The Best Trailers Of 2012

THEATRICAL TRAILER: the official theatrical piece, usually cut from the first (very long) cut of the picture or sometimes (if there is no first cut yet) from dailies (all the shot footage, including all the different takes and angles), maximum length of a trailer is two and a half minutes.

TEASER TRAILER: A first, short theatrical preview piece (usually not longer than a minute and a half), cut from a few selected takes and scenes while the picture is still being shot.

For those of you who think it’s okay to show up to a film after the coming attractions – move along. No self-respecting movie geek would dare miss the previews. And don’t get us started on the individuals who arrive during the trailer you’ve been dying to see only to move through your line of sight during the all-important money shot.

In most cases, trailers are the first thing the casual moviegoer sees of an upcoming release – be it next month or next year. But sometimes that’s all it takes to plant the enthusiastic seed of “I have to see that!” There’s no denying it. Trailers are visual forces of nature. They are emotional magnets. They are harbingers of things to come and herald what might be.

While not all of them turned out to be everyone’s cup of tea, the unsung heroes in the editing room behind these previews are what had us going to the theaters in 2012 in record numbers. Along with the official synopsis of each movie, below is a compilation of some of the best trailers from this past year. So get your drink & munchies, have the volume up & the lights down low and find your favorite seat – the coming attractions are about to start.

BEASTS OF THE SOUTHERN WILD

In a forgotten but defiant bayou community cut off from the rest of the world by a sprawling levee, a six-year-old girl exists on the brink of orphanhood. Buoyed by her childish optimism and extraordinary imagination, she believes that the natural world is in balance with the universe until a fierce storm changes her reality. Desperate to repair the structure of her world in order to save her ailing father and sinking home, this tiny hero must learn to survive unstoppable catastrophes of epic proportions. “Welcome to the Bathtub!”

THE RAID: REDEMPTION

Deep in the heart of Jakarta’s slums lies an impenetrable safe house for the world’s most dangerous killers and gangsters. Until now, the rundown apartment block has been considered untouchable. Cloaked under the cover of pre-dawn darkness and silence, an elite swat team is tasked with raiding the safe house in order to take down the notorious drug lord that runs it. But when a chance encounter with a spotter blows their cover and news of their assault reaches the drug lord, they find themselves stranded on the 6th floor with no way out. The unit must fight their way through the city’s worst to survive their mission

THE DARK KNIGHT RISES

Warner Bros. Pictures’ and Legendary Pictures’ “The Dark Knight Rises” is the epic conclusion to filmmaker Christopher Nolan’s Dark Knight trilogy. It has been eight years since Batman vanished into the night, turning, in that instant, from hero to fugitive. Assuming the blame for the death of D.A. Harvey Dent, the Dark Knight sacrificed everything for what he and Commissioner Gordon both hoped was the greater good. For a time the lie worked, as criminal activity in Gotham City was crushed under the weight of the anti-crime Dent Act. But everything will change with the arrival of a cunning cat burglar with a mysterious agenda. Far more dangerous, however, is the emergence of Bane, a masked terrorist whose ruthless plans for Gotham drive Bruce out of his self-imposed exile. But even if he dons the cape and cowl again, Batman may be no match for Bane.

MARVEL’S THE AVENGERS

When an unexpected enemy emerges that threatens global safety and security, Nick Fury, Director of the international peacekeeping agency known as S.H.I.E.L.D., finds himself in need of a team to pull the world back from the brink of disaster. Spanning the globe, a daring recruitment effort begins. Starring Robert Downey Jr., Chris Evans, Mark Ruffalo, Chris Hemsworth, Scarlett Johansson, Jeremy Renner and Tom Hiddleston, with Stellan Skarsgard and Samuel L. Jackson, and written and directed by Joss Whedon, “Marvel Avengers Assemble” is based on the ever-popular Marvel comic book series “The Avengers,” first published in 1963 and a comics institution ever since.

RISE OF THE GUARDIANS

We were doing fine until Alec Baldwin, along with his Russian accent, proclaimed “it is our job to protect the children of the world – for as long as they believe in us, we will guard them with our lives.” Waterworks were pouring out. RISE OF THE GUARDIANS is an epic adventure that tells the story of a group of heroes – each with extraordinary abilities. When an evil spirit known as Pitch lays down the gauntlet to take over the world, the immortal Guardians must join forces for the first time to protect the hopes, beliefs and imagination of children all over the world.

LES MISÉRABLES

Les Misérables is the motion-picture adaptation of the beloved global stage sensation seen by more than 60 million people in 42 countries and in 21 languages around the globe and still breaking box-office records everywhere in its 27th year. Helmed by The King’s Speech’s Academy Award®-winning director, Tom Hooper, the Working Title/Cameron Mackintosh production stars Hugh Jackman, Oscar® winner Russell Crowe, Anne Hathaway, Amanda Seyfried, Eddie Redmayne, Aaron Tveit, Samantha Barks, with Helena Bonham Carter and Sacha Baron Cohen. Set against the backdrop of 19th-century France, Les Misérables tells an enthralling story of broken dreams and unrequited love, passion, sacrifice and redemption – a timeless testament to the survival of the human spirit. Jackman plays ex-prisoner Jean Valjean, hunted for decades by the ruthless policeman Javert (Crowe) after he breaks parole. When Valjean agrees to care for factory worker Fantine’s (Hathaway) young daughter, Cosette, their lives change forever. Les Misérables, the show of shows, was reborn as the cinematic musical experience of a lifetime.

CLOUD ATLAS

CLOUD ATLAS explores how the actions and consequences of individual lives impact one another throughout the past, the present and the future. Action, mystery and romance weave dramatically through the story as one soul is shaped from a killer into a hero and a single act of kindness ripples across centuries to inspire a revolution in the distant future. A lofty, gorgeous, trailer that boldly tugged at the heart-strings.

MEN IN BLACK 3

Agent Jay traveled back in time to 1969, where he teams up with a younger version of Agent Kay to stop an evil alien from destroying the future. The time-traveling, third installment of the Men in Black franchise reunited Will Smith and Tommy Lee Jones. The trailer was jam-packed with car chases and monocycle pursuits, as the famous, black-suited duo employed a brand-new collection of galactic gadgets to fight off retro aliens. Proves a successful and fun 3rd chapter to a franchise can be accomplished.

