HAMNET – Review

Jessie Buckley stars as Agnes and Paul Mescal as William Shakespeare in director Chloé Zhao’s HAMNET, a Focus Features release. Credit: Agata Grzybowska / © 2025 FOCUS FEATURES LLC

Jessie Buckley and Paul Mescal give striking performances in Chloe Zhao’s lushly beautiful, romantic and heartbreaking tale of William Shakespeare’s marriage to his wife Anne and the death of their young son Hamnet, whose loss led the Bard to write perhaps his great play “Hamlet.” As a title card at the film’s start tells us, the names Hamnet and Hamlet were considered essentially the same, alternate ways of spelling it. In Zhao’s drama, Shakespeare’s mysterious wife is renamed Agnes. As little is actually known about Shakespeare’s wife Anne and their marriage, which gives director Chloe Zhao free rein to be inventive. Love, death, pain and hope are the themes.

The film was inspired by Maggie O’Farrell’s award-winning novel “Hamnet” and written for the screen by director Zhao and the author, the resulting drama is more Chloe Zhao’s vision than a true adaptation of the book. Oscar-winner Chloe Zhao proved herself a master of powerful imagery framing human questing and connection in NOMADLAND, and brings those gifts to this tale as well, but in this case in a more intimate way, of two people falling in love and having a family.

While the real William Shakespeare was 18 when he married 26-year-old Anne Hathaway, the director chose to ignore that age gap in casting Jessie Buckley and Paul Mescal. In the film, William Shakespeare is a young struggling Latin tutor, now doing farm work for neighboring families to help out his parents who had fallen into debt. Anne, now Agnes, is the strong-willed oldest daughter of a more well-off family, where Will is doing some manual labor. Smitten on first sight, the young tutor offers to teach the family’s younger children, as a way to be closer, in order to woo Agnes.

Beautiful, wild, independent Agnes, for her part, is less keen on young Will, but he wins her over with poetry and persistence. Despite opposition by both families (with an excellent Emily Watson as Will’s severe mother), they wed and have three children, oldest daughter Susanna (Bodhi Rae Breathnach) and fraternal twins, Judith (Olivia Lynes) and Hamnet (Jacobi Jupe).

The drama follows their marriage and the launch of Shakespeare’s career in London, while wife Agnes and the children stay behind in the English countryside. Their bond is strong but nothing is more tragic for any couple than the loss of a child, and it has a transformative effect on their lives and relationship.

HAMNET is visually stunning throughout and particularly magical in the early portions. Period costumes and props are perfectly done. The setting is often a wild English countryside of old forests haunted by secrets and ancient Celtic magic. The film ranges from that wild, natural world beginning to the London stage of the Globe Theater where the play born of tragedy takes form.

Jessie Buckley is particularly moving in this drama, as a wild soul who seems as much a child of forest as anything human. There are references that her true mother was a forest-dweller, with all the magical implications of that, and the daughter is only partly of this staid village world, hints often presented in vivid, visual form. Zhao blends the visual and the dramatic well in creating these characters and their lives but she is aided greatly by Jessie Buckley’s strong performance. Paul Mescal’s William Shakespeare comes across as more grounded but firmly determined to have this wild woman and to build their lives.

HAMNET does not try to answer all questions about Shakespeare’s marriage or the creation of “Hamlet.” The film is, of course, romantic but in a human, passionate and believable way, rather than a conventional film romance. Tragedy breaks that lovely dream, throwing the characters in conflict, as they each grapple with grief in their own ways. Unlike many films this year, this one focuses purely on the personal and the individual rather than the large world, putting the experience of love and of grief at its center. The stunning natural-world photography suggests something epic and enduring, but real focus of this drama are the human emotions, of love and heartbreak, from which comes the creation of something that endures for the ages.

HAMNET opens in theaters on Friday, Dec. 5, 2025.

RATING: 4 out of 4 stars

ROSALINE – Review

(L-R): Kaitlyn Dever as Rosaline and Sean Teale as Dario in 20th Century Studios’ Rosaline, exclusively on Hulu. Photo courtesy of 20th Century Studios. © 2022 20th Century Studios. All Rights Reserved.

