89th Academy Awards Governors Ball Preview

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On Thursday, The Academy opened the doors to the Ray Dolby Ballroom for a preview of the Governors Ball that will follow the 89th Oscars. This year’s theme is “transformation” which guests will see as they pass through a sea of red in the patio entrance into a huge white space full of gold and red decoration. Above, they’ll see lighted, gold clouds and across from the entrance, an elaborate, floating stage where singer-songwriter Cynthia Erivo will perform.

Academy governor Jeffrey Kurland, event producer Cheryl Cecchetto and master chef Wolfgang Puck will return to create this year’s Governors Ball, the Academy of Motion Picture Arts and Sciences’ official post-Oscar celebration, which will immediately follow the 89th Oscars ceremony on Sunday, February 26. The Ball’s 1,500 invited guests include Oscar winners and nominees, show presenters and other telecast participants.

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patio entrance (1)

Piper-Heidsieck Champagne will be served from limited-edition magnums with an exclusive red carpet-inspired design made specially for the ball. Benoit Collard, Piper’s global executive director revealed they have signed on for another 3 years and when asked about what happens to any leftover bottles, he said that last year, Eva Longoria obtained one for a charity auction.

Wine drinkers will be treated to 2 limited edition wines from the Francis Ford Coppola Winery featuring commemorative labels. Cocktails will be provided by The Hillhaven Lodge.

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coppola wine

Wolfgang Puck Catering continues to be a fixture at the ball and he was there to promote the extensive menu he created with his team. He even brought a machine that extracts and distills carrot juice for the pasta sauce!

For the 23rd consecutive year, legendary chef Wolfgang Puck will set the stage with a Governors Ball menu pairing Hollywood glamour with culinary whimsy. Eric Klein, the new Wolfgang Puck Catering executive chef, worked alongside Puck to create more than 50 imaginative dishes, from one-bite hors d’oeuvres to small-plate entrees that will be passed throughout the evening. New menu items will include Moroccan spiced Wagyu short rib topped with a parmesan funnel cake; taro root tacos with shrimp, mango, avocado and chipotle aioli; gnocchetti with braised mushrooms and cashew cream; lobster corn dogs; made-to-order sushi, custom poke bowls and an array of shellfish; plus a selection of Puck’s signature dishes such as smoked salmon Oscars, chicken pot pie with shaved black truffles, and baked macaroni and cheese. The pastry team of Kamel Guechida, Monica Ng and Jason Lemmonier will offer a dessert menu brimming with innovative and playful desserts served at multiple dessert stations, plus the ultimate dessert buffet featuring Puck’s sought-after 24-karat-gold chocolate Oscars. Wolfgang Puck Catering CEO Carl Schuster will direct more than 900 event staff through the evening’s intricately detailed logistics to deliver guests a true restaurant-style hospitality experience.

89th Oscars, Governors Ball Press preview

desserts

89th Oscars, Governors Ball Press preview

One interesting change this year will involve the envelopes opened during the awards. The publicity department gave We Are Movie Geeks a scoop: there will be new envelopes this year designed by their in-house marketing department. Be sure to look for them on Oscar Sunday!

Celebrate the Oscars at home with the same party treats served at the Governors Ball with the recipes here.

In the week leading up to the 89th Oscars, beginning on Tuesday February 21st, the Academy of Motion Picture Arts and Sciences will present a series of public programs celebrating this year’s nominees in the Animated Feature Film, Documentary Feature, Documentary Short Subject, Foreign Language Film, Makeup and Hairstyling, and Animated and Live Action Short Film categories.  All events will be held at the Academy’s Samuel Goldwyn Theater in Beverly Hills.

Check out the Oscar Week schedule here.

The 89th Oscars will be held on Sunday, February 26, at the Dolby Theatre at Hollywood & Highland Center in Hollywood, and will be televised live by the ABC Television Network at 7 p.m. ET/4 p.m. PT.

