BLOOD IS BLOOD – Review

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Review by Stephen Tronicek

BLOOD IS BLOOD will be available on Digital HD and VOD September 1st

A film is a group project. It’s a grueling process requiring a lot of people to build a piece of art from the ground up through cameras and actors. However, for a group project to truly work, every single player in that group must do their part. Blood is Blood is a perfect film to examine this concept because the contrast between the superior work and the mediocre is glaringly apparent.

The film follows Brie, a young woman attempting to deal with a traumatic event She’s also getting visions of murders and the event haunts her. The screenplay here, in terms of dialogue, is appropriately pulpy, but the story and plot are broken. The film’s focus on a character who is never really reliable is somewhat fresh as it becomes apparent that Brie might just be crazy, but the film’s plotting muddles any intriguing hints of information about the unfolding mystery. The ending doesn’t really surprise or use the established elements to any logical use. The film makes mention of origami and foxes as important symbols but doesn’t  do anything special with them other than perfunctory details as to how specific rituals go down. The third act seems to become an act of non-linear storytelling that lacking any type of solid base completely throws you into the dark. Reassuringly, this is the type of film that upon further viewings may reach further clarity, but it confounds upon the first.

Yet, this isn’t all that bad of a movie. For all the lacking aspects of the plot, the way it is presented is so consistently eye-catching that it’s impossible to deny the work. While the writing aspect of the project leaves more to be desired, the direction and acting are a marvel. Writer/director Stuart Sauvarin involves direction that suggests influences of Fincher and Nolan boasting stark, quiet camera movements that instill as sense of fear when the time comes. Sauvarin is also smart enough not to waste the jump scares he does employ and his camera flaunts a true understanding of the factors that go into engrossing an audience. A 360 camera pan near the beginning of the film provides a perfect manipulation of audience focus setting up a startling use of sound design. The direction of the actors continues this quality. Across the board, from a risky, violent and whiny performance from Fiona Dourif, to her completely psychopathic brothers, the acting engages in a way that despite the plot’s shortcomings draws your eyes to the screen.

One viewing Blood is Blood provides a frustratingly preposterous, yet directionally excellent film. Upon further viewings, the film will probably season as the plot holds the context of the film’s twists, and the direction certainly provides enough reason to revisit the film. For now, the mediocre plotting is just enough to edge out the sheer excellence of the rest of the film.

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Win Passes To The Advance Screening Of COMPLETE UNKNOWN In St. Louis

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This shape-shifting tale of the perils and pleasures of self-reinvention begins at a dinner party, when Tom’s (Michael Shannon) co-worker arrives with an intriguing date named Alice (Rachel Weisz). Tom is convinced he knows her, but she refuses to acknowledge their history. And when Alice makes a hasty exit, Tom sets off after her. What follows is an all-night odyssey shared by two people, one needing to change his life, the other questioning how to stop changing.

The film stars Rachel Weisz, Michael Shannon, Kathy Bates and Danny Glover;

COMPLETE UNKNOWN opens in St. Louis on September 9th.

WAMG invites you to enter for the chance to win TWO (2) seats to the advance screening of COMPLETE UNKNOWN on September 8 at 7PM in the St. Louis area.

Answer the following:

What is Michael Shannon’s first movie?

TO ENTER, ADD YOUR NAME, ANSWER AND EMAIL IN OUR COMMENTS SECTION BELOW.

OFFICIAL RULES:

1. YOU MUST BE IN THE ST. LOUIS AREA THE DAY OF THE SCREENING.

2. No purchase necessary. A pass does not guarantee a seat at a screening. Seating is on a first-come, first served basis. The theater is overbooked to assure a full house. The theater is not responsible for overbooking.

For more, check out the website here: http://completeunknownmovie.com/

COMPLETE UNKNOWN

Disney’s THE JUNGLE BOOK (2016) The Blu Review

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Review by Brandon Krzysztof

Tuesday is finally here. August 30th, 2016 marks the last blu-ray Tuesday of the month and again it is a strong release day. I am bought a few of them and it’s safe to say that The Jungle Book is the cream of the crop. A couple more Criterions and some TV season released were also released. Me Before You and The Night Manager came out as well and I purchased both – Reviews coming soon.

With that being said, Jon Favreau’s live adaption of the 1967 classic The Jungle Book was released and what a stacked blu-ray we have here. But before we get into the featurettes, let’s talk about the movie. I got to see The Jungle Book in IMAX on April 14, 2016 and it was extremely captivating. I left loving the voice work and the special effects. It was very cool to see Neel Sethi, who plays Mowgli in first movie ever, knock it out of the park. I knew that this was going to be a day one blu-ray purchase after leaving the theater.

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THE SYNOPSIS
After receiving a threat from the tiger, Shere Khan, man-cub Mowgli with the help of Bagheera and Baloo goes on a journey to flee the jungle and as well as self-discovery.

THE REVIEW
As I mentioned before, I left the theater amazed. For me, it was an easy 4 ½ out of 5 and after watching the blu-ray I must say it goes down a half. I enjoyed the film very much, but when watching at home I’m afraid to say I wasn’t feeling the same excitement and wonder as I did on the big screen. The special effects were some of the best of the year. The fact that Neel Sethi was acting without being in a jungle or anything is astonishing. Besides the special effects, the huge stand out was the voice cast, specifically Idris Elba as Shere Khan. Every moment he was on screen he owned the scene with his powerful voice. I just didn’t feel the rewatchability factor for the film. The pacing was very slow and found myself bored with in some scenes. The songs were great, the cast was awesome, and the special effects help create this awesome world that didn’t seem cheesy which it easily could have been.