Hey, it’s getting pretty close to movie award season, so what better time to, as they sing in “Kiss Me Kate”, “Brush Up Your Shakespeare”. Now, don’t think that you’re doing homework, since this new film delves into one of the Bard’s classics. Yes, it can be fun even though the cast isn’t singin’ and dancin’ up a storm as in WEST SIDE STORY. Whoops, let the “cat outta’ the bag” with that last aside. Yet, it’s a different take on the tale from what’s been shown so many times before. This new “twist” builds itself around a minor character, much as with Rosencrantz and Guildenstern from HAMLET (who got their spin-off story). Oh but in this one, the title character was only mentioned, never seen in the iconic love story. Finally, we’ll get the “dirt” on the former “bae”. Now everyone will learn that before Juliet, Romeo was romancing ROSALINE.

This film begins on a balcony overlooking Verona as Romeo Montague (Kyle Allen) proclaims his adoration for…Rosaline (Kaitlyn Dever). But much like that other story, this is a forbidden romance as she is also a Capulet. The following morning her dreams of him are interrupted by her Nurse Janet (Minnie Driver) who must get her lady ready for Lunch with a potential suitor her father Adrian (Bradley Whitford) has arranged. Once again, she scares off another much-older rich dullard, annoying papa. Rosaline needs her Romero, yet when he drops the “L-bomb” (as in love) on her later that night, she’s gobsmacked into silence. This prompts a hasty exit from him, though she implores him to join her at the next day’s masquerade. Ah, but another suitor is on tap in a few hours, though this one’s much younger and easier on the eyes. Ex-soldier Dario (Sean Teale) has planned a meal as part of the cruise in his modest boat. Though she gives him a chilly reception, their banter is spirited. Still, she needs to get to shore for the party just as a raging storm erupts. Meanwhile, a masked Romeo searches in vain for Rosaline until he bumps into Juliet (Isabela Merced) and those sparks ignite. Oh, and to make matters worse, she’s Rosaline’s visiting cousin. The next day she sees Romeo on the path to her balcony. Oh oh, he’s veering off to the left…to where? Rosaline follows and catches him locking lips with…ya’ know. After her letters to him go unanswered, Rosaline makes it her mission to bust up those lovebirds. So, she’s doomed to fail….or just maybe….

Carrying the whole enterprise is the snarky, sassy comic performance from Dever which matches her terrific work in BOOKSMART. She’s the audience surrogate in the opening sequence easing us from the flowery speech of the classic play into modern slang and vernacular, though Dever can confidently “talk all fancy”. Dever’s Rosaline is a brilliant whirlwind easily trouncing all the dolts who would put her in “her place”. But there’s still a tender vulnerability to her as she realizes her ideal might not be the “real deal”. And that first love, Romero, is played with “surfer dude ‘tude” by the cluelessly comic Allen. It’s no surprise that he’s distracted by the adorable Merced as the naive starstruck Juliet, who almost floats on a cloud of desire when she speaks of her dreamy paramour. On the other hand, Teale is firmly rooted in his budding interest in Rosaline, never folding before her witty asides, though often bemused by her frantic schemes. Also hiding his amusement at her is Whitford as the irritating but somewhat proud pop. Christopher McDonald is a much-different Capulet daddy, a pompous blowhard constantly duped. Spencer Stevenson scores lotsa’ laughs as Rosaline’s utterly fabulous pal Paris, while Driver displays a flair for deadpan exasperation as the Nurse who gets little respect from the hierarchy. Also turning in funny supporting work are Nico Hiraga, the message delivery guy who seems to always be high, and Alistar Toovey as Tybalt, who never drops his sneering squint.

