NEXT GOAL WINS (2023) – Review

Seeing as how the football season is in full swing, filling up the TV over the next few weekends, how can the multiplex prey those sports fanatics away from the small screens? Easy. put a real-life underdog football story on the big screens. Ah, but there are a couple of twists. Unlike RUDY or ANY GIVEN SUNDAY, this new film actually focuses on what the USA sports fans call soccer, but called football globally. Oh, and it does take place way way across that globe, though it’s still technically part of this country. Plus it’s not the typical inspirational inspired-by-real-events drama, but a rollicking comedy helmed by one of the current kingpins of slapstick farce. This ragtag team of misfits just wants to score one point, perhaps in the hope that the NEXT GOAL WINS.

And just where is the setting for this story? Why, it takes place on the US territory of American Samoa. In the opening prologue, a zany local priest (Taika Watiti) relates the story of how the island’s official football was humiliated in the FIFA World Cup Finals, unable to score one goal as they lost by over thirty points at the start of the new century. Now, it’s 2014 and things have gotten worse. So bad, that the team’s manager Tavita (Oscar Kightly) pleads with FIFA to assign a new coach for them. On the other side of the world, that organization is “laying down the law” to a maverick Dutch-American coach Thomas Rongen (Michael Fassbender). He’s given one chance and is sent to American Samoa, much to his aggravation. Once he settled into the ramshackle digs provided for him, a boozy Rongen meets the bumbling, fumbling group of players. One of the few talents is Yaiyah (Kaimana), an energetic, but often tardy fa’afafine (local word for transgender). The duo clash immediately but eventually unite to recruit some promising natives (including a police officer) and eventually hatch a plan to sign up former members of the previous championship squad. Even with this “new blood” can the disgraced foreign coach bring glory to the little island by sending their team to “the big show”?

As the struggling island’s “last, best hope” Fassbender puts a snarky spin on the “second chance leader” role and elicits big laughs after a career of dark, brooding characters. Soon after his arrival, Rongen makes little effort to hide his annoyance at being “banished’ to this “off-the-grid purgatory”. Throughout the tale, Fassbender shows us how the coach begins to sober up after his long angry drunken stupor as he resolves to do “one good thing’ in bringing a sense of joy back to the team. There are the makings of a wacky comedy duo as Fassbender trades barbs and burns with the hapless Tavita played with loopy “sad sack’ delivery by the engaging Kightly. But the real sparks fly when the compelling Kaimana steps “up to the plate” (I know, wrong sport) as the force of nature Yaiyah. Through struggling with their decision (crippling pain from the transition medication), Yaiyah yearns for respect from Rongen after becoming a nurturing influence on the whole team. Aside from the terrific physical performers on the field, the film has a superb comic cast on the sidelines. Elizabeth Moss gets to display her comic “chops” as Rongen’s ex-wife turned boss (she’s on the FIFA board), who still encourages him to succeed while rebuffing his attempts to “rekindle the spark”. Her affections are courted by another co-worker played with smarmy arrogance by the great Will Arnett, always a hilarious comic jerk. As a sort of human “lapdog” is the great Rhys Darby who darts in and out of scenes to toss in off-kilter commentary. Oh, speaking of which, Waititi’s one-man Greek chorus, as the priest/narrator enhances every sequence as he simplifies things for us, the “non-natives”.

Oh, and Waititi does triple duty in that role while directing and co-writing the script with Iain Morris which is inspired by the 2014 documentary of the same name. Much as with his previous films outside the MCU, he populates the story with eccentric characters who are cluelessly confident in their pursuit of happiness, blithely unaware of their shortcomings. It’s evident before the games begin, as the team fails at intimidating opponents during pre-game tribal chants (a true cluster…). Waititi enjoys showcasing their foibles and failures, but still conveys an affection for these real underdogs, balancing the mockery with admiration. Though we feel we know the “uplifting” final moments, a few funny “curves” are thrown to keep the audience as off-balance as the goalie. The only real problem is that the film feels a bit “top-heavy”, with the biggest gags occurring in the opening half hour (the “boardroom intervention” is a riot) before the sports story tropes kick in before the dreaded midpoint lull of most modern movie comedies. But thanks to the terrific cast, there are more hits than misses, so for a different spin on athletes from an exotic culture, fans may want to leave those TV sports channels for the farce and fun of NEXT GOAL WINS.

