We Are Movie Geeks All things movies… as noted by geeks.

November 7, 2024

Laura Dern, Annette Bening, Paul Water Hauser, DeWanda Wise, Michael C Hall, Common Featured In BEHIND THE LINES Documentary

Sypher Studios and Lon Haber & Co announce the AFM World Market Premiere and first-look footage of the new feature documentary, Behind the Lines, based on the New York Times bestselling book of the same name by the renowned historian Andrew Carroll. The film follows Carroll’s decades-long journey, including into active war zones, to find “the most extraordinary war letters ever written” from the American Revolution to the present day. Behind the Lines differs from other war letters-related films in that it includes correspondences from the home front as well as by civilians who are literally “caught in the crossfire.” 

Narrated by Annette Bening, the film features on-screen letter-performances by a star-studded cast including Laura Dern, Michael C. Hall, Paul Walter Hauser, Common, DeWanda Wise, Gary Cole, Kelvin Harrison Jr., and many more. Directed by first-time feature director John B. Benitz and written by Andrew Carroll, John B. Benitz, and Bryce Cyrier. Producers include Jason Pamer, Jens Jacob, Bryce Cyrier, John B. Benitz, and Andrew Carroll. Executive producers include Kerry Patton and David Lopez.

The talented, international and diverse star-studded ensemble cast includes, in order of appearance, Kelvin Harrison Jr., Abigail Cowen, Dylan Sprouse, Monique Edwards, Michael C. Hall, Garrett Schweighauser, Gary Cole, Thurn Hoffman, Jay Lee, Laura Dern, Sandra Seacat, Richard T. Jones, Rachel Bloom, Chase Cargill, Paul Walter Hauser, Kathleen Goff, Erick Lopez, Darwin Shaw, Jörg Witte, Takuya Iba, Wes Studi, Eliza Bennett, DeWanda Wise, Piotr Brozda, and Genia Michaela.

Behind the Lines was one of six finalists of the coveted Library of Congress Lavine/Ken Burns Prize for Filmwhich recognizes exemplary documentary films that tell compelling stories about American history. 

“We’re thrilled and honored to be working with the stellar cast and crew of Behind the Lines and to be able to introduce such a profoundly meaningful film to the global marketplace at the American Film Market (AFM) at a time when it is essential that stories like these are told. Behind the Lines is a rare gem that offers a first-hand, well-rounded glimpse into the personal dynamics of war and the far-ranging ripple effects it has on everyone, all over the world,” said Lon Haber, Founder of Lon Haber & Co – IPPR, who is presenting the film to buyers at AFM for the very first time. “Behind the Lines is a commercially viable product with heart, that stays true to its artistic and historic integrity, and one to which audiences from every corner of the globe can relate,” Haber continued.

“Instead of merely focusing on the wars, Behind the Lines delves into the humanity of all who serve and those connected to them with first-hand accounts spanning two and half centuries that range from heart-wrenching to heart-warming and even comedic, depicting what it’s like for those on the frontlines and their families at home on a daily basis,” said producer Jason Pamer. 

“I couldn’t be more proud of this film and how it emphasizes the service and sacrifice of our troops, our veterans, and their families. And we have so many letters and emails that I think this film could be the kick-off to a whole series in which every episode focuses on a single topic or story,” said writer and film subject Andrew Carroll.   

“This personal and emotional journey into the war experience uncovers in stark reality our worst impulses but also the secrets of our shared humanity offering hope, understanding and perhaps even compassion and reconciliation in these divisive times,” said director John B. Benitz. 

Sypher Studios is repped by Neil Sacker at Sacker Entertainment Law. 

January 25, 2018

HOSTILES – Review

A timely account of the plight of Native Americans told through the eyes of a white guy who hates them, HOSTILES is a soft-headed frontier epic that never sparks to life. Despite a promising cast and concept, HOSTILES will have viewers begging to be taken to greener pastures long before its 134-minute duration concludes.

In 1840, Captain Joseph Blocker (Christian Bale) is given the order to escort Yellow Hawk (Wes Studi), a dying Cheyenne war chief, from New Mexico to Montana to be buried on sacred tribal lands. Still harboring a grudge against Yellow Hawk for leading past attacks in which his men were slaughtered, Blocker has spent his life fighting Indians and is renowned for having collected more than his share of scalps. Soon after Blocker and his select group of soldiers begin their journey with Yellow Hawk and his family, they come across a burned-down ranch where they discover Rosalie Quaid (Rosamund Pike) clutching a dead baby. She’s been in shock since her husband and two other daughters were massacred by a band of bloodthirsty Comanche. When they later cross paths with that same gang, Rosalie avenges herself by emptying a revolver into the body of a Comanche. As the group continues their trek, the whites and the Indians begin to bond. The Indian women give Rosalie some clothes to wear and Metz (Rory Cochrane), one of Blocker’s oldest friends, asks for forgiveness from Yellow Hawk for past atrocities he committed against his people. While stopped at a military post, Blocker and his party hear a commander’s wife (Robyn Malcolm) condemn the government and military officials for orchestrating the stealing of Native American lands. As the journey continues, Blocker finds himself gaining respect for Yellow Hawk and falling for Rosalie.

