie (Alex Borstein), but his folks don’t know that he’s actually spending his days looking for work. His teenage son Charlie (Timothee Chalament) is not handling the break-up well, so he’s taking his little brother Bo (Maxwell Simkins) to the mall to shop (and flirt with a gal working there). Sam and Charlotte with Madison go to a senior center to sing carols and pick up Sam’s daffy Aunt ‘Fishy’ (June Squibb) , who also says (and does) naughty stuff, too! Charlotte’s father Bucky (Alan Arkin) heads into his usual diner for breakfast, unaware that his favorite waitress Ruby (Amanda Seyfried) is going to drop a bombshell on him: she’s leaving town. Back at the mall, his other daughter, the divorced adrift Emma (Marisa Tomei) is busted for shoplifting and is being transported to the station by Officer Williams (Anthony Mackie). Meanwhile at the airport, Hank’s sister Eleanor (Olivia Wilde) is hiding out in the pub, dreading the disapproval from Mom over her still single status. She strikes up a rapport with a cute soldier, Joe (Jake Lacy) whose flight has been delayed a day. Hmm, maybe he’d agree to play her fella’ for the night? Man, now that’s one frenzied family circus (no offense Mr. Keane)!

Oy, where to begin! First off, I’ve enjoyed the work of the cast so much, but really…really. All of you show know better. Talk about having to flail about without a net! Diane Keaton, You’ll always be Annie Hall, so why do you take on such a shrill character, constantly trying fix everything and everyone when not giving an earful to both your on-screen hubby and sis. At least she has a bit of a personality which is more than be said for the sad sack role Goodman has been saddled with. His appearance in films, in even the briefest cameos (see what he does in TRUMBO, for gosh sake) can spring the story to life. Helms is doing a riff on the put-upon schlubs from the HANGOVER trilogy and VACATION and TV’s “The Office” with little else to do, besides looking anxious. Arkin only seems to bounce from befuddled to indignant. And who thought he could be Keaton’s father (there’s just a dozen years difference). Tomei’s pop I can believe. She’s stuck spewing vapid psycho-babble in the back of a police cruiser on the loooooongest ride to the station ever (there’s no sub station?)! Mackie isn’t allowed any of the energy he often brings to the screen as he’s stuck as another uptight guy with a secret (much like his role in WHAT’S YOUR NUMBER?). Speaking of “The Office”, another alum, Lacy, does hold on to a bit of dignity, and can be a good leading man. His scene-mate Wilde is still dazzling and a delightful comic talent, though her character is mind-numbingly silly, even for a bit of froth like this. Seyfried, the film’s other beauty, can’t spark life into this immature twenty-something who hasn’t any semblance of a game plan (oh, just gonna’ pick a town at random, eh? Uh huh). Can it be just two years ago when Squibb stole every scene in NEBRASKA? Now she’s playing the crutch of lazy screenwriters, the unpredictable senior, always good for a cut-away gag or a scene ender. She is so much better than that.

Director Jessie Nelson (I AM SAM and CORRINA, CORRINA-that explains a lot) hammers us with every manner of forced whimsy. From slow-motion dancing to fantasy flash forwards, even some CGI as characters turn to ice and shatter (that was clever on “Ally McBeal” a decade ago). But nothing fails to revive this cliché filled script from Steven Rogers (no relation to the star-spangled avenger, I should hope!). Do we really need a dream sequence of Joe and Eleanor frolicking in the airport (where’s the TSA when ya’ really need them?)? And who in the world brings their soon-to-be ex-wife to the big family Christmas Eve event? Why the better to have a big argument followed by a heartfelt plea from the kiddos, naturally! The only thing that perked me up was when I realized this was all set in Pittsburgh. Could one of these shopping centers be the legendary Monroeville Mall from the 1978 DAWN OF THE DEAD? That’s what happens during drek like this. You think about much better films, and I had a lot to think about. The narrator of this film was part of a true holiday classic, one that can be watched and enjoyed any time of the year. At the screening of this, many viewers wanted to give this flick a pass, since, well it’s a Christmas movie and it’s got nice decorations and festive foods and lights. No, much like the old thought “it’s only a kids’ movie”, a “holiday movie” should not be given a free pass. That’s an affront to all the wonderful flicks that have become annual viewing favorites. Not so with this cloying, precious mess. You want to see Christmas-y stuff. Go to your local mall instead or, better yet, stroll down main street or downtown. That’s a much better way to get in the “Noel” mood since LOVE THE COOPERS goes down like a cold glass of egg nog…from a carton that’s been sitting at the back of the fridge since last Christmas. Now that’s a lump of coal in yer’ stocking!

