Peter Bogdanovich’s SHE’S FUNNY THAT WAY Gets A New Release Date – August 21

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SHE’S FUNNY THAT WAY, the latest film from award-winning director Peter Bogdanovich, will now hit theaters and VOD on August 21, 2015. The Broadway-set screwball comedy stars Owen Wilson, Jennifer Aniston, Imogen Poots, Kathryn Hahn, Rhys Ifans, and Will Forte.

Check out the latest clip.

When established director Arnold Albertson (Owen Wilson) casts his call girl-turned-actress Izzy (Imogen Poots) in a new play to star alongside his wife (Kathryn Hahn) and her ex-lover (Rhys Ifans), a zany love tangle forms with hilarious twists.

Jennifer Aniston plays Izzy’s therapist Jane, who is consumed with her own failing relationship with Arnold’s playwright Joshua (Will Forte), who is also developing a crush on Izzy.

SHE’S FUNNY THAT WAY will be released by Lionsgate Premiere in theaters and On Demand on August 21st.

https://www.facebook.com/shesfunnythatway

Win A VACATION Movie Prizepack

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To celebrate the release of VACATION on July 29th, WAMG has a cool prizepack to give away to one lucky reader.

Enter for a chance to win:

1 CD Soundtrack
1 Walley World T-shirt
1 Walley World Air freshener
2 Beer koozies

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The next generation of Griswolds is at it again. New Line Cinema’s VACATION, starring Ed Helms (“The Hangover” films) and Christina Applegate (the “Anchorman” films), takes the family on the road for another ill-fated adventure. The film marks Jonathan Goldstein and John Francis Daley’s directorial debut.

Following in his father’s footsteps and hoping for some much-needed family bonding, a grown-up Rusty Griswold (Helms) surprises his wife, Debbie (Applegate), and their two sons with a cross-country trip back to America’s “favorite family fun park,” Walley World.

ADD YOUR NAME AND EMAIL IN OUR COMMENTS SECTION BELOW.

1. Must have a U.S. mailing address.

2. No purchase necessary.

We will contact the winner by email.

http://vacationthemovie.com/

The film is rated R.

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Win Passes To The Advance Screening Of RICKI AND THE FLASH In St. Louis

Meryl Streep
Image Courtesy of Bob Vergara ©2015 CTMG, INC All Rights Reserved

Meryl Streep takes on a whole new gig – a hard-rocking singer/guitarist – for Oscar®-winning director Jonathan Demme and Academy Award®-winning screenwriter Diablo Cody in RICKI AND THE FLASH.

In an original and electrifying film loaded with live musical performances, Streep stars as Ricki Rendazzo, a guitar heroine who made a world of mistakes as she followed her dreams of rock-and-roll stardom. Returning home, Ricki gets a shot at redemption and a chance to make things right as she faces the music with her family.

Streep stars opposite her real-life daughter Mamie Gummer; Rick Springfield, portraying a Flash member in love with Ricki; Kevin Kline as Ricki’s ex-husband; and Audra McDonald as Kline’s new wife.

RICKI AND THE FLASH opens in theaters on August 7, 2015.

WAMG invites you to enter for a chance to win passes (Good for 2) to the advance screening of RICKI AND THE FLASH on MONDAY, AUGUST 3RD at 7PM in the St. Louis area.

We will contact the winners by email.

Answer the following:

Director Jonathan Demme directed Christopher Walken
in what 1982 made-for-television film?

TO ENTER, ADD YOUR NAME, ANSWER AND EMAIL IN OUR COMMENTS SECTION BELOW.

OFFICIAL RULES:

1. YOU MUST BE IN THE ST. LOUIS AREA THE DAY OF THE SCREENING.

2. A pass does not guarantee a seat at a screening. Seating is on a first-come, first served basis. The theater is overbooked to assure a full house. The theater is not responsible for overbooking.