4/5

THE QUALITY

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The picture quality on my 4K TV is separated by day and night. Disney has not made the commitment to 4K blu-rays, which is disappointing because movies like Star Wars: The Force Awakens, Zootopia, Captain America: Civil War, and this could look stellar on 4K. Let’s hope the addition of 4K blu-rays from Disney happens sooner rather than later. The movie almost upscales to the full size of the TV leaving about three quarters of an inch of black trim on the top and bottom of the screen. The day scenes look better than the night ones to me. The grain is more noticeable on the darker scenes but its not distracting. I listened to the audio on above moderate sound level and it was content. To me, Shere Khan voice seems muddled and I felt like his roar could have been done better but the bass is great, especially during stampede scenes and John Debney’s score was absolutely great.

THE FEATURES

The blu-ray is loaded with features, which I am happy about because it makes me feel like my money was well spent.

The first featurette, The Jungle Book Reimagined, is a great 35-minute featurette that is part round table with director Jon Favreau, producer Brigham Taylor, and visual effects supervisor Robert Legato and then part behind the scenes. The three reflect on the film after it’s theater run and talk about challenges and how the project got started. It is very interesting and well worth the watch. The behind the scenes clip are very in-depth and entertaining. It was an easy watch.

The second featurette, I Am Mowgli, is an 8-minute featurette about Neel Sethi and how he became casted in the role of Mowgli and show clips of him on set acting. It was very charming.

The third featurette, King Louie’s Temple: Layer by Layer, is just over three minutes and is pretty much King Louie’s introduction through his song. While this is happening it shows the different stages of production intertwined. For example, one moment it is blue screen, and then it will seamlessly switch to the final product with including stages in-between.

The audio commentary with director Jon Favreau is very interesting. Even though he repeats things we heard in the before mentioned first feature, it still is entertaining. He talks about how certain scenes were made and some of his favorite little scenes that meant so much to him. Even though it was just him in the commentary, it is one of the better ones I’ve listened to because hearing the stories of how a film is made really grabs my attention and Jon Favreau seems like a normal guy which helps me relate.

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THE VERDICT

The Jungle Book is an interesting film from beginning to end. Jon Favreau does a great job a bringing in moments from the 1967 original and the Kipling novel. Although I feel the rewatchability factor is moderate, it is still entertaining and has thrills. The picture on my 4K tv is pretty good and the sound is above average. The blu-ray is loaded with features that are easy and interesting watches. I’d definitely recommend that collectors, Disney fans, and special effects enthusiasts pick this one up.

Keep an eye out for reviews of Me Before You and The Night Manager.

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The Academy Awards To Air On ABC Network Through 2028

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ABC and the Academy of Motion Picture Arts and Sciences announced today that they have expanded their agreement for eight more years, in which the Network will remain home to the Oscars, Hollywood’s biggest entertainment ceremony of the year, through 2028. The new agreement for the domestic network of the Academy Awards® adds eight years to the existing contract, which was scheduled to expire in 2020.

“We’re honored to continue our storied and successful partnership with ABC in broadcasting the most watched live entertainment event of the year,” said Academy President Cheryl Boone Isaacs. “In 2028, we’ll mark the Oscars 100th anniversary, and ABC is the perfect partner to help us celebrate the magic of movies with our fans. On behalf of the Academy, I thank Jim Gianopulos, our Academy Treasurer and chair of the Board’s Finance Committee, and Disney/ABC’s Ben Sherwood, for leading these efforts.”

“After hosting the Academy Awards more than 50 times, ABC has become the home for Hollywood’s most prestigious and glamorous night of television.  With this new landmark agreement, ABC is proud to showcase the Oscars all the way to their Centennial celebration in 2028,” said Ben Sherwood, co-chairman, Disney Media Networks and president, Disney/ABC Television Group. “Broadcast television brings together the biggest audiences with high-quality live events, and ABC has the brightest, boldest lineup in the business,” Sherwood said.  “We look forward to teaming with the Academy to bring Oscar Sunday to even greater creative heights as we spotlight motion picture magic and honor the achievements of the most talented members of the film industry.”

“The Academy’s partnership with ABC has been one of the most enduring in Hollywood,” said Academy CEO Dawn Hudson. “Both the Academy and ABC set high bars for excellence, and ABC has a proven passion to help us deliver a great show to our global audience.  We couldn’t think of a more trusted collaborator to further our mission of inspiring and connecting the world through film.”

“We are elated the Oscars will continue to call ABC home,” said Channing Dungey, president, ABC Entertainment. “The ceremony is an important part of network programming, and we’re looking forward to continuing our partnership with the Academy and delivering a multi-faceted, and multi-platform, ceremony celebrating the world’s biggest stars and honoring excellence in filmmaking.”

The Academy’s negotiating team was led by Boone Isaacs, Hudson, Gianopulos, attorneys Chris Tayback and Ken Ziffren, economic advisor John Sandbrook and Academy in-house counsel Scott Miller.

The Disney/ABC Television Group’s negotiating team consisted of Sherwood; Dungey; Jana Wingrade, head of Business Operations; Jennifer Mayo, senior vice president, Business Affairs; Grant Michaelson, vice president, Business Affairs; Mark Mazie, chief counsel, Media Networks; and Stewart Harrison, deputy chief counsel.

The 89th Academy Awards will be held Oscar Sunday, February 26, 2017, at the Dolby Theatre at Hollywood & Highland Center in Hollywood, and will be televised live by the ABC Television Network. The Oscar presentation also will be televised live in more than 225 countries and territories worldwide.

88th Oscars®, Tuesday Set Ups

BEN-HUR (1959) Screens September 7th at The Tivoli – ‘Classics in the Loop’

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“When the Romans were marching me to the galleys, thirst had almost killed me. A man gave me water to drink, and I went on living. I should have done better if I’d poured it into the sand!”

