Geek Crush: Happy Birthday, M. Night Shyamalan!

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This marks the 10 year anniversary of “I see dead people.” That prophetic sentence was first uttered on August 6, 1999 with the release of the phenomenon, THE SIXTH SENSE, and the career of M. Night Shyamalan was truly born. Today is M. Night Shyamalan’s birthday and the 10th anniversary of THE SIXTH SENSE. Manoj Nelliyattu Shyamalan was born on August 6, 1970 in Pondicherry, India and after his birth, his parents, both doctors, moved the family to the United States where Night and his sister, Veena, grew up in the suburbs of Philadelphia. Night graduated from NYU film school and it was there that he made up the name “Night.” Shyamalan met his future wife, Bhavna Vaswani, a psychologist, in college. They married in 1993 and have two daughters.

Now while I realize that Night had previously directed PRAYING WITH ANGER (in film school) and WIDE AWAKE (1998), 1999’s THE SIXTH SENSE is assuredly his first successful foray into Hollywood. It tells the story about a boy who can communicate with the dead, desperately wanting the help of child psychologist, Bruce Willis, with underlying themes of faith and love of family. Make no mistake, it’s no coincidence that the film was released on Night’s birthday. Night totally believed in the film and thought that releasing it on his birthday was good luck. The movie eventually went on to do over $1 billion dollars in worldwide box office, TV rights, and DVD sales. It gave Night the right to final cut, when his movies would be released around the world, where he’d shoot his films, which actors would be hired, and how the trailers and posters would look. Most importantly, all his films would contain the “above the title credit “Written and Directed by M. Night Shyamalan.”

No other director can make that type of claim. THE SIXTH SENSE was nominated for six Academy Awards, including Best Director, Best Picture, Best Original Screenplay, Best Editing, Best Supporting Actor for Haley Joel Osment, and Best Supporting Actress for Toni Collette. It went 0 for 6 at the Oscars in 2000. The film’s worldwide gross was $672,806,292.

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It seemed like everyone held their collective breath with the release of Night’s next film, UNBREAKABLE (2000). Once again starring Bruce Willis, it was the story of a ordinary man who discovers that he’s a superhero and draws the correlation between the real world and comic book myth. UNBREAKABLE went on to gross $248,118,121 worldwide.

With the release of SIGNS (2002), Newsweek crowned Night as the next Spielberg on their August 5, 2002 cover – the first director EVER on the cover of Newsweek, I might add. Producer Frank Marshall said, “SIGNS was more about faith and less about invading aliens and crop circles.” Night made tons of money for Disney and its shareholders with a whopping $408,247,917 in worldwide ticket sales.

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The critics were like circling vultures, just waiting for Night to stumble and they thought he had with the release of THE VILLAGE (2004). An 1880’s village has to battle threats encircling them as well as within….what will bring out the dark side of people. Roger Ebert was beyond contempt when he wrote, “A colossal miscalculation, a movie based on a premise that cannot support it, a premise so transparent it would be laughable were the movie not so deadly solemn.” Jeez, why don’t you carve out the guy’s heart while you’re at it? It would see $256,697,520 worldwide.

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In 2006, sportswriter, Michael Bamberger released “The Man Who Heard Voices: Or, How M. Night Shyamalan Risked His Career on a Fairy Tale.” It was a must-read that summer for M. Night devotees (me included). In the book, told from Night’s point-of-view and with his full cooperation, Bamberger followed him around and watched the production of LADY IN THE WATER from beginning to end and provided a fascinating look at one of Hollywood’s most imaginative directors.

LADY IN THE WATER (2006) was Night’s bedtime story about about a mythical creature who comes in contact with the tenants of an apartment complex and that everything happens for a purpose.

Certainly the most interesting part of the book is when Disney gave Night the brush off, like he was some 3rd rate hack director, and were very critical of his LADY IN THE WATER script. Feeling like they were rejecting him, Night promptly walked right over to Warner Brothers. Bamberger let the readers into the heart-breaking, challenging time for Shyamalan – he went through a lot of emotional garbage.