THE MASTER

Paul Thomas Anderson’s sixth feature film, THE MASTER, unfolds a vibrantly human story inside this atmosphere of spiritual yearning on the cusp of 1950. The film follows the shifting fortunes of Freddie, portrayed by Joaquin Phoenix, a volatile former Naval seaman unable to settle down into everyday life, and the unpredictable journey he takes when he stumbles upon a fledgling movement known as The Cause. Coming to The Cause as an itinerant and outsider, Freddie will ultimately become a surrogate heir to its flamboyant leader: Philip Seymour Hoffman’s Lancaster Dodd. And yet, even as The Cause probes the mastery of human emotions, the camaraderie between Freddie and Dodd will mount into a fierce and intimate struggle of wills. The first feature film shot using 65mm film stock in several decades, THE MASTER is brought to life by a devoted cast and crew who have crafted a visually alluring and emotionally provocative portrait of three people pursuing a vision of betterment.

PROMETHEUS

Director Ridley Scott takes fans on a gripping sci-fi adventure that “kicks ass so hard and often that it’s impossible not to be thrilled by it.” (Peter Travers, Rolling Stone).Archeologist couple Elizabeth Shaw (Rapace) and Charlie Holloway (Marshall-Green) discover a star map that they interpret as an invitation from humanity’s forerunners, the “Engineers.” Determined to find out more about them, the couple boards the scientific vessel Prometheus, created and funded by Peter Weyland (Pearce), CEO of Weyland Corporation. Lead by mission director Meredith Vickers (Theron) and monitored by Weyland’s android David (Fassbender), the team of explorers find a clue to the origins of mankind on Earth and embark on a thrilling journey to the darkest corners of the universe where they fight a terrifying battle to save the future of the human race.

A LOOPER GLOSSARY

Looper: A low level assassin who works for a mob in the future, killing targets they send back and disposing of the bodies.

Gat Man: A higher level gangster, the Gat men work locally with more typical thug responsibilities. They tend to look down on Loopers as a lot of untrained dandies.

Blunderbuss: A short stout hand cannon used by Loopers. Powerful but with a wide spread – impossible to hit anything more than 10 yards away, impossible to miss anything closer.

Gat: Generic term for a gun, but colloquial name for the Gat Men’s high caliber revolver. Powerful, accurate and reliable.

TK: Short for “telekinetic.” By 2040 a very low grade telekenetic power has developed in about 15% of the general population. Far from being a superpower, it’s weak and short range, and mostly used for bar tricks.

Closing Your Loop: A stipulation in every Looper’s contract that he may some day be required to kill his future self, thus closing his contract, getting a huge pay-off and erasing any trace of the very illegal arrangement with his future employer.

THE EXPENDABLES 2

The Expendables are back and this time it’s personal… Barney Ross (Sylvester Stallone), Lee Christmas (Jason Statham), Yin Yang (Jet Li), Gunner Jensen (Dolph Lundgren), Toll Road (Randy Couture) and Hale Caesar (Terry Crews) — with newest members Billy the Kid (Liam Hemsworth) and Maggie (Yu Nan) aboard — are reunited when Mr. Church (Bruce Willis) enlists the Expendables to take on a seemingly simple job. The task looks like an easy paycheck for Barney and his band of old-school mercenaries. But when things go wrong and one of their own is viciously killed, the Expendables are compelled to seek revenge in hostile territory where the odds are stacked against them. Hell-bent on payback, the crew cuts a swath of destruction through opposing forces, wreaking havoc and shutting down an unexpected threat in the nick of time - five tons of weapons-grade plutonium, far more than enough to change the balance of power in the world. But that’s nothing compared to the justice they serve against the villainous adversary who savagely murdered their brother. That is done the Expendables way..

THE MAN WITH THE IRON FISTS

Quentin Tarantino presents THE MAN WITH THE IRON FISTS, an action-adventure inspired by kung-fu classics as interpreted by his longtime collaborators RZA and Eli Roth. Making his debut as a big-screen director, co-writer and leading man, RZA – alongside an exciting international cast led by Russell Crowe and Lucy Liu – tells the epic story of warriors, assassins and a lone outsider hero who all descend on one fabled village in China for a winner-takes-all battle for a fortune in gold. Blending astonishing martial-arts sequences from some of the masters of this world with the signature vision he brings as the leader of the Wu-Tang Clan and as one of hip-hop’s most dominant figures of the past two decades, RZA embarks upon his most ambitious, stylized and thrilling project to date.

Joining Crowe, RZA and Liu in the cast are Rick Yune, Jamie Chung, Cung Le, Dave Bautista, Byron Mann, Daniel Wu and Pam Grier.

THE GREY

Liam Neeson (Schindler’s List, Taken, Taken 2) stars as the unlikely hero Ottway in this undeniably suspenseful and powerful survival adventure. After their plane crashes into the remote Alaskan wilderness, a roughneck group of oil drillers are forced to find a way back to civilization. As Ottway leads the injured survivors through the brutal snow and ice, they are relentlessly tracked by a vicious pack of rogue wolves that will do anything to defend their territory. Adrenaline-fueled, action-packed and loaded with some of the most intense and brutally realistic attack scenes ever filmed, The Grey is being hailed as “a thriller you can sink your teeth into!” (The Washington Post)

SKYFALL

Stunts always play a large role in Bond films and SKYFALL is no exception. Director Sam Mendes, Second Unit Director Alexander Witt and Stunt Coordinator Gary Powell worked closely together to create a physical and believable journey for Bond. It was important for both Mendes and Powell to approach the film from a more realistic point of view. The action started on the pages. “Writing action sequences is one of the great challenges and the great joys of being a screenwriter,” says screenwriter John Logan. “The challenge as a writer on Skyfall was to find ways to make the action as ‘Bondian’ as possible – which to me means it’s tough, it’s real and it’s heightened.”

As you can see in this trailer, no actor had more stunts than Craig. Javier Bardem describes watching Craig take on the role: “There is some physicality to the role that you have to be prepared to do, but of course mine compared to Daniel’s was nothing. And he does the action scenes so easily “From the outside, watching him, I was thinking, If I were you, I wouldn’t be doing that!” Bardem laughs. “I mean, I did a little bit, but nothing in comparison to with what Daniel did.”

HYDE PARK ON HUDSON

Not quite the lofty follow up to THE KING”S SPEECH as we had hoped, this preview had all the makings of finally giving Bill Murray that long-awaited Oscar. The end result was a stark look into the all-too-human side of one of history’s iconic leaders.

HOTEL TRANSYLVANIA

“Hotel Transylvania is a story about a father and a daughter… it’s just that the father happens to be Dracula,” says Genndy Tartakovsky, director of the Sony Pictures Animation film, Hotel Transylvania. “Like all fathers, he’s an overprotective, psychotic, and endearing guy who’d do anything for his daughter, but unlike other fathers, he’s the Prince of Darkness.”

