SLIFF 2015 Review : FOUR WAY STOP

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Nationwide news media seems to be filled with tales of urban violence (for those living in the larger cities, these stories can fill the first third of local newscast). How do these neighborhoods become powderkegs waiting to ignite and explode? Is it from tensions and frustrations simmering to a boil just under the surface of society? That’s the question posed by the new drama FOUR WAY STOP. The film’s focus is 17 year-old Allen (Paul Craig), who is going through the interview section of another fruitless job search. He’s got a part job at a corner snack shack, but his tardiness and absences (looking for a better gig) has raised the ire of his unsympathetic boss. Things aren’t that great at home since his folks split quite a while ago. His sickly mother (Mary K Casey) needs his wages to support them and her new live-in beau (of course this bully constantly clashes with him). Several blocks away is Allen’s drug-addled dad (Jaan Marion) who repeats tales of his former glory days while also hitting up his boy for cash. Well, Allen’s old childhood pal Tay (Jason J Little) can offer him some work, but it’s not really, you know, legal. But Allen’s determined to resist that route even as every door slams in his face while his anger builds until…

Director Efi Da Silva inspires terrific performances from this energetic cast. Particularly memorable is Marion as he rambles and rants about the better times while resisting the urge to collapse after his latest bender. There’s also very effective use of St. Louis locations, best showcased in an early sequence of Allen and Tay racing down the gritty blocks, lit by rows of street lamps under twilight and darkness. There are scenes that crackle with tension as Allen keeps butting heads with uncaring employers and their staff. FOUR WAY STOP is an unflinching, raw tale of tough times on the still very mean streets.

FOUR WAY STOP screens at Webster University’s Winifred Moore Auditorium on Sunday, November 15 at 1PM as part of the 24th Annual Whitaker St. Louis International Film Festival. Purchase tickets here

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SLIFF 2015 Review : ARCHIE’S BETTY

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Here’s an idea that many kids (and adults) dearly wanted (or still want) to do. I’m talking about having such a love of literary characters, that you believe that you could actually visit their homes and towns. For fans of famous prose novels there might be a desire to go to Narnia, Oz, or Middle Earth. DC comics fans would love to live or work in Metropolis or Gotham City (Marvel superhero lovers quickly discover that the actual NYC isn’t filled with Avengers and mutants). Ah, then reality kicks in and we realize that these locales can only exist in our daydreams. But what happens when you hear rumors of a real place that inspired your favorite comics line. This is what happened to film critic and historian Gerald Peary. In his youth he didn’t gravitate toward the spandex crowd, rather he was smitten with Archie Andrews, along with his pals Jughead, Moose, and Reggie. And he was especially with the other two sides of Archie’s eternal “love triangle”, raven-haired rich gal Veronica and fresh-scrubbed blonde next door Betty. They’ve been having adventures in the little idyllic town of Riverdale for nearly 75 years now. Peary decided to follow up on rumors that it was based on an actual town, Haverhill, MA to be exact. As narrator of this entertaining documentary, he relates the story of cartoonist Bob Montana (source of some controversy-many believe he created the Archie feature, while the company insists that its founder John Goldwater come up with the concept) and how he fell in love with the town and high school, though only having lived there a few years. Peary and an Archie expert comb through high school yearbooks, newspaper clippings and the classic comic books and comic strips like a pop culture Holmes and Watson unraveling a mystery. Though Mr. Andrews was a print media hybrid of teen Henry of “The Aldrich Family” radio show and Mickey Rooney as Andy Hardy in MGM’s popular feature film series, that ginger lad is all East Coaster. Many of the comics models are tracked down (there’s an old video interview with the real “Moose”), but the surprising reveal of the title “four-color” queen makes for a heart-warming finale.

Peary makes for an entertaining guide through this quaint little town and the journey of this freckle-faced funster first appearing as a humor filler in publisher MLJ’s mostly action hero anthology “Pep Comics” into a media juggernaut that would ultimately take over the name of the company (MLJ became Archie Comics). There’s a lots of original art and classic (very valuable) books plus the merchandising: fashions, toys, a radio show, and a live-action TV movie (little mention though of the smash hit 1968 CBS Saturday morning show produced by Filmation Studios that registered Super Bowl-like ratings numbers and spawned the number one hit record “Sugar Sugar”). ARCHIE’S BETTY is a touching, whimsical ode to a bygone era and a tribute to the folks that created and inspired America’s favorite bunch of immortal ageless teens.