2.5 Out of 4

NEXT GOAL WINS is now playing in theatres everywhere

Director Taika Waititi Kicks Off Toronto International Festival Lineup With World Premiere Soccer Comedy, NEXT GOAL WINS Starring Michael Fassbender

The cast of NEXT GOAL WINS. Photo by Hilary Bronwyn Gayle. Courtesy of Searchlight Pictures. © 2022 20th Century Studios All Rights Reserved.

TIFF announced today that Taika Waititi’s Next Goal Wins, a soccer comedy directed and co-written by the New Zealand filmmaker, will make its World Premiere at the 48th edition of the Toronto International Film Festival (September 7–17).

“We’re thrilled to welcome Taika back to the Festival and share his audacious take on the most popular sport in the world,” said Cameron Bailey, CEO of TIFF. “Next Goal Wins is perfect for TIFF fans of the beautiful game looking for their football fill until the 2026 World Cup arrives.”

The TIFF Ebert Director Award recipient was last at the Festival in 2019 with the World Premiere of Jojo Rabbit. The film went on to win the TIFF People’s Choice Award and an Academy Award for Best Adapted Screenplay.

Taika Waititi on the set of NEXT GOAL WINS. Photo by Hilary Bronwyn Gayle. Courtesy of Searchlight Pictures. © 2022 20th Century Studios All Rights Reserved.

Next Goal Wins stars Michael Fassbender, Oscar Kightley, Kaimana, David Fane, Rachel House, Beulah Koale, Uli Latukefu, Semu Filipo, Lehi Falepapalangi, with Will Arnett and Elisabeth Moss. The heartfelt sports comedy is based on the 2014 documentary of the same name and follows the American Samoa soccer team, infamous for their brutal 31-0 FIFA loss in 2001. With the World Cup Qualifiers approaching, the team hires down-on-his-luck, maverick coach Thomas Rongen (Fassbender) hoping he will turn the world’s worst soccer team around. 

Next Goal Wins is a Searchlight Pictures film and opens in theaters November 17, 2023.

More Festival details will be announced in the coming weeks. Tickets for TIFF 2023 go on-sale to TIFF Members by level beginning on August 18. For more details visit tiff.net/join. The full Festival schedule will be released in August.

Watch The New Trailer For Taika Waititi’s NEXT GOAL WINS Starring Michael Fassbender

The cast of NEXT GOAL WINS. Photo by Hilary Bronwyn Gayle. Courtesy of Searchlight Pictures. © 2022 20th Century Studios All Rights Reserved.

Searchlight Pictures has released a first trailer for NEXT GOAL WINS.

Directed by Academy Award Winner Taika Waititi (Jojo Rabbit, Thor: Ragnarok), NEXT GOAL WINS follows the American Samoa soccer team, infamous for their brutal 31-0 FIFA loss in 2001. With the World Cup Qualifiers approaching, the team hires down-on-his-luck, maverick coach Thomas Rongen (Michael Fassbender) hoping he will turn the world’s worst soccer team around in this heartfelt underdog comedy.

The cast includes Michael Fassbender, Elisabeth Moss, Oscar Kightley, Uli Latukefu, Rachel House, Kaimana, David Fane, Beulah Koale, Chris Alosio, Rhys Darby, Taika Waititi and Will Arnett.

The film’s score is from composer Michael Giacchino.

NEXT GOAL WINS opens only in theaters November 17th.

Oscar Kightley and Michael Fassbender in NEXT GOAL WINS. Photo by Hilary Bronwyn Gayle. Courtesy of Searchlight Pictures. © 2022 20th Century Studios All Rights Reserved.

Michael Fassbender and Kaimana in NEXT GOAL WINS. Photo by Hilary Bronwyn Gayle. Courtesy of Searchlight Pictures. © 2022 20th Century Studios All Rights Reserved.

THOR: LOVE AND THUNDER – Review

(L-R): Natalie Portman as Mighty Thor and Chris Hemsworth as Thor in Marvel Studios’ THOR: LOVE AND THUNDER. Photo by Jasin Boland. ©Marvel Studios 2022. All Rights Reserved.

