THEY’RE WATCHING Review

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Be honest. We’ve all done it. Some of us willingly and with no apologies, while others of us are closet fans, but those reality real estate shows are popular and addictive. Perhaps it’s because they tap into a core element of the American dream, but whatever the reason, they’ve made an impact on what television looks like these days. With that said, it only seems logical that some creative soul would take this phenomenon and mash it up with another modern cultural trend.

The graphic novelists and animators Jay Lender and Micah Wright have done just that, they wrote and directed this melding of reality-based home shopping shows with found footage, faux-documentary style horror-comedy. That’s right. No, I didn’t stutter or lose my mind. This is a thing. A real thing. I know, your reaction right now is probably quite similar to mine when I first heard of this film, but after reading a bit more about the plot and then watching the trailer, I saw an intriguing level of potential just under the surface.

THEY’RE WATCHING, despite our most instinctual better judgment, is actually a fun, smart and entertaining romp. Blending a filmmaking influence from the Raimi brothers with tongue-in-cheek humor and a subtle knack for the breaking of the fourth wall, the film makes fun of it’s multi-faceted genre base, makes fun of itself and makes for a good time. The story takes place in Moldova, which provides a setting and a backdrop combined with it’s sense of humor that will please any fan of Bruce Campbell’s THE MAN WITH THE SCREAMING BRAIN. I realize that’s a double-edged sword, but take you’ve got to take this film with a grain of salt and appreciate it for what it is, by design.

Stereotypes abound. Akin to Sasha Baron Coen’s BORAT, but less extreme, the Moldovan town folk in the film are simple, creepy and primitive in comparison to the western crew. The town’s constable is a stern, dictatorial man resembling Stalin and the town’s one and only real estate agent, aka “broker,” is an Eastern European mix of Johnny Bravo and Cousin Eddie from National Lampoon’s VACATION films. All the town folk are heavy drinkers and are afraid of the cameras, but in the end, they are merely play as pawns and fodder, as the plot slowly unveils their secret about a witch that must never be mentioned.

Becky (played by Brigid Brannagh) is the latest client on a popular real estate reality show, an artist who wishes to settle down to a simpler, slower life in Eastern Europe. Six months after Becky decided to buy a fixer-upper deep in the backwoods of a small, rural town in Moldova, the production crew of the show returns to shoot the second half of the episode and see what improvements Becky has made to the property. Fully expecting disaster, the crew arrives to find she’s pulled out a miracle and the property looks great. Seems like it’s going to be an outstanding episode after all…

That’s about the time things start getting weird. THEY’RE WATCHING is a title that has a duel meaning, referring both to the Moldovan town folk, and [of course] acknowledging the meta element of the film, about a reality TV show, that has an audience separate from those of us watching this film. Follow that? Anyway, Lender and Wright make no effort to be taken seriously. That’s not the goal. The entire film feels like an inside joke, and for the most part we get it. And it’s funny. The production looks like hi-definition digital video because it’s supposed to, and most likely is as it’s not a big budget film. On the other hand, it looks good, as good as any well-made respectable TV movie. This is higher caliber production than the Syfy Channel but not quite prime time. For the most part, the acting follows this same scale.

As the plot thickens and the tension increases — for the characters, not quite so much for the audience — THEY’RE WATCHING prepares for the money shots… or, shots, as the film’s final act is the cherry on top. Whatever minor flaws and discrepencies may exist are easily forgotten once the rib-jabbing jokes and cliche horror movie tendencies segway into the big showdown with the witch at the end.

If you thought witches were boring 17th century borefests or cheesy kids’ fare, beware. The film ends on a high note with a bloody, goretastic, over-the-top splatterfest that will make genre lovers proud, or sad, depending on what expectations you had going int the film. For those who enjoyed TUCKER & DALE VS EVIL and CABIN FEVER, you should most likely find THEY’RE WATCHING to be a satisfying, lower-calorie samplng of cinematic junk food.