ARCHIE’S BETTY screens at Landmark’s Plaza Frontenac Theatre on Sunday, November 15 at noon as part of the 24th Annual Whitaker St. Louis International Film Festival. Purchase tickets here

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New Poster And Clip Released For Todd Haynes’ CAROL

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The Weinstein Company has released a new poster and clip and for their upcoming film, CAROL, starring Cate Blanchett, Rooney Mara, Kyle Chandler, Sarah Paulson, Jake Lacy and Cory Michael Smith.

In an adaptation of Patricia Highsmith’s seminal novel The Price of Salt, CAROL follows two women from very different backgrounds who find themselves in an unexpected love affair in 1950s New York.

As conventional norms of the time challenge their undeniable attraction, an honest story emerges to reveal the resilience of the heart in the face of change. A young woman in her 20s, Therese Belivet (Rooney Mara), is a clerk working in a Manhattan department store and dreaming of a more fulfilling life when she meets Carol (Cate Blanchett), an alluring woman trapped in a loveless, convenient marriage.

As an immediate connection sparks between them, the innocence of their first encounter dims and their connection deepens. While Carol breaks free from the confines of marriage, her husband (Kyle Chandler) begins to question her competence as a mother as her involvement with Therese and close relationship with her best friend Abby (Sarah Paulson) come to light.

CAROL is directed by Todd Haynes and written by Phyllis Nagy.

Varèse Sarabande will release the CAROL – Original Motion Picture Soundtrack, available digitally and on CD November 20, 2015. The album features the original music composed by Carter Burwell. Pre-order the CD here.

The Weinstein Company will release CAROL in theaters November 20, 2015.

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CAROL

Listen To A Sample Of The CREED Soundtrack From Composer Ludwig Goransson

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The dramatic sound of the bell in Bill Conti’s score for ROCKY is one we all remember. The original Rocky (1976) film won the 1977 Academy Award for ‘Best Motion Picture’. Rocky composer Bill Conti, along with Carol Connors, were Oscar nominated for ‘Best Music: Original Song’ for “Gonna Fly Now.”

Check out this sample track from CREED by composer Ludwig Goransson.

One of the director Ryan Coogler’s favorite aspects of shooting CREED in the City of Brotherly Love was…the brotherly love. “I liked the vibe out there, it was very similar to Oakland, where people have a lot of pride in their sports teams, pride in where they’re from. The music culture out there is also very big, and we were able to bring that to life in the film through the character of Bianca, thanks to Tessa Thompson and our composer.”

Ludwig Goransson, who also worked with Coogler on his previous film, scored CREED and wrote several tracks for Thompson to perform in character.

“Creating an EP for a fictional buzz-worthy artist is challenging, but knowing what Ryan had in mind for the character, Tessa and I were able to go into the studio as soon as she was cast,” he says. “We wrote and recorded about eight songs and Ryan chose his favorites for the movie. It was a very special experience for both Tessa and me because we could see and hear how Bianca came together through her music.”

The composer had a unique approach to build the score, too. “I always feel encouraged by Ryan to think outside of the box and create something that I really believe in. The first thing I did was record sounds from a boxer during his training routine, with the purpose of turning those sounds into musical elements as the basis for the score,” he explains. “After experimenting with those sounds, I rearranged one of the love themes I’d written and gave it a bigger, more aggressive, orchestral sound with a few modern elements and a strong melodic theme.”

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Of course, the musical history of the “Rocky” films had to be addressed. “I studied Bill Conti’s score thoroughly and was inspired by the way he combined jazz and classical harmonies,” Goransson continues. “I didn’t intend to use any ‘Rocky’ music beyond just one climactic scene, but Ryan and I discussed how to score an older Rocky, and we came up with using Adrian’s love theme.”

Having spent so much of his life influenced by the ‘Rocky’ films, and determined to be a part of them, Coogler is thrilled to at long last bring this new chapter in the beloved series to the screen, and hopes that moviegoers will be as eager to see the story as he has been to tell it. “I’ve been a Rocky fan since as long as I can remember,” he says. “I know those movies like the back of my hand. I think we captured that spirit and also brought something new for fans to enjoy.”

From WaterTower Music, preorder the full album now:
iTunes: smarturl.it/creed_i
Amazon: smarturl.it/creed_az

CREED opens Wednesday, November 25th!

