MUPPETS MOST WANTED Press Conference

MUPPETS MOST WANTED

The all new Muppet caper MUPPETS MOST WANTED opens tomorrow, and in celebration of the film Kermit the Frog, Miss Piggy, Constantine, Ricky Gervais, Ty Burrell, Tina Fey, and Sam Eagle held a press conference to talk about returning to the big screen. Check it out below!

Disney’s “Muppets Most Wanted” takes the entire Muppets gang on a global tour, selling out grand theaters in some of Europe’s most exciting destinations, including Berlin, Madrid, Dublin and London. But mayhem follows the Muppets overseas, as they find themselves unwittingly entangled in an international crime caper headed by Constantine—the World’s Number One Criminal and a dead ringer for Kermit the Frog— and his dastardly sidekick Dominic, aka Number Two, portrayed by Ricky Gervais. The film stars Ty Burrell as Interpol agent Jean Pierre Napoleon, and Tina Fey as Nadya, a feisty prison guard.

MUPPETS MOST WANTED

Yes, for Kermit. I was wondering – nothing against you Constantine – but I was wondering why Kermit you didn’t want to play both parts, because it would have really enhanced your acting credits. And where’s Miss Piggy? [LAUGHTER]

KERMIT THE FROG: Boy, that’s two very different questions [LAUGHTER], I’ll tell you. [LAUGHTER] Well, you know it didn’t make sense for me to play Constantine ‘cause we do have a few scenes together and I don’t really work on green screen [LAUGHTER] so we couldn’t really make that work. But plus, listen Constantine is actually a—a distant cousin, from Russia.

CONSTANTINE: Yes.

KERMIT THE FROG: Also with roots in the Colorado area I understand.

CONSTANTINE: This is true.

KERMIT THE FROG: Yeah, yeah. They like to lick toads there but anyway [LAUGHTER]. So—so it was better to get him to do it. He has the voice you know.

SAM EAGLE: He is actually from Russia?

KERMIT THE FROG: Well, I’m afraid so Sam. I’m afraid so.

SAM EAGLE: My goodness you’re sitting between the two of us. That’s all I can say.

CONSTANTINE: But what is weird thing is I cannot speak any Russian words.

RICKY GERVAIS: Just—just …

CONSTANTINE: … just an accent …

RICKY GERVAIS: … any place with a Russian accent?

TINA FEY: Yeah.

KERMIT THE FROG: Yeah, yeah. [LAUGHTER]

TY BURRELL: Two dogs [laughter].

CONSTANTINE: That’s it.

KERMIT THE FROG: That is very weird.

TY BURRELL: That’s a weird part of Russia that’s all English and …

CONSTANTINE: That is correct.

TINA FEY: You were born in the Russian airport.

CONSTANTINE: Yes.

TY BURRELL: [LAUGHTER]

KERMIT THE FROG: Oh, and I should, to answer the second part of your question, well, I’m just gonna give it away. Miss Piggy is actually around but she—she insisted upon being fashionably late.

CONSTANTINE: Yeah.

KERMIT THE FROG: So, I don’t know when she’s gonna show up but she is here.

CONSTANTINE: Who cares? [LAUGHTER]

KERMIT THE FROG: Exactly.

MUPPETS MOST WANTED

I wanted to ask the humans amongst the group here, about the singing. Were you nervous at all about being in a movie musical and singing and so forth, and how did you approach it? Will there be more musicals in your future?

RICKY GERVAIS: Well, I was okay with singing. I’m a failed pop star. I always sneak a song into everything I do, whether it’s David Brenn or Simpson’s or but, my dancing is a little awkward. A little embarrassed about that. I don’t move well. But I was with a frog.

KERMIT THE FROG: Yes.

RICKY GERVAIS: So it doesn’t matter. I’ll do …

KERMIT THE FROG: … you’re a very good friend …

RICKY GERVAIS: … I’ll do anything with a frog. That’s—that’s my motto. [LAUGHTER]

CONSTANTINE: That is nothing.

RICKY GERVAIS: And he was a, he’s a great tap danc—well, more a flap dancer …

CONSTANTINE: … I did flap dancing. [LAUGHTER]

RICKY GERVAIS: Yeah, flap dancing on my head. So, yeah no one’s gonna be looking at me when—when we’re doing that dance. [LAUGHTER] They’re gonna say there’s a frog dancing. That’s what—that’s what’s gonna be happening. So, yeah I got away with it.

TINA FEY: Yeah, you know you have a good voice. And my singing sounds like if you’ve ever seen the version of Oliver when the little boy sings and you can hear the hiss of how loud they had to turn up the microphone [LAUGHTER], it’s—my singing sounds like that.

KERMIT THE FROG: No, no that’s not true. You were great [LAUGHTER], you were great.

TINA FEY: But I think you know, Bret wrote really really good songs …

KERMIT THE FROG: … mm-hmm …

TINA FEY: … that make us seem good.

RICKY GERVAIS: Pretty amazing.

KERMIT THE FROG: Yep, yep.

SAM EAGLE: America and the world were spared my singing voice except for two notes. I don’t know if you noticed that. I think it was by design. [LAUGHTER] I spoke, I spoke my song but I was thrilled to do it. I, a huge fan of Bret McKenzie.

KERMIT THE FROG: Well, you are selling yourself short. You’re a great singer, a great actor and a great American. [LAUGHTER]

SAM EAGLE: So—so confusing. [LAUGHTER]

MUPPETS MOST WANTED

Hi Tina. In your Nadya persona …

TINA FEY: … yes …

 … can you tell us why you, not Miss Piggy, are the right woman for Kermit? She’ll stab you in the back later but just tell us now why you’re the right woman?

TINA FEY: Nadya is less work than Piggy. [LAUGHTER] You can give Nadya bag of hot rocks for Valentine’s day she will not care. [LAUGHTER]

KERMIT THE FROG: That’s true, that’s true. [LAUGHTER]

Perfect date.

TINA FEY: Or is a cheap date. [LAUGHTER]

Hello, here. It’s a—a question for Mr. Constantine.

CONSTANTINE: What? [LAUGHTER]

MUPPETS MOST WANTED

After this movie and singing and dancing, did you ever plan to leave behind the criminal life and dedicate and incorporate to the Muppets family?

CONSTANTINE: Well, this is good question. I am actually thinking about doing new Netflix original programming [LAUGHTER]. I will call it House of Toads. [LAUGHTER] I will executive produce and show run. [LAUGHTER] So let’s take meeting yes? [LAUGHTER] What you think?

RICKY GERVAIS: It’s amazing. [LAUGHTER] You’re the best.

CONSTANTINE: I am.

RICKY GERVAIS: I love this guy. He—he looks like, you know, he’s got a cold always literally like a cold exteriors. He’s cold blooded – he’s an amphibian.