In Hotel Transylvania, it turns out that the world’s most famous monsters (including Dracula, Frankenstein, the Werewolf, the Invisible Man, and the Mummy) are just like regular people, with families and problems and a need to get away from it all –  but unlike humans, they have to live in hiding from a world that thinks they’re, well, monsters. What better place to hide than Hotel Transylvania, which Dracula himself operates as a sanctuary from the rest of the world and has been human-free since 1898? But Dracula has issues of his own – his daughter, Mavis, is a teenager – in fact, she’s about to turn 118 – and as she becomes a woman, the vampire’s greatest fear is losing his relationship with her. Well, his two greatest fears are losing his relationship with his daughter and garlic, but that’s another story.

DJANGO UNCHAINED

We were ready to go on another wild and wily trek with Quentin Tarantino’s masterpiece DJANGO UNCHAINED. The trailer had us hooked right from the start – almost made us forget Franco Nero in Corbucci’s DJANGO (1966). “I like evoking the Django title for what it means to Spaghetti Westerns and that mythology,” Tarantino says. “At the same time, there’s a 40-film series of nonrelated DJANGO rip-off sequels that are their own spot of Spaghetti Western history. I’m proud to say that we are a new edition to the unrelated DJANGO rip-off sequels.”

THE RAVEN

The macabre and lurid tales of Edgar Allan Poe are vividly brought to life – and death — in this stylish, gothic thriller starring John Cusack as the infamous author. Boy were they ever. When a madman begins committing horrific murders inspired by Poe’s darkest works, a young Baltimore detective (Luke Evans) joins forces with Poe in a quest to get inside the killer’s mind in order to stop him from making every one of Poe’s brutal stories a blood chilling reality. A deadly game of cat and mouse ensues, which escalates when Poe’s love (Alice Eve, She’s Out of My League) becomes the next target. Intrepid Pictures’ The Raven also stars Brendan Gleeson (In Bruges) and Oliver Jackson-Cohen (Faster).

THE HOBBIT: AN UNEXPECTED JOURNEY

Boy we couldn’t wait to return to the Shire. THE HOBBIT: AN UNEXPECTED JOURNEY follows title character Bilbo Baggins, who is swept into an epic quest to reclaim the lost Dwarf Kingdom of Erebor from the fearsome dragon Smaug. Approached out of the blue by the wizard Gandalf the Grey, Bilbo finds himself joining a company of thirteen dwarves led by the legendary warrior, Thorin Oakenshield. Their journey will take them into the Wild; through treacherous lands swarming with Goblins and Orcs, deadly Wargs and Sorcerers. Although their goal lies to the East and the wastelands of the Lonely Mountain, first they must escape the goblin tunnels, where Bilbo meets the creature that will change his life forever…Gollum. Here, alone with Gollum, on the shores of an underground lake, the unassuming Bilbo Baggins not only discovers depths of ingenuity and courage that surprise even him, he also gains possession of Gollum’s “precious” ring that holds unexpected and useful qualities… A simple, gold ring that is tied to the fate of all Middle-earth in ways Bilbo cannot begin to know.

SEEKING A FRIEND FOR THE END OF THE WORLD

SEEKING A FRIEND FOR THE END OF THE WORLD stars Golden Globe Award winner Steve Carell and Academy Award nominee Keira Knightley. Set in a too-near future, the movie explores what people will do when humanity’s last days are at hand. As the respective journeys of Dodge (Carell) and Penny (Knightley) converge, the two spark to each other and their outlooks – if not the world’s – brighten. Director Lorene Scafaria had us in tears when the end finally came.

PARANORMAN

This is how you do a teaser! In August Laika, the makers of Coraline, brought us PARANORMAN, a stop motion, ghost-filled zombie comedy in 3D. The delightful movie starred the voices of Kodi Smit-McPhee, John Goodman, Anna Kendrick, Casey Affleck, Elaine Stritch, Leslie Mann, Christopher Mintz-Plasse and Jeff Garlin. “You don’t become a hero by being normal.” Amen to that brother!

TED

Family Guy creator Seth MacFarlane (as well as this year’s Oscar host) brings his boundary-pushing brand of humor to the big screen for the first time as writer, director and voice star of TED. In the live action/CG-animated comedy, he tells the story of John Bennett (Mark Wahlberg), a grown man who must deal with the cherished teddy bear who came to life as the result of a childhood wish…and has refused to leave his side ever since. The trailer has us skeptical until we saw the hilarious final product!

HITCHCOCK

HITCHCOCK is a love story about one of the most influential filmmakers of the last century, Alfred (Anthony Hopkins) Hitchcock and his wife and partner Alma Reville (Helen Mirren). The film takes place during the making of Hitchcock’s seminal movie PSYCHO. The trailer had us fascinated and left us wanting to see more once the film finally arrived in November.

MOONRISE KINGDOM

In a return to the world of Wes Anderson, MOONRISE KINGDOM was thought by some to be one of the best films this year. Set on an island off the coast of New England in the summer of 1965, MOONRISE KINGDOM tells the story of two twelve-year-olds who fall in love, make a secret pact, and run away together into the wilderness. As various authorities try to hunt them down, a violent storm is brewing off-shore — and the peaceful island community is turned upside down in more ways than anyone can handle. Bruce Willis plays the local sheriff. Edward Norton is a Khaki Scout troop leader. Bill Murray and Frances McDormand portray the young girl’s parents. The cast also includes Tilda Swinton, Jason Schwartzman, and Jared Gilman and Kara Hayward as the boy and girl.

MAGIC MIKE

A dramatic comedy set in the world of male strippers, “Magic Mike” is directed by Academy Award® winner Steven Soderbergh (“Traffic”) and stars Channing Tatum in the title role. The film follows Mike as he takes a young dancer called The Kid (Alex Pettyfer) under his wing and schools him in the fine arts of partying, picking up women, and making easy money. Also starring Matthew McConaughey, Matt Bomer, Joe Mangianello, Olivia Munn, Riley Keough, Cody Horn and Adam Rodriguez.

ABRAHAM LINCOLN: VAMPIRE HUNTER

Not to be confused with the Spielberg-ized version of the 16th President, filmmakers Tim Burton and Timur Bekmambetov (Director of Wanted) brought audiences this edgy thriller about the untold story that shaped our nation. Abraham Lincoln, history’s greatest hunter of the undead, must risk the presidency, his family and his life to protect America from bloodthirsty vampires. Thrust into an epic fight against the ruthless killers, Lincoln must rely on those around him. But it’s unclear who he can trust in this intense and violent thriller that’s ablaze with plot twists, blood-pumping action and spectacular special effects!

THE TWILIGHT SAGA: BREAKING DAWN PT. 2

Okay so maybe it wasn’t anything you’d ever venture out to see – even on a dare – but you knew we had to show the trailer for the final TWILIGHT movie. The conclusion to the series, THE TWILIGHT SAGA: BREAKING DAWN — PART 2, illuminates the secrets and mysteries of this spellbinding romantic epic that has entranced millions of teenage girls – and sometimes their Moms.