1/2 Out of 5

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Win Passes To The Advance Screening Of LOVE THE COOPERS In St. Louis

LOVE THE COOPERS_Final One Sheet

LOVE THE COOPERS follows the Cooper clan as four generations of extended family come together for their annual Christmas Eve celebration. As the evening unfolds, a series of unexpected visitors and unlikely events turn the night upside down, leading them all toward a surprising rediscovery of family bonds and the spirit of the holiday.

From CBS Films, the movie stars Alan Arkin, John Goodman, Ed Helms, Diane Keaton, Jake Lacy, Anthony Mackie, Amanda Seyfried, June Squibb, Marisa Tomei & Olivia Wilde.

Directed by Jessie Nelson, LOVE THE COOPERS opens in theaters nationwide on November 13, 2015.

WAMG invites you to enter for a chance to win a pass (Good for 2) to the advance screening of LOVE THE COOPERS on Tuesday, November 10 at 7PM in the St. Louis area.

We will contact the winners by email.

Answer the following:

Some holiday themed movies originally had different titles or were based on various stories. What are the “Christmas films” listed below better known as?

  1. “Big Heart”
  2. “The Greatest Gift”
  3. “Black Christmas”
  4. “Nothing Lasts Forever”

TO ENTER, ADD YOUR NAME, ANSWERS AND EMAIL IN OUR COMMENTS SECTION BELOW.

OFFICIAL RULES:

1. YOU MUST BE IN THE ST. LOUIS AREA THE DAY OF THE SCREENING.

2. A pass does not guarantee a seat at a screening. Seating is on a first-come, first served basis. The theater is overbooked to assure a full house. The theater is not responsible for overbooking.

3. No purchase necessary.

PG-13 for thematic elements, language and some sexuality.

lovethecoopers.com

LOVE THE COOPERS

TED 2 Coming To Blu-ray On December 15, 2015

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Just when you thought it couldn’t get any more outrageous, Ted and his BFF are back in the hilarious, boundary-busting buddy comedy, TED 2, coming to Digital HD on November 24, 2015, and Blu-ray™ Combo Pack, DVD and On Demand on December 15, 2015, from Universal Pictures Home Entertainment.

The follow up to TED, the highest-grossing original R-rated comedy of all time, TED 2 features more of the hysterically raunchy banter that has made writer-director-actor Seth MacFarlane an entertainment world powerhouse—as well as a touching story of brotherly love. Both the Blu-ray and DVD include an UNRATED extended edition that features never-before-seen footage that was too rude for the cinema, but makes this year’s most outrageous comedy the perfect gift for fans of this very adult spin on a childhood icon.

“Funnier, wilder and even more naughty than the first movie!” according to Bill Zwecker, WFLD-TV (Fox), Ted 2 finds John (Mark Wahlberg) dejected after a speedy marriage and divorce, but Ted’s romance with co-worker Tami-Lynn (Jessica Barth) is full-speed ahead after a dream wedding presided over by none other than Flash Gordon (Sam J. Jones) himself. But when the pair tries to adopt a child, they are stunned by the contention that Ted is not a person. With the help of John and newly minted lawyer and longtime weed aficionado Samantha L. Jackson (Amanda Seyfried), the couple takes on the intolerance of a system unable to understand their love.

Mark Wahlberg (The Fighter, Lone Survivor) and Seth MacFarlane (“Family Guy,” A Million Ways to Die in the West) reprise their star roles as John and his life-long best friend Ted, with an all-star cast that includes Amanda Seyfried (Les Miserables, Dear John) and Jessica Barth (Ted, “Family Guy”), as well as inspired cameos from NFL star Tom Brady, Liam Neeson, Jimmy Kimmel, Jay Leno, Morgan Freeman, Patrick Warburton, John Slattery and more in a “Lewd teddy bear comedy [that] has us in stitches, again” (Grand Rapids Press).