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Okay, so LADY IN THE WATER was not your conventional 3-act play, but it was unique in that it was original and not some re-imagining or rehashing of someone else’s film. LADY IN THE WATER took in a modest $72,785,169.

THE HAPPENING (2008) was Night’s first R-rated movie and – shocker! – failed to impress most critics. Surprisingly, Roger Ebert loved the film and wrote, “Shyamalan’s approach is more effective than smash-and-grab plot-mongering…I suspect I’ll be in the minority in praising this film.” Night was very methodical in his story about the end of humans and how one man deals with his impending demise. Released on Friday the 13th, THE HAPPENING went on to gross $163,403,799 worldwide.

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After watching the series with his family, Night decided upon Nickelodeon’s THE LAST AIRBENDER as his next film. The first of the fantasy trilogy, THE LAST AIRBENDER will be released on July 2, 2010. As with all his other movies, it will be written, directed, and produced by M. Night Shyamalan.

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Some final points about the director. PRAYING WITH ANGER is the only one of Night’s films to be shot outside of Pennsylvania. Night is not afraid to cast himself in a cameo as Alfred Hitchcock always did in his films and he always collaborates with composer James Newton Howard for all his film scores. After the “gotcha” conclusion of THE SIXTH SENSE, Night’s name has become synonymous with the twist-ending. Even today, Shyamalan’s name alone still sells a movie and he has faith in everything he writes and directs. For an in-depth look at Night, check out this website on his films.

So from a fellow Leo, Happy Birthday to M. Night Shyamalan. “There Are No Coincidences.”

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Throwback Thursday: ‘Unbreakable’

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“How many days in your life have you been sick?”

An anonymous letter delivered to unemployed father and husband David Dunn, addressed only with “Limited Edition”. This is how we are first introduced to Mr. Glass, long before we see or hear the enigmatic villain-to-be, we are introduced to his intellect and his inquisitive nature. For those of you who have seen ‘Unbreakable’ you know all abut the intricate relationship between Elijah Price (Samuel L. Jackson) and David Dunn (Bruce Willis)… two ordinary men of no great consequence who, by way of fate or chance, or whatever we wish to call it, discover extraordinary truths about themselves.

Writer/director M. Night Shyamalan may have made a few stinkers in his career, but no matter what dribble he may create in the future, Shyamalan will forever be remembered for creating this instant classic amongst comic book fans. ‘Unbreakable’ isn’t based on any actual comic book, but instead is based on mind of a comic book fan, the mind of a person with passion for the art.

‘Unbreakable’ (2000) is Shyamalan’s third film, but only his second serious venture into the style he would come to be known for after amazing audiences in 1999 with ‘The Sixth Sense’. His influence from Alfred Hitchcock is clearly evident in the visual style and techniques used in filming ‘Unbreakable’. In many cases, a filmmaker that used prolonged and intricate tracking shots, extreme high and low angle shots distorting perspective and the long motionless takes that linger on a character, all in the same film, it would be a critics feeding frenzy. ‘Unbreakable’ defies this logic and actually pulls this off beautifully.

Even with all the fancy camera work, this is mostly overshadowed by the film’s muted color palette and it’s sombre tone. Eduardo Serra (Defiance) photographed a remarkably beautiful picture within a relatively limited range of color and contrast. The film’s score by James Newton Howard (Defiance) is outstanding, taking the seriousness and sophistication of classical instrumentation and applying it with great effectiveness to a story that would have normally been handled quite differently.

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“Do you see any Teletubbies in here?” Say hello to Jules, making his momentary cameo as Mr. Glass berating a potential buyer of vintage comic book art from Elijah Price’s Limited Edition gallery when he discovers the man is buying it for his 4-year-old son.