KILLING THEM SOFTLY

This wicked trailer was one of the best of 2012. Three dumb guys who think they’re smart rob a Mob protected card game, causing the local criminal economy to collapse. Brad Pitt plays the enforcer hired to track them down and restore order. KILLING THEM SOFTLY also features Richard Jenkins (THE VISITOR), James Gandolfini (“The Sopranos”), Ray Liotta (NARC), Scoot McNairy (MONSTERS), Ben Mendelsohn (ANIMAL KINGDOM), and Vincent Curatola (“The Sopranos”). Max Casella, Trevor Long, Slaine and Sam Shepard also make appearances.

THE AMAZING SPIDER-MAN

The Amazing Spider-Man focused on an untold story that tells a different side of the Peter Parker story and starred Andrew Garfield, Emma Stone, Rhys Ifans, Denis Leary, Campbell Scott, Irrfan Khan, with Martin Sheen and Sally Field. The film is the story of Peter Parker (Garfield), an outcast high schooler who was abandoned by his parents as a boy, leaving him to be raised by his Uncle Ben (Sheen) and Aunt May (Field). Like most teenagers, Peter is trying to figure out who he is and how he got to be the person he is today. Peter is also finding his way with his first high school crush, Gwen Stacy (Stone), and together, they struggle with love, commitment, and secrets. As Peter discovers a mysterious briefcase that belonged to his father, he begins a quest to understand his parents’ disappearance – leading him directly to Oscorp and the lab of Dr. Curt Connors (Ifans), his father’s former partner. As Spider-Man is set on a collision course with Connors’ alter-ego, The Lizard, Peter will make life-altering choices to use his powers and shape his destiny to become a hero.

THE SAPPHIRES

Inspired by a true story, THE SAPPHIRES follows four vivacious, young and talented Australian Aboriginal girls from a remote mission as they learn about love, friendship and war when their all girl group The Sapphires entertains the U.S. troops in Vietnam in 1968. Cynthia (Tapsell), Gail (Mailman), Julie (Mauboy) and Kay (Sebbens) are discovered by Dave (O’Dowd), a good-humored talent scout with a kind heart, very little rhythm but a great knowledge of soul music. As their manager, Dave books the sisters their first true gig giving them their first taste of stardom, and travels them to Vietnam to sing for the American troops. The film was shown at the St. Louis International Film Festival in November and was met by a cheering audience as the credits rolled. See this charming film!

MADAGASCAR 3: EUROPE’S MOST WANTED

Finally we leave you with Alex the Lion, Marty the Zebra, Gloria the Hippo, and Melman the Giraffe. Over the summer this fearless foursome were fighting to get home to their beloved Big Apple and of course, King Julien, Maurice and the Penguins were all along for the comedic adventure. Their journey took them through Europe where they found the perfect cover: a traveling circus, which they reinvented – Madagascar style.

Contributors: Michelle McCue and Melissa Thompson

Top Ten Tuesday – The Best of Boris Karloff

Article by Jim Batts, Dana Jung, and Tom Stockman

No other actor in the long history of horror has been so closely identified with the genre as Boris Karloff, yet he was as famous for his gentle heart and kindness as he was for his screen persona. William Henry Pratt was born on November 23, 1887, in Camberwell, London, England. He studied at London University in anticipation of a diplomatic career; however, he moved to Canada in 1909 and joined a theater company where he was bit by the acting bug. It was there that he adopted the stage name of “Boris Karloff.” He toured back and forth across the USA for over ten years in a variety of low-budget Theater shows and eventually ended up in Hollywood. Needing cash to support himself, Karloff landed roles in silent films making his on-screen debut in Chapter 2 of the 1919 serial The Masked Rider.  His big break came when Howard Hawks cast him as a creepy convict in THE CRIMINAL CODE in 1930. Producers at Universal were looking for an actor to play the monster in their upcoming adaption of Mary Shelley’s Frankenstein. Their main horror star Lon Chaney had died the year before and Bela Lugosi, starring in their hit DRACULA, turned down the role, so Karloff was offered the part. FRANKENSTEIN became an enormous success for the studio, and for its newest star whose name was not revealed until the final credits of the picture, and then only as “KARLOFF”. The role made Karloff a major box-office draw, the king of horror, heir to Lon Chaney’s throne, and he followed it up with THE MUMMY, THE MASK OF FU MANCHU, THE OLD DARK HOUSE, THE GHOUL, TOWER OF LONDON, and of course two sequels as the monster: BRIDE OF FRANKENSTEIN and SON OF FRANKENSTEIN. His star never faded and for the next several decades he reigned as Hollywood’s undisputed horror king. In the 1960’s, he teamed up with Roger Corman , Vincent Price and Peter Lorre for THE RAVEN and with Price and Lorre again for COMEDY OF TERRORS. Karloff continued working up until the very end, even while physically impaired and infirm, often performing from a wheelchair or with a cane. His last involvement of consequence came in 1968 with the critically acclaimed TARGETS. Karloff was well known as a genuinely kind and gentle soul off the screen.

Boris Karloff appeared in over 200 films in his five decades as an actor and here, according to We Are Movie Geeks, are his ten best:

10. THE DEVIL COMMANDS

One of Karloff’s least-known films until it became a staple of late-nite TV–and DVD – decades later, this taut thriller also boasts one of his most compelling performances.  In THE DEVIL COMMANDS, Karloff portrays Dr. Julian Blair, at first glance a “mad scientist” type whose personal tragedy leads to experiments combining scientific method and the occult.  But in Blair’s obsession to communicate with his dead wife, Karloff once again creates a character who is at once extremely sympathetic and a bit scary.  And unlike similar roles requiring tons of makeup, here Karloff wears none, so the intensity of his anguish, and yes, his madness, becomes almost heartbreaking.  Even though it was a Columbia B-feature, DEVIL COMMANDS rarely shows it. Director Edward Dmytryk (who later moved to the A-list to direct Bogie in THE CAINE MUTINY and Gable in SOLDIER OF FORTUNE), working with a solid supporting cast, fills the spare 65 minute running time with eerie narration and hypnotically creepy laboratory scenes.  By the time the villagers storm the castle– I mean, home– of the scientist, we know we’ve been treated to Hollywood studio production at its best, with one of the great unsung performances by a screen legend. 