There is nothing overwhelmingly bad about HOSTILES (aside from Rosamund Pike’s performance), but there’s also nothing that inspires the viewer to sit up and take notice. Director Scott Cooper’s film is bogged down by a grim and solemn tone that makes its predictable story interminable. Here’s another blandly-written story of the white man learning wisdom and insight from those who look different. The film wants to present the Cheyenne in a good light, yet for all its sentiments to wax poetic about them tells us precious little about their culture and their way of life. Wes Studi as Yellow Hawk certainly exudes the proper noble presence but he and the other the Indians are props for a dry history lesson about white man problems. In fairness, HOSTILES doesn’t dwell on the themes of bigotry, genocide, and oppression as much as I expected (WIND RIVER, a contemporary story, actually handles some of these issues better). Coopers script pays lip service to these matters but his film concentrates more on artful images punctuated by pseudo-profound monologues more often than on action and the many emotional scenes seem more sappy than genuine.

HOSTILES squanders a good cast. This is the sour, humorless Christian Bale we get in movies like OUT OF THE FURNACE and he isn’t much fun to spend 134 minutes with. Worse is Rosamund Pike, way overplaying the grief. A scene where she’s wailing in agony while unsuccessfully clawing at the ground with her hands to bury her kids (until one of the soldiers hands her a shovel, which she can’t handle much better) is so embarrassingly over-the-top, she seems more deranged than anguished. Jesse Plemmons, Rory Cochrane, and Bill Camp are among the fine actors that are part of this journey. They’re all good but nobody stands out while Ben Foster employs his usual tics to play yet another twitchy villain. Even current hotshot Timothee Calamet makes little impression in a small role as a doomed youngster along for the ride (though I hear he’s good in CALL ME BY ME NAME!). HOSTILES is an underwhelming western that just leaves you wondering why it wasn’t better.

2 of 5 Stars

 

 

 

January 10, 2018

Win Passes To The St. Louis Screening Of HOSTILES Starring Christian Bale

Filed under: Contest,Free Passes,Movies — Tags: , , , , — Tom Stockman @ 4:43 pm


Set in 1892, HOSTILES tells the story of a legendary Army Captain (Christian Bale), who after stern resistance, reluctantly agrees to escort a dying Cheyenne war chief (Wes Studi) and his family back to tribal lands. Making the harrowing and perilous journey from Fort Berringer, an isolated Army outpost in New Mexico, to the grasslands of Montana, the former rivals encounter a young widow (Rosamund Pike), whose family was murdered on the plains. Together, they must join forces to overcome the punishing landscape, hostile Comanche and vicious outliers that they encounter along the way. Hostiles is directed by Scott Cooper (Black Mass, Out of the Furnace, Crazy Heart) and produced by John Lesher (Black Mass, Birdman, Fury) and Ken Kao (The Nice Guys, Knight of Cups). The film stars: Christian Bale (The Big Short, American Hustle, The Dark Knight) Rosamund Pike (Gone Girl, Jack Reacher), Wes Studi (Avatar, Heat, Geronimo), Adam Beach (Suicide Squad, Flags of Our Fathers), Ben Foster (Hell or High Water, 3:10 to Yuma), Q’orianka Kilcher (Unnatural), Tanaya Beatty (Twilight), Jonathan Majors (Do Not Disturb), Rory Cochrane (Black Mass, Argo), Jesse Plemons (Black Mass, Bridge of Spies), Timothée Chalamet (Love the Coopers, Interstellar), Paul Anderson (The Revenant, Sherlock Holmes: A Game of Shadows), Ryan Bingham (Crazy Heart), David Midthunder (Comanche Moon), John Benjamin Hickey (Get on Up, Pitch Perfect), Stephen Lang (Avatar, The Nut Job), Bill Camp (12 years a Slave, Birdman).


For the chance to win TWO (2) seats to the advance screening of HOSTILES on January 17 at 7:00 pm in St. Louis, leave a message with your email address in the comments section below.

OFFICIAL RULES:

1. YOU MUST BE IN THE ST. LOUIS AREA THE DAY OF THE SCREENING.

2. No purchase necessary. A pass does not guarantee a seat at a screening. Seating is on a first-come, first served basis. The theater is overbooked to assure a full house.