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BEN-HUR (1959) screens Wednesday September 7th at The Tivoli Theater (6350 Delmar in ‘The Loop’) as the inaugural feature in their new ‘Classics in the Loop’ film series. The movie starts at 7pm and admission is $7. It will be on The Tivoli’s big screen.

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The recent BEN-HUR cost over 100 million dollars to make and is already being called the bomb of the summer. That’s too bad, because I think it’s actually quite good. It was made for a modern audience and runs 132 minutes. The 1959 version of BEN-HUR costs 16 million to make and lasts 100 minutes more than the new remake. I wonder if today’s attention-challenged audiences would have flocked to it at that length like they did 57 years ago. If you missed the new version, go and see it (if it’s still showing), then head over to the Tivoli next Wednesday night and see the original. I’ve never seen the ’59 version on the big screen so I’ll be there to compare.

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BEN-HUR won 11 Oscars in 1959 and deserved every one of them. It’s a titanic film both in structure and scope. It doesn’t need me to go over old ground about how much the film cost to make, the number of extras, the number of sets and etc, it’s now folklore that this film could have bankrupted MGM such was the investment, but they needn’t have worried since the film went on to make a healthy profit. Every cent spent was worth it because it’s a magnificent film, the kind that you can get swept away with, the minute the overture starts you feel little tingles as the hairs on your arms stand up on end, you are aware that for well over three hours director William Wyler and lead actor Charlton Heston are going to own you.
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The story centers around Judah Ben-Hur (Heston) who through his staunch loyalty to the Jewish race falls out with his dear Roman friend Messala (Stephen Boyd). He is dispatched to be a slave in the galleys and swears revenge on Messala. After pirates attack the ship he is slaved on, he manages to escape and in the process he saves Roman Admiral Quintus Arrius (Jack Hawkins) and this sets Juda on his destiny to enact revenge on his old friend as Quintus makes him a citizen of Rome.

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It’s epic, it’s simply beautiful, it’s actually essential viewing for any serious cinema fan, the film’s set pieces are still wondrous even today. You will marvel at the chariot race (a stunning 20 minutes long), you will hoist the flag during the pirate attack, and if you have the emotion in you? You will be hit with somber silence as Christ is crucified. Everything that is great about cinema is right there on the big screen at The Tivoli Wednesday September 7th

Here’s the rest of the line-up for the ‘CLASSICS IN THE LOOP’ film series:

Sept. 14                THE SOUND OF MUSIC

Sept. 21                LAWRENCE OF ARABIA

Sept. 28                LA DOLCE VITA

Oct. 5                    THE TEN COMMANDMENTS (1956)

Oct. 12                  GONE WITH THE WIND

Oct. 19                  SEVEN SAMURAI

Oct. 26                  DOCTOR ZHIVAGO

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WAMG Giveaway – Win the Blu-ray of MARAUDERS Starring Bruce Willis and Christopher Meloni

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Christopher Meloni (TV’s “Law & Order: Special Victims Unit”) and Bruce Willis (Die Hard franchise) star in the action-thriller Marauders, arriving on Blu-ray (plus Digital HD), DVD (plus Digital), and Digital HD September 13 from Lionsgate. Currently available On Demand, Marauders begins with a string of bank robberies leading one man to uncover a conspiracy that could bring an entire city to its knees. The action-packed thrill-ride also stars Dave Bautista (Guardians of the Galaxy) alongside Adrian Grenier (HBO’s “Entourage”), Johnathan Schaech (Vice), Lydia Hull (Escape Plan), Tyler Jon Olson (Precious Cargo), and Texas Battle (Final Destination 3).

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When an untraceable group of elite bank robbers executes the perfect heist, making off with millions in cash and leaving a dead bank manager in their wake, the FBI agents investigating the robbery/homicide (Christopher Meloni, Dave Bautista, and Adrian Grenier) begin to uncover signs of corruption involving the bank’s owner (Bruce Willis) and his high-power clients.  As they dig deeper into the case, the Feds realize that things are not what they seem, and in order to untangle a complicated web of deception and corruption they must push themselves to the brink – where the lines between right and wrong are often blurred.

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Now you can win the Blu-ray of MAURAUDERS. We Are Movie Geeks has two copies to give away. All you have to do is leave a comment belowe and tell us what your favorite Bruce Willis movie is (mine is 12 MONKEYS!) It’s so easy!

We’ll be picking the winners next week. Good Luck!

1. You must have a U.S. mailing address.
2. No purchase necessary.

The Marauders home entertainment release special features include audio commentary with the director and cinematographer, deleted/extended scenes, a behind-the-scenes featurette, and interviews with the cast and crew.

BLU-RAY / DVD/ DIGITAL HD SPECIAL FEATURES*

  • Audio Commentary with Director Steven C. Miller and Cinematographer Brandon Cox
  • Deleted/Extended Scenes
  • “The Making of Marauders” Featurette
  • Cast/Crew Interviews
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Fountains of Blood! SHOGUN ASSASSIN September 7th at Schlafly Bottleworks

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“You are marked for death… wherever you go! You cannot escape the… Shogun!”

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SHOGUN ASSASSIN screens Wednesday, September 7th at Schlafly Bottleworks Restaurant and Bar (7260 Southwest Ave.- at Manchester – Maplewood, MO 63143) as part of Webster University’s Award-Winning Strange Brew Film Series.

