Top Ten Tuesday: Tony Todd

Horror fans may have mixed feelings about the ongoing Final Destination franchise, but with FINAL DESTINATION 5 fated to make it’s stand in theaters on Friday, August 12th, one thing we can count on is a roller coaster of death-defying thrills. Actor Tony Todd also returns as the mysterious Mr. William Bludworth, a mortician with an unusual knowledge of death and the rules of the fabled Grim Reaper. In honor of the talented character actor, I present my Top Ten list of favorite Tony Todd roles.

10. THE ROCK (1996)

“I’m not a soldier, Major. The day we took hostages, we became mercenaries. And mercenaries get paid. I want my fucking money!”

In Michael Bay’s entertaining action-thriller, Tony Todd plays Captain Darrow, a military officer now loyal to Brigadier General Francis Hummel (Ed Harris) who seizes Alcatraz and holds tourists hostage as he plans a homegrown terrorist plot for the sake of his fellow fallen soldiers. Captain Darrow and Major Tom Baxter (David Morse) are devoted to Hummel’s cause, even once he begins to show signs of remorse, but for different reasons. Todd gives Darrow a calm, cool confidence that contrasts Morse’s more traditional, rigid military persona.

09. FINAL DESTINATION (2000) / FINAL DESTINATION 2 (2003)

“In death there are no accidents, no coincidences, no mishaps, and no escapes.”

Mr. William Bludworth is a mysterious man, a mortician with an uncanny knowledge of Death and the rules of fate. This is something the “spared” victims of a devastating plane crash discover as Death creatively picks them off, one by one. Tony Todd plays Bludworth with an ambiguous creepiness. Tony Todd returned in FINAL DESTINATION 2, but was limited to portraying the voice of the “Devil” in FINAL DESTINATION 3.

08. HATCHET (2006) / HATCHET II (2010)

“I had a tour group, out in the swamp, last Halloween. It was the mist of night, and there was this kid, who looked kind of like you, he was spooked by something in the marsh. He saw two eyes staring at him from the woods, it chilled him to his very marrow. He wanted to get off the boat in a hurry, and he had his foot dangling over the edge.”

Tony Todd had merely a single scene in HATCHET as Reverend Zombie, an eccentric voodoo character sought upon by the vacationing youngsters for a haunted swamp tour. Unfortunately, Zombie’s little business was shut down due to insurance costs. Fortunately, Reverend Zombie returns with a bigger role in HATCHET 2.

07. PLATOON (1986)

Oliver Stone’s PLATOON marks one of Tony Todd’s first two feature films (both in 1986) and his first big break, appearing alongside a tremendous cast of young, yet to be acknowledged stars including Johnny Depp, Forest Whitaker, and Kevin Dillon. PLATOON also put Todd in the presence of veterans Tom Berenger, Kieth David, and Willem Dafoe. Todd plays Sergeant Warren, the Bravo squad leader, wounded in battle during the “church ambush” scene.

06. BIRD (1988)

Tony Todd plays Frog, a musician and friend to Charlie Parker in Clint Eastwood’s biopic. Todd based his performance on Coleman Hawkins, a real-life friend to Parker, who was played by Forest Whitaker in BIRD. Todd loves music, and went through saxophone training for the film, despite not being a musician. Todd appeared in two scenes, but any screen time in such a significant film from such a great filmmaker is a testament to one’s talent.

05. HEART OF THE BEHOLDER (2005)

Writer/director Ken Tipton’s indie film HEART OF THE BEHOLDER is an under-appreciated drama-thriller shot in my hometown, based on a true story about a family that opens the first video cassette rental stores in St. Louis in 1980. The story is wrought with controversy, included but not limited to the fundamental “VHS versus BETA” question. While Tony Todd performance as the iconic Chuck Berry is only a cameo, his few minutes on screen is not just enjoyable, but also adds a quality touch to a scene thick with racial tension.

04. THE MAN FROM EARTH (2007)

“There’s absolutely no way in the whole world for John to prove his story. Just like there’s no way for us to disprove it. No matter how outrageous we think it is, no matter how highly trained some of us think we are, there’s absolutely no way to disprove it! My friend is either a caveman, a liar, or a nut. So while we’re thinking about that, why don’t we just go with it.”

Jerome Bixby had a long and fruitful career in science-fiction writing and with Star Trek, which probably had some influence over Tony Todd in his decision to take the role of Dan, a college professor and friend to the mysterious John Oldman. This dialogue-driven film is a heavily philosophical but enjoyable experience, a smart but accessible inquiry into the nature of faith and knowledge. Todd is wonderful as the level-headed and open-minded voice of reason amidst Oldman’s friends, as the group come to terms with the shocking revelation laid at their feet by the enigmatic John Oldman.

03. THE CROW (1994)

“So, kill the crow… and destroy the man.”