3. No purchase necessary.

The film is rated PG-13 by the Motion Picture Association of America for thematic material, brief drug content, sexuality, and language.

rickiandtheflashmovie.com

https://www.facebook.com/RickiAndTheFlash

https://twitter.com/RickiMovie

Meryl Streep;Rick Springfield

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THE ROOM with Tommy Wiseau in Person Midnights This Weekend at the Tivoli

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“I got the results of the test back – I definitely have breast cancer!”

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THE ROOM  screens Midnights This Weekend at the Tivoli – with Tommy Wiseau in Person! – as part of the Reel Late at the Tivoli Midnight Series. All seats $15.00, no passes.

There will be thousands of plastic spoons flying through the air in the Tivoli’s main screen this weekend. Grown men in tuxedoes will be throwing footballs three feet away from each other in the Tivoli’s lobby. What’s going on and who will that strange man with the sunglasses, odd accent and black stringy hair be that everyone will be crowded around?

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Forget Ant-Man! The wait is almost over. The St. Louis movie event of the summer is this weekend! Our city is bracing itself for the arrival of the one and only Tommy Wiseau! St. Louis-area fans of THE ROOM will have the opportunity to meet the film’s talented, handsome, and charismatic  star, writer and director  when he comes to Landmark’s Tivoli Theater here (6350 Delmar in The Loop) for midnight shows of his film this weekend, July 31st and August 1st. His big box of  THE ROOM T-Shirts, DVD’s, posters, ‘Johnny’ bobbleheads  is sitting at the Tiv, ready to sign for his legion of adoring fans.

Tommy will set up in the Tivoli’s lobby around 9:30 or 10pm for the autograph session. This will be followed by a Q&A, an audience interactive game, and a midnight showing of THE ROOM. It’s the cultural event of the St. Louis summer!

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Tommy’s new short film THE NEIGHBORS will show before the feature.THE NEIGHBORS is a pilot for a sitcom written, produced, directed by, and starring Tommy Wiseau in his first such creative excursion since his 2003 cult classic THE ROOM. It is set in an apartment building and revolves around the lives of the various tenants and their interactions with the “manager”, Charlie, played by Wiseau.

Tickets can be purchased in advance, or just show up. The Tiv seats 420 souls and is located at 6350 Delmar in The Loop.

http://www.landmarktheatres.com/market/st.louis/tivolitheatre.htm

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There are different types of “Bad Movies”. It’s become sport to poke fun at bloated star vehicles such as ISHTAR, GLITTER, or GIGLI but those films are usually miserable experiences to actually sit through. There are films that are intentionally bad such as those from Troma studios (TOXIC AVENGER, POULTRYGEIST) but Troma knows its audience and anyone seeing a Troma film knows what they are getting into. Writer/director Tommy Wiseau’s THE ROOM belongs with the group of movies that are so bad that they can transform their own awfulness into a “comedy of errors”. Unlike more mundane bad films, these films develop an ardent following of fans who love them because of their poor quality, because normally, the errors (technical or artistic) or wildly contrived plots are unlikely to be seen elsewhere and they become great entertainment in spite of themselves. PLAN 9 FROM OUTER SPACE is the most famous film in this category but its director, Ed Wood, made his films while cloaked in an alcoholic haze (and bra) while convinced he was making great art. I’m not sure what Tommy Wiseau’s excuse is but St. Louis-area fans of THE ROOM will have the opportunity to ask him this weekend when he comes to Landmark’s Tivoli Theater here (6350 Delmar in The Loop) for midnight shows of his film the weekend of July 31st- August 1st.