Contributed by Gary Salem and Michelle McCue

The Academy's Governors Ball will be held in the Ray Dolby Ballroom on the top level of the Hollywood & Highland Center®. The 89th Oscars® will be presented on Sunday, February 26, 2017 at the Dolby Theatre, and televised live by the ABC Television Network.

LA LA LAND Leads Oscar Nominations With 14; 89th Academy Awards Nominations Announced

88th Oscars®, Academy Awards, Wednesday Rehearsals

Academy President Cheryl Boone Isaacs, joined by Oscar-winning and nominated Academy members Demian Bichir, Dustin Lance Black, Glenn Close, Guillermo del Toro, Marcia Gay Harden, Terrence Howard, Jennifer Hudson, Brie Larson, Jason Reitman, Gabourey Sidibe and Ken Watanabe, announced the 89th Academy Awards nominations today (January 24).

This year’s nominations were announced in a pre-taped video package at 5:18 a.m. PT via a global live stream on Oscar.com, Oscars.org and the Academy’s digital platforms; a satellite feed and broadcast media. In keeping with tradition, PwC delivered the Oscars nominations list to the Academy on the evening of January 23.

Academy members from each of the 17 branches vote to determine the nominees in their respective categories – actors nominate actors, film editors nominate film editors, etc. In the Animated Feature Film and Foreign Language Film categories, nominees are selected by a vote of multi-branch screening committees. All voting members are eligible to select the Best Picture nominees.

Active members of the Academy are eligible to vote for the winners in all 24 categories beginning Monday, February 13 through Tuesday, February 21.

Nominations for the 89th Academy Awards –

Performance by an actor in a leading role

  • Casey Affleck in “Manchester by the Sea”
  • Andrew Garfield in “Hacksaw Ridge”
  • Ryan Gosling in “La La Land”
  • Viggo Mortensen in “Captain Fantastic”
  • Denzel Washington in “Fences”

Performance by an actor in a supporting role

  • Mahershala Ali in “Moonlight”
  • Jeff Bridges in “Hell or High Water”
  • Lucas Hedges in “Manchester by the Sea”
  • Dev Patel in “Lion”
  • Michael Shannon in “Nocturnal Animals”

“I am thrilled! Loved making this film. I would work with Tom Ford anytime, anywhere. Jake Gyllenhaal and Aaron Taylor-Johnson and Karl Glusman made it easy for me. Nice to get some good news in the midst of all the carnage, so to speak.” – Michael Shannon, Academy Award nominee for Performance by an Actor in a Supporting Role (NOCTURNAL ANIMALS)

Performance by an actress in a leading role

  • Isabelle Huppert in “Elle”
  • Ruth Negga in “Loving”
  • Natalie Portman in “Jackie”
  • Emma Stone in “La La Land”
  • Meryl Streep in “Florence Foster Jenkins”

Performance by an actress in a supporting role

  • Viola Davis in “Fences”
  • Naomie Harris in “Moonlight”
  • Nicole Kidman in “Lion”
  • Octavia Spencer in “Hidden Figures”
  • Michelle Williams in “Manchester by the Sea”

Best animated feature film of the year

  • “Kubo and the Two Strings” Travis Knight and Arianne Sutner
  • “Moana” John Musker, Ron Clements and Osnat Shurer
  • “My Life as a Zucchini” Claude Barras and Max Karli
  • “The Red Turtle” Michael Dudok de Wit and Toshio Suzuki
  • “Zootopia” Byron Howard, Rich Moore and Clark Spencer

Achievement in cinematography

  • “Arrival” Bradford Young
  • “La La Land” Linus Sandgren
  • “Lion” Greig Fraser
  • “Moonlight” James Laxton
  • “Silence” Rodrigo Prieto

“I’m extremely proud to be part of the team who made LION and I’m humbled the Academy has nominated me. My crew, both Indian, and Australian, deserve a massive shout out. Their skill and support meant everything to this film.