Visit the official site: creedthemovie.com

Win A Family Four-Pack Of Passes To The Advance Screening Of THE GOOD DINOSAUR In St. Louis

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©2015 Disney•Pixar. All Rights Reserved.

With the release of THE GOOD DINOSAUR on November 25, WAMG is celebrating with a giveaway to take the whole herd to see the movie!

Disney has also announced Dino Week beginning tomorrow!

Starting on Saturday, visit Disney.com/DinoWeek all week to celebrate everything you love about dinosaurs & see brand new clips, featurettes, and activities from the movie.

To kick the week off, check out the three brand new film clips from Disney/Pixar’s THE GOOD DINOSAUR.

THE GOOD DINOSAUR asks the question: What if the asteroid that forever changed life on Earth missed the planet completely and giant dinosaurs never became extinct?  Pixar Animation Studios takes you on an epic journey into the world of dinosaurs where an Apatosaurus named Arlo (voice of Raymond Ochoa) makes an unlikely human friend. While traveling through a harsh and mysterious landscape, Arlo learns the power of confronting his fears and discovers what he is truly capable of.

Directed by Peter Sohn and produced by Denise Ream (“Cars 2”), Disney•Pixar’s THE GOOD DINOSAUR opens in theaters on Nov. 25, 2015.

Read Variety’s review here.

©Disney•Pixar. All Rights Reserved.
©Disney•Pixar. All Rights Reserved.

5 lucky WAMG readers will win 4 passes to the Monday (Nov 23) 7 PM screening in the St. Louis area.

In Disney’s DINOSAUR (2000), what are the names of the two main dinosaurs?

  1. Kron and Bruton
  2. Baylene and Eema
  3. Aladar and Neera

FOR A CHANCE TO WIN, ENTER YOUR NAME, ANSWER AND EMAIL IN OUR COMMENTS SECTION BELOW.

OFFICIAL RULES:

1. YOU MUST BE IN THE ST. LOUIS AREA THE DAY OF THE SCREENING.

2. Winners will be notified on Thursday evening, 11/19.

3. No purchase necessary. A pass does not guarantee a seat at a screening. Seating is on a first-come, first served basis. The theater is overbooked to assure a full house. The theater is not responsible for overbooking.

RATING: PG

Website: http://movies.disney.com/the-good-dinosaur
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THE GOOD DINOSAUR (L-R) Arlo and Spot. ©2015 Disney•Pixar. All Rights Reserved.
THE GOOD DINOSAUR (L-R) Arlo and Spot. ©2015 Disney•Pixar. All Rights Reserved.

Watch Shailene Woodley And Theo James In New THE DIVERGENT SERIES: ALLEGIANT

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Lionsgate has released three new posters and a trailer for director Robert Schwentke’s THE DIVERGENT SERIES: ALLEGIANT.

DIVERGENT is the most successful franchise launched since THE HUNGER GAMES with the first two DIVERGENT films grossing nearly $600 million at the global box office.

THE DIVERGENT SERIES: ALLEGIANT is slated for a domestic release in IMAX on March 18, 2016.

The third installment of the blockbuster Divergent series franchise, ALLEGIANT takes Tris (Shailene Woodley) and Four (Theo James) into a new world, far more dangerous than ever before.

After the earth-shattering revelations of INSURGENT, Tris must escape with Four and go beyond the wall enclosing Chicago. For the first time ever, they will leave the only city and family they have ever known. Once outside, old discoveries are quickly rendered meaningless with the revelation of shocking new truths.

Tris and Four must quickly decide who they can trust as a ruthless battle ignites beyond the walls of Chicago which threatens all of humanity. In order to survive, Tris will be forced to make impossible choices about courage, allegiance, sacrifice and love.

The film also features Jeff Daniels, Octavia Spencer, Ray Stevenson, Zoë Kravitz, Miles Teller, Ansel Elgort, Maggie Q, Mekhi Phifer, Daniel Dae Kim, Rebecca Pidgeon, Xander Berkeley, Keiynan Lonsdale, Jonny Weston, Bill Skarsgård, Nadia Hilker, Andy Bean and Naomi Watts.