July 9, 2014

Win A Family Four-Pack Of Tickets To The St. Louis Advance Screening Of Disney’s PLANES: FIRE & RESCUE

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WAMG has your passes to take all your little peeps to see Disney’s PLANES: FIRE AND RESCUE!

The movie is a new comedy-adventure about second chances, featuring a dynamic crew of elite firefighting aircraft devoted to protecting historic Piston Peak National Park from raging wildfire.

When world-famous air racer Dusty (voice of Dane Cook) learns that his engine is damaged and he may never race again, he must shift gears and is launched into the world of aerial firefighting. Dusty joins forces with veteran fire-and-rescue helicopter Blade Ranger (voice of Ed Harris) and his courageous team, including spirited air tanker Dipper (voice of Julie Bowen), heavy-lift helicopter Windlifter (voice of Wes Studi), ex-military transport Cabbie (voice of Captain Dale Dye) and a lively bunch of brave all-terrain vehicles known as The Smokejumpers. Together, the fearless team battles a massive wildfire and Dusty learns what it takes to become a true hero.

PLANES: FIRE & RESCUE

Directed by Bobs Gannaway (“Secret of the Wings”) and produced by Ferrell Barron (“The Fox and the Hound 2”), PLANES: FIRE AND RESCUE hits US theaters on July 18.

Ready to win a Family Four-pack of passes and be the first to see the film in St Louis??!!

FIVE lucky WAMG readers will win 4 tickets to this Tuesday’s (July 15) 7 PM screening in the St. Louis area.

All you have to do is enter your FULL NAME and EMAIL ADDRESS in our comments section below.

We will contact you if you’re a winner.

OFFICIAL RULES:

1.  YOU MUST BE IN THE ST. LOUIS AREA THE DAY OF THE SCREENING.

2.  NO PURCHASE NECESSARY.

The film rated G.

Disney.com/Planes

Like on Facebook: facebook.com/DisneyPlanes 

Follow on Twitter: twitter.com/DisneyPictures

PLANES FIRE & RESCUE

December 4, 2013

SUGAR – The Review

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SUGAR is a touching story that gives viewers a glimpse into the growing homeless youth population in Venice Beach, but it’s still missing a few morsels.

Based on the nine months director Rotimi Rainwater spent on the streets, SUGAR is the story of a young girl who took to the streets after losing her entire family in a car crash. On the streets, she and her outcast friends look out for one another and survive however they can. To them, living on the streets is a better option than the lives that they ran away from.

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This film was made with a lot of heart. Shenae Grimes (Sugar), as well as the rest of the cast, took care and consideration into the roles that they were playing. Whether it be a drug addict or a thief, the film still showed the humanity behind it. Having said that, I would have liked to have seen the characters developed a little more, and been given a better look into why these characters ended up on the street. The focus of the movie is to draw attention to the growing population of homeless youth. Anyone that has been to Venice Beach has been made aware of it. Groups of homeless kids and young adults are scattered across the beach and boardwalk hanging with their friends, and trying to survive.

Although the acting in this film was great (with the exception of the counselor), one actor stood out to me above the rest. Corbin Bleu plays Sketch, a young man with mental illness who enjoys sketching people. His character is not in the film for long periods of time, but he definitely makes an impact. It’s great to see him take on diverse roles, and his performance is wonderful in this film.

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Overall, I found the film to be interesting, but a bit long. If more time was spent diving into the characters, or focusing more on their everyday lives I think it would have worked better. Heck, one of my favorite parts was when a few of the kids were sitting around, talking about how they would rather be on the street than in the homes they grew up in. The problem is that this scene was fleeting. It was a quick conversation. Another time I boy brought up his past, but only a sentence or two about it. I would have really liked to have learned more. Instead, too much time is spent lagging, or focusing on the characters having fun with each other. Don’t get me wrong, I enjoyed seeing the characters having fun together, but as a viewer I didn’t become as invested in these characters as I should have. The film is a touching tale, but it only focuses on the surface of the problem – and it only gives us a glimpse into one girls story. Based on the purpose of this film, it doesn’t focus enough on what we can do to help. People should have the urge to do something once they see this film, and I think it misses that mark.

Overall Rating: 2.75 out of 5 stars

FOR MORE INFO: 

FACEBOOK: https://www.facebook.com/TheSugarFilm

WEBSITE: www.thesugarmovie.com

Traverse Media will release SUGAR in Los Angeles on Friday, November 22 at the Downtown Independent.  The film has a running time of 93 minutes and will not be rated by the MPAA.