“It’s an incredible privilege to be acknowledged among the diverse and talented DPs of the cinematography world, so many of whom are doing amazing work. And so many whom I count as close, personal friends.”

“I’d like to say thank you to our extremely talented director Garth Davis for allowing me to help make his wonderful vision a reality – as well as the people of India and Australia, who were so accommodating during our shoot.” – LION Cinematographer Greig Fraser, ASC ACS

Achievement in costume design

  • “Allied” Joanna Johnston
  • “Fantastic Beasts and Where to Find Them” Colleen Atwood
  • “Florence Foster Jenkins” Consolata Boyle
  • “Jackie” Madeline Fontaine
  • “La La Land” Mary Zophres

Achievement in directing

  • “Arrival” Denis Villeneuve
  • “Hacksaw Ridge” Mel Gibson
  • “La La Land” Damien Chazelle
  • “Manchester by the Sea” Kenneth Lonergan
  • “Moonlight” Barry Jenkins

Best documentary feature

  • “Fire at Sea” Gianfranco Rosi and Donatella Palermo
  • “I Am Not Your Negro” Raoul Peck, Rémi Grellety and Hébert Peck
  • “Life, Animated” Roger Ross Williams and Julie Goldman
  • “O.J.: Made in America” Ezra Edelman and Caroline Waterlow
  • “13th” Ava DuVernay, Spencer Averick and Howard Barish

Best documentary short subject

  • “Extremis” Dan Krauss
  • “4.1 Miles” Daphne Matziaraki
  • “Joe’s Violin” Kahane Cooperman and Raphaela Neihausen
  • “Watani: My Homeland” Marcel Mettelsiefen and Stephen Ellis
  • “The White Helmets” Orlando von Einsiedel and Joanna Natasegara

Achievement in film editing

  • “Arrival”Joe Walker
  • “Hacksaw Ridge” John Gilbert
  • “Hell or High Water” Jake Roberts
  • “La La Land” Tom Cross
  • “Moonlight” Nat Sanders and Joi McMillon

Best foreign language film of the year

  • “Land of Mine” Denmark
  • “A Man Called Ove” Sweden
  • “The Salesman” Iran
  • “Tanna” Australia
  • “Toni Erdmann” Germany

Achievement in makeup and hairstyling

  • “A Man Called Ove” Eva von Bahr and Love Larson
  • “Star Trek Beyond” Joel Harlow and Richard Alonzo
  • “Suicide Squad” Alessandro Bertolazzi, Giorgio Gregorini and Christopher Nelson

Achievement in music written for motion pictures (Original score)

  • “Jackie” Mica Levi
  • “La La Land” Justin Hurwitz
  • “Lion” Dustin O’Halloran and Hauschka
  • “Moonlight” Nicholas Britell
  • “Passengers” Thomas Newman

Achievement in music written for motion pictures (Original song)

  • “Audition (The Fools Who Dream)” from “La La Land”
    Music by Justin Hurwitz; Lyric by Benj Pasek and Justin Paul
  • “Can’t Stop The Feeling” from “Trolls”
    Music and Lyric by Justin Timberlake, Max Martin and Karl Johan Schuster
  • “City Of Stars” from “La La Land”
    Music by Justin Hurwitz; Lyric by Benj Pasek and Justin Paul
  • “The Empty Chair” from “Jim: The James Foley Story”
    Music and Lyric by J. Ralph and Sting
  • “How Far I’ll Go” from “Moana”
    Music and Lyric by Lin-Manuel Miranda