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“Send Your Ninjas! I’ll Kill Them All!!! And so he does!! SHOGUN ASSASSIN (1980) is a bizarre and amazing cult classic samurai film that is apparently pieced together from two longer films in the “Lone Wolf and Cub” Series. From my point of view the viewer would never know this was a composite film and it stands alone as an amazing and strangely hypnotic piece of violent film history. SHOGUN ASSASSIN has some of the best sword fights ever shot on film. The plot has Lone Wolf (Tomisaburo Wakayama) travelling the countryside, pushing his son, Daigero, ahead of him in a baby cart. The only time he stops is to battle the seemingly infinite number of ninja the Shogun sends out to kill him. The film has blood spurting every few minutes but is not meant to be realistic. It’s more a bloody dance. Bodies take seconds to fall over, defeated swordsmen spurt blood up in the air for seconds before falling over, and blood spurts up in front of (and sometimes onto) the camera. This extremely violent, yet aesthetically impressive film was directed originally by Kenji Misumi. The sword fighting in SHOGUN ASSASSIN is unreal and stunning. I recommend this to fans of action but also to serious film fans, as there is something going on here you might not expect. In conclusion, If you don’t see it next Wednesday night at Schlafly Bottleworks, you will pay……WITH RIVERS OF BLOOD!!!”

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SHOGUN ASSASSIN is dubbed into English and features a Moog-heavy soundtrack, which was later heavily sampled on Wu Tang Clan rapper GZA’s solo album “Liquid Swords,” helping introduce the film to a whole new generation of fans. Scenes from SHOGUN ASSASSIN are also featured in KILL BILL VOL.2 and the film was a major inspiration for director Quentin Tarantino.

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Don’t miss SHOGUN ASSASSIN when it screens Wednesday, September 7th at Schlafly Bottleworks Restaurant and Bar in Maplewood (7260 Southwest Ave.- at Manchester – Maplewood, MO 63143) as part of their Strange Brew film series . The movie starts at 8pm and admission is $5. A yummy variety of food from Schlafly’s kitchen is available as are plenty of pints of their famous home-brewed beer.

A Facebook invite for the event can be found HERE

https://www.facebook.com/events/1715452168719953/

16mm Double Feature Night Sept. 6th – DIRTY MARY CRAZY LARRY and THE 4D MAN

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Join us for some old-school 16mm Movie Madness! – It’s our monthly 16MM DOUBLE FEATURE NIGHT at The Way Out Club (2525 Jefferson Avenue in St. Louis)! Join Tom Stockman and Roger from “Roger’s Reels’ for a double feature of two complete films projected on 16mm film. The show is Tuesday August 2nd and starts at 8pm. Admission is FREE though we will be setting out a jar to take donations for the National Children’s Cancer Society.

First up is DIRTY MARY CRAZY LARRY

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If entertaining ‘70s car culture movies with great chases are your thing, then check out DIRTY MARY CRAZY LARRY. In 1974, John Hough delivered a fast paced, and surprisingly entertaining film. Peter Fonda is Larry Rayder, a down and out race car driver with dreams of driving in the big-time NASCAR circuit. Along with his mechanic, Deke Sommers (Adam Roarke), they rob a supermarket to finance their dreams, and make a run to escape with the loot. Along the way, they are blackmailed by fast and sexy Mary Coombs (curvy Susan George), who insists that they take her along for the ride. In their race for freedom, they evade an entire division of Highway Patrol cars, and tough-as-nails Sherriff Vic Morrow in their 440-powered 1969 Dodge Charger only to face their destiny on the brink of their success!

Next is THE 4-D MAN

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In THE 4-D MAN (1959), Robert Lansing plays a scientist trying to perfect a way to make solid objects pass through each other. He succeeds so well that he takes the idea a step further: he makes himself pass through solid objects. The process has an adverse effect on his mind, and he starts walking through the walls of banks at night, stealing the cash. Unfortunately, the use of his new power causes him to age rapidly, and the only way he can rejuvenate himself is to absorb life-energy by passing through another human being — even though this kills the victim. Lee Meriwether and Patty Duke costar in THE 4-D MAN, a memorable, rarely-screened ‘50s sci-fi favorite.

There will be movie trivia with prizes and of course The Way Out Club will have a full bar and Way Out Pizzas for sale. Don’t miss it!

 

 

Iconic Comic Actor Gene Wilder Dies at Age 83

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The sad news for fans of film comedy spread like wildfire earlier this week. Here’s the opening paragraph facts from the New York Times:

Gene Wilder, who established himself as one of America’s foremost comic actors with his delightfully neurotic performances in three films directed by Mel Brooks; his eccentric star turn in the family classic “Willy Wonka and the Chocolate Factory”; and his winning chemistry with Richard Pryor in the box-office smash “Stir Crazy,” died early Monday morning at his home in Stamford, Conn. He was 83.

A nephew, the filmmaker Jordan Walker-Pearlman, confirmed his death in a statement, saying the cause was complications of Alzheimer’s disease.

Mr. Wilder’s rule for comedy was simple: Don’t try to make it funny; try to make it real. “I’m an actor, not a clown,” he said more than once.

And what an actor. That’s from the first few lines of the obituary. We movie geeks mourn with the rest of the globe, but we’d also like to celebrate the beloved star by taking a look back at his nearly 50 year screen career.  In 1967, after much work on the stage and in television, Mr. Wilder made his film debut in a brief  comedy sequence as part of  a movie “game-changer” from director Arthur Penn, BONNIE AND CLYDE.

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His role was that of a frantic new husband that the Barrow gang takes a “liking to”, until he reveals his occupation. Later that year, Wilder would begin the first of several great screen partnerships (he was a terrific team player) when he co-starred with Zero Mostel in the Oscar-winning (Best Original Screenplay) comedy classic, the Mel Brooks farce THE PRODUCERS.