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THE ROOM is an independently-made, self-distributed movie Wiseau wrote, directed, and starred in back in 2003 that would have been quickly forgotten if it hadn’t found new life after being discovered by some courageous Los Angeles movie fans.It began playing midnights all across the country, complete with prop-throwing, dialog-heckling, and the audience acting out scenes  and dialog like “Lisa, you’re tearing me apart!(think ROCKY HORROR PICTURE SHOW without the bustiers).  There’s no real way of adequately describing the film’s amusements in standard critique but I will say that it really does live up (or in this case down) to its reputation. A most uncomplicated love story, THE ROOM stars Wiseau as Johnny, a long-haired banker whose trampy girlfriend Lisa (Juliette Danielle) is having an affair with his best friend Mark (Greg Sestero). Johnny gets upset. The End. To be sure, THE ROOM is a craptacular train wreck that will have you rolling on the floor with laughter because of its stupidity, but it is so transcendent in its dreadfulness that it actually becomes a thing of beauty. All of THE ROOMS’s cult achievement rests squarely on the awkward shoulders of Tommy Wiseau, the unlikeliest leading man ever to grace the big screen. Wiseau looks like Gene Simmons’ squat, constipated brother and has an incredibly uncomfortable screen presence. Speaking in a vague Eastern European accent (he claims he’s originally from France. He also claims to study psychology ‘as a hobby’), his every line is mumbled in the same phonetic, euro-sleaze inflection and concluded with a forced, strangled giggle. Wiseu directs himself in three long soft-core sex scenes, each one accompanied by an excruciating song and while Wiseu could have hired as his leading lady an unattractive actress who could act or a beauty who couldn’t, Juliette Danielle is both homely and untalented. I hate to be cruel but with her bad teeth, folds of fat that pop out of her lingerie, and nervous tick neck-twitch, she actually outdoes Wiseu in the lack-of-charisma department (at I first suspected she must be Wiseau’s girlfriend until I read an interview where he claims to have discovered her the day before shooting began when he spotted her stepping off a bus!).

It’s hard to explain the appeal of THE ROOM to someone who hasn’t seen it. I could describe the craziness that abounds such as the scene when the guys go outside and toss a football around from about three feet apart while reciting wretched dialog, or mention that a main character announces she has cancer halfway through, a development never again revisited, but there’s no way my descriptions can do THE ROOM’s unintentional delights justice. After all the anti-acclaim the film has received, Wiseau has backpedaled and now claims he was making a spoof. Was he? Ask him this summer when he appears at the Tivoli to sign his book on THE ROOM, sign autographs, and answer questions. Tickets are $15 each. Look for more coverage of this major upcoming cultural event here at We Are Movie Geeks.com, It doesn’t get worse than THE ROOM, and that’s a good thing.

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Don’t miss THE ROOM and your chance to meet Tommy Wiseau this weekend!

Here’s the rest of the Reel Late at the Tivoli Midnight schedule for the next couple of months

Aug. 7-8                 ZARDOZ

 Aug. 14-15           THE WIZARD OF OZ

Aug. 21-22            SPACE JAM

 Aug. 28-29          INDIANA JONES AND THE LAST CRUSADE

 Sept. 4-5              SPIRITED AWAY

 Sept. 11-12           HAROLD AND MAUDE

The Facebook invite for this weekend can be found HERE

https://www.facebook.com/events/375120139351107/

The Midnight at the Tivoli Fans Facebook page can be found HERE

https://www.facebook.com/groups/255754067866051/

 

SHAUN THE SHEEP Visits St. Louis For Some Shaun Selfies

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He’s Shaun the sheep, He’s Shaun the sheep.
He even mucks about with those who cannot bleat.
Keep it in mind
He’s one of a kind
Oh…..
Life’s a treat with Shaun the Sheep!

SHAUN THE SHEEP MOVIE is opening in U.S. cinemas on August 5.

He and his friends are having a ba baa-baa-baa ba-ll this summer.

Cute and lovable, with his little crop-top hairstyle, his big eyes and simple face, Shaun decided to make a stop over on his worldwide tour and visit some of the well known sites of St. Louis.

With 140 TV episodes and a motion picture under his belt, this little sheep planned a fun-filled day out by taking Shaun Selfies at popular St. Louis destinations! On his list were the Arch, Busch Stadium, the Science Center and the Zoo.

Come and meet with Shaun the sheep
Oh……
Come and bleat with Shaun the Sheep

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When Shaun grows bored of his daily routine at Mossy Bottom Farm under the watchful eye of The Farmer and his dutiful dog Bitzer, he conspires with the rest of the flock to take a much-needed day off. Their scheme seems to be working perfectly after they trick The Farmer into falling asleep (by making him count sheep, of course), but their staycation is derailed when he is unwittingly transported via runaway camper trailer to the Big City.