CONSTANTINE: Yes.

RICKY GERVAIS: But he’s got it all, I think I’ve melted his heart a little bit. You see he had a bad upbringing. He was born in a Russian pond, weren’t you?

CONSTANTINE: Yes.

KERMIT THE FROG: Yeah, yeah.

RICKY GERVAIS: One of 800 siblings.

CONSTANTINE: Right.

RICKY GERVAIS: Many of ‘em dead.

KERMIT THE FROG: Yeah.

CONSTANTINE: Eaten by fish. [LAUGHTER]

RICKY GERVAIS: And he came over here and we met and we bonded didn’t we?

CONSTANTINE: Yes.

RICKY GERVAIS: We bonded over our mutual hatred of most of the other Muppets. [LAUGHTER]

CONSTANTINE: Well, of particular pig.

RICKY GERVAIS: Oh, yeah don’t get me started.

CONSTANTINE: Yes.

SAM EAGLE: Yeah, good thing she’s not here.

CONSTANTINE: Yes.

MUPPETS MOST WANTED

In the movie there’s a scene where Kermit, you try to mimic Constantine in that mirror. I was wondering for all of you, in your own personal lives, have you ever tried to be someone and mimic someone that isn’t true to who you really are?

KERMIT THE FROG: I think that’s what we do for a living isn’t it? [LAUGHTER]

TY BURRELL: Yeah, yeah. [LAUGHTER] We turn that …

RICKY GERVAIS: … five days a week …

TY BURRELL: … very strange psychological disorder into a—a lucrative career. [LAUGHTER]

CONSTANTINE: You nailed the answer Kermit. That was good.

KERMIT THE FROG: Yeah.

MUPPETS MOST WANTED

Hi. There’s a line in the movie that…

KERMIT THE FROG: … huh, oh …

… that suggests that there may have been, um, some rivalry behind the scenes over how much screen time Walter got in the last movie. Would—would Kermit and Sam care to comment on that? Any sort of behind the scenes politicking?

KERMIT THE FROG: Sam, you’re good at behind the scenes politicking.

SAM EAGLE: Well, yes, yes I’m also very good at diplomacy so …

KERMIT THE FROG: … yep, yep …

SAM EAGLE: … I will just say that I am happy with how this movie turned out [LAUGHTER] and all the screen time that …

KERMIT THE FROG: … yeah, wait wait whoa …

SAM EAGLE: … everyone here …

KERMIT THE FROG: … Sam, Sam you didn’t answer the question.

SAM EAGLE: Exactly Kermit. [LAUGHTER]

KERMIT THE FROG: Oh. [LAUGHTER]

SAM EAGLE: That was the point. [LAUGHTER]

MUPPETS MOST WANTED

Hi, my question is for Ricky Gervais. A huge fan of your work with the podcast and the travel shows with Mr. Karl Pilkington …

RICKY GERVAIS: … thank you …

…and I was curious if you were to do another season of ‘An Idiot Abroad’ and pair Karl with any one of the Muppets, which Muppet would you pair him with to annoy him the most and where would you send them around the world?

RICKY GERVAIS: I reckon, wow, Piggy I reckon, [LAUGHTER] It can’t stand anything high maintenance and whiney so that—that would be good. That would, that would really, I mean, that would finish him off I think. [LAUGHTER] Or Bunsen, that would be good as well.

KERMIT THE FROG: Mm-hmm.

RICKY GERVAIS: Because they look so alike. [LAUGHTER] That would confuse him. He wouldn’t know which one he was by the end of the [LAUGHTER], by the end of the show so that would be easy.

What do you guys think that kids will like most about this movie?

TINA FEY: I think, uh, I have kids. So I will answer …

KERMIT THE FROG: … you think you do or you know you do? [LAUGHTER]

TINA FEY: I had some [LAUGHTER] …

KERMIT THE FROG: … I did—I did get her attention …

TINA FEY: … I had some, as of this morning I had two. [LAUGHTER]

KERMIT THE FROG: Okay, good good.

TINA FEY: I think they—I think they’re—they’re gonna like how funny the movie is because, you know, I think there’s a lot of jokes in the movie and kids who are like 8, 9, 10 years old they take a lot of pride in getting the jokes.

KERMIT THE FROG: Mm-hmm.

TINA FEY: It makes them feel big.

RICKY GERVAIS: Yeah, it doesn’t patronize kids.

TINA FEY: Yeah.

RICKY GERVAIS: It doesn’t aim an audience …

KERMIT THE FROG: … yeah …

RICKY GERVAIS: … it—it aims higher and—and I remember when I was a kid watching the Muppets. I had older brothers and sisters and they were laughing and I—I sort of knew that it was cool as well, you know, good—good for me so I think kids relate to that. They like things that adults like …

KERMIT THE FROG: … mm-hmm …

RICKY GERVAIS: … as well. So that …

KERMIT THE FROG: … I for one do not get any of the jokes in this movie. [LAUGHTER] I just want to say.

TY BURRELL: I have an IQ of a seven-year-old and I loved this movie so much. [LAUGHTER]

RICKY GERVAIS: Yes.

TY BURRELL: I also love juice. [LAUGHTER]

MUPPETS MOST WANTED

I just wanted to go ahead and ask you. You guys are all comedy giants, in different age ranges of course.

TINA FEY: Yeah, only from behind.

Okay, yes. [LAUGHTER] When you guys got to learn each other or got to work with each other on set I mean, is there anything that for Tina, for Ricky and for Ty that you guys were inspired from—from the Muppets and for the Muppets were you guys inspired by your human counterparts?

TY BURRELL: I was constantly inspired by the Muppets. I’ve never realized just how over rated I was until you go out [LAUGHTER] and do a scene with somebody, who’s doing the, doing eight things at once while all I have to do is try to remember my words which I fail at miserably.

SAM EAGLE: No, no again, you sell yourself short Ty. [LAUGHTER] Alright? You—you could remember …

TY BURRELL: … oh, by the way Sam—Sam …

SAM EAGLE: … most of those words …

TY BURRELL: … I’m—I’m …

SAM EAGLE: … most of the time …

TY BURRELL: … I’m happy to report Sam became my life coach [LAUGHTER] right after we finished filming.

SAM EAGLE: Yes, yes. Well …

TY BURRELL: … so if we …

SAM EAGLE: … it took a while though.

TY BURRELL: Yeah.

SAM EAGLE: At—at for about half of the film this—this man is such a great actor. He had me going. I literally thought he was a Frenchman. [LAUGHTER] Yes, he was so convincing I think his portrayal of a Frenchman will go down in history as the most convincing portrayal of a Frenchman in film. [LAUGHTER]

TY BURRELL: Wow. I think we finally, you and I finally really bonded when we realized we had the exact same eyebrows.