Well, we’ve made it through the soaring temps and the dangerous fireworks displays of the big three-day holiday weekend. I think a reward is in order, perhaps a trip to one of our favorite cinematic “getaways”. I’m referring to the Marvel Cinematic Universe, or the ole’ “MCU” as many fans have dubbed it. Sure, it’s been almost two months to the day since our last visit, but don’t you want to be taken away in the cool confines of your local multiplex? A head’s up: unlike the last two entries, our favorite Sorceror Supreme is nowhere to be found, though longtime fans will recognize a supporting player from his comics series (I’m not a spoiler, so that’s all). But we are familiar with this character, dating back to 2011. He’s not the oldest Marvel comics character, even though his roots stretch back thousands of years. Really. Now he’s truly venturing into unchartered territory as the only solo Marvel hero to have a fourth film in his franchise (technically, THE AVENGERS are at that number, though I count INFINITY WAR and ENDGAME as one king-sized epic). Brace yourself true believers, but don’t plug up your ears (you’ll miss some witty quips) for the one-two punch of THOR: LOVE AND THUNDER.

Prior to that logo we love (look for both Moon Knight and Ms. Marvel in the letter windows) we’re taken to a desolate scorched alien planet where a father named Gorr (Christian Bale) struggles to keep himself and his pre-teen daughter alive. After tragedy strikes, he sees an oasis in the distance, a lush haven for the deities he worships. There Gorr exacts his revenge using a special sword, becoming the “God Butcher”. Cut to a cave entrance by the ocean where the towering rock-skinned alien Korg (Takia Waititi) entrances a group of youngsters with the exploits of his BFF, the “Space Viking”, Thor Odinson (Chris Hemsworth). Since we last saw him in ENDGAME he left New Asgard on Earth, handing the governing reigns to “king” Valkyrie (Tessa Thompson) to explore the universe with those “heroes for hire”, the Guardians of the Galaxy (Chris Pratt and all the members of the MCU series). During his time with them, Thor loses his bloated belly and gains muscle, more than ever before. And he irks Starlord by becoming a bit of a “showboat. And he gains a rep as a swashbuckling ladies’ man, though his thoughts still turn back to the Earth-born Dr. Jane Foster (Natalie Portman). After receiving a gift of twin giant magical flying goats from a grateful planet (they may have wanted to be rid of the screaming beasts), he learns of a menace that murders god-like beings on other worlds. Further investigation leads him to believe that New Asgard is next on his “hit list”.Meanwhile Dr. Foster faces her own crisis as a deadly disease almost drains her of life. After Earth science has failed her, she is drawn to the same spot hoping for a New Asgard cure. When Thor and Korg arrive at their old home, Gorr and his gigantic spider-like creatures are destroying the “tourist trap”. Thor is stunned when he, Korg, and Valkyrie are joined by Foster, in full armor and wielding the hammer Mjolnir as the “Mighty Thor”. But they’re not enough to stop Gorr and his minions from grabbing the Asgardian children and whisking them off to an unknown world. Will Thor and his friends enlist the help of the “God-world”, Omnipotent City, run by Zeus himself (Russel Crowe)? And just what is Gorr’s real master plan? Most importantly, will Thor and Jane rekindle their passion, if they can survive the powerful Gorr. And if they somehow triumph could her powers be only temporary?

Let’s raise a glass (maybe a magic Uru hammer instead) to the superb comedic skills developed over the last eleven years by Mr. Chris Hemsworth (just being specific as his “bros” Liam and Luke are pretty talented, too). Though he’s stumbled a bit in similar funny turns in the GHOSTBUSTERS reboot along with MEN IN BLACK: INTERNATIONAL (with Ms. Thompson), he’s truly made the Thunder God his own signature role, one that delivers more than laughs and a well-sculpted biceps. He’s got an infectious clumsy charm as he navigates through ordinary worlds and unexpected tenderness in dealing with “lesser mortals” and even the weirdest of creatures. He could be the movies’ most engaging “himbo’ since the glory days of “Arh-nold”. Oh, but there’s his romantic side as he fumbles to keep his ‘cool” around the now “super-charged” Jane. A big “welcome back to the franchise” to Ms. Portman after sitting out the last entry, RAGNAROK (though she did a flashback for ENDGAME). She shows us Dr. Foster’s all-too-human vulnerability as she realizes that all of her intellect can’t delay fate. But there’s also an exhilaration as she taps into her action heroine persona. Luckily the story provides us with a villain truly worthy of an ultimate Viking duo. Once again Marvel strikes cinema gold by casting another Batman (like Keaton in SPIDER-MAN: HOMECOMING) as a formidable ‘baddie” with Bale bringing intensity and stunning humanity (ala’ Thanos and the recent Scarlet Witch), and a wicked sense of “gallows humor” to the twisted being who will let no one stand in his pursuit of his (kinda’ relatable) goals. Joining the forces of good is the always compelling Ms. Thompson who shows us that Valkyrie is more than a wild “warrior woman”. There’s a dim glaze in her eyes as she deals with the mundane as the royalty of New Asgard. Townhall meetings and public relations (cutting a commercial) have almost drained her spirit. When she teams with her old pals, it’s as if an electrical switch has been flipped, which also jolts her snarky wit back into focus. Waititi is just as fun as the “rock monster” with a “laid back” attitude, content to observe and “back-up” his thunder bro’ will also taking a bit of the p#*s out of him. One of the film’s biggest unexpected delights is Crowe sending up his action hero past (GLADIATOR comes to mind) as the pompous but fairly clueless Greek “God of gods” who seems more interested in mortal-style pleasures of the flesh.