Determined to find The Farmer and bring him home, Shaun and his flockmates embark on a well-intentioned if ill-conceived rescue mission to the nearby bustling metropolis. Their action-packed adventure soon finds the sheep going undercover as human diners in a fancy restaurant, tangling with overzealous animal-control officer TRUMPER, plotting a daring escape from a prison-like animal shelter and hatching an elaborate plan to retrieve their amnesiac master-turned-celebrity hair stylist.

Without a word of dialogue, stop-motion animation comedy SHAUN THE SHEEP MOVIE powers through visual puns, sight gags and rollicking plot twists to arrive at a hard-won realization: there’s no place like home.

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British composer Ilan Eshkeri provides the cheeky score for this baaa-utiful movie.

From the makers of Wallace and Gromit and Chicken Run, SHAUN THE SHEEP MOVIE is a StudioCanal and Aardman Animations production, produced by Julie Lockhart and Paul Kewley from Aardman Animations (WALLACE AND GROMIT, CHICKEN RUN), written and directed by Mark Burton and Richard Starzak.

http://shaunthesheep.com/

https://twitter.com/shaunthesheep

https://www.facebook.com/shaunthesheep

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SPARTACUS: RESTORED EDITION Coming To Blu-ray On October 6, 2015

Universal Pictures Home Entertainment - Spartacus

The ultimate gladiator action blockbuster, SPARTACUS returns in an all-new fully restored Blu-ray™ with Digital HD on October 6, 2015, from Universal Pictures Home Entertainment.

Starring film legend Kirk Douglas as the defiant slave-turned-revolutionary, directed by acclaimed filmmaker Stanley Kubrick (The Shining, 2001: A Space Odyssey) and written by Oscar-winner Dalton Trumbo (Roman Holiday, The Brave One), SPARTACUS: RESTORED EDITION celebrates the film’s 55th anniversary with a new extensive restoration of the 1991 reconstructed version of the film which features 12 additional minutes of footage.

The highly anticipated Blu-ray also includes two all-new bonus featurettes including a brand new interview with screen legend Kirk Douglas plus 7.1 audio for the first time ever.

The genre-defining epic from director Stanley Kubrick is the legendary tale of a bold gladiator (Kirk Douglas) who led a triumphant Roman slave revolt. Newly restored from large format 35mm original film elements, the action-packed spectacle won four Academy Awards, including Best Cinematography and Best Art Direction, as well as a Golden Globe for Best Picture.

Featuring a cast of screen legends such as Laurence Olivier, Charles Laughton, Peter Ustinov, Jean Simmons, John Gavin and Tony Curtis, this uncut and fully restored masterpiece is an inspirational true account of man’s eternal struggle for freedom

BONUS FEATURES ON BLU-RAY™ 

  • I Am Spartacus: A Conversation with Kirk Douglas: An interview with the 98-year-old screen legend. –New!
  • Restoring Spartacus: An inside look at the intricate process of the film’s 2015 restoration. –New!
  • Deleted Scenes
  • Archival Interviews with Peter Ustinov & Jean Simmons
  • Behind-the-Scenes Footage
  • 5 Vintage Newsreels
  • 5 Image Galleries (Production Stills / Concept Art / Costume Designs / Saul Bass Storyboards / Posters & Print Ads)
  • Theatrical Trailer

FILMMAKERS
Cast: Kirk Douglas, Laurence Olivier, Charles Laughton, Peter Ustinov, Jean Simmons, John Gavin, Tony Curtis
Directed By: Stanley Kubrick
Written By: Dalton Trumbo
Based on the Novel By: Howard Fast
Produced By: Edward Lewis
Executive Produced By: Kirk Douglas
Director of Photography: Russell Metty
Production Designer: Alexander Golitzen, Roger Forse
Edited By: Robert Lawrence, Irving Lerner
Costume Design By: Valles
Music By: Alex North