SAM EAGLE: Yes. It—it’s true. It’s true. You know, and yes one day when I, I showed up to sets without mine he was kind enough to let me borrow his.

TY BURRELL: Yeah. [LAUGHTER] I had a—I had a surplus.

MUPPETS MOST WANTED

This question is for Ricky… we see you in the movie carrying these big bags of money for the journalists and at least I didn’t get my share [LAUGHTER] and where is my kind of money and do you care about reviews at all?

RICKY GERVAIS: You, well yeah. I mean, you like, you like it when they get it. But, I mean, if—if you only believe the good ones and don’t believe the bad ones then I think that’s a slippery slope. The best thing to do is, you know, celebrate the people that like the film and—and, you know, know that it was made for them. I—I don’t do anything for—for reviews or audience or awards or anything, you know. You do it for—you do it for yourself really if I’m being totally honest …

KERMIT THE FROG: … mm-hmm …

RICKY GERVAIS: … and—and of course, you know, and like minded people. But it’s—it’s crazy. If you’re worried about pleasing everyone you’re not gonna please anyone. And it’ll send you mad, you know …

KERMIT THE FROG: … mm-hmm …

RICKY GERVAIS: … and it’ll drive you mad and now everyone’s a journalist. Everyone’s a reviewer, you know, with Twitter and Facebook it’s—it’s—it’s like glorified graffiti. If you care about that you might as well go around toilet wall in the world and get offended when they mention you, you know. It’s—it’s, so you musn’t. But yeah, you know, I’d—I’d love it to do, get good reviews and I’d be lying if I, if I said otherwise but you—you really musn’t worry about it. You really musn’t.

KERMIT THE FROG: Mm-hmm.

RICKY GERVAIS: It will drive you crazy. But having said that just say f****** nice things about it please. [LAUGHTER] This—this is not for me but for the kids. [LAUGHTER]

Kermit, what are you most proud of?

KERMIT THE FROG: Well, you—you may be surprised to hear this but there—there—there, I’m actually stretching myself quite a lot as a—as a dramatic actor in this thing. I did many many scenes with Tina.

TINA FEY: Mm-hmm.

KERMIT THE FROG: One particular scene stands out to me. It was a closed set. It was the scene where she licks me. [LAUGHTER]

TINA FEY: Yeah.

KERMIT THE FROG: We—we, but I—I just wanna clear it up right here with the press that Tina is happily married. Jeff was there during the shooting.

TINA FEY: Yep.

KERMIT THE FROG: On closed set.

TINA FEY: He was—he was, my husband was there. He was being very kind of controlling and creepy. [LAUGHTER]

KERMIT THE FROG: Yes, but supportive, supportive.

TINA FEY: Kind of a star 80 thing but [LAUGHTER] …

KERMIT THE FROG: … yeah, yeah. [LAUGHTER]

TINA FEY: And I had never done a scene like that before either.

KERMIT THE FROG: No, no. Me too.

TINA FEY: I mean I’d filmed a lot of weird stuff at home but [LAUGHTER] …

KERMIT THE FROG: … yeah, yeah.

TINA FEY: To have a whole crew there, I was nervous and Kermit really put me at my ease.

KERMIT THE FROG: Yeah, yeah.

TINA FEY: Uh, but I did hallucinate for three or four hours. [LAUGHTER]

KERMIT THE FROG: A little bit. And that’s odd because I had blood tests before…

TINA FEY: … right …

KERMIT THE FROG: … I thought the toxins were low but.

TINA FEY: No, it was …

KERMIT THE FROG: … pretty strange.

TINA FEY: … it was pretty trippy.

KERMIT THE FROG: Yeah.

SAM EAGLE: I’m sorry, I’m sorry. I’m going to have to leave now [LAUGHTER]. I’m—I’m doing double duty here both promoting this film and also working in hotel security.

KERMIT THE FROG: Oh, thanks thanks.

SAM EAGLE: And there’s been a—a bit of a ruckus in the lobby. I—I have to go I—I—I apologize sir.

TINA FEY: Thanks.

SAM EAGLE: Got the m and m.

MUPPETS MOST WANTED

This question is for Ricky. So, I know that you have been a manager for rock bands… and now you’re portraying a rock band manager. How’s it for you? What did you get from this experience for the role in the movie?

RICKY GERVAIS: Oh. Oh, yes because I’m pretending to be a sort of sleazy LA agent, not that there are any sleazy LA agents. [LAUGHTER]

KERMIT THE FROG: No, no.

RICKY GERVAIS: To yeah, infiltrate the Muppets. Yeah, it was, it’s quite nice playing a slime ball, a villain. I like that. I’ve liked playing flawed characters, you know, it—it’s fun. It’s—it’s sort of an exorcism. You’re sort of saying, see I’m not really like that myself. And I think [LAUGHTER] that’s, you know, what, I was just thinking about it. The Muppets is, did what I tried to do in extras of many years before. Taking sort of famous people and making them make fools of themselves and, it sort of must have sunk in, and being on the flip side of it like doing stuff like this and Curb Enthusiasm, you enjoy it and the—and you wanna be worse ‘cause you are sort of saying look, I can’t be like that or I wouldn’t be joking about it and I think that’s why they wanna do it in a way so, um, it was—it was great fun for me and I bonded with this guy immediately. I’ve loved the Muppets for 35 years and, you know, I love you guy—I love you. I love your nephew Robin, he’s got no neck.

KERMIT THE FROG: Yeah. [LAUGHTER]

RICKY GERVAIS: It was like I love …

KERMIT THE FROG: … yeah, yeah …

RICKY GERVAIS: … I love frogs. He was my favorite until I met this guy but I’m sorry to say this but …

KERMIT THE FROG: … okay, yeah …

RICKY GERVAIS: … I—I think Constantine might be my best buddy.

KERMIT THE FROG: No, you know what I totally understand. You guys worked closely together …

RICKY GERVAIS: … yeah …

KERMIT THE FROG: … I—I understand. I accept that.

RICKY GERVAIS: Yeah.

KERMIT THE FROG: Yeah, yeah.

CONSTANTINE: I have no comment on this. [LAUGHTER]
[APPLAUSE]

Oh, Miss Piggy. Miss Piggy.

TY BURRELL: Hello.

MISS PIGGY: The show’s not over it’s just begun. Ha ha. Hello Kermit.

KERMIT THE FROG: Well, hi there hi there …

MISS PIGGY: … hello Kermit. Whoa, whoa, wait.

CONSTANTINE: Yeah, hello pig. [LAUGHTER]

MISS PIGGY: Wait a minute, what? Which one is which? [LAUGHTER] Hi all.

CONSTANTINE: No, I’m just kidding. I got with the, oh, ha ha ha.

MISS PIGGY: Oh, okay okay. Whew.