Best motion picture of the year

  • “Arrival” Shawn Levy, Dan Levine, Aaron Ryder and David Linde, Producers
  • “Fences” Scott Rudin, Denzel Washington and Todd Black, Producers
  • “Hacksaw Ridge” Bill Mechanic and David Permut, Producers
  • “Hell or High Water” Carla Hacken and Julie Yorn, Producers
  • “Hidden Figures” Donna Gigliotti, Peter Chernin, Jenno Topping, Pharrell Williams and Theodore Melfi, Producers
  • “La La Land” Fred Berger, Jordan Horowitz and Marc Platt, Producers
  • “Lion” Emile Sherman, Iain Canning and Angie Fielder, Producers
  • “Manchester by the Sea” Matt Damon, Kimberly Steward, Chris Moore, Lauren Beck and Kevin J. Walsh, Producers
  • “Moonlight” Adele Romanski, Dede Gardner and Jeremy Kleiner, Producers

Achievement in production design

  • “Arrival” Production Design: Patrice Vermette; Set Decoration: Paul Hotte
  • “Fantastic Beasts and Where to Find Them” Production Design: Stuart Craig; Set Decoration: Anna Pinnock
  • “Hail, Caesar!” Production Design: Jess Gonchor; Set Decoration: Nancy Haigh
  • “La La Land” Production Design: David Wasco; Set Decoration: Sandy Reynolds-Wasco
  • “Passengers” Production Design: Guy Hendrix Dyas; Set Decoration: Gene Serdena

Best animated short film

  • “Blind Vaysha” Theodore Ushev
  • “Borrowed Time” Andrew Coats and Lou Hamou-Lhadj
  • “Pear Cider and Cigarettes” Robert Valley and Cara Speller
  • “Pearl” Patrick Osborne
  • “Piper” Alan Barillaro and Marc Sondheimer

Best live action short film

  • “Ennemis Intérieurs” Sélim Azzazi
  • “La Femme et le TGV” Timo von Gunten and Giacun Caduff
  • “Silent Nights” Aske Bang and Kim Magnusson
  • “Sing” Kristof Deák and Anna Udvardy
  • “Timecode” Juanjo Giménez

Achievement in sound editing

  • “Arrival” Sylvain Bellemare
  • “Deepwater Horizon” Wylie Stateman and Renée Tondelli
  • “Hacksaw Ridge” Robert Mackenzie and Andy Wright
  • “La La Land” Ai-Ling Lee and Mildred Iatrou Morgan
  • “Sully” Alan Robert Murray and Bub Asman

Achievement in sound mixing

  • “Arrival” Bernard Gariépy Strobl and Claude La Haye
  • “Hacksaw Ridge” Kevin O’Connell, Andy Wright, Robert Mackenzie and Peter Grace
  • “La La Land” Andy Nelson, Ai-Ling Lee and Steve A. Morrow
  • “Rogue One: A Star Wars Story” David Parker, Christopher Scarabosio and Stuart Wilson
  • “13 Hours: The Secret Soldiers of Benghazi” Greg P. Russell, Gary Summers, Jeffrey J. Haboush and Mac Ruth

Achievement in visual effects

  • “Deepwater Horizon” Craig Hammack, Jason Snell, Jason Billington and Burt Dalton
  • “Doctor Strange” Stephane Ceretti, Richard Bluff, Vincent Cirelli and Paul Corbould
  • “The Jungle Book” Robert Legato, Adam Valdez, Andrew R. Jones and Dan Lemmon
  • “Kubo and the Two Strings” Steve Emerson, Oliver Jones, Brian McLean and Brad Schiff
  • “Rogue One: A Star Wars Story” John Knoll, Mohen Leo, Hal Hickel and Neil Corbould

“As much as Kubo and the Two Strings is an homage to Japanese culture and to woodblock artists including Kiyoshi Saito, it is also a tribute to special effects pioneers Ray Harryhausen, Willis O’Brien, Jim Danforth, and the many innovative FX artists who tell stories using in-camera effects, puppets, and human hands. We’re thrilled for the artists at LAIKA who put years into realizing Kubo. For all of us at the studio, being recognized alongside such distinguished and talented members of the VFX community is truly an honor.” – Steve Emerson, Oliver Jones, Brian McLean & Brad Schiff, Academy Award nominees for Achievement in Visual Effects (KUBO AND THE TWO STRINGS)