Visit the film’s official site: thedivergentseries.movie/#allegiant

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SLIFF 2015 Review – IT HAD TO BE YOU

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Review by Stephen Jones

IT HAD TO BE YOU screens Friday, November 13th at 7:00pm at The Tivoli Theater as part of this year’s St. louis International Film Festival. Ticket information can be found HERE

IT HAD TO BE YOU is a very, very average movie elevated by the sheer likability of Cristin Milioti. Nothing in the movie is particularly groundbreaking, no envelopes are pushed, but Milioti radiates. She isn’t exactly new on the acting scene; she got her initial exposure (of note) being way too good for the last season of How I Met Your Mother, then a too-brief role in “Wolf of Wall Street,” but here she is carrying an entire movie on the back of her screen presence and charm.

The rest of the movie is perfectly fine, save the person-shaped section of drywall they cast as the male lead. The cast as a whole is mostly solid, some of the jokes have a really good Sarah Andersen vibe to them, and Sasha Gordon is a decent first time director. That her background is in music and she cast a musically talented actress who bears some resemblance to her in the lead role of the quirky young composer is a little first-time-writer, but there are much worse ways to show that hand.

Really, though, aside from Dan Soder showing about as much charisma as a hole in your pocket, there’s nothing to complain about in the movie. It’s not great, but it’s not trying to be. Gordon seems to be keenly aware that she’s a first time writer/director and plays it safe, but in a smart way. It’s the sort of small, low-stakes movie that can get one really good thing going for it, and Milioti is definitely that. I wouldn’t nearly nominate this for any big acting awards, but I could watch Milioti be a more human Zooey Deschanel all day.

But beyond that there isn’t much to say about it. It’s a good “let’s go to the movies, I don’t care what we see” pick. Or if you just went to see one of the heavier SLIFF films, this would be a very nice, light palate cleanser. It’s fun, entirely inoffensive (aside from some weird slurs thrown around by a character while yelling in the background, I have no idea what that was about…), and there are a lot worse things out there to see than this. Even if it won’t necessarily stick with you for very long after you leave the theater.

The Second Official TV Spot For STAR WARS: THE FORCE AWAKENS Is Here

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Every Generation Has A Story…

A second TV spot for STAR WARS: THE FORCE AWAKENS TV aired on Thursday evening during ABC’s TGIT. Additionally, a new IMAX poster featuring BB-8 and Rey was released.

A new beginning is coming December 18th.

A new behind the scenes look at THE FORCE AWAKENS will air this Friday night during “Girl Meets World” at 8:30pm est.

Lucasfilm and visionary director J.J. Abrams join forces to take you back again to a galaxy far, far away as Star Wars returns to the big screen with STAR WARS: THE FORCE AWAKENS.

The film stars Harrison Ford, Mark Hamill, Carrie Fisher, Adam Driver, Daisy Ridley, John Boyega, Oscar Isaac, Lupita Nyong’o, Andy Serkis, Domhnall Gleeson, Anthony Daniels, Peter Mayhew and Max Von Sydow.

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Kathleen Kennedy, J.J. Abrams and Bryan Burk are producing with Tommy Harper and Jason McGatlin serving as executive producers. The screenplay is by Lawrence Kasdan & J.J. Abrams and Michael Arndt. John Williams returns as the composer.

STAR WARS: THE FORCE AWAKENS releases in U.S. theaters on December 18, 2015.

Check out the new EW covers here.

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Website and Mobile site: http://www.theforceawakens.com

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©Lucasfilm 2015
©Lucasfilm 2015
Star Wars: The Force Awakens TIE Fighter Pilot Ph: Film Frame ©Lucasfilm 2015
©Lucasfilm 2015
Star Wars: The Force Awakens BB-8 Ph: Film Frame © 2014 Lucasfilm Ltd. & TM. All Right Reserved..
©Lucasfilm Ltd. & TM. All Right Reserved..

LOVE THE COOPERS – The Review

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Social media is filled with complaints about retailers jumping the gun on Christmas. Hey the jack-o-lantern’s not yet ripe when the tinsel and wreaths go on sale. Well at least this inspired one of the great double holiday flicks, THE NIGHTMARE BEFORE CHRISTMAS. So, if the mall starts early, why not the attached (usually) multiplex theatres. Hollywood loves sending out movies at the end of the year set around the staples of the season. So, before you even think about grabbing the  turkey (let’s not get ahead of this piece) for Thanksgiving, here’s a flick about a big, big family getting things set for the big Christmas Eve shindig. Now Mom’s a perfectionist, so everything has to be plotted out and just right. Of course, like most families, things are far from perfect. Doesn’t mean they can’t try their darndest in the new star-packed cinema stocking, LOVE THE COOPERS.