TECHNICAL INFORMATION BLU-RAY™:
Street Date: October 6, 2015
Copyright: 2015 Universal Pictures Home Entertainment
Selection Number: 61167037 (US)/ 61172734 (CDN)
Layers: BD-50
Aspect Ratio: 2.20:1
Rating: PG-13
Languages: English DTS-HD MASTER AUDIO 7.1; French DTS Digital Surround 5.1
Subtitles: English, Spanish and French
Run Time:  3 Hours 17 Minutes

PAPER TOWNS – The Review

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It’s Summer, so it’s time for the big Hollywood studios to scour the bookshelves over in the young adult section for another hot property. Thankfully it’s not another tale set in a dystopian future with mankind’s hopes and fate riding on a youngster’s untested shoulders. Of course they’re great for the movies, since most are part of an ongoing series. For execs there are few words as sweet as ” tent pole” or “franchise”. This new film is a solo story, although you could say it’s part of a series. You see it’s from one of the hottest (perhaps even a brand) names in YA lit, John Green. His first story to hit the big screen last summer was the smash hit, THE FAULT IN OUR STARS. So what’s his newest teen tear-jerker du jour? The main vacation spot for lots of kids may just be these PAPER TOWNS.

Eighteen year-old high school senior Quentin (Nat Wolf) begins this tale, by taking us back nearly ten years, to the day his “miracle” occurred. That’s when adorable Margo moved (with her family) into the house next door. The smitten ‘Q’ became fast friends with the wild, impulsive ‘M’, as she would often climb on the roof of his house and tap on his bedroom window, inviting him to embark on another ‘adventure”. But as the years wore on, the two drifted apart. Teenaged M (Cara Delevingne) became the most popular girl in high school, running with the cool crowd. The introverted shy Q viewed her from the sidelines along with best buds and fellow “band geeks” Ben (Austin Abrams) and “Radar” (Justice Smith). Then one magical night, M was tapping on Q’s window once more. She needed his help (and his family’s car) to right a terrible wrong. M had just learned that her boyfriend was fooling around with one of her closest gal pals. Into the wee hours, the two exacted revenge on the couple along with another two that aided in their betrayal. As they parted, Q hoped that their friendship was renewed, and secretly wished that he and M could be more than friends. But she never showed up at school the next day. Or the following day. And so on. Finally, word spread that M had run away…again. But Q recalled that M always left clues. Bribing M’s little sister to gain access to her bedroom, he pieced together a possible escape scenario. Q then convinces Ben, Radar and his steady girl Angela (Jaz Sinclair), along with M’s concerned ex-pal Lacey (Halston Sage) to embark on several state road trip in order to locate (and hopefully bring back) his first love.

Wolf, no stranger to the world of Green stories after his supporting stint in FAULT, makes for an affable, earnest everyman (or boy) as he tackles most of the film’s dramatic and comedic beats. His “deer caught in headlights” stare during the late night romp is a tad overdone along with his half-hearted whispered pleas of “No” “Don’t” “You can’t…”. The actor has talent to spare (he’s a true live wire in Palo Alto), but the thin material here doesn’t seem to challenge him. Delevingne, best known as a fashion model, doesn’t quite mesh with the “queen bee of the school” persona with her distracted, halting line delivery. I can get why Q would fall for her, but  somehow she’s got everybody under her “spell”. Abrams alternates between obnoxious and endearing as the full of “it” Ben. He almost believe his stories about the “hook up” from Canada (maybe she’s the sister of Riley’s far North beau in INSIDE OUT). Only the appearance of the lovely Lacey keeps him in line (he’s like a lovesick puppy). Sage is quite believable as the school blonde bombshell who wishes people could get past her stunning exterior. Smith projects a real sweetness as the only one of the trio to have a girlfriend. Unfortunately this keeps him in a state of near panic as he worries about saying or doing the wrong thing (gotta’ keep her away from his house so she doesn’t see his parents’ obsessive holiday collection) that will drive her away and return him to the ” lonely single guy bin”. Sinclair truly delights as the dream girl who is happy to be taken off her pedestal in order to really emotionally connect with her jittery suitor.