Adapted screenplay

  • “Arrival” Screenplay by Eric Heisserer
  • “Fences” Screenplay by August Wilson
  • “Hidden Figures” Screenplay by Allison Schroeder and Theodore Melfi
  • “Lion” Screenplay by Luke Davies
  • “Moonlight” Screenplay by Barry Jenkins; Story by Tarell Alvin McCraney

Original screenplay

  • “Hell or High Water” Written by Taylor Sheridan
  • “La La Land” Written by Damien Chazelle
  • “The Lobster” Written by Yorgos Lanthimos, Efthimis Filippou
  • “Manchester by the Sea” Written by Kenneth Lonergan
  • “20th Century Women” Written by Mike Mills

With 14 nominations, La La Land ties the record held by All about Eve (1950) and Titanic (1997). Arrival and Moonlight received 8 nominations, Hacksaw Ridge, Manchester By The Sea and Lion saw 6 nods each, followed by Fences and Hell Or High Water with 4.

With their Best Picture nominations for Moonlight, Dede Gardner and Jeremy Kleiner become the first individual producers to have nominations in the Best Picture category in four consecutive years.

La La Land is the first musical with original music and story to receive a Best Picture nomination since All That Jazz (1979) and the second since Anchors Aweigh (1945).

With his Best Picture nomination for Manchester by the Sea, Matt Damon becomes only the third individual to be nominated in the Acting, Writing and Best Picture categories. The others are Warren Beatty and George Clooney.

Denzel Washington is the seventh individual to receive Acting and Best Picture nominations for the same film, joining Warren Beatty, Kevin Costner, Clint Eastwood, Brad Pitt, Leonardo DiCaprio and Bradley Cooper.

In the acting categories, seven individuals are first-time nominees (Andrew Garfield, Mahershala Ali, Lucas Hedges, Dev Patel, Isabelle Huppert, Ruth Negga and Naomie Harris). Six of the nominees are previous acting winners (Denzel Washington, Jeff Bridges, Natalie Portman, Meryl Streep, Nicole Kidman and Octavia Spencer). Meryl Streep extends her lead as the most nominated performer with her 20th nomination.

Kubo and the Two Strings is the second fully animated film to be nominated in the Visual Effects category. The first was The Nightmare before Christmas (1993).

“I’m over the moon! An Academy Award nomination is an extraordinary and cherished gift. Two nominations is more than anyone could hope for. Every filmmaker dreams of a moment like this. But the truth is, I already lived my dream by making this film. Movies have always given me great joy. They enriched my life. They inspired me to dream. That’s the kind of film our team at LAIKA sought to make with KUBO AND THE TWO STRINGS. A film is a slice of a hundred souls. In this case many more. An incredible, immense community of artists gave ceaselessly and selflessly to breathe life into this story. I’m so thankful for their talents and efforts and so proud of what we’ve done together. I’m profoundly grateful to the Academy of Motion Picture Arts and Sciences, who somehow saw fit to include us among the finest storytellers in film. It is a tremendous honor to stand alongside them.” – Travis Knight, Academy Award nominee as director and producer of KUBO AND THE TWO STRINGS, Best Animated Feature Film

With a running time of 7 hours 47 minutes, Documentary Feature nominee O.J.: Made in America is the longest film ever nominated for an Academy Award.

Mica Levi, nominated for Original Score for Jackie, is the eighth woman to be nominated in the music scoring categories.

Thomas Newman’s nomination for Original Score for Passengers is his 14th and brings the total for members of the Newman family (Alfred, Lionel, Emil, Thomas, David and Randy) to 90, more than any other family. Stuart Craig has the most nominations for Production Design of any living person with 11. The all-time record in the category belongs to Cedric Gibbons with 38 nominations.