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As the initially timid, prone to bouts of exasperated panic Leo Bloom, Wilder created a screen persona that he’d use for the rest of his celebrated screen characters. But it would be several years before he joined forces with Brooks. In the meantime, Wilder added many more memorable roles to his resume’. 1970 saw him in two little-seen gems. He was an Irishman romancing Margot Kidder in QUACKSER FORTUNE HAS A COUSIN IN THE BRONX, then  he was part of two sets of identical twins (Donald Sutherland, the other set) in the swashbuckling, Paris set parody START THE REVOLUTION WITHOUT ME from director Bud Yorkin (right before he began TV’s “All in the Family”).

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The next year Wilder played the title character in a film that barely made a ripple at the box office, but thanks to repeated holiday airings on TV (much like THE WIZARD OF OZ) and home video sales, has become a cherished, mush-adored movie treasure, Mel Stuart’s WILLY WONKA & THE CHOCOLATE FACTORY (see the photo above). Perhaps 1971 audiences just weren’t ready for the sophisticated satire or the dark humor as the loopy “candy-man”, with the aid of his “Oompa-Loompa” minions dealt karmic justice to several bombastic brats. Wilder showed off his musical chops as he sang a wistful Bricusse/ Newley song that became an anthem for dreamers everywhere.

Talk about shifting gears! Wilder followed up Wonka in ’72 by teaming up with that other famous comedy writer/director Woody Allen for his anthology EVERYTHING YOU ALWAYS WANTED TO KNOW ABOUT SEX * BUT WERE AFRAID TO ASK.  In one outrageous segment, Wilder played a prominent, married doctor who begins a passionate affair… with a sheep! Then came perhaps Gene’s greatest year of cinematic triumphs. At the start of 1974 he re-teamed with Mostel in the film adaptation of the famed Eugene Ionesco play RHINOCEROS. Then came a reunion with Brooks when Wilder stepped in for an ailing actor, at almost the last minute, and played boozy but redeemed hero the Waco Kid (AKA Jim) in the box office smash BLAZING SADDLES.

During filming, Wilder told Brooks that he was toying with an idea of a comedy based on the most famous gothic horror novel of all time. After much cajoling, the two would work on a script. Following the release of the musical fantasy THE LITTLE PRINCE with Wilder as the Fox, audiences would get to see that collaboration, maybe the greatest monster movie parody of all time, YOUNG FRANKENSTEIN. It was a loving tribute, shot in shimmering black and white, of the iconic James Whale Universal films of the 1930’s. Wilder was Frederick Frankenstein (so embarrassed by his infamous legacy that he insists that it’s pronounced”Frawnk-enstein”), the grandson of the original mad scientist Victor, who inherits the ancestral family castle in Transylvania and finally decides to “take up the family business”.  With an all-star cast (a true movie-lovers’ “dream team”), the flick is pure, giddy comedy nirvana.

Here’s one of many memorable moments:

But this would be the final pairing with Brooks. The following year, Wilder would begin his long screen directing career by pulling triple duty (directing, writing, and starring) in THE ADVENTURE OF SHERLOCK HOLMES’ SMARTER BROTHER, re-teaming with his YF co-stars Madeline Kahn and Marty Feldman. 1976 saw the start of another screen partnership as Wilder displayed great screen chemistry with stand-up comedy superstar Richard Pryor in Arthur Hiller’s Hitchcock homage, the comedy/romantic/thriller SILVER STREAK.

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Audiences responded to the team-up, and demanded more flicks featuring the off-beat, likable duo. They’d have to wait four long years for the Sidney Poitier directed prison farce STIR CRAZY. Nearly ten years later, the two would reunite for Hiller in SEE NO EVIL, HEAR NO EVIL. The final Wilder/Pryor comedy (and Wilder’s final feature film) would be 1991’s ANOTHER YOU.  After STREAK, there was another self-written and directed romantic farce set in the 1920’s, THE WORLD’S GREATEST LOVER, with Wilder attempting to rival silent screen heart-throb Rudolph Valentino while trying to save his marriage to Carol Kane. And then Wilder saddled up for another Western as a Polish rabbi riding alongside Harrison Ford in Robert Aldrich’s THE FRISCO KID. Two years after STIR, Wilder began his final screen partnership when he was paired with TV’s “Saturday Night Live” star Gilda Radner in Poitier’s own Hitchcock-influenced comedy-romance HANKY PANKY.

This lead to a marriage and two more films, THE WOMAN IN RED and HAUNTED HONEYMOON. Between the last two Pryor flicks, Wider played a cartoonist (?!) for director Leonard Nimoy in FUNNY ABOUT LOVE.

So we raise a glass, or a box of popcorn, to frizzy-haired funnyman Gene Wilder. Thinking of you will forever put a smile on our faces. Thanks for the bounty of belly-laughs! Now where’d I put my blue blanket??!!

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Top Ten Tuesday – Top Ten White People Doing The Right Thing

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I think everyone in this country should be aware by now that our race relations are at an all time low.  It seems every time we hear the news another black citizen has been shot by the police or police have been shot by someone angry about these shootings.  It cannot continue.  We as a nation cannot keep going down this road.

I have always sympathized with Black Americans.  In fact as a Scot and Irish American I have always sympathized with anyone who ever got pushed around, starting with Native Americans, Asians, Jewish immigrants, women of any ethnic group, Hispanics from any country.

I also sympathize with the people who are tasked with law enforcement.  It’s a tough job.  I had some training in that area.  A couple of years ago I was hired by a Security company and was trained in unarmed, and armed, uniformed security.   I surprised myself by shooting very well at the gun range to get qualified to carry a firearm.  But it was not a good fit.  That gun hung heavy on my belt.  As soon as I started wearing  that security guard uniform I started getting feedback, negative feedback.  The uniforms I was issued could never have been mistaken for real law enforcement.  But I got negative feedback anyway, lots of it.

So I have always been emotionally effected anytime I see a white person doing the right thing in a movie towards a person of another ethnic group, including Black Americans, Native Americans or any other group.