9.THE SORCERORS

Boris Karloff was 80 in 1967 when he starred in THE SORCERORS, his last film shot in his native land of England. The story, adapted from John Burke’s novel, follows an aging couple, Marcus and Estelle Monserrat (Karloff and Catherine Lacey), inventors of a device that allows them to control the minds of others and vicariously experience the world through their eyes. They focus on a swinging young Londoner Michael (Ian Ogilvy) to experiment on. As the Monserrats play audience to his living scenarios, they soon add violence and crime to the mix. As Estelle goes crazy with power; she begins making Michael steal furs for her, then leads him to murder. Karloff’s Marcus is the film’s moral center and the actor delivers his last great starring performance. Ancient, arthritic, stumbling on a wooden cane behind white hair and wild eyebrows, he is sadly forced to watch as his device is perverted by the woman he loves. Despite the film’s low-budget, its hip psychedelic Swinging Sixties look provides some definite eye candy (and Susan George in a mini-skirt). The mix of 60’s period atmosphere and music with sci-fi concepts is exciting and the shocks are frightening. THE SORCERORS was directed by 23-year old Michael Reeves and while his next film, the Vincent Price classic WITCHFINDER GENERAL, is considered his masterpiece, THE SORCERORS is outstanding as well, though a bit tough to find (it’s MIA on DVD in the U.S.). In February of 1969, just nine days before director Reeves died of a (possibly intentional) drug overdose at age 25, Karloff passed away at 81.

8. THE RAVEN

“I like to torture!” says Bela Lugosi in THE RAVEN (1935), a great film full of painful devices, secret rooms, disfigured murderers and damsels in distress. Lugosi plays Dr. Richard Vollin, a famed plastic surgeon obsessed with Edgar Allen Poe. Boris Karloff is Edmond Bateman, a criminal that comes to Dr. Vollin for a change of appearance. Vollin disfigures him in order to blackmail him into helping torture another doctor. THE RAVEN runs just 61 minutes hardly lets up for a second, from the car crash which sets the plot in motion, to the exciting climax which takes place in Vollin’s torture chamber. Though the gruesome make-up gave Karloff another monstrous role, THE RAVEN really belongs to Lugosi and the great joy of the film is watching the glee with which the Hungarian actor relishes the sadism in the role. Whether pining for a lost love, skinning his nemesis alive, or using his devices like the pendulum and the room where the walls start closing in, Lugosi is arrogant, imposing, and insane and it may be his most unhinged performance. Karloff, unusually, is the weaker of the duo this time out. His Bateman is a slow-witted, relatively dim, character. It is sad that Lugosi’s career started its slow downfall after THE RAVEN and that he was overshadowed by his “rival” Karloff, due to his own limitations and poor career choices. Karloff would go on to star in another film called THE RAVEN in 1965 opposite Vincent Price and Peter Lorre, a Roger Corman-directed film that just barely failed to make this list. 

7. THE MUMMY

Noted German cinematographer (METROPOLIS, DRACULA) Karl Freund made his American directing debut with THE MUMMY, a classic tale that, unlike Universal’s other monster films, had no literary origins.  Influenced in part by its horror predecessors, but more so by the huge popularity of anything Egyptian at the time (the excavation of King Tut’s tomb had been completed just a few years earlier), THE MUMMY remains one of Karloff’s greatest roles.  Already so popular he was billed on the movie’s poster by last name only (as “Karloff the Uncanny”), his performance as Imhotep is one of horror cinema’s most accomplished creations.  Even hindered by strenuous full-body makeup that took up to 8 hours (!) to apply, Karloff’s physicality exudes an otherworldly menace in his scenes as the title character. And as the unbandaged Imhotep, his penetrating gaze and understated delivery overcome  lesser but no less restricting makeup applications to make the character almost sad in his desperate attempts to reclaim his lost love.  Due in large part to Karloff’s haunting portrayal, the Mummy character proved so popular that it spawned not only many sequels from Universal , but a Hammer Films series, an Abbot & Costello entry, several Mexican films (remember the Aztec Mummy?), and the recent trilogy. 

6. BLACK SABBATH

Boris Karloff served as the master of ceremonies for the memorable 1963 anthology BLACK SABBATH and performed as a vampire in the film’s third and final vignette. In “The Wurdulak“, Karloff is excellent as Gorka, the vampire-hunting patriarch in rural Russia who returns home just minutes after his self-imposed deadline for being allowed to live. But his family loves him too well to kill him, much to their peril, and they soon fall victim to his thirst. The suspense in this moody and atmospheric story, directed by Italian horror maestro Mario Bava (his sole collaboration with Karloff), builds steadily as it proceeds, and there is an ever-increasing sense of inevitable doom. Bava throws in a lot of mist, baying dogs, glowing color,and creaking doors here, all splendidly amplified at the proper moments to add to an increasing sense of claustrophobia. In his only role as a vampire,, Karloff created one of his more memorable characters which, at this late phase in his long career, demonstrated his professionalism and commitment to the horror genre. The DVD of BLACK SABBATH available from Anchor Bay is the original Italian language version (“I Tre volti della paura“, which means “The Three Faces of Fear” ) which not only has the three stories in a different order than the American release but the viewer is unable to hear Karloff’s real voice (dubbed here). But unlike the U.S. cut, it ends with Karloff atop a phony horse facade as Bava withdraws from a closeup to a startling wide shot of Karloff surrounded by props and a group of small Italian men waving phony tree branches past his face. Bava was offered BLACK SABBATH after the success of BLACK SUNDAY (1960), his first big hit for American International Pictures, and Karloff was part of the deal. BLACK SABBATH is almost 50 years old but it still has the power to terrify.

5. TARGETS

In TARGETS, his last American film role, Karloff comes the closest to playing himself.  As the retiring (and similarly-named) horror actor Byron Orlok, Karloff radiates a warmth and sincerity in every scene, whether dealing with fans, friends, or snarky business people.  Written (with uncredited help from Samuel Fuller) and directed (his debut) by Peter Bogdanovich, TARGETS is actually two stories that rather brilliantly converge at a drive-in theatre.  In one half of the movie, Bogdanovich uses a stark, documentary-style– with no musical score – ”to portray the modern horror story of a Charles Whitman-inspired sniper killing random innocents.  The other part of the film is more or less a loving tribute to Boris Karloff, using clips from his films CRIMINAL CODE and THE TERROR, along with references to his long and storied career.  Much has been written about the film’s themes juxtaposing the greatest horror movie icon against the violent real-life monsters of today, but in the end, as the London Times stated, it’s a movingly appropriate farewell to a great star.