Elijah Price (aka Mr. Glass) is a man who has lived his life from the day he was born with his arms and legs already broken while still in his mother’s womb, has had his life work against him all this time, but yearns for something more.’Unbreakable’ is essentially an origins story, beginning with the entrance of Elijah Price into the world. We are given moments of epiphany for Elijah through stages of his childhood as his mind is molded into what would eventually become the intellectual arch-nemesis to our hero.

Elijah developed an insatiable curiosity as a child, spending the better part of his days self-secluded in his home to avoid his frail body getting hurt. He develops a fascination for comic books when his mother begins using them as motivation to get Elijah to go outside and live once in a while. What his mother saw as mere entertainment for her son, Elijah finds a whole new way of looking at the world. He sees an unrecognized truth in the comic books, one that is dealt with directly but not taken seriously. Elijah sees the dichotomy of good and evil, and more importantly the necessity of two opposing forces that will balance one another in the universe.

While Elijah suffers the repeated injuries of a weakened physical body, this is countered by a keen intellect. Likewise, David may have super-human strength and the benefit of virtual indestructibility, this is also countered by David’s fear of water that serves as his kryptonite and is suggested as the only likely way for David to die. This is an integral element within the respectable superhero lore, as a hero without a weakness is too perfect and therefor wields absolute power, and absolute power corrupts absolutely. This “weakness” plays a crucial role in ‘Unbreakable’ while David is tracking down a serial killer, assisted by his “sixth sense” ability, but must conquer his one true nemesis before he can conquer the killer… his fear of water.

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David Dunn enters the story after Elijah, returning home by train from New York in an attempt to find work. His life is empty and without purpose, or so David believes. He is unemployed and his marriage is at risk of divorce. He has a son Joseph who thinks the world of him, but David is unable to see this, instead remaining stuck in his self-loathing rut about his life. While Elijah has endured endless hardships, he sees the world through an optimistic, if not slightly distorted lens.

David has the world at his fingertips, happiness lying right before him, but he cannot see what he has until he begins having his own string of epiphanies about his true abilities. His son Joseph also benefits from his dad’s self-discovery, finding a hero in his father. The scene when Joseph is helping his father lift weights and they discover David’s true strength is a perfect example of this renewed relationship through David’s awakening, but is in contrast to David’s continued denial that he is anything but an ordinary man. David’s true turning point occurs during an intense scene when Joseph threatens his father’s life at gun point to prove that his father is a hero.

‘Unbreakable’ intelligently moves beyond the stereotypical trap of thinking all heroes and villains need costumes. While David Dunn and Elijah Price do not don capes and body suits, therefor allowing the audience to focus much more appropriately on the humanity of the characters, Shyamalan does still honor this tradition in subtle ways. David Dunn has no alias, but Elijah does refer to himself towards the end of the film as Mister Glass. He also has two understated trademarks, the wardrobe containing an abundance of purple and a glass cane, a symbol of his body being both structural and fragile at the same time. David Dunn, on the other hand, is presented in all his heroism wearing a baseball cap and a hooded poncho, but it is distinctly worn during his climatic hero scene.

Despite the fact that M. Night’s IMDB rating has consistently dropped with each film he has made since ‘The Sixth Sense’, which is his only film to appear in the IMDB Top 250 List at #137, ‘Unbreakable’ still maintains an average IMDB user rating of over 7 out of 10 stars. The movie is just that damn good and it holds up to repeated viewings as well. ‘Unbreakable’ tells a great story and is packed with powerful scenes from beginning to end. Shyamalan may or may not revive his career and his former status of being one of the most anticipated filmmakers in Hollywood, but I can just about guarantee he’ll never top this little masterpiece.