KERMIT THE FROG: And this was all during the entire shoot she confused us …

CONSTANTINE: … hmm …

KERMIT THE FROG: … but it—it kinda took some of the pressure off me.

MISS PIGGY: Maybe—maybe a little bit at the beginning.

KERMIT THE FROG: No, listen you still don’t know who we are.

MISS PIGGY: Ah, [LAUGHTER] alright, alright, alright.

KERMIT THE FROG: She just sees green it’s wonderful.

CONSTANTINE: Hello.

MISS PIGGY: You know it’s actually not bad.

TINA FEY: Hi, hi Miss Piggy. I, we …

MISS PIGGY: … oh, yes …

TINA FEY: … haven’t actually met.

MISS PIGGY: I know. We have, we didn’t really do much together on the movie.

TINA FEY: No, you refused to meet me.

MISS PIGGY: Hello Tina. [LAUGHTER]

TINA FEY: I, nice, you look so pretty.

MISS PIGGY: Aw, thank you. Thank you. Yes, I think you look pretty too.

TINA FEY: Oh, thank you. [LAUGHTER]

MISS PIGGY: So—so you’re so far away. [LAUGHTER] I’m sure you look pretty.

MUPPETS MOST WANTED

For the non Muppet performers, over here in the—on this side here… Especially those of you with children, what does it do for your street cred to be able to tell everybody that you were working with the Muppets? Becoming close personal friends with the Muppets? Were the kids particularly impressed by you?

TY BURRELL: My kids are still so unimpressed by me. I’m banking this one. I’m gonna, I’ve learned this already from other, any other kids project that it’s if I wanna save my ego I’m gonna bank this. I’m gonna put it out in five years or something. But so far, it’s one minute of—of why is daddy on screen and—and 90 minutes of I’m hungry. [LAUGHTER]

RICKY GERVAIS: I haven’t got children but when I found out I was doing this film I just went and hung around schools telling ‘em. [LAUGHTER] Just at play time. [LAUGHTER] I said hey kids, you don’t know who I am yet but [LAUGHTER] do you know the Muppets? Oh, yeah you wait, you’re going to be impressed. [LAUGHTER]

TY BURRELL: Let’s wait right here.

RICKY GERVAIS: Yeah, that’s right. The whole day.

TY BURRELL: Yeah, you wanna leave soon.

RICKY GERVAIS: Yeah. [LAUGHTER]

TINA FEY: I have four children now [LAUGHTER] and  they’re very excited to see the movie, but as far as me being in it it’s mostly like, you know, oh, you’re in the poster now you be Queen Elsa [LAUGHTER]. They just want me to be either Queen Elsa or Mistress Me. [LAUGHTER] [INDISCERNIBLE].

Good morning and congratulations to Tina and Ricky because in the past when you’ve been in this particular hotel it’s been hosting the Golden Globes, and making fun of or you know, jokes at the expense of celebrities accepting Golden Globes …

RICKY GERVAIS: … is, right. Or winning them exactly …

Are you suppressing an itch right now to make fun of anyone and Tina, since—since Kermit brought it up the licking scene… and on your list of things I presume there is one that you want to lick before you die… How high was Kermit on that list?

TINA FEY: It was …

RICKY GERVAIS: … have you still, you still do that list?

TINA FEY: … that list? Yeah. And I’ve done a bunch of them. I do them, so they still might have the silver, the third rail of the New York subway [LAUGHTER] …

KERMIT THE FROG: … yeah, yeah, yeah [LAUGHTER] …

TINA FEY: … Anderson Cooper’s neck is still on the list …

KERMIT THE FROG: … yeah, yeah [LAUGHTER] …

TINA FEY: … but it’s …

RICKY GERVAIS: … maybe sung to …

TINA FEY: … pretty high up there. Yeah. To lick Kermit that was …

KERMIT THE FROG: … yeah …

TINA FEY: … pretty high up there on the …

KERMIT THE FROG: … yeah, yeah. It was great for me.

MISS PIGGY: Yeah, that’s—that’s the last thing you’re gonna lick sister. [LAUGHTER]

KERMIT THE FROG: Yeah. [LAUGHTER]

TINA FEY: The fact that I was [LAUGHTER] …

RICKY GERVAIS: … oh, my, ahh, oh my word [LAUGHTER]. Yes, I have to curb the desire to make fun of celebrities. Yeah, I’m—I’m got about 12 in my head now but I’m being nice. [LAUGHTER] So, yeah I’ll keep it to myself.

TINA FEY: I have so many 12 Years a Slave jokes in my head right now. I can’t [LAUGHTER] believe it. There were so many extra ‘cause it’s so fun to write jokes about that.

RICKY GERVAIS: So much to me wasn’t it?

TINA FEY: And so easy. [LAUGHTER]

MUPPETS MOST WANTED

I was wondering if you could speak to the musicals and like how it was filming with the musicals compared to the regular dialogue… and Miss Piggy how was it working with Celine Dion?

MISS PIGGY: Well, working with Celine Dion it was a pleasure. It was a joy for her naturally. [LAUGHTER] Yes, I’m—I’m only too happy to let her ride my coat tails up to the Oscar stage. Yes, it was a joy. We only spent a little time together but—but it was very meaningful to her. [LAUGHTER]

I have a question for Miss Piggy. First of all, who are you wearing today ‘cause you look fabulous.

MISS PIGGY: Oh, thank you. Thank you.

And also, how did you like Vivienne Westwood’s wedding gown?

MISS PIGGY: Oh, well, well first of all this is—this is an original Stefano from Hoboken [LAUGHTER] this.

KERMIT THE FROG: Yeah, yeah, yeah.

MISS PIGGY: And then and then, what was the other? A Vivienne Westwood question?

Did you like her wedding gown?

MISS PIGGY: Yes, yes. Vivvy, she made moi a beautiful gown. Yes, made out of recycled plastic bottles [LAUGHTER]. Took a little while to get over that but you know, as they say something, something old, something new, something recycled, something …

KERMIT THE FROG: … blue?

MISS PIGGY: … something or other. [LAUGHTER]

KERMIT THE FROG: Well, lucky for me …

MISS PIGGY: … and, so …

KERMIT THE FROG: … luck—lucky for me she didn’t get to keep the wardrobe.

MISS PIGGY: Well, I could call Viv I’ve got her on Speed Dial …

KERMIT THE FROG: … no, no that’s okay. I think it’s probably disintegrated by now. Yeah. [LAUGHTER]

MISS PIGGY: I don’t think so. I think the half life for plastic is pretty long. I …

KERMIT THE FROG: … yeah, what about the half life for a pig frog marriage? I’m not sure about that? I mean come on people.

MISS PIGGY: For—forever!

KERMIT THE FROG: I don’t even think it’s legal.