Generating the energetic pace running on this romp is director Karen Maine, who keeps “all the plates spinning” with skill. Wait a minute, romp? Yes, well there are a few liberties taken with the Bard’s work in the clever screenplay by Scott Neustadter and Michael H. Weber which adapts the YA novel “When You Were Mine” by Rebecca Serle. The period wardrobes are almost as gorgeous as the Italian scenery doubling for Verona. And the comedy is enhanced by the expert selection of bouncy 70s and 80s pop tunes on the soundtrack. Those familiar with the source material will watch with a knowing smile and many chuckles, while this could prove to be a great introduction for the younger set, as it’s hard to think of a more teen-friendly gateway into Shakespeare than the engaging whip-smart “firecracker” called ROSALINE.

Three Out of Four

ROSALINE is now streaming exclusively on Hulu

20th Century Studios’ ROSALINE, exclusively on Hulu. © 2022 20th Century Studios. All Rights Reserved.

Official ANONYMOUS Trailer From Director Roland Emmerich

Sony Pictures has debuted the new trailer for Roland Emmerich’s ANONYMOUS due in theaters this Fall.

Synopsis:

Set in the political snake-pit of Elizabethan England, Anonymous speculates on an issue that has for centuries intrigued academics and brilliant minds ranging from Mark Twain and Charles Dickens to Henry James and Sigmund Freud, namely: who was the author of the plays credited to William Shakespeare? Experts have debated, books have been written, and scholars have devoted their lives to protecting or debunking theories surrounding the authorship of the most renowned works in English literature. Anonymous poses one possible answer, focusing on a time when cloak-and-dagger political intrigue, illicit romances in the Royal Court, and the schemes of greedy nobles hungry for the power of the throne were exposed in the most unlikely of places: the London stage.

The film is written by John Orloff and produced by Roland Emmerich, Larry Franco and Robert Leger. From Columbia Pictures, ANONYMOUS will be in theaters September 30, 2011. Visit the film’s official site HERE and on “Like” it on Facebook HERE.

BERLIN, GERMANY: L-r, Mark Rylance, Writer John Orloff, Vanessa Redgrave, Director Roland Emmerich, Joely Richardson, Rafe Spall David Thewlis and Rhys Ifans at the Columbia Pictures’ “Anonymous” Photo Call at the legendary Studio Babelsberg on April 29, 2010 in Berlin, Germany. (Photo by Christian Schulz)

Ralph Fiennes making Directorial Debut!

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Actor Ralph Fiennes is set to make his directorial debut with one of The Bard’s lesser-known works. Fiennes will direct a feature film adaptation of William Shakespeare’s Roman tragedy ‘Coriolanus’. Fiennes is currently scouting locations and negotiating the financing of his film. Vanessa Redgrave is also being considered for the part of Volumnia, the mother of Coriolanus.

Shakespeare’s play, set in the early years of the Roman Republic, is one of his most politically challenging examinations of the way power corrupts.

Fiennes will also play the title role of the proud but contemptuous soldier spurred on by his ambitious mother to run for the Roman Senate, which ultimately leads to his downfall. — Variety

[source: Variety]

Pacino Taking on ‘King Lear’

pacino-shakespeare

Al Pacino is once again circling a project based on a work by William Shakespeare.   He directed and was featured in the 1996 documentary ‘Looking for Richard’ and later starred in the  Michael Radford-directed adaptation of ‘Merchant of Venice’.   Now, Pacino is reteaming with Radford for an adaptation of ‘King Lear’.

Pic will be produced by Barry Navidi, who teamed with Pacino on ‘Merchant’ as well as the upcoming ‘Salomaybe?,’ which Pacino directed and stars in. That film, based on the Oscar Wilde  play, is in post-production.

While Pacino has played many Shakespearean characters, he has never played King Lear, the aging monarch who selects his successor by parsing his kingdom in three parts, ruled by his trio of daughters. Two of them are scheming connivers who flatter their father, while the one loving daughter, Cordelia, refuses to play that game and is exiled. The king ultimately loses everything.

“Al has been offered this role many times over the years, but didn’t feel ready,” Navidi said. “He’s ready now. The film will be true to its period, very similar to the classical look of ‘Merchant of Venice.’ Michael came up with the most brilliant adaptation and Al and I flipped for it.”

Source: Variety