WALLACE & GROMIT: VENGEANCE MOST FOWL – Review

Wallace & Gromit: Vengeance Most Fowl. Cr. Courtesy of Netflix © 2024

Happy New Year 2025 indeed, since it’s off to a “crackin’ good start’! And you’re no doubt wondering why? Well, premiering just 72 hours after the “ball drop” is the feature film return of one of the most beloved comedy teams on the planet. Now, it’s not another biopic set in Hollywood’s Golden Age ala STAN & OLLIE nor a Farrelly Brothers follow-up to THE THREE STOOGES. Mind you this duo has been entertaining audiences for over 35 years, starting with a couple of acclaimed shorts before making their first feature in 2017. Oh, did I not mention that they’re animated characters, rendered in clay? From “across the pond” it’s their full-length adventure from the artists of Aardman Animations Limited, WALLACE & GROMIT: VENGEANCE MOST FOWL. Put the kettle on and bring out the cheese…

This story begins with a flashback from over thirty years ago, near the end of the classic short subject, “Wallace & Gromit: The Wrong Trousers”. Gromit the dog watches silently as his best pal Wallace (voice of Ben Whitehead) phones the police after tying up the mastermind behind the Blue Diamond heist, the penguin known as Feathers McGraw. He’s swiftly brought to justice, locked up in a musty jail cell that opens into the Arctic animal habitat at the local zoo. But Feathers keeps in shape while waiting patiently for the perfect time to escape. Spring ahead to the present day as Gromit worries over the deluge of overdue bills in the “morning post”. Wallace doesn’t fret as he completes his newest creation that will rescue Gromit from toiling in the garden (which he actually enjoys). It’s a robotic groundskeeper resembling a garden gnome that he dubs “Norbot” (Reece Shearsmith). Several neighbors observe it making the backyard “neat and tidy” and inquire about renting its services. Aha! Financial problems are solved, though Gromit remains a bit leery of the grinning tech sprite. Soon the local media cover the story of Wallace’s gizmo, and Feathers catches a morning TV news crew segment. The “stars have aligned” as the local museum is about to bring out that Blue Diamond from the vault where it has been since the attempted theft, which is now the main interest of the soon-retiring original officer Chief Inspector Mackintosh (Peter Kay) and eager new PC Mukherjee (Lauren Patel). What happens when McGraw’s plan for revenge utilizes the Norbot and casts doubt on the honesty of its creator Wallace? Can even his dedicated and resourceful buddy Gromit hope to thwart this dastardly scheme?

Well. well, who should get the first bit of praise for this excellent entertainment? We may as well begin with the superb vocal ensemble led by an actor with a most daunting task. Namely, he had to take over the role of Wallace since his original much-beloved voice, Peter Sallis passed away in 2017. I’m happy to report that Mr. Whitehead is also quite charming as the eccentric inventor evoking just the right mix of childhood enthusiasm and endearing daffiness. He’s the ultimate “child-man” who delights in his toys but is often hurt when the world shuns him. Shearsmith is also gloriously goofy as Norbot with his awkward upbeat delivery even when he’s hiding a threat. As the defenders of the peace, Kay is a delightful fumbling “old school’ copper while Patel has a bubbly youthful zeal as she reminds her mentor of the “proper procedures” in a nice parody of the cop/buddy pairing of grizzled vets and “by the book” newbies’.

Now we need to laud the incredible team of craftspeople and artisans for creating the world of Yorkshire especially 62 West Wallaby Street (where Wallace works his wizardry). I was particularly “wowed” by the dazzling colors of the gardens and the intricate details of every dwelling, inside and out”. This touches on the props with everything from the furnishings to the transports (we get vans, motorcycles and racing boats). Happily, the characters move flawlessly with a touch of graceful physical movement much like classic clowns and gestures (of course Gromit’s deadpan evokes Buster Keaton, with a touch of Bob Newhart’s exasperated “takes”). Of course this would all be very impressive “eye candy” without the clever, witty script by Mark Burton and W&G’s creator Nick Park which deftly juggles vibrant visual gags, silly slapstick (love Wallace’s morning “bath flume”), smart satire (Feathers does a great “Max Cady” CAPE FEAR homage), tense action (a midnight hunt leads to an aquatic showdown), and a heart-tugging celebration of the unbreakable bond between the leads. It all works as an action comedy due to another team, the directing duo of Park and first-timer Merlin Crossingham (apropos moniker). They prove that an all-ages film can keep the whole family enthralled and engaged. These cartoon cutups have been around since 1989 and they still feel fresh, exciting, and hilarious. With this creative team in place, “firing on all cylinders”, let’s hope this will be the first of many new “inventor adventures”, though it’ll be tough to equal, let alone top, the wild, warm, and wacky WALLACE & GROMIT: VENGEANCE MOST FOWL.

4 Out of 4 stars

WALLACE & GROMIT: VENGEANCE MOST FOWL streams exclusively on Netflix beginning on Friday, January 3, 2025

ARTHUR CHRISTMAS – The Review

Well, Harold and Kumar have already taken their 3D shot at Christmas, so it’s time for another 3D flick that hopes to become a holiday viewing tradition. Unlike those two ‘buds’, this one is made for all ages. And it’s animated, but ARTHUR CHRISTMAS is a co-production between Sony Animation and those fine folks from across the pond, Aardman Studios ( the Wallace and Grommit folks ), so it’s got some of that dry British humor which will appeal to the grown-ups . This film follows in the tradition of many holiday flick in that it wants to give you the real low-down on how Saint Nick makes his rounds ( this what THE SANTA CLAUSE , SANTA CLAUS THE MOVIE, and FRED CLAUS all purported to reveal ).