RICKY GERVAIS: When in the movies, right …

KERMIT THE FROG: .. yeah …

RICKY GERVAIS: … when you—you get married and …

KERMIT THE FROG: … yeah …

RICKY GERVAIS: … various and you have children …

KERMIT THE FROG: … yeah …

RICKY GERVAIS: … they’re either pigs or frogs?

KERMIT THE FROG: Yeah.

RICKY GERVAIS: Why is there no sort of, you know …

TINA FEY: … abomination?

KERMIT THE FROG: Well, you know we’ve—we’ve never …

RICKY GERVAIS: … well, yeah [LAUGHTER]. Just like yeah, no. [LAUGHTER] Some sort of a fat …

KERMIT THE FROG: … I’m …

RICKY GERVAIS: … green sort of sworkling hoppy greedy pig?

KERMIT THE FROG: Yeah, snorting snorting pig.

RICKY GERVAIS: You know, I mean, why? I’ve never, haven’t you worked that out yet?

MISS PIGGY: I don’t know …

KERMIT THE FROG: … well, we—we haven’t actually consummated the experiment [LAUGHTER], so, we don’t really know. [LAUGHTER] You know? Yeah, yeah.

MISS PIGGY: It was—it was just that was the filmmaker’s visualization alright?

RICKY GERVAIS: It’s a house of cards that’s [INDISCERNIBLE].

KERMIT THE FROG: It, what are we doing? What are we doing? [LAUGHTER]

RICKY GERVAIS: I don’t know

KERMIT THE FROG: Holy Cow. [LAUGHTER]

RICKY GERVAIS: I’m just thinking… [LAUGHTER].

MISS PIGGY: Oh, there he goes again.

 MUPPETS MOST WANTED

FOR MORE INFO:

Like The Muppets on Facebook: https://www.facebook.com/Muppets

Follow The Muppets on Twitter: https://twitter.com/TheMuppets

Follow Miss Piggy on Twitter: @RealMissPiggy

Follow The Muppets on Tumblr: http://themuppets.tumblr.com 

Follow The Muppets on Instagram: @TheMuppets

Visit the Official Site: http://disney.com/muppets

MUPPETS MOST WANTED OPENS IN THEATERS EVERYWHERE ON MARCH 21

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ENEMY – The Review

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You’re probably heard the old chestnut that somewhere in the world resides your mirror twin or doppelgänger, a person with your exact mannerisms, voice, etc., but completely unrelated to you. Pretty farfetched a notion you say. Well film makers certainly believe it, or at least have used that idea for action thrillers and comedies in everything from THE PRISONER OF ZENDA to FRANCES JOINS THE NAVY!. But what if this discovery of your double is not the inspiration for swashbuckling romance or manic hi-jinks? What if it drops you into a nightmare world? That’s the main idea of ENEMY which re-teams co-writer and director Denis Villeneuve and actor Jake Gyllenhaal less that a year after their first work together, the crime thriller PRISONERS.

The film opens over the Toronto cityscape as we hear a voicemail message left by a concerned mother about her son’s new home. Cut to an elegant, nude mother-to-be. Then we’re inside a strange, dark, exclusive fetish club. Finally the camera zooms in on one of the club’s patrons (or is he?). It’s Adam Bell (Gyllenhaal), a disheveled college history teacher who trudges back and forth between work and his drab, spartan apartment. The monotony is occasionally broken by visits from his gorgeous girlfriend Mary (Melanie Laurnet) who drops by for drinks and lackluster sex. One day, in between classes, a colleague recommends a locally produced film to him. On the way home Adam stops at a video store and rents a DVD of “Where There’s a Will, There’s a Way”. That night he pops the disc in his laptop, the film’s an unremarkable 1930’s-set comedy released the previous year. But that night the flick occupies his dreams. There’s something about the scene of the heroine checking in at a posh hotel lobby. It’s the bellhop! He’s got my face! Adam wakes up and views the disc again…it’s true. He makes note of the actors names in the end credits (Bellhop numbers one, two, three). Using an internet search engine he tracks down Anthony Clair, a fellow with a very different life from his. He’s successful, dynamic (he loves his motorcycle!), and shares a spacious brand-new high-rise condo with his beautiful, very-pregnant wife Helen (Sarah Gadon).  The eventual meeting of the two men changes their lives in unexpected, twisted, tangled ways.

Gyllenhaal does such a good job of delineating Adam and Anthony that we are always sure of who’s who even when their spouses are being tricked. Adam is all slouches and nervous ticks as his eyes always seem to shift downward. When he’s not on automatic pilot delivering his class lectures he’s hesitant and stammering, his words barely trickling out of his clenched mouth. Anthony is all  macho bravado and confidence while masking his inner darkness, easily intimidating his double. The big confrontation between the two provides some nifty special effects tricks. Unfortunately the actresses aren’t given anything quite as interesting to do. Laurent is a sensual free-spirit whose attraction to the drippy Adam is one of the film’s many mysteries. Gadon is often on the verge of hysteria as she learns of her hubby’s unknown twin. Luckily there is a sprightly cameo by the ever-radiant Isabella Rossellini as Adam’s condescending, haughty artist mother.

Director Villeneuve seems to be going for a nightmare set in broad daylight vibe (yet another spider, man?), but this just tends to undercut any dramatic tension that begins to slowly (so slowly) build. Fortunately the plot goes off in a somewhat unusual direction in the last half hour, but the final pre-fadeout scene will have most viewers scratching their heads (after checking their watches to see that this flick was really only ninety minutes). Despite strong work from Gyllenhaal, the film’s surreal stylings never really connects its themes. In trying to go for the artistic instead out of  concentrating on solid story telling, these pretensions may be ENEMY’s own worst enemy.

2.5 Out of 5

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Check Out The New Clip, Featurette and TV Spot For THE QUIET ONES

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Go behind the scenes in this latest sneak peek of Lionsgate’s horror film, THE QUIET ONES. In the brand new featurette, the stars of the film discuss how the supernatural and scientific blend together to create the unnerving story they brought to the big screen.

Find out why Sam Claflin believes this film will terrify people of every age, and what Jared Harris finds intriguing about doing a horror film through a scientific lens.

Inspired by true events, THE QUIET ONES focuses on a tortured young girl, Jane Harper, who seems to be full of dark secrets. Get ready to take an intense journey this APRIL 25th, and see forces more powerful than you ever thought possible!

A university student (Sam Claflin, The Hunger Games: Catching Fire) and some classmates are recruited to carry out a private experiment — to create a poltergeist. Their subject: an alluring, but dangerously disturbed young woman (Olivia Cooke of Bates Motel). Their quest: to explore the dark energy that her damaged psyche might manifest.

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As the experiment unravels along with their sanity, the rogue PHD students, led by their determined professor (Jared Harris of Mad Men), are soon confronted with a terrifying reality: they have triggered an unspeakable force with a power beyond all explanation.