Alex Proyas brought James O’Barr’s fascinating graphic novel to life in THE CROW, having the incredibly bittersweet experience of directing Brandon lee in his final film. The perfectly cast film packs a gritty atmosphere, enhanced by gritty performances. Amongst these is Tony Todd’s performance as Grange, a cold and calculating, well-dressed and intelligent right-hand man to Michael Wincott’s frighteningly psychotic crime boss Top Dollar. Todd enjoys a pivotal moment in the film, which spells the unfortunate end to Eric Draven’s vengeful spree of criminal cleansing.

02. NIGHT OF THE LIVING DEAD (1990)

“This is something no one’s ever heard about, and no one’s ever seen before. This is hell on earth.”

In my opinion, Tony Todd was sort of a given choice for the role of Ben in Tom Savini’s remake of NIGHT OF THE LIVING DEAD. His first starring role, Todd gives a commanding performance as the African-American man who helped define horror as social commentary in George A. Romero’s 1968 original. Shot in color and with the added detail of Savini’s special effects skill, NOTLD ’90 is an enjoyable film that brought a classic story to a new generation of genre fans.

01. CANDYMAN (1992)

“They will say that I have shed innocent blood. What’s blood for, if not for shedding?”

Based on Clive Barker’s short story The Forbidden, director Bernard Rose’s CANDYMAN was the film that truly made Tony Todd a household name. Todd portrays Daniel Robitaille, a slave who is brutally murdered for having a relationship with a white woman. As a result of his agonizing death, Robitaille evolves into the supernatural spirit of vengeance known in legend as “The Candyman” by those who would use his story as a cautionary tale. As the story goes, if his name is spoken five time into a mirror, he will appear. This is something Virginia Madsen learns the hard way, starring as the woman who would become The Candyman’s horrifying love obsession. Todd clearly delved deep into this role, a rich character that became a genre icon, steeped with texture and an essence of classical folk lore.

Alex Tse to Pen THE CROW Reinvention

(Beverly Hills, CA) June 22, 2011 – Relativity Media’s President of Worldwide Production, Tucker Tooley, and Edward R. Pressman, producer behind the cult-classic The Crow franchise, announced today they have attached Alex Tse (Watchmen) to write their reinvention of The Crow, the 1994 critically acclaimed, sensation based on the comic book series and comic strip by James O’Barr.

Directed by Juan Carlos Fresnadillo (28 Weeks Later), The Crow adaptation will be a gritty  reboot of the gothic iconic character Eric Draven, who returns from the grave as The Crow on a mission to avenge his wife’s murder, so that his soul can finally rest. Bradley Cooper (Limitless) is attached to star as Draven. The original film is known for its breakthrough visual style as well as its unique production design and cinematography. Fresnadillo and Tse are perfectly suited to bring these beloved characters back to life, and to create a world worthy of this modern classic.

Relativity and Edward R. Pressman Film Corporation will be teaming with Spain-based Apaches Entertainment on the production. The Crow is being produced by Edward R. Pressman, Jeff Most, Relativity’s CEO Ryan Kavanaugh, and Apaches’ Enrique López Lavigne and Belén Atienza. Relativity’s Tooley (The Fighter) and Apaches’ Jesus de la Vega will serve as executive producers. José Ibáñez and Pressman Film Corporation’s Jon Katz will serve as co-producers.

Tse is represented by CAA, Margaret Riley at Brillstein Entertainment Partners, and attorney Ira Scheck of Schreck Rose & Dapello.

Looking ahead, Relativity will release David Ellis’ Shark Night 3D on September 2, 2011 and then the highly-anticipated Immortals on November 11, 2011, starring Henry Cavill, Stephen Dorff, Isabel Lucas, Freida Pinto, Luke Evans and Kellan Lutz with John Hurt and Mickey Rourke. The studio is in production on its Untitled Snow White Project (in theatres March 16, 2012), starring Lily Collins as Snow White, Oscar®-winner Julia Roberts as the evil Queen, Armie Hammer as Prince Andrew Alcott, and Nathan Lane as the hapless and bungling servant to the Queen. Relativity’s expansive 2012 slate also includes its Haywire (in theaters January 20, 2012), Untitled Raven Project (in theatres March 9, 2012), Untitled Farrelly/Wessler Project (in theatres April 13, 2012), House at the End of the Street (in theatres April 20, 2012), Safe Haven (in theatres June 1, 2012) and Hunter Killer (in theatres December 21, 2012). The studio recently announced the groundbreaking action-thriller Act of Valor will join its 2012 slate, with an exact date to be announced.

ABOUT RELATIVITY MEDIA, LLC
Relativity Media is a next-generation studio engaged in multiple aspects of entertainment including full-scale film and television production and distribution, the co-financing of major studio film slates, music publishing, sports management, and digital media. Additionally, the company makes strategic partnerships with, and investments in, media and entertainment-related companies and assets.