It’s early morning, December 24 (CE Day if you will) and Charlotte (Diane Keaton) and Sam (John Cooper) are on the road. Things aren’t going well in their marriage (they plan to separate in the new year), but they don’t want the family to find out. First, it’s off to son Hank’s (Ed Helms) home to pick up his pre-K daughter Madison (Blake Baumgartner) ,but oh oh, she’s repeating a naughty phrase! Hank has separated from his wife Angie (Alex Borstein), but his folks don’t know that he’s actually spending his days looking for work. His teenage son Charlie (Timothee Chalament) is not handling the break-up well, so he’s taking his little brother Bo (Maxwell Simkins) to the mall to shop (and flirt with a gal working there). Sam and Charlotte with Madison go to a senior center to sing carols and pick up Sam’s daffy Aunt ‘Fishy’ (June Squibb) , who also says (and does) naughty stuff, too! Charlotte’s father Bucky (Alan Arkin) heads into his usual diner for breakfast, unaware that his favorite waitress Ruby (Amanda Seyfried) is going to drop a bombshell on him: she’s leaving town. Back at the mall, his other daughter, the divorced adrift Emma (Marisa Tomei) is busted for shoplifting and is being transported to the station by Officer Williams (Anthony Mackie). Meanwhile at the airport, Hank’s sister Eleanor (Olivia Wilde) is hiding out in the pub, dreading the disapproval from Mom over her still single status. She strikes up a rapport with a cute soldier, Joe (Jake Lacy) whose flight has been delayed a day. Hmm, maybe he’d agree to play her fella’ for the night? Man, now that’s one frenzied family circus (no offense Mr. Keane)!

Oy, where to begin! First off, I’ve enjoyed the work of the cast so much, but really…really. All of you show know better. Talk about having to flail about without a net! Diane Keaton, You’ll always be Annie Hall, so why do you take on such a shrill character, constantly trying fix everything and everyone when not giving an earful to both your on-screen hubby and sis. At least she has a bit of a personality which is more than be said for the sad sack role Goodman has been saddled with. His appearance in films, in even the briefest cameos (see what he does in TRUMBO, for gosh sake) can spring the story to life. Helms is doing a riff on the put-upon schlubs from the HANGOVER trilogy and VACATION and TV’s “The Office” with little else to do, besides looking anxious. Arkin only seems to bounce from befuddled to indignant. And who thought he could be Keaton’s father (there’s just a dozen years difference). Tomei’s pop I can believe. She’s stuck spewing vapid psycho-babble in the back of a police cruiser on the loooooongest ride to the station ever (there’s no sub station?)! Mackie isn’t allowed any of the energy he often brings to the screen as he’s stuck as another uptight guy with a secret (much like his role in WHAT’S YOUR NUMBER?). Speaking of “The Office”, another alum, Lacy, does hold on to a bit of dignity, and can be a good leading man. His scene-mate Wilde is still dazzling and a delightful comic talent, though her character is mind-numbingly silly, even for a bit of froth like this. Seyfried, the film’s other beauty, can’t spark life into this immature twenty-something who hasn’t any semblance of a game plan (oh, just gonna’ pick a town at random, eh? Uh huh). Can it be just two years ago when Squibb stole every scene in NEBRASKA? Now she’s playing the crutch of lazy screenwriters, the unpredictable senior, always good for a cut-away gag or a scene ender. She is so much better than that.