4. THE BODY SNATCHER

With this performance Karloff proved that he didn’t require an elaborate make-up job to portray a truly scary, sinister character. Of course he’s aided here by the inspired direction of Robert Wise and the expertise of producer Val Lewton ( this, along with Karloff in  ISLE OF THE DEAD and BEDLAM, would be the final jewels in Lewton’s horror legacy at the RKO Studios that began with THE CAT PEOPLE ). The film is based on a short story by Robert Louis Stevenson and very much inspired by the story of Burke and Hare, the legendary grave robbers. Karloff is John Gray, a cabman who moonlights as a procurer of corpses for medical study, exclusively for “old pal ” Dr. MacFarlane. Gray is seething menace as he taunts ‘Toddy’ on his nightly visits to the kindly physician’s practice. Seems Gray never gave up Toddy’s name when he was arrested and served time many years ago for his special services. Now the old ghoul will never let the doc forget it! And if there’s not enough of the newly deceased to collect, then John’s got no problem taking the initiative. In one of the great Lewton/ Wise sequences, Gray’s coach clip clops down the cobble road toward a blind street singer. Out of frame, the hoof beats stop, and her voice is abruptly silenced. Later the doc’s simple-minded servant Joseph ( Bela Lugosi ) unwisely decides to blackmail Gray. A friendly drink becomes a great cat-and-mouse game as Gray entertains Joseph by singing an old melody with a killer finish. This would be the last time the two horror icons ( and some say rivals ) would share the screen. Karloff would continue on through the horror rebirth of the 1960’s, while Lugosi, after donning his Dracula cape in ABBOTT AND COSTELLO MEET FRANKENSTEIN, would end his days as the big draw in Ed Wood, Jr. low-budgeters. The entire cast is superb, but this is a real showcase for Boris.  In THE BODY SNATCHER, Karloff is the ultimate bogey man in one of his last truly great horror films of Hollywood’s Golden Age.

frankenstein

3. FRANKENSTEIN

Ah, the film classic that made Karloff an over night sensation ( this after more than 70 screen appearances ). And he’s not even listed in the cast credits ( ” The Creature…? ). No photos of him in makeup were released prior to the film’s opening save for a publicity still of Karloff ( his visage hidden by a burlap sack ) being lead to the set, hand in hand, by the guru of grease paint, Jack Pierce. And what an impact he made in the finished film after slowly turning to the camera ( followed by close-up jump-cuts ). No wonder there were reports of patrons fainting in the aisles. But then Karloff’s acting skills truly kicked in. He was able to connect emotionally with audiences. They looked past the putty and powder, the bolts and scars, and sympathized with this flat-topped, pathetic hulk. The monster reaches for the sunlight like a curious child before being tormented by the cruel Fritz. This was a creature more worthy of pity than fear. That is until he lashes at those who would harm him, to the point of punishing his creator, Henry Frankenstein ( Karloff’s so powerful that most people assumed that the monster’s name was simply Frankenstein ). With the film’s restoration in recent years, we see the monster’s despair at the conclusion of the lakeside scene with the little girl and her daisies. Director James Whale along with Pierce created an immortal movie monster and  firmly placed Boris Karloff  in the pantheon of screen icons. 

2. THE BLACK CAT

This tale of American honeymooners (David Manners and Julie Bishop) trapped in the Hungarian home of a Satan- worshiping priest has nothing to do with Edgar Allen Poe’s story. THE BLACK CAT (1934) is about evil, madness, necrophilia, and obsession.  It’s the first and best of the eight collaborations between Boris Karloff and Bela Lugosi and both actors are at the top of their game here. This is one film where both actors dish out pure magic and madness for the fans, and there’s not one moment of disappointment anytime either of them are on screen. Every moment they are shown together is intense, whether it’s in the strange, cruel dialog or the brawl between the two in the finale. In 65 minutes, Edgar G. Ulmer proves his potential as a fantastic visual director (his next most famous film was the 1945 noir DETOUR). The introduction of Karloff and Lugosi’s characters (Hjalmar Poelzig and Vitus Werdegast – those names!) is brilliant, as are the secrets that are revealed as the film progresses. For a very long time, you’re not sure which one of them is good or crazy, or if both of them are in fact, completely insane. The scene of Karloff walking through his dimly lit dungeon lair underneath his mansion is the most eerie moment in THE BLACK CAT. The actor walks slowly, holding a black cat firmly in his arms petting it ever so gently, going up to each glass coffin staring at his female corpses as if they were the most beautiful forms of art ever conceived. With its unique art deco design and costumes, THE BLACK CAT is one of the very best from Universal’s Golden Age.

1. BRIDE OF FRANKENSTEIN

” Warning! The monster demands a mate “, so screamed the movie posters. But truthfully, audiences demanded a sequel  to the 1931 classic. And boy, did Universal ( with original director James Whale at the helm ) deliver! Colin Clive was back as the tortured Dr. Henry Frankenstein, and, more importantly, so was his lumbering creation played by Karloff ( that’s how he’s listed in the credits, no Boris, but it’s quite a step up from ” ? ” ). The fire from the previous film’s finale has taken its toll on the creature, and makeup wizard Jack Pierce augments his classic original designs with several painful-looking burn scars. This may amp up the audience sympathies for the monster even as he murders an old enemy in the film’s opening scenes. Soon pathos is emphasized over horror as the creature embarks on a series of encounters in the forest ( particularly a long stay with a lonely, blind hermit who educates him ). This leads to another of the poster’s tag lines, ” The monster speaks ” ( supposedly Karloff was none too keen on this development ). Soon those pesky villagers and constables destroy his peace and capture him ( there’s much crucifixion imagery as he’s subdued ). Later he meets the delightfully wicked Dr. Pretorius ( the great Ernest Thesiger ) , who promises to make a mate for him if he helps persuade poor Henry to collaborate ( they even enjoy a couple of cigars ). Then the monster becomes an enforcer ( as he would continue to be in many lower-budgeted follow-ups ) until he meets his bride. Her rejection of him shocks the creature ( his attempts to connect with her by caressing her hand are heart-wrenching ). Ultimately his nobility shines through in the explosive final scenes. Although he would wear those bulky boots on screen one more time, BRIDE OF FRANKENSTEIN was Karloff’s greatest performance as the creature. And the film is on the short list of the very best sequels ever produced. 

 

 

 

THE RAVEN Giveaway

The macabre and lurid tales of Edgar Allan Poe are vividly brought to life – and death – in John Cusack’s new film THE RAVEN… and to celebrate WAMG is hosting THE RAVEN Giveaway!

One lucky winner will receive:

  •  a copy of The Complete Tales and Poems of Edgar Allan Poe
  • an official poster signed by John Cusack and Alice Eve

OFFICIAL RULES:

1. YOU MUST HAVE A U.S. MAILING ADDRESS. 
2. FILL OUT YOUR NAME AND E-MAIL ADDRESS BELOW. REAL FIRST NAME REQUIRED.
3. ANSWER THE FOLLOWING QUESTION: What is your favorite Edgar Allan Poe poem?

WINNERS WILL BE CHOSEN THROUGH A RANDOM DRAWING OF QUALIFYING CONTESTANTS. NO PURCHASE NECESSARY. PRIZES WILL NOT BE SUBSTITUTED OR EXCHANGED.

SYNOPSIS:

The macabre and lurid tales of Edgar Allan Poe are vividly brought to life – and death – in this stylish, gothic thriller starring John Cusack as the infamous author. When a madman begins committing horrific murders inspired by Poe’s darkest works, a young Baltimore detective (Luke Evans) joins forces with Poe in a quest to get inside the killer’s mind in order to stop him from making every one of Poe’s brutal stories a blood chilling reality.  A deadly game of cat and mouse ensues, which escalates when Poe’s love (Alice Eve, She’s Out of My League) becomes the next target. Intrepid Pictures’ The Raven also stars Brendan Gleeson (In Bruges) and Oliver Jackson-Cohen (Faster).

Director: James McTeigue

Writers: Ben Livingston & Hannah Shakespeare
Cast: John Cusack, Luke Evans, Alice Eve, Brendan Gleeson, Oliver Jackson-Cohen
Producers: Trevor Macy, Marc D. Evans, Aaron Ryder
Executive Producers: Jesus Martinez Ascensio, Glen Basner, James D. Stern
Runtime: 103 minutes

THE RAVEN is in theaters now

 

Win Passes To See THE RAVEN In St. Louis

The macabre and lurid tales of Edgar Allan Poe are vividly brought to life – and death – in this stylish, gothic thriller starring John Cusack as the infamous author. When a madman begins committing horrific murders inspired by Poe’s darkest works, a young Baltimore detective (Luke Evans) joins forces with Poe in a quest to get inside the killer’s mind in order to stop him from making every one of Poe’s brutal stories a blood chilling reality.  A deadly game of cat and mouse ensues, which escalates when Poe’s love (Alice Eve, She’s Out of My League) becomes the next target. Intrepid Pictures’ THE RAVEN also stars Brendan Gleeson (In Bruges) and Oliver Jackson-Cohen (Faster).

WAMG is giving away passes to the St. Louis screening of THE RAVEN on Thursday, April 26th.

OFFICIAL RULES:

1. YOU MUST BE IN THE ST. LOUIS AREA THE DAY OF THE SCREENING.
2. FILL OUT YOUR NAME AND E-MAIL ADDRESS BELOW. REAL FIRST NAME REQUIRED.
3. ANSWER THE FOLLOWING QUESTION: Name the 1961 film based on the Poe short story that was directed by Roger Corman and starred Vincent Price and Barbara Steele.

WINNERS WILL BE CHOSEN THROUGH A RANDOM DRAWING OF QUALIFYING CONTESTANTS. NO PURCHASE NECESSARY. PASSES WILL NOT BE SUBSTITUTED OR EXCHANGED.

Visit the official website: http://www.theravenmovie.com
“Like” the film on Facebook: www.facebook.com/theravenmovie
Follow on Twitter: @RavenMovie

THE RAVEN Premiere And After Party Giveaway

The macabre and lurid tales of Edgar Allan Poe are coming to the big screen… and WAMG is giving away a set of passes to the Los Angeles premiere and after party of THE RAVEN.

The premiere of THE RAVEN will be on Monday, April 23rd at the LA Theater (615 Broadway, Downtown Los Angeles).

OFFICIAL RULES:

1. YOU MUST BE IN THE LOS ANGELES AREA THE DAY OF THE SCREENING.
2. FILL OUT YOUR NAME AND E-MAIL ADDRESS BELOW. REAL FIRST NAME REQUIRED.
3. ANSWER THE FOLLOWING QUESTION: What is your favorite Edgar Allan Poe poem?

WINNERS WILL BE CHOSEN THROUGH A RANDOM DRAWING OF QUALIFYING CONTESTANTS. NO PURCHASE NECESSARY. PASSES WILL NOT BE SUBSTITUTED OR EXCHANGED.

The macabre and lurid tales of Edgar Allan Poe are vividly brought to life – and death – in this stylish, gothic thriller starring John Cusack as the infamous author. When a madman begins committing horrific murders inspired by Poe’s darkest works, a young Baltimore detective (Luke Evans) joins forces with Poe in a quest to get inside thekiller’s mind in order to stop him from making every one of Poe’s brutal stories a blood chilling reality.  A deadly game of cat and mouse ensues, which escalates when Poe’s love (Alice Eve, She’s Out of My League) becomes the next target. Intrepid Pictures’ The Raven also stars Brendan Gleeson (In Bruges) and Oliver Jackson-Cohen (Faster).

Director: James McTeigue
Writers: Ben Livingston & Hannah Shakespeare
Cast: John Cusack, Luke Evans, Alice Eve, Brendan Gleeson, Oliver Jackson-Cohen
Producers: Trevor Macy, Marc D. Evans, Aaron Ryder
Executive Producers: Jesus Martinez Ascensio, Glen Basner, James D. Stern
Runtime: 103 minutes

THE RAVEN flies into theaters April 27, 2012

THE RAVEN “A Tell Tale Heart” New Clip

Relativity Media has sent us a new clip from their gothic thriller THE RAVEN. The video is the murderous vision, A Tell Tale Heart, which features a very terrified Alice Eve who has been buried alive. The latest clip pairs footage from the upcoming thriller with the Edgar Allan Poe story of Marie Roget. Starring John Cusack as Poe, the movie is a deadly game of cat and mouse, which also stars Luke Evans,  Brendan Gleeson and Oliver Jackson-Cohen.

The macabre and lurid tales of Edgar Allan Poe are vividly brought to life – and death – in this stylish, gothic thriller starring John Cusack as the infamous author. When a madman begins committing horrific murders inspired by Poe’s darkest works, a young Baltimore detective (Luke Evans) joins forces with Poe in a quest to get inside the killer’s mind in order to stop him from making every one of Poe’s brutal stories a blood chilling reality.  A deadly game of cat and mouse ensues, which escalates when Poe’s love (Alice Eve, She’s Out of My League) becomes the next target. Intrepid Pictures’ THE RAVEN also stars Brendan Gleeson (In Bruges) and Oliver Jackson-Cohen (Faster).

THE RAVEN opens in theaters everywhere on April 27, 2012. 

Visit the official website: http://www.theravenmovie.com
“Like” the film on Facebook: www.facebook.com/theravenmovie
Follow on Twitter: @RavenMovie

THE RAVEN New TV Spots

See John Cusack bring the infamous author Edgar Allan Poe in these new TV spots for Relativity Media’s upcoming release, THE RAVEN, opening in theaters April 27, 2012.

The macabre and lurid tales of Edgar Allan Poe are vividly brought to life – and death – in this stylish, gothic thriller starring John Cusack as the infamous author. When a madman begins committing horrific murders inspired by Poe’s darkest works, a young Baltimore detective (Luke Evans) joins forces with Poe in a quest to get inside the killer’s mind in order to stop him from making every one of Poe’s brutal stories a blood chilling reality.  A deadly game of cat and mouse ensues, which escalates when Poe’s love (Alice Eve, She’s Out of My League) becomes the next target. Intrepid Pictures’ THE RAVEN also stars Brendan Gleeson (In Bruges) and Oliver Jackson-Cohen (Faster).

Visit the official website: http://www.theravenmovie.com
“Like” the film on Facebook: www.facebook.com/theravenmovie
Follow on Twitter: @RavenMovie

THE RAVEN Official Poster Features John Cusack; In Theaters April 27th

Check out the official poster for Relativity Media’s upcoming gritty thriller THE RAVEN, opening in theaters April 27, 2012.

In this gritty thriller, Edgar Allan Poe (John Cusack, Being John Malkovich) joins forces with a young Baltimore detective (Luke Evans, Immortals) to hunt down a mad serial killer who’s using Poe’s own works as the basis in a string of brutal murders. Directed by James McTeigue (V for Vendetta, Ninja Assassin), the film also stars Alice Eve (Sex and the City 2), Brendan Gleeson (In Bruges) and Oliver Jackson-Cohen (Faster).

When a mother and daughter are found brutally murdered in 19th century Baltimore, Detective Emmett Fields (Luke Evans) makes a startling discovery: the crime resembles a fictional murder described in gory detail in the local newspaper—part of a collection of stories penned by struggling writer and social pariah Edgar Allan Poe. But even as Poe is questioned by police, another grisly murder occurs, also inspired by a popular Poe story.

Realizing a serial killer is on the loose using Poe’s writings as the backdrop for his bloody rampage, Fields enlists the author’s help in stopping the attacks. But when it appears someone close to Poe may become the murderer’s next victim, the stakes become even higher and the inventor of the detective story calls on his own powers of deduction to try to solve the case before it’s too late.

See John Cusack as the tormented Edgar Allan Poe opening in theaters April 27, 2012.

Visit the official website: http://www.theravenmovie.com

“Like” the film on Facebook: www.facebook.com/theravenmovie

Follow on Twitter: @RavenMovie

THE RAVEN International Trailer

Watch the new international trailer for Relativity Media’s upcoming gritty thriller, THE RAVEN. In the film, Edgar Allan Poe (John Cusack, Being John Malkovich) joins forces with a young Baltimore detective (Luke Evans, Immortals) to hunt down a mad serial killer who’s using Poe’s own works as the basis in a string of brutal murders. Directed by James McTeigue (V for Vendetta, Ninja Assassin), the film also stars Alice Eve (Sex and the City 2), Brendan Gleeson (In Bruges) and Oliver Jackson-Cohen (Faster).

When a mother and daughter are found brutally murdered in 19th century Baltimore, Detective Emmett Fields (Luke Evans) makes a startling discovery: the crime resembles a fictional murder described in gory detail in the local newspaper—part of a collection of stories penned by struggling writer and social pariah Edgar Allan Poe. But even as Poe is questioned by police, another grisly murder occurs, also inspired by a popular Poe story.

Realizing a serial killer is on the loose using Poe’s writings as the backdrop for his bloody rampage, Fields enlists the author’s help in stopping the attacks. But when it appears someone close to Poe may become the murderer’s next victim, the stakes become even higher and the inventor of the detective story calls on his own powers of deduction to try to solve the case before it’s too late.

See John Cusack as the tormented Edgar Allan Poe in THE RAVEN opening in theaters March 9, 2012

Facebook: https://www.facebook.com/pages/The-Raven/140010086059909
Official Site: http://theravenmovie.com/
Follow on Twitter: @RavenMovie

Watch THE RAVEN Trailer Starring John Cusack And Luke Evans

Relativity Media has released the official trailer for their upcoming gritty thriller, THE RAVEN. In the film, Edgar Allan Poe (John Cusack, Being John Malkovich) joins forces with a young Baltimore detective (Luke Evans, Immortals) to hunt down a mad serial killer who’s using Poe’s own works as the basis in a string of brutal murders. Directed by James McTeigue (V for Vendetta, Ninja Assassin), the film also stars Alice Eve (Sex and the City 2), Brendan Gleeson (In Bruges) and Oliver Jackson-Cohen (Faster).

DIRECTOR: James McTeigue (V for Vendetta, Ninja Assassin)
WRITERS: Ben Livingston and Hannah Shakespeare
CAST: John Cusack- EDGAR ALLAN POE (Being John Malkovich, 2012)
Luke Evans- INSPECTOR EMMIT FIELDS (Immortals, The Three Musketeers)
Alice Eve- EMILY (Men In Black III)
Brendan Gleeson- COLONEL HAMILTON (Harry Potter and the Deathly Hallows Part 1)
Oliver Jackson-Cohen- CANTRELL (Faster)
PRODUCERS: Mark D Evans, Trevor Macy, and Aaron Ryder
EXECUTIVE PRODUCERS: Jesus Martinez

In this gritty thriller, Edgar Allan Poe (John Cusack, Being John Malkovich) joins forces with a young Baltimore detective (Luke Evans, Immortals) to hunt down a mad serial killer who’s using Poe’s own works as the basis in a string of brutal murders. Directed by James McTeigue (V for Vendetta, Ninja Assassin), the film also stars Alice Eve (Sex and the City 2), Brendan Gleeson (In Bruges) and Oliver Jackson-Cohen (Faster).

When a mother and daughter are found brutally murdered in 19th century Baltimore, Detective Emmett Fields (Luke Evans) makes a startling discovery: the crime resembles a fictional murder described in gory detail in the local newspaper—part of a collection of stories penned by struggling writer and social pariah Edgar Allan Poe. But even as Poe is questioned by police, another grisly murder occurs, also inspired by a popular Poe story.

Realizing a serial killer is on the loose using Poe’s writings as the backdrop for his bloody rampage, Fields enlists the author’s help in stopping the attacks. But when it appears someone close to Poe may become the murderer’s next victim, the stakes become even higher and the inventor of the detective story calls on his own powers of deduction to try to solve the case before it’s too late.

See John Cusack as the tormented Edgar Allan Poe in THE RAVEN opening in theaters March 9, 2012

Facebook: https://www.facebook.com/pages/The-Raven/140010086059909

Official Site: http://theravenmovie.com/