Inspired by true events, The Quiet Ones is directed by John Pogue from a screenplay by Craig Rosenberg and Oren Moverman and John Pogue, and based on a screenplay by Tom de Ville.

The film stars Jared Harris (Mad Men and Sherlock Homes: A Game of Shadows), Sam Claflin (The Hunger Games: Catching Fire), Olivia Cooke (Bates Motel), and is directed by John Pogue from a screenplay by Craig Rosenberg and Oren Moverman and John Pogue, and based on a screenplay by Tom de Ville.

http://www.thequietonesmovie.com/
https://www.facebook.com/thequietonesmovie
https://twitter.com/lionsgatehorror  #TheQuietOnes

The Quiet Ones - Teaser Poster

WAMG Exclusive Interview With TERRY CREWS : Tyler Perry’s THE SINGLE MOMS CLUB

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THE SINGLE MOMS CLUB is in theaters now and to celebrate WAMG sat down with Terry Crews, who plays Branson in the film, to talk about love scenes, football, and the musical HAIRSPRAY. Check it out below!

When five struggling single moms put aside their differences to form a support group, they find inspiration and laughter in their new sisterhood, and help each other overcome the obstacles that stand in their way. THE SINGLE MOMS CLUB stars Nia Long, Amy Smart, Wendi McLendon-Covey, Zulay Henao, and Cocoa Brown, making this one film you don’t want to miss!

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This film celebrates all of the single mothers out there. Was that one of the big draws for you to be a part of this film?

Terry Crews: Oh, big time! First of all, that’s my big audience! [laughs] To be honest, it’s really a cool place to be! I’ve got EXPENDABLES for the guys, and then I have ‘Everybody Hates Chris’… shows like that for the ladies. WHITE CHICKS, or that kind of thing that makes the ladies laugh.

When I met my wife, she was a single mom, and it really resonated with me that Tyler is doing something like this. Hollywood really doesn’t represent everyone in most things, so it’s really refreshing to have a single mom being represented in all different ethnicities and cultures… There are billions of people on Earth, and each one of them has their own story. That’s why you can just keep making entertainment. Forever! Everybody’s story is different, and even if it’s similar once the time changes it’s a whole different story. You know what I’m saying? I love it. I absolutely love it.

You have such an amazing chemistry with Cocoa Brown, and you are actually friends with her husband. Did that help aid the chemistry between you two, and how were those love scenes knowing her husband?

Terry Crews: Yeah, well believe me! We were on the phone! [Laughs] It’s funny, because I called my wife and was like “I’m about to do a love scene with Cocoa! It’s ok! It’ll be fun! It’ll be good!” [laughs] and then you hang up! And she called her husband. I talked to him and was just like “Hey man, I just want to let you know that I respect her, and let me tell you… it will all be pro.” You know, you just want to get it out in the air. You have to respect the other persons life partner. I’ve been fortunate in my business to have people who always think that way, because I’ve heard horror stories of people who didn’t and that is not a good place to be… but Tyler’s sets are a family set. They’re very, very cool, and Cocoa is just such an amazing person, so we laughed, we joked, and we did the scene, and it was a lot of fun!

Tyler is known to have short shooting schedules with really long days. How was that for you, and did that give you a chance to improvise on set at all?

Terry Crews: He’s like Clint Eastwood. Clint Eastwood shoots the same way. He shoots two takes and he’s out. They’re done by, like, 6pm, which is unheard of. That’s the only way I can compare it. People say that Tyler rushes, but Clint Eastwood rushes… Clint Eastwood does it the same way. A lot of people don’t want to wear the actors out… but, I do know this. I warm up way before I get there.

Do you?

Terry Crews: Oh yeah! I’m in the trailer doing the things, and doing the things so when I get on set it’s action. It’s go. I’m on full speed. You don’t want to warm it up, and then wait, because what happens is they say “Ok, we’re moving on” and you missed it. This is my nightmare – to go home wishing that I would have put something out on-screen, and wanted to give that performance, but not have been able to. That’s a nightmare. For an actor, that’s a nightmare. What I do is I give it 100%, and I say ‘Tyler, if I’m giving too much just pull me back.” You can never turn a guy up, but you can always turn them down. Turning someone up is too much. They’ll turn off on you. So, I give it 110% and he’ll go ‘Oh, ok! Give me an 8! On a scale of 1 to 10 I’ll take an 8.” [Laughs]

I have to ask this because I’m from St. Louis. We currently have the Rams, but there are rumors of the Rams coming back to LA. Are you kind of excited about that since you played for the Los Angeles Rams?

Terry Crews: Eh. I don’t care at all, to be honest with you. I’ve been in the NFL, did my whole thing. It’s like having a favorite movie studio. I’ll do a movie for Warner Bros. I’ll do a movie for Lionsgate! I’ll do a movie for Universal! [laughs]

That’s a great point!

Terry Crews: It is! And what people don’t understand is that in the NFL the money goes to the same people. It goes to the same place. They revenue share. So, their records don’t even matter. See, I’ve seen the Wizard…

[laughs] That’s a great way to put it!

Terry Crews: [Laughs] It’s like the curtain went down “Oh, boy! Wow!” and you realize that this is the reason that players go from team, to team, to team. Brett Favre can be on the Green Bay Packers, and then he’s on the hated Minnesota Vikings the next year! How can this happen? [laughs] Guess what? It’s because everybody is getting the same money. So, I learned to relax with all of that, but I love a good game… just like I love to see a good movie. I don’t care who makes it. A good game, ahh… I can appreciate a wonderful game. That’s why the Super Bowl sucked. [laughs]

I’ll tell ya, I’m a baseball girl. I’m not that much of a football girl, but I sat there during that game, bored out of my mind!

Terry Crews: Yes! It’s like watching a bad movie! [laughs]

You’ve done comedy, you’ve done voice-over in animation, you’ve done action – which I’m really excited about THE EXPENDABLES. Is there any type of role that you’d love to play, that maybe you haven’t yet?

Terry Crews: I want to do a musical.

Do you really?

Terry Crews: I want to do a musical bad.

You’ve certainly got the voice for it.

Terry Crews: I would love to do a musical. Dancing… singing… the whole thing. HAIRSPRAY was my favorite movie that came out that year. That, and 300. It’s weird. I’m that weird. [laughs] 300 and HAIRSPRAY! That’s a swing, right? Terry Crews is everything in the middle of that! [laughs] I love HAIRSPRAY! The music… just the whole thing. I get down with that! I love when you do it right. One of my favorite moments in movie history was when Spike Lee did SCHOOL DAZE. He had good and bad hair… that whole musical segment of good and bad hair. You hadn’t seen a musical in years, and he did a segment right in the middle of that. A song, dance, music, people, stage, lighting… the whole thing! I said “That is HOT!” Spike knew it was hot. That’s me. I wanna do one of those. I would love to do that!