Director Jessie Nelson (I AM SAM and CORRINA, CORRINA-that explains a lot) hammers us with every manner of forced whimsy. From slow-motion dancing to fantasy flash forwards, even some CGI as characters turn to ice and shatter (that was clever on “Ally McBeal” a decade ago). But nothing fails to revive this cliché filled script from Steven Rogers (no relation to the star-spangled avenger, I should hope!). Do we really need a dream sequence of Joe and Eleanor frolicking in the airport (where’s the TSA when ya’ really need them?)? And who in the world brings their soon-to-be ex-wife to the big family Christmas Eve event? Why the better to have a big argument followed by a heartfelt plea from the kiddos, naturally! The only thing that perked me up was when I realized this was all set in Pittsburgh. Could one of these shopping centers be the legendary Monroeville Mall from the 1978 DAWN OF THE DEAD? That’s what happens during drek like this. You think about much better films, and I had a lot to think about. The narrator of this film was part of a true holiday classic, one that can be watched and enjoyed any time of the year. At the screening of this, many viewers wanted to give this flick a pass, since, well it’s a Christmas movie and it’s got nice decorations and festive foods and lights. No, much like the old thought “it’s only a kids’ movie”, a “holiday movie” should not be given a free pass. That’s an affront to all the wonderful flicks that have become annual viewing favorites. Not so with this cloying, precious mess. You want to see Christmas-y stuff. Go to your local mall instead or, better yet, stroll down main street or downtown. That’s a much better way to get in the “Noel” mood since LOVE THE COOPERS goes down like a cold glass of egg nog…from a carton that’s been sitting at the back of the fridge since last Christmas. Now that’s a lump of coal in yer’ stocking!

1/2 Out of 5

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SLIFF 2015 Interview: Gerald Peary – Director of ARCHIE’S BETTY

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ARCHIE’S BETTY screens Sunday, November 15th at 12:00pm at The Plaza Frontenac Theater as part of this year’s St. Louis International Film Festival. Director Gerald Peary will be in attendance. Ticket information can be found HERE 

In ARCHIE’S BETTY, journalist and filmmaker Gerald Peary embarks on a personal journey to determine whether the beloved characters in “Archie” comics were modeled on real-life people. As an “Archie”-obsessed child, Peary believed that somewhere in America there was a real town of Riverdale, where Archie and his teen friends went to school. As an adult, he found that his fantasy might have basis in fact: Riverdale could indeed be the city of Haverhill, Mass., where Bob Montana, the original cartoonist of “Archie,” attended high school in the mid-1930s. Did Montana love Haverhill High so much that he based “Archie” characters on students in his classes? Was Archie inspired by a girl-crazy Haverhill High cutup? Was Veronica modeled on the most popular girl at the high school? Was Betty based on the girl living next door to young Bob? And what of Moose and Jughead? For ARCHIE’S BETTY, Peary meets with Montana’s surviving classmates, a veteran “Archie” cartoonist, and “Archie” experts to unravel the real story. A long-time film critic, Peary is a SLIFF alum whose documentary  FOR THE LOVE OF MOVIES: THE STORY OF AMERICAN FILM CRITICISM played the fest in 2009.

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Gerald Peary took the time to answer some questions for We Are Movie Geeks 

Interview conducted by Tom Stockman October 28th 2015

We Are Movie Geeks: I enjoyed your documentary or ARCHIE’S BETTY. After all of the heavy, more political documentaries I’ve seen it was nice to see something that was simply a throwback to a happier time.

Gerald Peary: Yes, there’s definitely no political agenda with my film.

WAMG: I could really relate to the comic books at the barbershop that you start off the phone with. When I was a kid there was a barbershop with a cabinet full of comic books and I used to love to go there just to read the comic books.

GP: That’s where I discovered Archie, at a barbershop. I doubt barbershops today have stacks of comic books laying around. But the more people ahead of me to head to get their haircut, the better. That way I got to read more comics.

WAMG: Do you remember the comic book machines? Where you would put a dime and two pennies in a vending machine.

GP: Oh I’m so old I remember the 10 cent comics. In my day we just go into a store and buy them. People have become so inundated with superhero comics that they forget that there were others about actual human beings. Archie is popular around the world. I’ve discovered that Archie is read in places like Pakistan and India. Over a million copies of Archie comics are sent every month to India. I showed the film in Argentina where he’s known as Archie Gomez. He’s known all over the world. This is a movie that shows the teenage life of Archie and Betty and Jughead and Veronica.

WAMG: I think I liked Archie a little better later, after I read the superheroes. I remember the digest-sized Archie books.

GP: The Archie digests, which are a smaller format book, still exist. I talked to a comic book store owner and he told me that thousands of those are sent every month to Nigeria of all places, so Archie continues to be a worldwide phenomenon.

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WAMG: Did you grow up a comic book collector?

GP: I collected some comics but I didn’t have a lot of money. I remember when I was seven years old and going to someone else’s house for a birthday party and walking into their bedroom and there were probably 1000 comic books in these beautiful stacks and I remember wishing I had more money to spend on them. I think maybe once a month I could afford to buy one comic book. Usually it was Archie, but occasionally it was Gene Autry, my favorite cowboy star.