Director Jake Scrieier (the superb ROBOT & FRANK) tries valiantly but can’t quite break the constraints of the too familiar leaden story. Slow motion flashbacks and sequences are overused, and several comedic bits land with a thud (the script thinks that Radar’s house is hysterical, along with a protracted cartoon theme sing-a-long). And who thought North Carolina could really double for central Florida? Many of the adventures and clues are contrived to the point of being ludicrous. And we can never get past the selfishness of Q’s dream girl. She frivolously commits all manner of serious crimes (topped with her siged spray-painted “M”, like a new age Zorro) with no concern about the boy she’s made her slave/accomplice. And as a follow-up, she deserts everyone who cares about her well-being, sending a message that running away is a cool, hip thing to do when you need a break from ‘stuff’. Such a brat! And off course the big finale, the ticking clock deadline, is the rapidly approaching big prom dance (yet another tired high school flick trope). Perhaps the book’s many fans will enjoy this adaptation, but I couldn’t wait to escape these flimsy PAPER TOWNS.

1.5 out of 5

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SOUTHPAW – The Review

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Ever since two men slipped on gloves and sparred in a squared space, boxing has been a popular subject for mass media. I mean it’s a perfect venue, one man battling another, for everything from the legitimate theatre (the stage classic “Golden Boy”) and comic strips (“Joe Palooka” was a media sensation). But it seems to have been tailor-made for cinema, since it can cross over from “sports flick” to many other genres. It’s been a setting for laughs with screen comedians from Buster Keaton to Kevin James dancing about the canvas (plus THE MAIN EVENT was a boxing “rom com”). And there are boxing biographies from GENTLEMAN JIM to ALI. One modestly-budgeted 1976 smash turned into a huge franchise with ROCKY (which will soon continue with CREED). But boxing’s biggest impact may be in prestige dramas, with Wallace Beery earning an Oscar as THE CHAMP to the multi-winners (including Best Picture) RAGING BULL and MILLION DOLLAR BABY. Time to add another drama to the mix with SOUTHPAW in which the title characters doesn’t fight for fame and fortune, but to re-unite with his daughter. Yes, it’s a boxing, child custody, family drama!

A great many boxing flicks tell a rags to riches story, with a young underdog struggling to get a shot at the title. This story takes an opposite approach. As the film begins, Billy Hope (Jake Gyllenhaal) is the undisputed light heavyweight champion of the world. He’s married to the gorgeous Maureen (Rachel McAdams). They both grew up without families and met when they were in the foster care system. Oh, and they’ve started their own family with sweet ten year-old Leila (Oona Laurence). All’s right with the world as Billy takes out another contender. The night is nearly spoiled when a rising young star of the ring ‘Magic” Escobar (Miguel Gomez) shows up to taunt Billy (“why you duckin’ me, champ?”) at the post game press conference. But Billy’s smooth manager Jordan (Curtis ’50 Cent’ Jackson), along with Maureen tell Billy to ignore the upstart (“not his time yet”). But it doesn’t end there. Later, outside a charity dinner, the fighters exchange words in the hotel lobby. Tensions escalate, fists fly, and each fighter’s security team draw their weapons. Shots ring out, and Billy suffers a devastating tragedy. This sends him into a downward spiral, eventually losing his lavish home and possessions, his title (he’s banned from pro boxing), and his daughter. After a drunk driving crash, the court places Leila into the foster system (just like her parents). Billy returns to his rough old neighborhood and asks the owner of a local fight gym, ‘Tick’ Willis (Forest Whitaker) for a job. Reluctantly Willis agrees. Later Billy pleads with him to become his trainer. The only way to get his beloved Leila back to him, is to climb his way back into the ring and prove to the courts that he can provide a proper home. This is one fight that Billy cannot lose.