Once again, Waititi establishes himself as an astounding cinema triple threat, doing a superb “mo-cap” as Korg, directing and co-writing the screenplay with Jennifer Kaytin Robinson (he had similar duties on JO JO RABBIT and snagged a well-deserved Oscar for the adaptation). In his second Thor outing, Waititi truly makes the franchise his own, somehow going seamlessly from hilarious comedy to bombastic action, then switching from a tentative romance to heart-rending tragedy and even a smidgen of nail-biting horror and suspense. We can even say he’s given us a pretty darn cool mini Guardians of the Galaxy movie (to tide us over till Jim Gunn’s trilogy finale next year). And kudos to the many artisans and craftspeople for creating these incredible worlds of wonder, going from the “eye candy’ of the alien realms (love the crystal-like cities) to the tacky theme-park kitsch of New Asgard (love the multiple cruise ships in the harbor) to the spooky realm of Gorr, recalling the eerie silent cinema sci-fi and surrealist imagery of a hundred years ago. It all works thanks in large part to Barry Idione’s cinematography and the tag team music score from Michael Giacchino and Nami Melumad. During the sequence in Omnipotent City, I wanted the camera to linger a bit longer in order to drink in the imaginative renderings of the deities of different cultures and planets (that’ll be a great BluRay bonus feature). Balancing the action and cosmic journeys are nice bits of playful humor (who knew an ax could be jealous of a hammer). While many franchises will seem to be “running on fumes” by the fourth installment, this series actually feels re-energized, ready to take us on more cosmic capers full of danger and delights. Hopefully, those are in the works (those Marvel magicians are always plotting and planning), but for now, fans of high-flying adventure (and chuckles and swooning passion) will get their multiplex-money’s worth of derring-do with THOR: LOVE AND THUNDER, where it’s always “hammer-time” (and a very good time).

3.5 Out of 4

THOR: LOVE AND THUNDER opens in theatres everywhere on Friday, July 8, 2022

Win One Of 10 Family-Four Packs To The St Louis IMAX Screening Of THOR: LOVE AND THUNDER

BROUGHT TO YOU BY MARVEL STUDIOS’, THOR: LOVE AND THUNDER IS IN THEATERS EVERYWHERE JULY 8TH.

WAMG is giving away 10 family-four packs.

DATE AND TIME:
Wednesday, July 6th, 7pm at Marcus Ronnies Cine 20 on the IMAX screen

Enter for a chance to win: http://gofobo.com/StrangeGeeks

The screening will be filled on a first come first served basis, so we encourage you to arrive early. Seats will not be guaranteed.

No purchase necessary

Tickets on sale now: https://www.fandango.com/thor-love-and-thunder-2022-226754/movie-overview

Marvel Studios’ “Thor: Love and Thunder” finds the God of Thunder (Chris Hemsworth) on a journey unlike anything he’s ever faced – a search for self-discovery. But Thor’s retirement is interrupted by a galactic killer known as Gorr the God Butcher (Christian Bale), who seeks the extinction of the gods. To combat the threat, Thor enlists the help of King Valkyrie (Tessa Thompson), Korg (Taika Waititi) and ex-girlfriend Jane Foster (Natalie Portman), who – to Thor’s surprise – inexplicably wields his magical hammer, Mjolnir, as the Mighty Thor. Together, they embark upon a harrowing cosmic adventure to uncover the mystery of the God Butcher’s vengeance and stop him before it’s too late.

Directed by Taika Waititi (“Thor: Ragnarok,” “Jojo Rabbit”) and produced by Kevin Feige and Brad Winderbaum.