Here are ten of my favorite such moments, although Hollywood has included many such scenes in many movies.

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  1. Red Tails 2012

The true story of the Tuskegee Airmen, black pilots with college degrees (there weren’t many in the 1930s and 40s) who trained to be fighter pilots during World War II.  The USA needed all the help they could get in World War II,  and the Government, and the military, reluctantly, very reluctantly allowed Black Americans to train in all the services, including being pilots in what was then called the Army Air Corp and later the  Army Air Force.  These pilots, it has been said, fought a war on two fronts, first against the Germans, on whom they unleashed all hell due to their frustration at living in a segregated country, and also against the   white Military establishment who was, mostly, convinced that Blacks could not fly and shoot a weapon at the same time.  The bigots were proved wrong, the Tuskegee Airmen, also known as Red Tails due to the distinctive markings on their planes, had the best record of any fighter group in the War.  They never lost a bomber, which was their task as a fighter squadron, to protect bombers on their runs into Germany, their record was impeccable and they were highly decorated.

In one heart wrenching scene they are approached in the street by a white pilot, who calls them “colored boys”  the Red Tails expect a fight, instead the white pilot renders them some respect, including a hand salute and invites them into a bar for a drink.  The tension level rises in that bar but it is left unspoken that the Red Tails are there at a white officer’s invitation.  Oh so briefly the color line is forgotten as white and black pilots, fighting the same war, have a drink and discuss their role in the biggest combat event in history.

The Tuskegee Airmen  correct the use of the term “colored boys”  and state that they prefer Negro.  One of the black pilots advises the whites that white people “turn red when they are angry, green with envy or yellow when cowardly and have the nerve to call us colored people!”

The Tuskegee Airmen were so good at their task the bomber pilots asked for them to cover their back on bombing runs, the highest compliment I can think of.

myfavorite

  1. My Favorite Year 1982

In one of the best comedies from the 1980s, or any decade really, the early days of television are recreated on a show that appears very much like the Sid Caesar show.  A young man named Benji (Mark Linn Baker) a writer and would be comedian and hopeless movie geek (based on Mel Brooks the producer of the movie) is tasked with taking care of the week’s guest star Allan Swann, a washed up alcoholic Movie Star baring more than a passing resemblance to Errol Flynn as well as the actor portraying him, the legendary Peter O’Toole.  (Although O’Toole denied he was anything like Alan Swann, yeah, right!)

At one point Swann accompanies Benji to the  apartment he shares with his Mother, Lainie Kazan and her second husband, a washed up Filipino boxer named Rookie Carroca,(Ramon Sisson) a character whom no one seems to respect.  Until the moment when the Big Shot Movie Star comes swaggering into the little apartment and focuses all his attention on “a lethal bantam weight named Rookie Carroca”!  He even pronounces his name right, the only time it happens, it brings tears to my eyes every time!  He even recalls a night he saw Rookie take Sailor Donovan down in San Diego in three rounds.  No, “in two,” Rookie corrects him.

Swann renders that over the hill Filipino boxer some respect, something he doesn’t seem to have received since the night “Manny Serpa turned him into guava jelly at Madison Square Garden.”

Trust me on this, Filipinos are good people, I served with a good many of them during my time in the Navy (there he goes again!)  And we don’t see many of them in our movies, and that is a shame, but what a great moment!

LUCAS BLACK as Pee Wee Reese and CHADWICK BOSEMAN as Jackie Robinson in Warner Bros. Pictures’ and Legendary Pictures’ drama “42,” a Warner Bros. Pictures release.

  1. 42 2013

The true story of Jackie Robinson, the first black baseball player to get into the major leagues, this story is all about trying to get past skin color.  Robinson played himself in The Jackie Robinson Story in 1950, a pretty good version on its own.  In 42 Chadwick Boseman gives an incredible performance as a man who was tasked with “not fighting back” when every vile racial insult was hurled at him daily, probably hourly.

Many of his own team mates  did not want him there, at first.  It is a powerful moment when Pee Wee Reese (Lucas Black)  puts his arm around Robinson in front of a stadium full of Redneck Crackers shouting every kind of abuse.  Captured in a famous photograph it is a great moment.

Robinson is so good at the game that eventually the other players come around to respecting the rookie who broke the color line.

But much  more heartbreaking is the moment when Robinson and his wife (Nicole Beharie) are approached on the street by one Redneck looking character (William Flaman) who ominously advises that he “has something to say” to Robinson.  He then states that he “is pulling for you.  You got the goods and any man with the goods deserves a fair chance.  And a lot of people around here feel the same way I do!”

He even tips his cap to Mrs. Robinson as he walks away leaving Robinson and his wife looking as if they cannot believe what just happened, for that matter neither can we!

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  1. The Magnificent Seven 1960

An American remake of a Kurosawa masterpiece  (Seven Samurai) The Magnificent Seven is pretty damn good in its own right. A once in a lifetime cast including Yul Brynner, James Coburn, Steve McQueen and Charles Bronson  team up into a group of seven gunfighters who stand up for a village of Mexican campesinos who get raided periodically by a group of bandits led of Eli Wallach.

The Magnificent Seven is one of the great western’s in movie history, still a hell of a good show and has one of the best, most epic  soundtracks ever, by the great Elmer Bernstein.    All the actors are good, you expect good work from Brynner and McQueen, Charles Bronson and James Coburn but this may be Robert Vaughn’s best performance ever.  But it’s Brad Dexter, of all people, who steals the whole show, wraps it around his gun hand and sticks it in his hip pocket in his death scene.