Once again, Gyllenhaal bring intense dedication to a very different kind of role (he’s quite the chameleon). In the ring Billy seems like a beast who just burst out of his cage, roaring so loud his mouth guard can become a projectile. He ignores the blood (seems that right eye opens pretty fast), and never gives in to the pain. When the big loss occurs, it’s as if his spirit leaves his body. We want to try to jostle him back to reality. Unfortunately, out of the ring, Gyllenhaal eases into street “pug” mode, echoing Brando’s Terry Malloy too often. His scenes with young Leila do show a kind, tender side, while his pillow talk with Maureen reveal a playful, sexy side. But when he’s taunted too long, she can’t restrain him. McAdams is the beauty that tries to sooth the beast in a role that shows her as both glamorous and as a tender, caring matriarch. The real discovery may be the stellar performance by Laurence. When Daddy messes up, her seething glare cuts Billy more than any roundhouse blow. And she really looks like her on-screen parents (a rarity). Warning: she’s a true heart-breaker. Jackson may seem like a dapper dandy as manager Jordan, but he’s a cobra in dandy duds, who will strike at any sign of weakness. Whitaker is effective and believable as the typical grizzled old pugilist. There’s a real sadness in his heavy-lidded eyes as he ponders the ex-champ’s motives. Naomie Harris (SKYFALL) is also good as a sympathetic child advocate, but (from the film’s TV spots) it appears that much of her role was cut from the final version.

Director Antoine Fuqua continues to have a great knack for down and out, gritty characters and locales, bringing a real vitality to the boxing sequences. We’re right up close with the combatants, even facing them in many POV shots, making us feel as if we’ll get sprayed with the blood and sweat. But the emotional scenes are just as hard-hitting, especially when Billy comes up against a opponent he can’t punch: the court system. And then there’s the equally brutal scenes of attempted revenge that just never seem to fill Billy’s empty heart. Those sequences from the screenplay by Kurt Sutter (best known for the acclaimed cable TV drame “Sons of Anarchy”) avoid many boxing film clichés. But , everything does culminate in the big match that still keeps us on the edge of our seats, despite a few flights of fancy (really the refs would’ve stopped it at a couple of points). Yes, we’ve seen this type of fight story before, but it’s the family dynamic that will make you root for SOUTHPAW.

3.5 Out of 5

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Watch Tom Cruise At The MISSION: IMPOSSIBLE – ROGUE NATION Vienna Premiere

(Photo by Andreas Rentz/Getty Images for Paramount Pictures International)
(Photo by Andreas Rentz/Getty Images for Paramount Pictures International)

Tom Cruise, Simon Pegg, Rebecca Ferguson and director Christopher McQuarrie hit the red carpet and received an enthusiastic welcome from fans as MISSION: IMPOSSIBLE – ROGUE NATION had its world premiere at the State Opera House in Vienna.

Cruise thanked the large crowd for being “incredible” and felt “very privileged to make the film for the fans.”

McQuarrie also mentioned to be on the lookout for easter eggs in the fifth installment of the blockbuster franchise.

“I’m a bit of a bad-ass,” quipped Pegg about the thrilling car chase scene.

For the red-carpet event and screening, the historic Vienna State Opera House received a makeover of IMAX proportions exclusively for this premiere.

Check out the livestream here:
https://uk.screen.yahoo.com/mission-impossible-rogue-nation/mission-impossible-rogue-nation-world-130000835.html 

