Norrington submits script for THE CROW

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Stephen Norrington (BLADE) has submitted his script for a new take on THE CROW to Relativity Media. The script has apparently been getting praise and Norrington has promised an “almost documentary style” approach. This, in an effort to differentiate his film from the original.

Norrington’s version of THE CROW, based on James O’Barr’s modern classic graphic novel, in not intended to be a remake of the first movie. In fact, it may not even be a remake of the graphic novel, per se. Norrington has also promised a “new character and storyline” as well, which raises a question of how different?

The first film (and only good one) was a Gothic take, dark and moody. directed by Alex Proyas (DARK CITY) and starred Brandon Lee, immortalized by his role in the film and his tragic, somewhat mysterious and untimely death during production.

Source: Empire

Review: LAW ABIDING CITIZEN

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Have you ever felt slighted by the law? Felt like justice wasn’t served, or that the law was working more in their own favor than in yours? This is the underlying theme, the philosophical question at hand, which runs throughout LAW ABIDING CITIZEN. This is a movie whose title I felt was lacking, until I saw the film and it made more sense.

LAW ABIDING CITIZEN is a smart, tense thriller that keeps the audience at the edge of their seats and keeps us guessing. Not since FRACTURE, starring Anthony Hopkins, have I felt this engrossed by a legal cat-and-mouse thriller. The story makes it difficult to fully take one side or the other, painting the ambiguous nature of our imperfect legal system in endless shades of gray.

The movie was directed by F. Gary Gray (FRIDAY, A MAN APART, BE COOL) and opens with a teeth-clenching down note that inspires anger and sympathy towards the Clyde’s situation immediately. The main character, Clyde Shelton (Gerard Butler), is spending an evening at home with his wife and daughter when unexpected company arrives and in a matter of moments, destroys everything Clyde had to live for.

With Clyde’s family dead, he relies on prosecutor Nick Rice (Jamie Foxx) to make the justice system work and give him some tiny bit of closure in the matter, but what he finds instead is proof of just how corrupt the system is when Nick makes a deal with the man who killed his family, granting him a relatively easy 3-5 years in prison on a charge of third-degree murder in exchange for testifying against his partner.

Flash forward ten years, Nick Rice has moved on to a bigger, brighter career as a prosecutor with a 96% conviction rate, but when the man sent to death row for the murder of Clyde’s family receives his lethal injection, what is supposed to be a painless, human death sentence becomes a brutally vivid display of excruciating pain. This sparks an investigation of who could have sabotaged the system. What Nick Cave and everyone involved with Clyde’s case soon realize, is that they’ve just become pieces of an elaborate statement by Clyde Shelton, a lesson is ethics and morals and the lack thereof within the legal system.

What I’ve discovered is that Gerard Butler (300, ROCKNROLLA) is rapidly becoming a new favorite actor of mine. No, not because of his ridiculously intimidating abs, but because he always brings a depth to his roles that would otherwise feel shallow and superficial. Butler conveys the mixed emotions, troubled conscience and the passionate drive of Clyde to make his point powerfully evident and convincing. We understand why Clyde is doing what he does in the film, even empathize with him a bit, but we also realize that he’s crossing all kinds of lines in doing so, making him a character who straddles the line of good and evil, right and wrong, just and unjust.

Jamie Foxx (RAY, THE SOLOIST) once again delivers an acceptable performance, generally on par with his previous dramatic outings, but still fails to connect with me as a A-list thespian. Foxx certainly strives to deliver, that’s evident, but I have yet to see a performance from him that actually feels genuine rather than a actor trying too hard. The delicate art of making a performance look natural and believable still eludes Jamie Foxx, but he certainly deserves credit for the effort given.

LAW ABIDING CITIZEN is primarily a squaring off between Nick Cave and Clyde Shelton, both of whom are trying to prove the other wrong, steadfast in their beliefs and convictions while also struggling internally with their own decisions. This is a dog fight and the arena is the legal system. It’s a deadly game of chess whereas Clyde is the master of the game, toying with Nick Rice as he attempts to piece together the puzzle of how Clyde is able to accomplish his devastating agenda from behind bars.

A few familiar faces show up in the film’s supporting cast, including Colm Meaney (STAR TREK: DSN, LAYER CAKE) as Detective Dunnigan, Bruce McGill (CINDERELLA MAN, VANTAGE POINT) as District Attorney Jonas Cantrell and Viola Davis (DISTURBIA, DOUBT) as the Mayor of Philadelphia. LAW ABIDING CITIZEN was written by Kurt Wimmer, something of a veteran of the action-thriller genre, adding this to his list of screenplays including SPHERE, THE THOMAS CROWN AFFAIR, EQUILIBRIUM and THE RECRUIT.

Speaking of action, the film has it’s share but isn’t driven by it, instead focusing on the mental game. This well-written story culminates with a climactic ending that is refreshing and original, if not mostly unpredictable. The suspense, the tension and the mystery of revealing Clyde’s methods are what make LAW ABIDING CITIZEN such an enjoyable movie and potentially one of the most widely satisfying box office offerings this year. The film is accessible to all audiences and has the makings of a sure-fire financial hit.