WAMG: Archie made his debut in Pep Comics number 22 in 1941. Do you have any idea how much of that comic book is worth?

GP: That one is probably worth 50 or 60 thousand dollars. The first standalone Archie comic, Archie #1, sold for $170,000 which is the most any non-superhero comic book has sold for. I was at the home of someone in Boston recently who owned a copy of that comic book and I got to hold it in my hands and have my picture taken with it. Archie started out as six pages in the back of a Pep Comics and that was so popular that after a while, Archie became his own comic book. Next year, 2016, will be the 75th anniversary of Archie comics so happy birthday Archie!

WAMG: Do you think that they will do something in Haverhill Massachusetts to commemorate that?

GP: I hope so. Haverhill Massachusetts is a town that Riverdale is based on. My movie is about who the real life people in Archie comics are. Bob Montana, who was the original cartoonist for Archie went to Haverhill High. He moved to New York when he was 21 but he based these characters on people he went to high school with. So that’s what my movie is, going back to Haverhill and figuring out who these real people are – who’s the real Archie, who’s the real Betty, who’s the real Veronica who’s the real Jughead, etc.

WAMG: But this sort of grew out of a Boston Globe article that you wrote 25 years earlier, correct?

GP: Yes, 25 years ago is when I first tracked this story down. I went to Haverhill because I have read a little item in The Boston Globe that said that Archie and Betty have lived in Haverhill Massachusetts. I got The Boston Globe to send me on this assignment. I spent a month in Haverhill and met all these people who claimed to be the real Archie and the real Betty, Then I left the story for 25 years and came back to it, this time is a documentarian.

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WAMG: Had a lot of these people passed away in the 25 years between?

GP: Yes that was a problem, so many had died. But I still had a couple of people in my movie who are in their 90s. I have one woman in my film that dated Bob Montana. She went to the prom with him in 1937 and she’s still around at age 94. She thinks she’s Betty because Betty went to the prom with Archie in the comic.

WAMG: But you met some other people in Haverhill who may or may not be Betty as well.

GP: That’s the mystery. My movie is called ARCHIE’S BETTY. It’s like a mystery. We moved from Haverhill Massachusetts to a place called Edison, New Jersey where perhaps the real Betty is. Her name is Betty Tokar. I don’t want to say too much more about her now because obviously I want people to see the film and find out.

WAMG: Did you know about Beckie Tokar when you wrote the Boston Globe article 25 years ago?

GP:  I did not. Betty Tokar was a new person for the story. I originally only had a few candidates for Betty who lived in the town of Haverhill. One of the reasons that I made this new film is that a guy from Seattle Washington, who is an Archie expert, got in touch with me and told me that I had some things wrong in my article. His name is Sean Clancy and he told me I was wrong about Betty. So I made a film this time, and act three of the film is meeting the new Betty. If you’re an Archie fan and you care about Betty and Veronica, this woman is really amazing.

WAMG: And she was married to someone else for many years and in the movie she says that she never told her husband that she was the inspiration for Betty.

GP: Yes, she had a very jealous husband. He was a police chief, a very tough guy, and I’ve actually talked to some of her relatives who found Betty’s husband a bit scary. After her husband died a couple of years ago, Betty could at last tell the story that 70 years ago she had a boyfriend named Bob Montana and that he was the original Archie cartoonist.

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WAMG: Bob Montana died relatively young though.

GP: Yes he died in his mid-50s. His father had a bad heart and so did he. He died cross country skiing and it’s one of my regrets that I never got to meet him. Even the original story I had to write without input from Bob. But everybody that met Bob Montana loved him. He was known as a sweet, sweet man.

WAMG: But wasn’t he a private man?

GP: He was a very private guy and there are not a lot of interviews with him out there. The interviews that we have found might have two or three quotes from him. So one of the mysteries is that Bob Montana himself never claimed to have based the characters in Archie comics on the people of Haverhill. He never mentioned names. This is why I call my movie a mystery.

 WAMG: It is a mystery and there are clues throughout the mystery. There are last names of people that pop up here and there throughout the history of the comics. I found that fascinating. Let’s talk about this fellow named John Goldwater, the publisher of Archie comics..

GP: Right, he’s long deceased as well but he told people that the characters in Archie comics were based on people that he knew as a young man.