'Mission: Impossible - Rogue Nation' World Premiere

'Mission: Impossible - Rogue Nation' World Premiere

Simon Pegg signs autographs during the world premiere of 'Mission: Impossible - Rogue Nation' at the Opera House (Wiener Staatsoper) on July 23, 2015 in Vienna, Austria.  (Photo by Gisela Schober/Getty Images for Paramount Pictures International)
Simon Pegg. (Photo by Gisela Schober/Getty Images for Paramount Pictures International)
Simon Pegg and Tom Cruise arrive for the world premiere of 'Mission: Impossible - Rogue Nation' at the Opera House (Wiener Staatsoper) on July 23, 2015 in Vienna, Austria.  (Photo by Gisela Schober/Getty Images for Paramount Pictures International)
Simon Pegg and Tom Cruise. (Photo by Gisela Schober/Getty Images for Paramount Pictures International)
Tom Cruise with cast and filmmakers pose during the world premiere of 'Mission: Impossible - Rogue Nation' at the Opera House (Wiener Staatsoper).  (Photo by Andreas Rentz/Getty Images for Paramount Pictures International)
(Photo by Andreas Rentz/Getty Images for Paramount Pictures International)
(Photo by Monika Fellner/Getty Images for Paramount Pictures International)
(Photo by Monika Fellner/Getty Images for Paramount Pictures International)
Tom Cruise arrives on stage outside of the Opera during the world premiere of 'Mission: Impossible - Rogue Nation' at the Opera House (Wiener Staatsoper).  (Photo by Monika Fellner/Getty Images for Paramount Pictures International)
Tom Cruise arrives on stage outside of the Opera during the world premiere of ‘Mission: Impossible – Rogue Nation’ at the Opera House (Wiener Staatsoper). (Photo by Monika Fellner/Getty Images for Paramount Pictures International)

'Mission: Impossible - Rogue Nation' World Premiere

Rebecca Ferguson in an Elie Saab dress.

(Photo by Gisela Schober/Getty Images for Paramount Pictures International)
(Photo by Gisela Schober/Getty Images for Paramount Pictures International)
Simon Pegg, Tom Cruise, Rebecca Ferguson, Christopher McQuarrie
Simon Pegg, Tom Cruise, Rebecca Ferguson, Christopher McQuarrie
Simon Pegg, Tom Cruise, Rebecca Ferguson, Christopher McQuarrie
Simon Pegg, Tom Cruise, Rebecca Ferguson, Christopher McQuarrie

'Mission: Impossible - Rogue Nation' World Premiere

'Mission: Impossible - Rogue Nation' World Premiere

'Mission: Impossible - Rogue Nation' World Premiere

'Mission: Impossible - Rogue Nation' World Premiere

With the IMF disbanded and Ethan (Tom Cruise) out in the cold, the team now faces off against a network of highly skilled special agents, the Syndicate. These highly trained operatives are hellbent on creating a new world order through an escalating series of terrorist attacks.

Ethan gathers his team and joins forces with disavowed British agent Ilsa Faust (Rebecca Ferguson), who may or may not be a member of this rogue nation, as the group faces its most impossible mission yet. Starring Tom Cruise, Jeremy Renner, Simon Pegg, Rebecca Ferguson, Ving Rhames, Sean Harris and Alec Baldwin.

The film is directed by Christopher McQuarrie, with a screenplay by Christopher McQuarrie and story by Christopher McQuarrie and Drew Pearce. Based on the television series created by Bruce Geller.

Paramount Pictures will distribute MISSION: IMPOSSIBLE – ROGUE NATION on July 31, 2015.

http://www.missionimpossible.com/roomescape/

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The New Trailer Is Here For MAZE RUNNER: THE SCORCH TRIALS

dylan obrien scorch trials

Get a look at the brand new trailer for director Wes Ball’s MAZE RUNNER: THE SCORCH TRIALS.

The trailer debuted on Thursday, July 23rd, in theaters with PAPER TOWNS’ special “Night on The Towns” event.

In this next chapter of the epic “Maze Runner” saga, Thomas (Dylan O’Brien) and his fellow Gladers face their greatest challenge yet: searching for clues about the mysterious and powerful organization known as WCKD.

Their journey takes them to the Scorch, a desolate landscape filled with unimaginable obstacles. Teaming up with resistance fighters, the Gladers take on WCKD’s vastly superior forces and uncover its shocking plans for them all.

The screenplay is from T.S. Nowlin, based upon the novel “The Scorch Trials” by James Dashner.

Dylan O’Brien, Kaya Scodelario, Thomas Brodie-Sangster, Giancarlo Esposito, Aidan Gillen, Barry Pepper, Lili Taylor, and Patricia Clarkson star in the highly anticipated film from 20th Century Fox.

MAZE RUNNER: THE SCORCH TRIALS opens on September 18.

http://themazerunnermovie.com/
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MAZE RUNNER: THE SCORCH TRIALS