To date, Relativity has committed to, produced and/or financed more than 200 motion pictures. Released films have accumulated more than $15 billion in worldwide box office receipts.  Relativity’s recent films include: Bridesmaids, Hop, Limitless, Battle: Los Angeles, Season of The Witch, Little Fockers, The Fighter, The Social Network, Salt, Despicable Me, Grown Ups, Dear John, It’s Complicated, Couples Retreat, and Zombieland. Upcoming films for Relativity include: Shark Night 3D, Immortals, Anonymous, and Cowboys & Aliens.  Thirty-six of the company’s films have opened to No. 1 at the box office. Relativity films have earned 60 Oscar® nominations, including nods for The Fighter, The Social Network, The Wolfman, Nine, A Serious Man, Frost/Nixon, Atonement, American Gangster and 3:10 to Yuma. Fifty-eight of Relativity’s films have each generated more than $100 million in worldwide box-office receipts.

Relativity also owns and operates Rogue Pictures, a company that specializes in films targeted to the 13-25 year old audience, and RogueLife, Relativity’s digital studio which is developing original content for the Web, and creating sustainable online platforms and communities. RelativityREAL, Relativity’s television arm, is currently producing 14 series and more than 20 pilots including Police Women for TLC, Coming Home for Lifetime,  and The Great Food Truck Race for Food Network.

ABOUT EDWARD R. PRESSMAN FILM CORP.
Founded in 1969, Edward R. Pressman Film Corporation has produced over 75 world-class motion pictures and helped launch the careers of many of the most prominent figures in the movie industry. The company’s extensive body of work includes groundbreaking films by directors such as Oliver Stone, Terrence Malick, Sam Raimi, David Byrne, Kathryn Bigelow, Alex Proyas, Brian De Palma, David Mamet, Charles Burnett, Abel Ferrara, Wayne Kramer, Mary Harron, Jason Reitman, and Werner Herzog. Led by true industry veteran, Edward R. Pressman, the company is dedicated to producing quality theatrical motion pictures and will continue its 40-year tradition, forging new territory in both the independent and Hollywood arenas. The company is currently in post production on The Moth Diaries, the latest feature from Mary Harron (American Psycho).

ABOUT APACHES ENTERTAINMENT
Apaches Entertainment is a film production company based in Madrid, Spain, which was founded in 2009 by producers Enrique López Lavigne and Belén Atienza. Apaches is currently producing The Impossible, written by Sergio Sanchez, directed by Juan Antonio Bayona and starring Ewan McGregor and Naomi Watts for Summit and Telecinco; as well as Intruders, written by Jamie Marques and Nico Casariego, directed by Juan Carlos Fresnadillo and starring Clive Owen for Universal Pictures International and Antena 3.

Norrington submits script for THE CROW

thecrow_graphicnovel

Stephen Norrington (BLADE) has submitted his script for a new take on THE CROW to Relativity Media. The script has apparently been getting praise and Norrington has promised an “almost documentary style” approach. This, in an effort to differentiate his film from the original.

Norrington’s version of THE CROW, based on James O’Barr’s modern classic graphic novel, in not intended to be a remake of the first movie. In fact, it may not even be a remake of the graphic novel, per se. Norrington has also promised a “new character and storyline” as well, which raises a question of how different?

The first film (and only good one) was a Gothic take, dark and moody. directed by Alex Proyas (DARK CITY) and starred Brandon Lee, immortalized by his role in the film and his tragic, somewhat mysterious and untimely death during production.

Source: Empire

Stephen Norrington set to reinvent ‘The Crow’

Let me just say this… I am a huge fan of the original graphic novel by James O’Barr and a huge fan of the original film adaptation by Alex Proyas. However, the multitude of sequels, both in print and on celluloid, offered much to be desired on varying levels. ‘The Crow’ is a wonderfully dark and powerful story, so this news surprisingly affected me in a less “powerful” way than I imagined.

Stephen Norrington (a sculptor turned filmmaker) has been tapped to write and direct a “reinvention” on ‘The Crow’. In theory, I’m not entirely opposed to another film, but I am skeptical at best. Plus, the word “reinvention” does bother me a bit. Norrington isn’t a filmmaker I dislike, but also is not a filmmaker I feel has truly honed his craft enough to be “reinventing” anyone’s work.

His biggest two films to date have been the first installment of the ‘Blade’ franchise [not my favorite] and the less-than-successful [although enjoyable, in my opinion] ‘League of Extraordinary gentlemen’. By the way, Norrington hasn’t made a film since ‘LOEG’ and it also holds a bookmark in cinematic history as the straw that broke Sean Connery’s back, who [as the legend goes] chose to place himself into early retirement and never act again as a result of his experience making this movie.

“Whereas Proyas’ original was gloriously gothic and stylized, the new movie will be realistic, hard-edged and mysterious, almost documentary-style,† Norrington told Daily Variety.

[source: Variety.com]