As good a Western adventure as The Magnificent Seven is it’s the idea of a small group of Anglo Americans standing up for a village of dirt poor Mexicans that makes it really something special.    These guys are Magnificent  and they, and the movie, treat the Mexicans with utmost respect.

whatslove

  1. What’s Love Got To Do With It? 1993

The crown jewel in movies that feature Nicheren Buddhism (a subject for a different Top Ten List) What’s Love Got To Do With It?  tells the true story of how Tina Turner (Angela Bassett) hit rock bottom and put her life back together by chanting Nam Myoho Renge Kyo  (try it some time, it works!)

In a key moment Tina Turner not only gets the courage and strength to fight back against Ike Turner she runs away from him the night they are set to play a gig. She runs off with just the  clothes on her back  and very little money to a nearby hotel. Visibly beaten she runs in and asks for the manager.  One hell of a Red Neck looking character (O’NeaL Compton: Attack of the 50 foot Woman 1993, Nell, Nixon, Deep Impact  ) comes to the front desk.    Tina explains who she is, that she has very little money but pleads for shelter.  Tina, and we the viewers,  fully expect to hear this guy say something along the lines of “Get this Negro wench out of my hotel!”  Instead, when Tina starts to remove her jewelry to pay for a room he says “Miss Turner, that’s not necessary, don’t worry we’ll take care of you!  It would be an honor!”

He tells one of the bell hops to “get Miss Turner a room and a Doctor!”  It’s been said that great acting is when you can tell what a character is thinking.  Compton (who has made a career out of playing country types, sheriffs, truck drivers and what have you, can be seen clearly thinking “if I ever get my hands on Ike Turner!”  You can feel the rage, Compton is on screen for all of three minutes but this simple act of kindness by a white man towards a black rhythm and blues singer leaves a lasting impression. This was the turning point in Tina Turner’s life.  And a great illustration of how Nicheren Buddhism can change a person’s life for the better.   Check out SGI-USA on line if you want to learn more.

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  1. Invictus 2009

Invictus is a movie full of white people, living in a country famous for its official racist attitudes, pulling their heads out of their ass and doing the right thing.

Nelson Mandela (Morgan Freeman) spent most of his life in prison in South Africa, because he did not want to live under South Africa’s miserable system of “apartheid” , which is actually pronounced “apart hate”.  South Africa has a white minority, mostly Dutch, some English and Germans who kept the black majority, Native Africans, as a second class of servants and living in dire poverty.

After the end of apartheid and Black South Africans gained full citizenship Nelson Mandela became the first native Prime Minister of what had been one of the most racist countries on Earth.  The first thing he did on being released from prison was to forgive his oppressors. After becoming Prime Minister his dream was a South Africa where all its citizens were on the same page.

The white minority fully expected to be either driven from the country or slaughtered, as happened in the Belgian Congo and other African countries after the end of colonialism.  Did not happen, Mandela was more than aware the country could not function without the white minority, they knew the economy, the government, the bureaucracy, the new South Africa needed them.

As a means to bring all its citizens together Mandela asked the South African Rugby team to win the 1995 Rugby World cup.  For South African whites Rugby is the national sport, black South Africans supported soccer, what the rest of the world calls football.

Mandela asks Francois Pienaar (Matt Damon) captain of the team to win that cup.  Pienaar has his doubts, his team has one black player, the only player black South Africans know and recognize.

The team visits the prison where Mandela spent most o f his life, they visit some of the black townships and view firsthand the wretched poverty.

They vow, as a team, to win that cup.  Mandela’s security group enlists, reluctantly, the aid of the white security crew from the previous administration.   Slowly but surely, black and white South Africans come to actually know and respect each other.

When the world cup game arrives, against New Zealand’s team, it is exhilarating to see that their team is fully integrated.  Well over half the team is native Maoris.  Their team does a Maori war dance before the game begins.  Like Native Americans, Australian Aborigines or any other Native culture, it is a great honor to dance with the Maori.

In the stands White South African youths cheer when Mandela enters the stadium.  Of course  South Africa’s team wins, causing a lot of excitement for the whole country, just what Mandela had wanted.  And we are excited as well, with the idea that if South Africa can make some effort to overcome its racist past, maybe we can too.

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  1. Race 2016

Another true sports story Race details the triumph of Jesse Owens (Stephan James)  at the 1936 Berlin Olympics, known as the Nazi Olympics for Hitler’s faith that his Aryan youth athletes would dominate the games.   Owens had the same struggles as other Black Americans in this same time period.  Other athletes did not want him in the locker rooms, just getting him to the games was a problem.   Even some Black Americans did not think he should go to those Olympic Games.

Improbably a German runner Carl ‘Luz’ Long  (David Cross) openly befriends Owens in front of stadiums full of National Socialist true believers, Leni Riefenstahl’s documentary cameras (her documentary of these games is well worth seeing) and most wonderfully of all, in front of Uncle Adolf Hitler himself.

Owens put the lie to Nazi ideas of a “master race” and oddly enough Owens did not do so single handed.  Other Black American athletes’ went to those games and some of them won medals.  NPR did a nice story on that but for simplicities sake, as Hollywood often does, the movie’s focus is on Owens.

Carl Long’s insistence on treating Owens with respect and dignity back fired on him, as you would expect, at the film’s end we find out that Long was “enlisted” in the German Army and died on the Eastern Front.

Cool Runnings: the 1993 movie about the Jamaican bobsleigh team

  1. Cool Runnings 1993

Another Hollywood movie about Black athletes going to the Olympics Cool Runnings is the Disney version (a VERY Disney version) of Jamaica’s unlikely goal of sending a bobsled team to the Winter Olympics in Calgary in 1988.

John Candy is a disgraced coach enlisted to try and get a bobsled team together in a country that has never seen snow.  Good casting, by the way, Candy being Canadian would know quite a lot about winter sports.