THEY’RE WATCHING  — In Theaters and On Demand — March 25th, 2016

Overall Rating: 3 out of 5 stars

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MALADIES – The Review

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Perhaps Natasha Leggero said it best on Comedy Central’s Roast, when attempting to explain James Franco’s choice in artistic endeavors…

First I was wondering why James Franco would do this roast, and then I saw Spring Breakers and I was like, “Oh! He’ll do anything!”

Being fully aware I was choosing to watch a film starring James Franco, I was entirely unprepared for what I was getting into, which is a conundrum commonly associated with watching anything starring James Franco.

MALADIES is written and directed by multimedia artist Carter. This is Carter’s first feature-length film. Combining the quirkiness of Spike Jonze — but more mellow — and complex philosophical musings like those of Charlie Kaufman — but less dizzying — MALADIES manages first to catch me off guard, then just as my interest slowly begins to dwindle I am captured in a random moment of realization that I am enjoying the film.

James Franco plays, well… himself. Not officially, but the film eludes to the presumption. James is an actor, retired early. Either by choice, or not. This detail remains up in the air the entire film. Now, James is a writer. He is writing a book. No, James is struggling, somewhat, to write his book. After a short, yet successful career as a Soap Opera star, James put away his thespian masks due to a perceived mental illness. Stricken with memory loss, confusion and spells of dizziness, James now resides in a small town along with his adorably deranged sister Patricia, played by Fallon Goodson, and his best friend Catherine, played by Catherine Keener. Together, we witness their lives and how each of their respective character flaws, or maladies, play out in each others’ company.

MALADIES begins with a long, slow opening sequence depicting two men in alternating shots, quietly walking or sitting in reflection. Meanwhile, we hear narration from a calm, familiar-sounding voice waxing poetically about our central character, James. Not until the narrator begins to verbally interact with James, do we truly realize something is different about this film. This is just one of the various unorthodox methods Carter uses to set his film apart from the crowd. At times, James himself even takes to narrating his own thought process.

The charm of MALADIES comes to fruition only through James’ interaction with his sister, his best friend, and another older man named Delmar, played by David Strathairn. Despite his obvious symptoms, James is perhaps the most grounded and stable of these four characters. Patricia is sweet, but absent-minded and completely at a loss for living within reality as we know it, while Catherine is a self-absorbed, often unlikable artist. Catherine does not particularly like Patricia, while Patricia really wouldn’t know it if it were painted in bright red 10-foot tall  letters everywhere she looked. Delmar, on the other hand, is a very likable, albeit curiously eccentric character. Strathairn seems to conjure up a strong presence of Jimmy Stewart for his performance, but it works well. Together, these three do their best, in their own ways, to take care of James in his currently fractured state of mind.

MALADIES moves at a comfortably slow pace, establishing some depth to the characters. There is a spontaneity to the script that stands out, awkwardly tossing curve balls into the story to keep the viewer on their toes while inducing the occasional double-take. Wait, did he just say that? Or, those moments where you think you know what will happen, but then something completely different occurs. You go along at first as if you were right, then realize you were totally not right. MALADIES definitely maintains a slight hint of improvisation, but never so much that it feels winged or incoherent.

Meandering. This is a word that describes MALADIES. Seemingly shuffling along an uncertain path of aimless neurotic exposition, only to suddenly stumble upon a smile. This is how I experienced watching the film. This is not a happy film, but it will warm your heart and inspire some laughter. This is not a sad film, but there are reasons you will feel concern or empathy for the characters. Carter proves he has a cinematic vision worthy of an audience. Carter has not created a perfect film, by any sense of the word, but he has succeeded in making me think and allowing me to laugh. On any good day, this is a winning cinematic concoction.

Overall Rating: 3.5 out of 5 stars

Available on iTunes & VOD: March 25, 2014. Select theatrical release beginning: March 21, 2014.

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