Kevin O’Connell and Andy Nelson, each with 21 nominations for Sound Mixing, are tied for the most nominations in the category since nominations began going to individuals in 1961.

With their nomination for Sound Editing for La La Land, Ai-Ling Lee and Mildred Iatrou Morgan become the first female team to be nominated in the category. Six other women have a combined total of 10 nominations and five wins for Sound Editing. Kim Magnusson, with his sixth nomination for Live Action Short Film, has produced the most films nominated in the short film categories of any living person. “The Empty Chair” from Jim: The James Foley Story is the seventh song from a documentary feature to be nominated and the fifth in the past five years.

86th Academy Awards, Arrivals

Best Picture Release Dates:

  • Hell or High Water – August 11, 2016
  • Moonlight – October 10, 2016
  • Hacksaw Ridge – November 2, 2016
  • Arrival – November 10, 2016
  • Manchester by the Sea – November 17, 2016
  • Lion – November 24, 2016
  • La La Land – December 8, 2016
  • Fences – December 15, 2016
  • Hidden Figures – December 24, 2016

The 89th Oscars will be held on Sunday, February 26, 2017, at the Dolby Theatre at Hollywood & Highland Center in Hollywood, and will be televised live on the ABC Television Network at 7 p.m. ET/4 p.m. PT. Hosted by Jimmy Kimmel, the Oscars also will be televised live in more than 225 countries and territories worldwide.

Contributed by Michelle McCue and Melissa Thompson

89thjimmy-kimmel

Desierto, The Salesman, Under the Shadow Among The 85 Films Vying For The Foreign Language Oscar

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Eighty-five countries have submitted films for consideration in the Foreign Language Film category for the 89th Academy Awards.  Yemen is a first-time entrant.

The 2016 submissions are:

Albania, “Chromium,” Bujar Alimani, director;

Algeria, “The Well,” Lotfi Bouchouchi, director;

Argentina, “The Distinguished Citizen,” Mariano Cohn, Gastón Duprat, directors;

Australia, “Tanna,” Bentley Dean, Martin Butler, directors;

Austria, “Stefan Zweig: Farewell to Europe,” Maria Schrader, director;

Bangladesh, “The Unnamed,” Tauquir Ahmed, director;

Belgium, “The Ardennes,” Robin Pront, director;

Bolivia, “Sealed Cargo,” Julia Vargas Weise, director;

Bosnia and Herzegovina, “Death in Sarajevo,” Danis Tanovic, director;

Brazil, “Little Secret,” David Schurmann, director;

Bulgaria, “Losers,” Ivaylo Hristov, director;

Cambodia, “Before the Fall,” Ian White, director;

Canada, “It’s Only the End of the World,” Xavier Dolan, director;

Chile, “Neruda,” Pablo Larraín, director;

China, “Xuan Zang,” Huo Jianqi, director;

Colombia, “Alias Maria,” José Luis Rugeles, director;

Costa Rica, “About Us,” Hernán Jiménez, director;

Croatia, “On the Other Side,” Zrinko Ogresta, director;

Cuba, “The Companion,” Pavel Giroud, director;

Czech Republic, “Lost in Munich,” Petr Zelenka, director;

Denmark, “Land of Mine,” Martin Zandvliet, director;

Dominican Republic, “Sugar Fields,” Fernando Báez, director;

Ecuador, “Such Is Life in the Tropics,” Sebastián Cordero, director;

Egypt, “Clash,” Mohamed Diab, director;

Estonia, “Mother,” Kadri Kõusaar, director;

Finland, “The Happiest Day in the Life of Olli Mäki,” Juho Kuosmanen, director;

France, “Elle,” Paul Verhoeven, director;

Georgia, “House of Others,” Rusudan Glurjidze, director;

Germany, “Toni Erdmann,” Maren Ade, director;

Greece, “Chevalier,” Athina Rachel Tsangari, director;