Ridley Scott considers RED RIDING

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Director Ridley Scott is considering a run at remaking the RED RIDING trilogy.

The miniseries is a study of power and police corruption framed around the investigation of the disappearance of several young girls. For the pic, the setting will be transferred from Britain to the U.S. The mini clocked in at more than five hours, so Zaillian and Scott have their work cut out for them to compress it into one film. — Variety

Columbia Pictures has picked up rights to the three-part mini-series, which originated in the UK. The studio is in talks with Steve Zaillian (SCHINDLER’S LIST) to write and Ridley Scott to direct.

Source: Variety

Jon Favreau NOT directing AVENGERS

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In an impromptu interview with MTV, Jon Favreau cleared a few things up related to his involvement in future Marvel film projects. First of all, he will NOT be directing the AVENGERS movie. He did however, state that he will remain involved on the project as a producer. Additionally, Favreau confirmed that Edward Norton will NOT be returning as the Incredible Hulk in the AVENGERS movies, despite recent ambiguous comments from Norton regarding his fondness of the character being an adversary to the Avengers.

Source: MTV

“Captain” Lou Albano Dies at 76

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Louis Vincent Albano, better known to his fans as “Captain” Lou Albano, died Wednesday of natural causes at the age of 76.

“Captain” Lou Albano was one of the most recognized and respected professional wrestlers of the 1980’s whose legacy not only includes an illustrious career as an athlete and showman, but as a generous man who cared for the health and well-being of his fellow colleagues in a profession that often took a hard toll on it’s members.

Albano founded Wrestler’s Rescue, an organization that raised money to assist with health care of retired professional wrestlers, many of whom were never paid wages equivalent to the stress applied to their bodies in their line of work.

“Captain” Lou Albano also received additional stardom after appearing in Cyndi Lauper’s music video GIRLS JUST WANT TO HAVE FUN. He will be missed and will certainly maintain a place in the hearts of wrestling fans for many years.

Source: Variety

IFC Films’ NIGHTMARE hits DVD

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IFC Films’ NIGHTMARE, directed by Dylan Blank and starring Jason Scott Campbell and Nicole Roderick, hit DVD on September 29, 2009. If you haven’t seen the film and like good cerebral horror, check it out!

Review originally published on February 24, 2009.

NIGHTMARE melds the real with the surreal in this bizarre mystery about a student filmmaker (Jason Scott Campbell) who has a one-night stand with an actress named Natalya (Nicole Roderick), but when they wake the following morning they find a camcorder setup at the foot of the bed that wasn’t there the night before. They decide to watch the tape, but their curiosity quickly turns to fear and confusion as they discover themselves brutally murdering people in that very same bedroom. In an attempt to understand what’s happening and also benefit from his recent experiences, the filmmaker turns his living nightmare into his next film while the nightmare continues to haunt him.

The dialogue and the acting isn’t always perfect, but the less successful moments generally take place during the most “realistic” periods in the filmmaker’s journey. As a result, it actually mocks what we perceive as reality giving his darker moments a heavier impact. There’s an interesting essence of SCREAM in the scenes when the filmmaking students meet and Campbell seems to channel Patrick Bateman from AMERICAN PSYCHO in a way that intensifies as the film progresses.

It’s been a while since I’ve seen a successful thriller as intelligent and extremely non-linear as NIGHTMARE and I have to say it’s refreshing. For me, there’s only so many straight-forward linear three-act traditional movies I can watch in a row before I feel the need to throw a cinematic monkey wrench into the machine and watch it tear itself apart.

While NIGHTMARE does suffer some very minor setbacks from it’s low-budget, these flaws are are overcome in strides by a vivid visual style and true understanding of how to use sound and music to truly sell the mood of the story. Campbell delivers a frightening and insane performance while Roderick’s performance compliments his with a cool sincerity that is the yin to his yang. The absolute most annoying and awful performance comes from the filmmaking teacher, but I wonder if this isn’t intentional. In a way, commenting on his view of studying filmmaking in the college setting.

NIGHTMARE (aka NEVER WAKE UP) is an extraordinary blend of docudrama and Hitchcockian suspense with the distinctly strange appeal of a David Lynch film. Throw in an obsession with sex and violently erotic undertones stripped from a Cronenberg movie and you’ve got a seriously twisted but compelling journey into the darkest corners of this filmmaker’s mind. NIGHTMARE jumps from one reality to the next, chronicling the gradual decay of the filmmaker’s mind as he becomes lost in the unexplainable. NIGHTMARE is a psychological horror film that requires the active attention of the audience, meaning it won’t appeal to everyone. However, given the chance and the opportunity it deserves, Dylan Bank’s movie will surely open doors for him to create bigger and better films.

Review: SOMERS TOWN

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SOMERS TOWN was written by Paul Fraser (HEARTLANDS) and directed by Shane Meadows (THIS IS ENGLAND). Both also worked together on ONCE UPON A TIME IN THE MIDLANDS, returning to bring this coming of age story to the screen. The film follows two young teenage boys from different backgrounds who happen upon each other and become an awkward sort of best mates. SOMERS TOWN is a tale of friendship that circumvents social barriers and obstacles.