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TYLER PERRY’S THE SINGLE MOMS CLUB is written, produced and directed by Tyler Perry. Lionsgate and Tyler Perry Studios Present, A Tyler Perry Studios/Lionsgate Production.

FOR MORE INFO: 

Official Site: http://thesinglemomsclub.com/
Facebook: http://facebook.com/TheSingleMomsClubMovie Twitter: @SingleMomsClub
Hashtag: #SingleMomsClub 

Tyler Perry’s THE SINGLE MOMS CLUB is in theaters now

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WAMG Giveaway – Win THE JUNGLE BOOK 2 Blu-Ray

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Walt Disney’s THE JUNGLE BOOK 2 is finally available on Blu-ray (I reviewed it last night HERE)

We Are Movie Geeks has a couple of copies of the Blu-ray to give away to our readers. All you have to do to win one is to leave a comment below letting us know who your favorite character from the JUNGLE BOOK movies is. It’s so simple!

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We have two JUNGLE BOOK 2 Blu-rays to give away and the winners will be chosen next week. Good luck!

JB@-contest2

OFFICE SPACE Screening at Schlafly Bottleworks March 28th

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“Looks like you have a bad case of the Mondays”
“If they movie my desk again I’m quitting”
“I’m going to need you to come in on Saturday, and also come in on Sunday too”
“Are you related to the Michael Bolton?”

There are so many famous quotes from OFFICE SPACE!

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If you are working for a big company, especially if you are in software business, you will find yourself in OFFICE SPACE, an irreverent comedy from 1999 starring Ron Livingston and Jennifer Aniston that makes fun of the inanities of work–particularly in a cubicle-ed office where the bosses are morons (not that any of us have ever worked in such an environment, mind you). The film is made up of lots of odd but relatable personalities and the characters are all funny and memorable. The story centers around Peter Gibbons, an office drone who is very fed up with his job – sick of his 9 bosses pointing out small mistakes, doing the same routine every day, the annoying coworkers and of course those pointless TPS reports, job inspectors, faulty printers and especially those damn staplers!

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Written and directed by Mike Judge (who also wrote the Saturday Night Live “Milton” shorts the film is based on), OFFICE SPACE is an uproariously funny and sharp comedy that jumps down the throat of both office and everyday life so precisely that it’s impossible not to relate to it even if you’ve never weathered a single day in a cubicle.

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OFFICE SPACE is one of the all-time great comedies and you’ll have the chance to see it on the big screen when it plays Friday March 28th, at Schlafly Bottleworks (7260 Southwest Avenue Maplewood, MO 63143). The show begins at 7pm and the doors open at 6:30.

OFFICE SPACE is a special Friday edition of “Culture Shock” from A Film Series. Funds generated from “Culture Schock” help support programming and events produced by Helping Kids Together (HKT).

Presented by A Film Series and Schlafly Bottleworks. Sponsored by Real Living Gateway Real Estate, Cinema St. Louis and YOU. Thank you for your support!

Doors open at 6:30pm.

$6 suggested for the screening. A yummy variety of food from Schlafly’s kitchen is available as are plenty of pints of their famous home-brewed suds. Dan the bartender will be on hand to take care of you.

The Facebook invite for the event can be found HERE

https://www.facebook.com/events/268197010014448/

Schlafly’s site can be found HERE

http://schlafly.com/bottleworks/

MALADIES – The Review

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Perhaps Natasha Leggero said it best on Comedy Central’s Roast, when attempting to explain James Franco’s choice in artistic endeavors…

First I was wondering why James Franco would do this roast, and then I saw Spring Breakers and I was like, “Oh! He’ll do anything!”

Being fully aware I was choosing to watch a film starring James Franco, I was entirely unprepared for what I was getting into, which is a conundrum commonly associated with watching anything starring James Franco.

MALADIES is written and directed by multimedia artist Carter. This is Carter’s first feature-length film. Combining the quirkiness of Spike Jonze — but more mellow — and complex philosophical musings like those of Charlie Kaufman — but less dizzying — MALADIES manages first to catch me off guard, then just as my interest slowly begins to dwindle I am captured in a random moment of realization that I am enjoying the film.

James Franco plays, well… himself. Not officially, but the film eludes to the presumption. James is an actor, retired early. Either by choice, or not. This detail remains up in the air the entire film. Now, James is a writer. He is writing a book. No, James is struggling, somewhat, to write his book. After a short, yet successful career as a Soap Opera star, James put away his thespian masks due to a perceived mental illness. Stricken with memory loss, confusion and spells of dizziness, James now resides in a small town along with his adorably deranged sister Patricia, played by Fallon Goodson, and his best friend Catherine, played by Catherine Keener. Together, we witness their lives and how each of their respective character flaws, or maladies, play out in each others’ company.

MALADIES begins with a long, slow opening sequence depicting two men in alternating shots, quietly walking or sitting in reflection. Meanwhile, we hear narration from a calm, familiar-sounding voice waxing poetically about our central character, James. Not until the narrator begins to verbally interact with James, do we truly realize something is different about this film. This is just one of the various unorthodox methods Carter uses to set his film apart from the crowd. At times, James himself even takes to narrating his own thought process.

The charm of MALADIES comes to fruition only through James’ interaction with his sister, his best friend, and another older man named Delmar, played by David Strathairn. Despite his obvious symptoms, James is perhaps the most grounded and stable of these four characters. Patricia is sweet, but absent-minded and completely at a loss for living within reality as we know it, while Catherine is a self-absorbed, often unlikable artist. Catherine does not particularly like Patricia, while Patricia really wouldn’t know it if it were painted in bright red 10-foot tall  letters everywhere she looked. Delmar, on the other hand, is a very likable, albeit curiously eccentric character. Strathairn seems to conjure up a strong presence of Jimmy Stewart for his performance, but it works well. Together, these three do their best, in their own ways, to take care of James in his currently fractured state of mind.

MALADIES moves at a comfortably slow pace, establishing some depth to the characters. There is a spontaneity to the script that stands out, awkwardly tossing curve balls into the story to keep the viewer on their toes while inducing the occasional double-take. Wait, did he just say that? Or, those moments where you think you know what will happen, but then something completely different occurs. You go along at first as if you were right, then realize you were totally not right. MALADIES definitely maintains a slight hint of improvisation, but never so much that it feels winged or incoherent.

Meandering. This is a word that describes MALADIES. Seemingly shuffling along an uncertain path of aimless neurotic exposition, only to suddenly stumble upon a smile. This is how I experienced watching the film. This is not a happy film, but it will warm your heart and inspire some laughter. This is not a sad film, but there are reasons you will feel concern or empathy for the characters. Carter proves he has a cinematic vision worthy of an audience. Carter has not created a perfect film, by any sense of the word, but he has succeeded in making me think and allowing me to laugh. On any good day, this is a winning cinematic concoction.