Hong Kong, “Port of Call,” Philip Yung, director;

Hungary, “Kills on Wheels,” Attila Till, director;

Iceland, “Sparrows,” Rúnar Rúnarsson, director;

India, “Interrogation,” Vetri Maaran, director;

Indonesia, “Letters from Prague,” Angga Dwimas Sasongko, director;

Iran, “The Salesman,” Asghar Farhadi, director;

Iraq, “El Clásico,” Halkawt Mustafa, director;

Israel, “Sand Storm,” Elite Zexer, director;

Italy, “Fire at Sea,” Gianfranco Rosi, director;

Japan, “Nagasaki: Memories of My Son,” Yoji Yamada, director;

Jordan, “3000 Nights,” Mai Masri, director;

Kazakhstan, “Amanat,” Satybaldy Narymbetov, director;

Kosovo, “Home Sweet Home,” Faton Bajraktari, director;

Kyrgyzstan, “A Father’s Will,” Bakyt Mukul, Dastan Zhapar Uulu, directors;

Latvia, “Dawn,” Laila Pakalnina, director;

Lebanon, “Very Big Shot,” Mir-Jean Bou Chaaya, director;

Lithuania, “Seneca’s Day,” Kristijonas Vildziunas, director;

Luxembourg, “Voices from Chernobyl,” Pol Cruchten, director;

Macedonia, “The Liberation of Skopje,” Rade Šerbedžija, Danilo Šerbedžija, directors;

Malaysia, “Beautiful Pain,” Tunku Mona Riza, director;

Mexico, “Desierto,” Jonás Cuarón, director;

Montenegro, “The Black Pin,” Ivan Marinović, director;

Morocco, “A Mile in My Shoes,” Said Khallaf, director;

Nepal, “The Black Hen,” Min Bahadur Bham, director;

Netherlands, “Tonio,” Paula van der Oest, director;

New Zealand, “A Flickering Truth,” Pietra Brettkelly, director;

Norway, “The King’s Choice,” Erik Poppe, director;

Pakistan, “Mah-e-Mir,” Anjum Shahzad, director;

Palestine, “The Idol,” Hany Abu-Assad, director;

Panama, “Salsipuedes,” Ricardo Aguilar Navarro, Manolito Rodríguez, directors;

Peru, “Videophilia (and Other Viral Syndromes),” Juan Daniel F. Molero, director;

Philippines, “Ma’ Rosa,” Brillante Ma Mendoza, director;

Poland, “Afterimage,” Andrzej Wajda, director;

Portugal, “Letters from War,” Ivo M. Ferreira, director;

Romania, “Sieranevada,” Cristi Puiu, director;

Russia, “Paradise,” Andrei Konchalovsky, director;

Saudi Arabia, “Barakah Meets Barakah,” Mahmoud Sabbagh, director;

Serbia, “Train Driver’s Diary,” Milos Radovic, director;

Singapore, “Apprentice,” Boo Junfeng, director;

Slovakia, “Eva Nová,” Marko Skop, director;

Slovenia, “Houston, We Have a Problem!” Žiga Virc, director;

South Africa, “Call Me Thief,” Daryne Joshua, director;

South Korea, “The Age of Shadows,” Kim Jee-woon, director;

Spain, “Julieta,” Pedro Almodóvar, director;

Sweden, “A Man Called Ove,” Hannes Holm, director;

Switzerland, “My Life as a Zucchini,” Claude Barras, director;

Taiwan, “Hang in There, Kids!” Laha Mebow, director;

Thailand, “Karma,” Kanittha Kwunyoo, director;

Turkey, “Cold of Kalandar,” Mustafa Kara, director;

Ukraine, “Ukrainian Sheriffs,” Roman Bondarchuk, director;

United Kingdom, “Under the Shadow,” Babak Anvari, director;

Uruguay, “Breadcrumbs,” Manane Rodríguez, director;

Venezuela, “From Afar,” Lorenzo Vigas, director;

Vietnam, “Yellow Flowers on the Green Grass,” Victor Vu, director;

Yemen, “I Am Nojoom, Age 10 and Divorced,” Khadija Al-Salami, director.