Tomo (Thomas Turgoose) is a redheaded boy from East Midlands in England, having arrived in London on his own account with no place to go and no one to call his friend. He’s quickly preyed upon by a small gang of teenage hoodlums who take what little possessions he has. Tomo now must fend for himself without food, clothes or money and ultimately begins to employ some of the same traits as the boys who mugged him in the name of survival.

Marek (Piotr Jagiello) is a socially inept Polish boy living with his hard-working father in England. With his mother having left them, his father at work during the day and drunk at night, Marek finds himself living a lonely and solitary life on his own. His one interest in daily life is a beautiful French cafe waitress named Maria (Elisa Lasowski) whom he calls his girlfriend. She’s a tad older than Marek, but adores his sweet, innocent demeanor.

Tomo and Marek’s relationship begins on rocky terrain, as Tomo snatches photographs of Maria taken by Marek in the cafe. The initial butting of heads between the two boys rapidly transcends into an unlikely friendship, a mutual melding of opposites that compliment each other. Tomo’s influence allows Marek to finally come out of his shell a bit, while Marek’s influence over Tomo begins to develop a sense of work ethic and decency. The one binding thread of their relationship is a mutual infatuation with Maria.

SOMERS TOWN also paints an honest portrait of life growing up without life’s luxuries in London. The film is shot in black and white cinema verite, with heavy grain and slightly overexposed lighting. The unrefined visual quality of the film adds a great deal to the story. The original music in SOMERS TOWN was created by Gavin Clark and Ted Barnes. This acoustic soundtrack is a wonderful addition and maintains an even, consistent tone throughout the film. This is one soundtrack worth picking up on it’s own.

The movie is primarily driven by Tomo and Marek. Their dialogue develops their friendship and we get to see the two characters unfold and absorb a number of first experiences. Both characters have rich accents, which play off one another in a curious way. As the two friends reach a sort of developmental peak, they decide to take a trip at the end, which is the first time the film enters the world of color, representing a true blossoming of the two characters into newly enlightened young men.

Overall, SOMERS TOWN is a simple but masterful film, worthy of praise for it’s nostalgia. The film feels like watching old super-8 home movies of friends from a time past. This is a reflective film, encouraging the audience to adapt it’s story to their own lives. SOMERS TOWN will not inspire awe, shock or controversy, but it should leave the audience leaving the theatre feeling refreshed, just like having watched a nearly forgotten string of celluloid memories recently rediscovered deep within the cobwebs and dust of the attic.

Brody and Grace are Possible Prey for PREDATORS

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Who’s in the mood for some celebrity slaughter? With the buzz on full-throttle over Robert Rodriguez’s PREDATORS film, being directed by Nimrod Antal, the cast is already taking shape in the form of significant Hollywood names. Adrien Brody (THE JACKET) has signed on to play the man who ends up taking the leader role amidst the band of dangerous humans that get swooped up and transplanted onto the Predator jungle home planet. The humans from various countries and backgrounds must fight to survive as one seriously badass super predator hunts them down for sport.

Topher Grace (SPIDER-MAN 3) is also in talks to take a role in the film. If he signs on, Grace would play a seemingly harmless accountant type of character, a rouse to mislead his own prey and hide the dangerous serial killer that exists just beneath the surface. This role is becoming something of a staple in Rodriguez’s films, as Elijah Wood portrayed a similar role in SIN CITY.

Additional cast members already on board include Alice Braga (I AM LEGEND), Walt Goggins (THE SHIELD), Mahershalalhashbaz Ali (THE 4400) and UFC fighter Oleg Taktarov. Oh yeah, and of course the film will also star Rodriguez’s go-to badass Danny Trejo! Braga will portray the tough-as-nails, sexy female killer and Oleg Taktarov gets to play the massive Russian bear toting around a gas-powered multi-barrel machine gun.

The script, which has become a long-time legend amidst fanboys worldwide, was written by Robert Rodriguez, Alex Litvak and Michael Finch. Production is scheduled to begin in Hawaii next month and will continue in Austin at Rodriguez’s Troublemaker Studios. The film is slated for a July 9, 2010 release date. Next summer is already looking pretty sweet!

Source: Hollywood Reporter

Oren Peli takes on AREA 51

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How often does a first-time director get to say they’ve gone from making an indie first film with a budget of $11,000 to making an investor-backed second film boasting a $5 million budget? Well, director Oren Peli appears to be one of those rare few as he prepares to begin working on his follow-up to the increasingly popular PARANORMAL ACTIVITY.

For his encore, Peli will tackle AREA 51, a film in which he will employ the same docu-home movie, found-footage style approach as he did with PARANORMAL ACTIVITY, except this time he’ll have a size-ably more roomy pocket book to play with.

The story will follow three curious teenagers who find themselves inside the part of Nellis Air Force Base known as “Area 51”. Being in a mysterious and potentially dangerous military complex, situated out in the middle of the Nevada desert, surrounded by who knows what… and Oren Peli’s clever and talented tough for creeping out the audience… sounds like a good time!

Source: Variety