In support and in conjunction with National Homeless Youth Awareness Month, SUGAR has also created FIGHTING FOR THE HOMELESS (http://igg.me/at/Filmanthropy/x/3548242), an Indiegogo Campaign with a goal to feed 10,000 homeless youth and draw awareness to the growing issue of homelessness. SUGAR has partnered with Subway, The National Coalition for the Homeless, My Friends Place, and Attention Homes in order to reach their goal of feeding 10,000 hungry and educating and inspiring the public to get involved. 80% of proceeds from this campaign will go towards the partnered organizations and shelters throughout the country in order to help them to continue their invaluable work towards feeding the hungry, eradicating homelessness and providing a safe haven for those plagued by life on the streets.

kinopoisk.ru

 

March 16, 2012

BEING FLYNN – The Review

BEING FLYNN is the new comedy/drama that explores the unique bond ( or lack ) between father and son. Based on the memoir by Nick Flynn, ” Another Bulls**t Day in Suck City “, Paul ( ABOUT A BOY ) Weitz’s new film deals with a young man estranged from a father absent from most of his childhood. He’s angry about the missing years, but somewhat eager to get to know him, along with the fear that he may become his father. The movie deals well in presenting these conflicting emotions while also shining a light on one of the biggest problems of society. It also gives Robert DeNiro one of his most interesting film roles in years.

The opening scenes of BEING FLYNN introduce us to son and father. Nick Flynn is an unemployed, directionless twenty-something who flirts with the idea of being a writer. After being tossed out of the home he shared with his flight attendant girlfriend, he hooks up with two young men turning a former strip club into an apartment. We see flashbacks of young Nick as a pre-teen being raised alone by his mother Jody ( Julianne Moore ) after his father is sent to jail for helping pass bad checks. But Dad never returns after his prison stint. Turns out that the cantankerous elder Jonathan Flynn ( DeNiro ) drives a cab not far from his son. After driving the streets, he returns to his crummy flat for vodka ( screwdrivers actually ) and to pound away on his old typewriter, adding to a massive literary work that may never be finished ( or published ). That is until a battle with a noisy downstairs neighbor causes him to be evicted. Out of the blue, Jonathan calls Nick to help him move his meager possessions into a storage unit. After everything is loaded up, the two men part abruptly. Dad believes he can crash temporarily with some old drinking buddies. Nick soon takes the suggestion of on-again, off-again girlfriend Denise ( Olivia Thirlby )  and joins her,working at a homeless shelter. He begins to actually enjoy his job until Dad shows up for a place to stay. What will happen to Nick’s newly ordered, organized life now that his father is now firmly back in his life?

For about the first half of the film the time is divided between the two Flynns, with Jonathan’s story being the more compelling. Dano does well as this drifting young man who finally finds a direction before his dad’s return sends him into a downward spiral leading to very serious drug dependency. The road to addiction has been traveled many times before at the cinema and we don’t really learn anything new. The journey of DeNiro’s Jonathan is one not often explored in film ( and certainly not by as gifted an actor ). We get to see how someone literally slips through the cracks of society and ends up sleeping in the streets ( very cold ones, you can almost feel the frostbite forming on his toes and fingers ). We feel enormous empathy for him even though the elder Flynn is not a pleasant guy to be around. He’s delusional ( a publisher’s rejection letter is high praise ), stubborn, egotistical, racist, and homophobic. It’s a testament to DeNiro’s skills that he makes this misanthrope someone worthy of our sympathies. Occasionally he’ll launch into screaming diatribes that come close to being a ” best of Bobby D ” montage, but after seeing him mired in the ” Focker ” comedies and under-written supporting roles ( LIMITLESS ), here’s a part worthy of his time ( and ours ). Moore hasn’t much to do as flashback mom besides suppressing her frustrations in front of her boy, sharing a crude, coarse catch phrase, and modeling some unflattering 1970’s ( I think! ) fashions as she goes back and forth from her jobs as waitress and bank teller. We even get a quick look at her line-up of somewhat “skeezy ” boyfriends. It’s always a treat to see JUNO’s Thirlby in a new film, but here her character functions mostly as a plot device to get Nick to the shelter and later as his moral compass ( a very lovely Jiminy Cricket ). The rest of the shelter group are played by several terrific character actors particularly Wes Studi as the boss AKA ” The Captain ” and a motherly ex-meth user player by indie-film stalwart Lili Taylor ( wanted to see more of her ). Weitz does a great job of presenting the city as an urban jungle, full of unexpected dangers ( usually at night ). Though BEING FLYNN may stumble a bit in its father/son reunion dramatics , it’s a harrowing study of an old, obstinate crackpot that society almost throws away.

Overall rating: 3.5 Out of 5 Stars

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