The competitive Foreign Language Film category was introduced in 1956 for the 29th Academy Awards.  In celebration of its 60th anniversary, the Academy has created a complete playlist of acceptance speeches and a poster gallery of all the Foreign Language Film Oscar® winners.

The 89th Oscars® will be held on Sunday, February 26, 2017, at the Dolby Theatre® at Hollywood & Highland Center®in Hollywood, and will be televised live on the ABC Television Network at 7 p.m. ET/4 p.m. PT.  The Oscars also will be televised live in more than 225 countries and territories worldwide.

The Academy Awards To Air On ABC Network Through 2028

80th Academy Awards NYC Meet the Oscars Opening

ABC and the Academy of Motion Picture Arts and Sciences announced today that they have expanded their agreement for eight more years, in which the Network will remain home to the Oscars, Hollywood’s biggest entertainment ceremony of the year, through 2028. The new agreement for the domestic network of the Academy Awards® adds eight years to the existing contract, which was scheduled to expire in 2020.

“We’re honored to continue our storied and successful partnership with ABC in broadcasting the most watched live entertainment event of the year,” said Academy President Cheryl Boone Isaacs. “In 2028, we’ll mark the Oscars 100th anniversary, and ABC is the perfect partner to help us celebrate the magic of movies with our fans. On behalf of the Academy, I thank Jim Gianopulos, our Academy Treasurer and chair of the Board’s Finance Committee, and Disney/ABC’s Ben Sherwood, for leading these efforts.”

“After hosting the Academy Awards more than 50 times, ABC has become the home for Hollywood’s most prestigious and glamorous night of television.  With this new landmark agreement, ABC is proud to showcase the Oscars all the way to their Centennial celebration in 2028,” said Ben Sherwood, co-chairman, Disney Media Networks and president, Disney/ABC Television Group. “Broadcast television brings together the biggest audiences with high-quality live events, and ABC has the brightest, boldest lineup in the business,” Sherwood said.  “We look forward to teaming with the Academy to bring Oscar Sunday to even greater creative heights as we spotlight motion picture magic and honor the achievements of the most talented members of the film industry.”

“The Academy’s partnership with ABC has been one of the most enduring in Hollywood,” said Academy CEO Dawn Hudson. “Both the Academy and ABC set high bars for excellence, and ABC has a proven passion to help us deliver a great show to our global audience.  We couldn’t think of a more trusted collaborator to further our mission of inspiring and connecting the world through film.”

“We are elated the Oscars will continue to call ABC home,” said Channing Dungey, president, ABC Entertainment. “The ceremony is an important part of network programming, and we’re looking forward to continuing our partnership with the Academy and delivering a multi-faceted, and multi-platform, ceremony celebrating the world’s biggest stars and honoring excellence in filmmaking.”

The Academy’s negotiating team was led by Boone Isaacs, Hudson, Gianopulos, attorneys Chris Tayback and Ken Ziffren, economic advisor John Sandbrook and Academy in-house counsel Scott Miller.

The Disney/ABC Television Group’s negotiating team consisted of Sherwood; Dungey; Jana Wingrade, head of Business Operations; Jennifer Mayo, senior vice president, Business Affairs; Grant Michaelson, vice president, Business Affairs; Mark Mazie, chief counsel, Media Networks; and Stewart Harrison, deputy chief counsel.

The 89th Academy Awards will be held Oscar Sunday, February 26, 2017, at the Dolby Theatre at Hollywood & Highland Center in Hollywood, and will be televised live by the ABC Television Network. The Oscar presentation also will be televised live in more than 225 countries and territories worldwide.

88th Oscars®, Tuesday Set Ups