BONUS FEATURES EXCLUSIVE TO Blu-rayTM:

  • A Giant Opening Dance Number
  • Deleted Scenes
  • Gag Reel
  • Cameo Buddies

BLU-RAYTM and DVD BONUS FEATURES

  • Thunder Buddies 4 Lyfe
  • Roadtripping
  • Creating Comic-Con
  • Feature Commentary with Seth MacFarlane, Alec Sulkin & Wellesley Wild and Jessica Barth

The film will be available on Blu-ray with DIGITAL HD and UltraViolet and DVD

  • Blu-ray unleashes the power of your HDTV and is the best way to watch movies at home, featuring 6X the picture resolution of DVD, exclusive extras and theater-quality surround sound.
  • DVD offers the flexibility and convenience of playing movies in more places, both at home and away.
  • DIGITAL HD with UltraViolet lets fans watch movies anywhere on their favorite devices. Users can instantly stream or download.

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Facebook: http://facebook.com/tedisreal
Twitter: http://twitter.com/WhatTedSaid
Instagram: http://instagram.com/whattedsaw
Website: http://uni.pictures/Ted2
Snapchat: whattedsnaps
Hashtag: #Ted2

FILMMAKERS:
Cast: Mark Wahlberg, Seth MacFarlane, Amanda Seyfried, Morgan Freeman, Giovanni Ribisi, Jessica Barth, Patrick Warburton, John Slattery
Directed By: Seth McFarlane
Written By: Seth McFarlane, Alec Sulkin, Wellesley Wild
Produced By: Jason Clark, John Jacobs, Seth McFarlane, Scott Stuber
Executive Produced By: Alec Sulkin, Wellesley Wild
Director of Photography: Michael Barrett
Production Designer: Steven J. Lineweaver
Edited By: Jeff Freeman
Costume Design By: Cindy Evans
Music By: Walter Murphy

TECHNICAL INFORMATION BLU-RAY:
Street Date: December 15, 2015
Copyright: 2015 Universal Pictures Home Entertainment
Selection Number: 2035660
Layers: BD-50
Aspect Ratio: 2.40:1
Rating: R for crude and sexual content, pervasive language, and some drug use/NA
Languages/Subtitles: English SDH, Spanish and French Subtitles
Sound: English DTS-HD Master Audio 5.1/ DVS DD 2.0; Spanish and French DTS Digital Surround 5.1
Run Time: 1 hour 57 minutes/2 hours 6 minutes

TECHNICAL INFORMATION DVD
Street Date: December 15, 2015
Copyright: 2015 Universal Pictures Home Entertainment
Selection Number: 2035661
Layers: Dual
Aspect Ratio: 2.40:1
Rating: R for crude and sexual content, pervasive language, and some drug use/NA
Languages/Subtitles: English SDH, Spanish and French Subtitles
Sound: English, Spanish and French Dolby Digital 5.1; English DVS DD 2.0
Run Time: 1 hour 57 minute/2 hours 6 minutes

Get Into The Holiday Spirit With New LOVE THE COOPERS Trailer And Poster

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There’s nothing like a family comedy movie to get you into the holiday spirit!

CBS Films has released a new poster for director Jessie Nelson’s LOVE THE COOPERS.

Starring Alan Arkin, John Goodman, Ed Helms, Diane Keaton, Jake Lacy, Anthony Mackie, Amanda Seyfried, June Squibb, Marisa Tomei and Olivia Wilde, check out the latest trailer now.

The film follows the Cooper clan as four generations of extended family come together for their annual Christmas Eve celebration.

As the evening unfolds, a series of unexpected visitors and unlikely events turn the night upside down, leading them all toward a surprising rediscovery of family bonds and the spirit of the holiday.

LOVE THE COOPERS opens this holiday season on November 13.

Visit the film’s official site: lovethecoopers.com

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