The film opens up on the Claus family’s busiest night of the year. We get to see an entire village serviced by Santa and countless elves. They zip in on a spaceship ( the massive S-1 ) and, like a cross between super-secret agents and wily ninjas they enter homes, disable alarms, and distribute the presents, all without getting detected ( they collect the snacks left for Santa and his reindeer and turn them into bio-fuel for the S-1 ). The slighty befuddled Santa ( Jim Broadbent ) wouldn’t get the job done without the high-tech mission control back at the North Pole  run with precision by the next in line to be Santa, oldest son Steve ( Hugh Laurie ). Oh, and in his own tiny office ( decorated with all manner of Santa stuff ) is his younger brother Arthur ( James McAvoy ), who’s in charge of answering all the letters to Santa. The big man in the big spaceship finally returns ro home base : mission accomplished. Everyone is pleased except Arthur! It turns out that a present didn’t make it on to the ship. Santa and Steve shrug it off-they’ll just ship the gift to the little girl and she’ll get it in a few days. Arthur will not stand for this. There’s a few hours before dawn breaks on the girl’s Cornwall village, so Arthur, with the aid of the retired Grandsanta ( Bill Nighy ) and his old sled Evie ( and reindeer ) embarks on a race against the clock to insure that every child has a very merry Christmas.

The film begins with a bang with the history of the Santa line ( the current one is seventeen ) , then quickly cuts to the elves leaving the S-1 I ( in invisible stealth mode ) and zipping down ropes onto the homes. This sequence is like Bond or Mission: Impossible times a hundred! McAvoy is wonderfully innocent and ernest as the son that just wants to make sure that all the kids are happy. In this film Laurie sounds closer to one of his upper-class twits in ” Black Adder” than Dr. Gregory House. Steve is quite full of himself and has his own Santa suit already whipped up ( a great gag ). Broadbent is terrific as the slightly out of it Santa. It’s a good thing Mrs. Claus ( Imelda Staunton ) is there to keep him focused. The best present here is Nighy as the crotchety, surly Grandsanta he really dislikes all these new fangled gizmos.  Some of his lines are true politically incorrect gems. The character designs are very pleasant and creative ( all those elves! ) and the 3D works well with the bright designs and backgrounds. The film tends to sag a bit when Arhtur’s on his journey, but everything leads up to a rousing and sentimental finale.  A warning : the film is preceeded by a music video of Justin Biebers version of a classic holiday tune. Talk about your lump of coal! Ah, back to the main event-ARTHUR CHRISTMAS  is a tasty holiday treat that has a smart funny script that will keep parents amused while the tykes are enthralled.

Overall Rating : Three and a Half Out of Five Stars

ARTHUR CHRISTMAS (IN 3D) New Photos


PHOTO BY: Aardman Animations for Sony Pictures Animation. Arthur (voiced by James McAvoy) in ARTHUR CHRISTMAS, an animated film produced by Aardman Animations for Sony Pictures Animation.

Check out these new photos from Sony Pictures Animations’ ARTHUR CHRISTMAS. The animated family comedy will be in theaters November 23, 2011. Totally adorable!

Arthur (voiced by James McAvoy ) and Grandsanta (voiced by Bill Nighy) in ARTHUR CHRISTMAS, an animated film produced by Aardman Animations for Sony Pictures Animation. PHOTO BY: Aardman Animations for Sony Pictures Animation

Arthur (voiced by James McAvoy) in ARTHUR CHRISTMAS, an animated film produced by Aardman Animations for Sony Pictures Animation. PHOTO BY: Aardman Animations for Sony Pictures Animation

Grandsanta (voiced by Bill Nighy) and Arthur (voiced by James McAvoy ) in ARTHUR CHRISTMAS, an animated film produced by Aardman Animations for Sony Pictures Animation. PHOTO BY: Aardman Animations for Sony Pictures Animation

Arthur (voiced by James McAvoy ) in ARTHUR CHRISTMAS, an animated film produced by Aardman Animations for Sony Pictures Animation. PHOTO BY: Aardman Animations for Sony Pictures

SYNOPSIS:

The 3D, CG-animated family comedy Arthur Christmas, an Aardman production for Sony Pictures Animation, at last reveals the incredible, never-before seen answer to every child’s question: ‘So how does Santa deliver all those presents in one night?’ The answer: Santa’s exhilarating, ultra-high-tech operation hidden beneath the North Pole. But at the heart of the film is a story with the ingredients of a Christmas classic – a family in a state of comic dysfunction and an unlikely hero, Arthur, with an urgent mission that must be completed before Christmas morning dawns.

Directed by Sarah Smith and exec-produced by Peter Lord (FLUSHED AWAY, WALLACE AND GROMIT), ARTHUR CHRISTMAS features the voice of cast of James McAvoy, Hugh Laurie, Jim Broadbent, Bill Nighy, Imelda Staunton and Ashley Jensen.

This film has been rated PG by the MPAA for SOME MILD RUDE HUMOR.

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