Overcoming one set of obstacles after another the Jamaicans make it to Calgary, they don’t win any medals but they do manage to finish their run.  Of course they are disrespected, wouldn’t you know, by the German team!  Although virtually every one at those games, athletes and spectators alike, thought the Jamaicans’ presence very odd indeed.

When they manage to finish their run the German who has given them the most grief insists on shaking hands with one of the team and declaring “you did damn good Jamaica!  We see you in four years, yah?”

I have worked with Jamaicans’ and have asked them about this movie, every one of them told me the same thing, virtually none of the movie is accurate about what happened, but they appreciate that the movie exists, at all!  They also appreciate that Disney thought enough of the film to have its world premier in Kingston, Jamaica.

Schindler's List

  1. Schindler’s List 1993

The great epic of one white man doing the right thing, Oscar Schindler made a lot of money off the Nazis during WWII and at the same time saved the lives of a great many Jewish people who were in line for the gas chambers.   One of many masterpieces on Steven Spielberg’s resume and filmed in immaculate black and white Schindler’s List is tough to watch, I have spent my life trying to get my head around the Holocaust, ever since I read the Trial of Adolf Eichmann when I was 12 years old.

And what a pity that there are some people who insist on denying it ever happened, despite museums full of evidence that it most assuredly did happen.  When I was working as a security guard a couple of years ago I started at the St. Petersburg Holocaust museum and spent my first day touring the museum just to get the feel of the place.  My museum habit has always been to read as much of the material posted at each exhibit as possible, since I had all day I read everything.  There were many other saviors of lives besides Oscar Schindler.  Our Holocaust museum has two walls dedicated to saviors including Raoul Wallenberg.

I would love to see a movie about Mr. Sugihara, a Japanese career diplomat assigned to the Japanese Embassy in Lithuania.  A great many Jews managed to get there.   Mr. Sugihara defied the Germans and his own government and wrote over 6000 visas by hand which got that many Jews out of Lithuania.  His punishment?  He was fired and sent home, he died peacefully in Japan in 1986. He is named Among the Righteous by the Israeli government for his actions, the only Japanese who is so honored.  He deserves his own movie, as much as Oscar Schindler did.

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  1. Cookie’s Fortune 1999

Robert Altman has many masterpiece films in his career.  Cookie’s Fortune was one of his last and best.  A rich white woman, Jewel Mae “ Cookie” Orcutt  (Patricia Neal) in a small Mississippi town commits suicide, for reasons of her own a relative(Glenn Close) wants it to look like murder. The only possible suspect is a black man, Willis Richland (Charles S Dutton).  The only problem?  None of the white people in town can believe he did it, not the Sheriff, not his deputies, nobody.  All of the white people in town come to this man’s defense, and it’s believable!  In the modern day south it’s easy to imagine such a thing happening.   Not so long ago the black citizen may have gotten lynched just on a rumor of wrongdoing.

Especially fun is that Willis is, reluctantly, put into a cell, and the door is left open, local law enforcement knows he is not going anywhere.  The white people in town bring him a tv, a comfy chair, homemade goodies, all very funny but also, again, it very well could happen.

I have to make several honorable mentions.  Driving Miss Daisy 1989 for showing the friendship between a cranky old Jewish woman and her black driver and how they come to depend on each other. The Body Guard 1992 for presenting a romance between a white man and black woman without once mentioning race.  Virtually all of John Sayles movies have white people trying to do the right thing especially Brother From Another Planet 1984 and Matewan 1987.

Monster’s Ball 2001 also deserves credit for presenting an interracial romance between two damaged people who really do need each other.  Although I have talked about this movie with black friends who point out how easy it would be to fall for a black woman, who is Halle Barry!  Also Green Mile 1999 for presenting a whole crew of white people trying to do the right thing for a black man condemned to “walk the green mile.”  I like the movie but will always feel that a man like John Coffey, with what he is accused of, would have never went to trial in the 1930s, he would have been lynched on the spot.

And I have to mention Black Snake Moan 2006 a movie with the audacity to suggest that White people might actually learn something, especially life lessons, from Black people!  Featuring an incredible performance from Samuel L Jackson (we expect no less at this point) Christina Ricci truly is amazing as about the nastiest little skank you could ever imagine, who somehow is still sympathetic and, yes, lovable.   The music is great too.

In television a groundbreaking series was I Spy 1965 – 1968 which presented a duo of a black and white man functioning as a team and again, without making a big deal  of race, at Bill Cosby’s request.  Also Star Trek, which presented a multicultural crew of an intergalactic star ship, working in close quarters, in deep space, with no mention of race. This during the 1960s when race was very much a hot button issue.

I remember very well the civil rights era, I have always sympathized.  I have told immigrants to this country my personal feelings about Black Americans, they are Americans, with all the rights of citizenship.  And we are lucky to have them, for at least three major reasons.  I am not a sports fan but obviously our sports teams are the best because of black athletes.  American music is the best in the world, because of black musicians; I don’t want to think about a world without Louis Armstrong, Count Basie, John Coltrane, Jimi Hendrix or Niki Minaj.  And the American sense of humor is both Black and Jewish.  Some of the greatest comedians we have ever had come from both groups.

And they are just as good at the jobs all of us do, I have worked with Black police, administrators, machine operators, call center representatives, every job I have ever had I have worked with black people who do the job as well as anybody.

To sum up I thought we were finally getting beyond all this racial stuff that has plagued our country from the very beginning.  I thought the election of Barack Obama to the Office of the President meant we were finally moving forward, no we took two steps, maybe more, back.

We are sliding down a very slippery slope.  We very much need to learn to live with each other, respect each other, and yes, love each other,  and I mean everybody, across the board, or we are in deep trouble.  We really don’t have any other options.