The two-disc DVD release hit shelves on June 26, 2001. For the time, the packaging and features were pretty awesome, featuring a die-cut slip case and came with two artist prints, one of David Dunn in his hooded poncho and one of Elijah Price. ‘Unbreakable’ is also available on Blu-Ray. The DVD special features include:

  • Fully produced additional scenes not seen in theaters, introduced by M. Night Shyamalan
  • Behind the Scenes footage, featuring Bruce Willis
  • Comic Books and Superheroes, an exclusive feature with Samuel L. Jackson
  • The Train Station Sequence, a multi-angle feature
  • An excerpt from an early film by M. Night Shyamalan

Positive News About ‘Unbreakable 2’


After the last two films from M. Night Shyamalan, many fans were clamoring for something, anything from the writer/director to reassert their beliefs that he is actually a decent filmmaker.   Ever since it came out, most of these same fans have been wanting a sequel to ‘Unbreakable’, arguably Shyamalan’s best film to date.

Shyamalan recently spoke with Sci Fi Wire, and the subject of an ‘Unbreakable 2’ came up.

“I want to write it right now, but I want to write it for the right reasons,” Shayamalan said. “I want a story to pop into my head that is organic and expressive of who I am. You know, these are all kind of journals of where I am emotionally, so it’s kind of hard. I’m kind of trying to go back to the journal that existed in 1999 for me. But I know me: As soon as I give up on it is when the idea will come to me. It’s just I need to go into therapy; I guess that’s the end of that answer to this.”

I know a lot of people are reluctant to see ‘Unbreakable 2’ get made, especially after what Shyamalan gave us with ‘Lady in the Water’ and ‘The Happening’.   I still have faith.   If he gets himself to where he was when he wrote the original, and if he gets Bruce Willis and Samuel L. Jackson to reprise their roles, ‘Unbreakable 2’ could easily be just as good as the first one.

Source: Sci Fi Wire

Could a sequel to ‘Unbreakable’ still happen?

Regardless of the massive numbers of people who hated this film, of which I truly do not understand, I absolutely loved this movie. Some poeple like to call me a Shyamalan fan-boy, but I’m not. What I am is someone who admires his ability within his own unique style of filmmaking, even if his films do not always succeed… financially or creatively.

However, ‘Unbreakable’ is an incredible film that, despite what some may describe as being a slow pointless film, I feel it’s one of the top ten superhero movies ever made. ‘Unbreakable’ managed to tap directly into the heart of what makes a great superhero. It’s not the super-abilities or the fancy costumes, but the stories behind what makes these heroes more than human… or, perhaps I should say “different” from other humans. I say this because the greatest superhero stories are about superheroes that have problems of their own. Superheroes that are perfect, don’t make mistakes and get through life without any hitches are, well… boring as Hell!

This is what ‘Unbreakable’ managed to do so well, introducing David Dunn (Bruce Willis), a man with special [while time-tested and common] abilities that he gradually discovers about himself after surviving a horrible accident. Meanwhile, Elijah Price (Samuel L. Jackson) is introduced as a mastermind super-villain and Dunn’s arch-nemesis. The beauty of this film is that no one has cheesy superhero names or costumes. It’s an origin story as origin stories are meant to be told.

The big question now is, will there be a sequel? Apparently, ‘Unbreakable’ was originally intended by Shyamalan and Jackson to be more than just a single film, which is somewhat evident by how and when the film end’s in the story. Originally, I would have simply said NO! I thought the film was great as a stand alone piece that gives a new flavor to superhero movies, but now [even if I hate to admit it] I am intrigued. Part of me hopes Shyamalan does a great job on ‘Airbender’ and bankrolls for the studio, giving him back some of his directorial power and creative control. However you look at it, this is a bit of quasi-rumor news that I’ll be following…

Here’s a great snippet from the longer article from MTV:

[According to both Shyamalan and Jackson, “Unbreakable† was originally intended to be a trilogy, but a series of bad reviews as well as fan and film critic misconception of Shyamalan’s work quickly tabled the idea of a possible franchise. As Jackson put it, “He was a victim of what Quentin [Tarrantino] was a victim of. ‘Jackie Brown’ is a great movie, but it’s not ‘Pulp Fiction 2.’ ‘Unbreakable’ is a great movie, but it’s not ‘I see f**king dead people.’†] — MTV