WAMG: I get the impression that you sort of dismiss his claims. Talk about that a little bit.

GP: I’m skeptical of it but I don’t dismiss it. There was a meeting around 1940 with John Goldwater the publisher and some of the illustrators and this is where they talked about this new comic that they were developing. I wasn’t at this meeting and nobody who’s still alive was at this meeting so it’s all speculation what actually happened. I try in this movie to be very fair and to give several narratives. Bob Montana and his fans and his relatives say Bob created all the characters. John Goldwater, The publisher, who was sort of like the Walt Disney of the world of Archie, says it was actually based on his story. He claims he went to a town called Hiawatha, Kansas and based Riverdale on that. He claims to have met two pretty girls in San Francisco that he based Betty and Veronica on. He also claims he went to school with a kid named Archie and based Archie on him. So he claims he was the creator and basically just told Bob Montana what to draw. I tend to be on the Bob Montana side but I do think that John Goldwater should get some credit. He certainly seems to be the one who conceived the project. He’s the guy that, in 1939 when the original Superman debuted in Action Comics and everyone was enthralled with superheroes, decided to do something different; a comic book about an everyday boy. He had seen the Andy Hardy movies with Mickey Rooney and that was a huge influence and there was a popular radio show called Henry Aldrich about a teenage boy. Goldwater thought doing a comic book about a teenage boy would be a good idea, so he gets a lot of credit for that. If he claims the name Archie came from a high school friend of his, I will accept that, but we don’t know who came up with things after that. In general my movie is on the Bob Montana side but more than anything, this is a pro-Archie movie, more than I care who created the characters. I love the Archie comics and I would love to get more people to love the Archie comics.

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WAMG: Do you still read Archie comics?

GP: I’ve read a couple of the new ones. It’s gone through a crazy reconfiguring. A few months ago there was a new Archie number one starting all over with a redrawn Archie and a redrawn Betty and Veronica. He’s a rock and roll guitarist. The drawings are pretty interesting but I have not been too crazy about the storyline. In my movie, I salute the new Archie because Archie keeps changing and must change with the times but I am an older person and my heart remains with the old Archie comics that Bob Montana created.

WAMG: You talk in the movie about the new Archie comics and about how there’s the new supernatural Archie and there’s even a gay character and a gay marriage in the new Archie. What do you think Bob Montana would think of the new Archie?

GP: I think he’d be very confused. It’s such a different world. We live in a very multicultural world, and I’m happy about that. But I also like the old fashioned, insular world of the old Archie comic. People all over the world love the old fashioned world of Archie. Archie comics have tried to reinvent themselves over the past few years. It’s a very interesting thing that they’re trying. I’m a very liberal person and I appreciate the fact that Archie has a gay character and that there was a gay marriage that took place in Riverdale, and I know that got a lot of heat from right wingers, and I commend that, but I still like the old Archie comics.

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WAMG: Has your film shown in Haverhill?

GP: Yes, and it was wonderful! What happened was all the relatives of people in the movie and a couple of people that were still alive and knew Bob Montana showed up and we had two tremendous screenings there in Haverhill. I had a stack of DVDs of the film, which I will be hawking there in St. Louis, but I didn’t bring enough. I ran out of DVDs because so many people in Haverhill wanted one as a record of their city and the people from Archie comics. They’re very proud of that there.

WAMG: I’m sure they are. You have been the St. Louis once before for the St. Louis international Film Festival, correct?

GP: Yes I was there in 2009. I was a jury member. It is a very well-run festival. I have been to other film festivals that are not nearly as well-curated as the one there in St. Louis. I like St. Louis. There are so many people that came from that city that most people don’t realize. People like T.S. Eliot and Vincent Price, and  great jazz musicians, author Jonathan Franzen, etc.

WAMG: 100 years ago, St. Louis was the third largest city in the country. When you’re in town you should go to Blueberry Hill, a very popular restaurant and bar. About 30 years ago it was featured in an issue of Archie comics. There is, framed on the wall in Blueberry Hill, the panels from an Archie comic where you see Archie entering Blueberry Hill restaurant. It’s pretty neat.

GP:  I didn’t know that. I will have to check that out when I am there.

WAMG: Good luck with ARCHIE’S BETTY and we’ll see you in St. Louis for the screening at the Saint Louis international film Festival.

GP: Thank you, I look forward to it.