Overall Rating: 3.5 out of 5 stars

Available on iTunes & VOD: March 25, 2014. Select theatrical release beginning: March 21, 2014.

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THE JUNGLE BOOK 2 -The Blu Review

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The Disney DTV sequels have become a bit if an embarrassment to the Disney legacy. There have been a lot of them and for every TOY STORY 2 there are a half dozen cash-ins like ALADDIN THE RETURN OF JAFAR, BEAUTY AND THE BEAST’S ENCHANTED CHRISTMAS, and LILO AND STITCH – STITCH HAS A GLITCH. Most seemed rushed with inferior animation, weak tunes, and lame scripts. They may have worked their way into the wallets of the Disney fans, but not their hearts.

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Let’s face it – topping Phil Harris and his classic jungle jive in the original 1967 JUNGLE BOOK wasn’t going to happen but 2003’s JUNGLE BOOK 2 was better than most sequels, had an impressive voice cast, and was wise enough to include the JB signature tune “The Bear Necessities” not once but three times! The film’s animation was more detailed and vivid than most of Disney’s low-budget animated efforts and JUNGLE BOOK 2 even received a theatrical run.

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After leaving life in the jungle behind, Mowgli (voice of Haley Joel Osment) has been adopted, and now lives in the nearby village with his new parents and his younger brother, while becoming close friends with Shanti (voice of Mae Whitman), the girl who first lured him out of the wilds. However, adjusting to live among other humans hasn’t been easy, and after Mowgli pays a visit to an old friend, happy-go-lucky bear Baloo (John Goodman), the boy considers staying for a while. Before long, both Shanti and Mowgli’s new family notice he’s missing, and Shanti goes into the jungle to look for him, despite her fear of wild animals. However, Mowgli and Baloo are soon reminded that life in the wilderness isn’t always carefree when they learn Shere Khan (voice of Tony Jay) is looking for Mowgli, eager to settle an old score. The Jungle Book 2 also featured voice work from Phil Collins and John Rhys-Davies.

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JUNGLE BOOK 2 has been released on DVD before and is now out for the first time on Blu-ray

The image, offered in anamorphic widescreen (1.66:1 aspect ratio) Codec: MPEG-4 AVC with 1080p Resolution, looks great. Since JB2 had the advantage being a relatively decent production, the image is much crisper and the colors are more vibrant and vivid than the DVD

The audio is decent but the 5.1 surround sound track is uncomplicated. The dialogue is clear, but there’s not a lot of bass or the rumble of sound effects you might expect for a movie that takes place in the jungle.

There are no new extras on the Blu-ray that were not on the DVD, but they are all piped over:

Original Movie Recap is a three-minute synopsis of the first film though I can’t imagine anyone buying part 2 who didn’t buy part 1 when it came out on Blu a couple of months ago.

The Legacy of ‘The Jungle Book is a 14-minute making-of featurette on the sequel with testimonials from crew members who seem to admire the original and really wanted to do it right with the follow-up. It was also good to hear Roy Disney talk about his brother’s influence on the original film.

Music Videos for “W-I-L-D,” “Jungle Rhythm,” and Smash Mouth’s wretched cover of “I Wanna be Like You”

Sing Along With The Movie: an option that allows the viewer to view the film with the lyrics turned on.

Two deleted scenes: “I got you beat”, and “Brave” neither add nor detract from the feature and I can see why they were cut.

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I recommend the JUNGLE BOOK 2 for Disney aficionados and completists, but for the casual viewer there are much better Disney animated features to spend your money on.

Kevin Hart And Will Ferrell Join Forces On Etan Cohen’s Comedy GET HARD

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(via Kevin Hart’s Facebook page)

Will Ferrell and Kevin Hart are headlining the new comedy, GET HARD, for director Etan Cohen.

The movie is scheduled to open nationwide on Friday, March 27, 2015.

When millionaire hedge fund manager James King (Ferrell) is nailed for fraud and bound for a stretch in San Quentin, the judge gives him 30 days to get his affairs in order. Desperate, he turns to Darnell Lewis (Hart) to prep him for a life behind bars. But despite James’ one-percenter assumptions, Darnell is a hard-working small business owner who has never received a parking ticket, let alone been to prison. Together, the two men do whatever it takes for James to ‘get hard’ and, in the process, discover how wrong they were about a lot of things – including each other.

The film also stars Craig T. Nelson, Alison Brie, and rapper Tip “T.I.” Harris. The movie began filming on location in New Orleans Monday, March 17.

Cohen marks his feature directorial debut with GET HARD, following a successful writing career, with credits including TROPIC THUNDER.

GET HARD is written by Jay Martel & Ian Roberts and Etan Cohen, with a story by Adam McKay and Jay Martel & Ian Roberts. It will be produced by Adam McKay, Will Ferrell, and Chris Henchy, with Kevin Messick and Ravi Mehta serving as executive producers.

The creative filmmaking team includes director of photography Tim Suhrstedt (“Little Miss Sunshine”); production designer Maher Ahmad (“The Hangover Part III”); editor Michael Sale (“We’re the Millers”); and costume designer Shay Cunliffe (“The Bourne Legacy”).

A Warner Bros. Pictures presentation of a Gary Sanchez Production, the film will be distributed worldwide by Warner Bros. Pictures, a Warner Bros. Entertainment Company.

Follow Kevin Hart on Twitter: @KevinHart4real

Follow Etan Cohen on Twitter: @etanjc

#GetHard

National Theatre Live’s WAR HORSE Screening at the Tivoli This Sunday

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National Theater Live’s WAR HORSE screens this Sunday (March 23rd) at the Tivoli at noon.

The Spielberg movie has come and gone but WAR HORSE gallops on! Who would have guessed that Michael Morpurgo’s children’s story – essentially Black Beauty in the trenches of the first world war – would become such a major theatrical hit?

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Based on Morpurgo’s novel and adapted for the stage by Nick Stafford, WAR HORSE takes audiences on an extraordinary journey from the fields of rural Devon to the trenches of First World War France. Filled with stirring music and songs, this powerfully moving and imaginative drama is a show of phenomenal inventiveness. At its heart are astonishing lifesized puppets by South Africa’s Handspring Puppet Company, who bring breathing, galloping, charging horses to thrilling life on stage.

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Don’t miss your chance to experience this landmark 3 hour and 20 minute production when it screens this Sunday, March 23rd at Noon at Landmark’s The Tivoli Theater in St. Louis(6350 Delmar Blvd, St Louis, MO 63130)

The Tivoli’s website can be found HERE

http://www.landmarktheatres.com/market/st.louis/tivolitheatre.htm

Check out the trailer for this must-see event: