THE HELP Screenwriter-Director TATE TAYLOR To Receive WGAW’s 2012 Paul Selvin Award


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Screenwriter-director Tate Taylor has been named recipient of the Writers Guild of America, West’s 2012 Paul Selvin Award for his adapted screenplay for the civil rights-era drama The Help.

The Guild’s Selvin Award recognizes written work which embodies the spirit of constitutional rights and civil liberties. Filmmaker Taylor will be honored at the 2012 Writers Guild Awards West Coast ceremony on Sunday, February 19, at the Hollywood Palladium.

“Tate Taylor’s adapted screenplay for The Help artfully distills the empowering essence and core emotional truths of Kathryn Stockwell’s novel, translating it into a film that forcefully illustrates how ordinary people can impact positive social change. Evoking a specific time and place, the film’s message is ultimately universal and remains relevant today. Tate’s honor is well-deserved – and his script does Paul Selvin’s legacy proud by conveying the continuing power of the written word,” said WGAW President Christopher Keyser.

“I’m truly honored and humbled by this honor. In adapting Kathryn Stockett’s The Help, I was keenly aware of the many heroes from such a tumultuous time in American history, as well as the heroes that continue to fight for human rights today. But to me, ordinary heroes such as Aibileen and Minny are often the ones we find most relatable and empowered by. After all, the ordinary hero hiding in each of us is often the most powerful catalyst for change,” said The Help screenwriter-director Taylor.

Based on the acclaimed #1 New York Times best-selling novel by Kathryn Stockett, the hit film, written for the screen, directed, and executive produced by Taylor, chronicles the relationship that develops between a group of very different, yet extraordinary women in Jackson, Mississippi, during the 1960s at the brink of the burgeoning U.S. civil rights movement, who bond around a secret writing project that challenges the traditional boundaries set by race and class, putting them all at risk.

The poignant period drama, from Dreamworks Pictures and Reliance Entertainment, in association with Participant Media and Imagenation Abu Dhabi, centers on young Eugenia “Skeeter” Phelan (Emma Stone), a recent graduate of “Ole Miss” intent on launching a serious writing career and leaving the confines of her small Southern town. Unlike most girls she grew up with in Jackson, her own career ambition takes priority over traditional marriage and motherhood, much to her more conservative friends’ and her mother’s constant consternation.

When Skeeter lands a job ghost-writing the “Miss Myrna” cleaning hints column in the local newspaper, the first person she seeks help from is, of all people, Aibileen Clark (Viola Davis), her best friend’s nurturing maid. Although tentative at first, soon the unlikely pair find themselves collaborating on a clandestine book project, where the previously silent African-American “help” reveal their candid thoughts on their white employers and experiences from the oppressed perspective. Against all odds, a remarkable sisterhood crossing color lines emerges, empowering women with the courage to transcend the rigid societal roles that define them. Filled with humor, hope, and heart, The Help is an inspiring film that vividly demonstrates the power of words to create change and transform lives.

In addition to Taylor receiving a 2012 Writers Guild Award nomination for Adapted Screenplay, The Help recently received four Academy Award nominations, including Best Picture, Best Actress, and two nods for Best Supporting Actress.

Just as friendship is so vital to the central narrative of The Help, so was true-life friendship vital to the film itself becoming a reality: as director/screenwriter/producer Taylor and author Stockett were childhood friends who grew up together in Jackson, MS, in the ’70s. It was their longtime bond that formed the basis of the film’s journey from page to screen: with Stockett’s blessing, Taylor, with the help of fellow Jackson-native producer Brunson Green, acquired the film rights to The Help, and later adapted the novel for the screen, with an eye to direct the project.

After graduating from the University of Mississippi, Taylor spent time in New York before moving to Los Angeles to pursue a film career. In 2004, Taylor made his directorial debut with the critically acclaimed short film, Chicken Party, which he wrote, directed and starred. The film went on to win awards at eight film festivals, placing at twelve more. Taylor’s first feature-length film, Pretty Ugly People, was released theatrically in 2009. Written and directed by Taylor, the dark comedy gained him notoriety as a director and writer to watch.

As an actor, Taylor was most recently seen in 2010’s Oscar-nominated and Sundance Grand Jury Prize Award-winning feature, Winter’s Bone. Taylor’s TV appearances include roles on Sordid Lives: The Series and Queer As Folk.

In partnership with Help author Stockett, Taylor recently established a mentoring program based in Mississippi that provides creative and structural mentoring for writers and filmmakers.

The Paul Selvin Award is given to that WGA member whose script best embodies the spirit of the constitutional and civil rights and liberties, which are indispensable to the survival of free writers everywhere, and to whose defense the late Selvin, who served as counsel to the Guild for 25 years, committed professional life. Previous recipients include Eric Roth, Michael Mann, Jason Horwitch, Don Payne, Robert Eisele & Jeffrey Porro, Dustin Lance Black, Anthony Peckham, and, most recently, Jez Butterworth & John-Henry Butterworth.

The 2012 Writers Guild Awards will be held on Sunday, February 19, 2012, simultaneously at the Hollywood Palladium in Los Angeles and at the B.B. King Blues Club in New York City. For more information about the 2012 Writers Guild Awards, please visit www.wga.org or www.wgaeast.org.

2010 Writers Guild Awards

 

The 2010 Writers Guild Awards were held simultaneously on Saturday night at the Hyatt Regency Century Plaza Hotel in Los Angeles and the Hudson Theatre at the Millennium Broadway Hotel in New York City.  The  WGA  ceremony outcome, in this unending Awards Season,  saw no big surprises and  another feather in THE HURT LOCKER’s cap. Does this, combined with all the other precursor awards (PGA, DGA, ACE, ADG), add up a Best Picture win on March 7th at the Academy Awards? With two weeks go, it would seem so, but  I can’t help but sense a huge upset in the making.

The big WGA winners were:

  • Best Original Screenplay Award: Mark Boal – THE HURT LOCKER

Boal said,

“I’m honored and stunned,” and “to Kathryn Bigelow for backing an unpopular story about an unpopular war. I want to thank the soldiers in Baghdad who I was embedded with….”

Best Adapted Screenplay Award: Sheldon Turner and Jason Reitman – UP IN THE AIR (Based upon the novel by Walter Kirn.)

Turner accepted by saying,

We don’t write because we want to, we write because we HAVE TO.

Jason Reitman mentioned that his father, producer/director Ivan Reitman, told him “You got the goods ” and finished with,

I’m a writer when I’m writing. I’m a writer when I’m directing. I’m a writer when I’m editing.

 

BEST DOCUMENTARY SCREENPLAY Award: Mark Monroe – THE COVE

Additional awards:

  • Longform Adapted-TV Award went to TAKING CHANCE (HBO)
  • Longform Original-TV Award went to GEORGIA O’KEEFE (Lifetime)
  • Carl Gottlieb (JAWS) received the Morgan Cox Award for longtime service to the WGA.
  • Jason Alexander presented the WGA Paddy Chayefsky Laurel Award to Larry David.
  • The WGA Paul Selvin Award went to Anthony Peckham – INVICTUS
  • Billy Crystal presented the WGA Laurel Award for the Screen  to Barry Levinson.

Click here for a complete list of all the winners.

Thanks to Steve Pond (The ODDS/The Wrap), Anne Thompson (Thompson on Hollywood/indieWIRE), and Joshua Stecker (ScriptMag) for the results on Twitter.

WGA Nominations

LOS ANGELES, NEW YORK — The Writers Guild of America, West (WGAW) and the Writers Guild of America, East (WGAE) have announced nominations for outstanding achievement in writing for the screen during the past year. Winners will be honored at the 2010 Writers Guild Awards held on Saturday, February 20, 2010, at simultaneous ceremonies in Los Angeles and New York.

Between this and the PGA nom., its looking more likely  that STAR TREK will be among the 10 Best Picture Oscar  nominees. However, more bad news for INVICTUS and NINE as they were both left off today’s list. Ineligible for WGA nods are INGLORIOUS BASTERDS, UP,  AN EDUCATION, and A SINGLE MAN due to not meeting the requirements set by Minimum Basic Agreement of the WGA.

Best Original Screenplay:

  • “(500) DAYS OF SUMMER” — Scott Neustadter & Michael H. Weber
  • “AVATAR” — James Cameron
  • “THE HANGOVER” — Jon Lucas & Scott Moore
  • “THE HURT LOCKER” — Mark Boal
  • “A SERIOUS MAN” — Joel Coen & Ethan Coen

Oscar-Expert Tom O’Neil over at the Gold Derby writes that, “…over the last 13 years, eight WGA-winning original scripts went on to prevail at the Oscars: “Fargo,” “Shakespeare in Love,” “American Beauty,” “Eternal Sunshine of the Spotless Mind,” “Crash” “Little Miss Sunshine,” “Juno” and last year’s champ, “Milk.”

Best Adapted Screenplay:

  • “CRAZY HEART” — screenplay by Scott Cooper, based on the novel by Thomas Cobb
  • “JULIE & JULIA” — screenplay by Nora Ephron; based on the books “Julie & Julia” by Julie Powell and “My Life in France” by Julia Child with Alex Prud’homme
  • “PRECIOUS” — screenplay by Geoffrey Fletcher; based on the novel “Push” by Sapphire
  • “STAR TREK” — screenplay by Roberto Orci & Alex Kurtzman; based on “Star Trek,” created by Gene Roddenberry
  • “UP  IN  THE AIR” — screenplay by Jason Reitman and Sheldon Turner; based on the novel by Walter Kirn

Of this category O’Neil says, “…over the last 13 years, the adapted-screenplay WGA winner went on to claim an Oscar nine times: “Sling Blade,” “L.A. Confidential,” “Traffic,” “A Beautiful Mind,” “Sideways,” “Brokeback Mountain,” “The Departed,” “No Country for Old Men” and last year’s champ, “Slumdog Millionaire.”