“Thor: Love and Thunder” opens in U.S. theaters July 8, 2022.

https://www.marvel.com/movies/thor-love-and-thunder

(L-R): Natalie Portman as Mighty Thor and Chris Hemsworth as Thor in Marvel Studios’ THOR: LOVE AND THUNDER. Photo by Jasin Boland. ©Marvel Studios 2022. All Rights Reserved.

LIGHTYEAR – Review

SCI-FI ACTION ADVENTURE – The definitive origin story of Buzz Lightyear (voice of Chris Evans), the hero who inspired the toy, “Lightyear” follows the legendary Space Ranger on an intergalactic adventure. Also featuring the voices of Uzo Aduba, James Brolin, Mary McDonald-Lewis, Keke Palmer, Efren Ramirez, Peter Sohn, Dale Soules, Taika Waititi and Isiah Whitlock Jr., Disney and Pixar’s “Lightyear” releases June 17, 2022. © 2022 Disney/Pixar. All Rights Reserved.

This weekend’s big new studio release is another bit of a Summer celebration (as if there aren’t lots of such warm weather happenings). Is it because it’s an animated feature? Sure, it’s the first big one of the season, but there are other, major reasons. Well, it is a prequel to a much-beloved nearly thirty-year-old franchise. Oh, but most importantly, it’s from the fine folks at Pixar. And why are they cheering down at their HQ in Emeryville, CA? If the main title had a “sub-heading” that followed a colon, that might state “Escape from Streaming”, maybe. At long long last, A Pixar flick is heading straight to the multiplexes, and not premiering on the Disney+ streaming app, after more than two years (ONWARD opened in early 2020 just before everything closed). And this is a big epic blockbuster that deserves the widescreen treatment since we’re headed to (say it with me) “infinity and beyond”. It’s the “pre-toy” saga of everybody’s favorite Space Ranger, the hero known as LIGHTYEAR.

Speaking of the “T” word, an opening title card informs us that this is the movie that young Andy saw before he got his new favorite plaything a year later, in 1995. The action begins as a huge interplanetary transport cruiser lands on a distant world, far from Earth. it is piloted by former Space Ranger ‘Buzz’ Lightyear (voice of Chris Evans) and his BFF Alicia Hawthorn (Uzo Aduba). And. wouldn’t ya’ know, it’s a very hostile planet with serpent-like vines grabbing at the duo (and an unlucky cadet), and the ground trying to swallow the entire ship. The trio barely makes it back to the cockpit, allowing Buzz to rocket them back into the cosmos…almost. A jutting mountain cliff damages the engine, forcing him to land on a vast mesa, high above the dangerous ground level. After much effort, Buzz and the ship’s crew believe that they have repaired and re-charged the crystal that powers the vessel. But just to make sure, Buzz will make a test run in a small jet-style explorer. All seems to go well until the crystal fails in his final approach to the return airstrip. Only minutes after he took off, Buzz is stunned to see that the crew is building a city. And Hawthorn is now the commander (and has a few grey streaks). She tells him that six years have passed while Buzz feels he’s been away for mere moments. He throws himself into preparing for another test run, as Hawthorn gifts him a robot cat named SOX (Peter Sohn). He begins a series of flights with the same result: he doesn’t age while Hawthorne starts a family. Eventually, she’s not there to greet him upon his return. Instead, her job has been filled by the “iron-fisted” Commander Burnside (Isiah Whitlock, Jr.), who tells him that the tests are over. Ah, but SOX has solved the crystal problem, so Buzz steals a fighter, which leads to him meeting a ragtag trio of cadets on the surface and facing off against an army of aggressive robots and their black-cloaked master.

Well, let’s get this right out of the way…Buzz has a different voice with “Tim the Tool-Man” re-imagined as the “one true” (yup, my childhood hero) Captain America. But it’s not a huge leap as this Buzz is so different from the often delusional “action figure” in Andy’s room. And Evans is just perfect as a swaggering SF movie hero, who, honestly can also be a bit of a doofus. He says that his “self-narration” helps him focus, but it just adds to his child-like charm. But that’s not to take away from some of the big adult decisions Buzz must ponder in the story’s thoughtful, but still exciting finale. Aduba is a great “straight woman”, big sister, and a nurturing matriarch to him as Alicia. She’s in stark contrast to the energetic and often bombastic “next-in-line” Burnside given a snarling growl by Whitlock. They all take a backseat in the cockpit to the film’s big scene-stealer SOX whose mellow tones and “robo-talk” (bee-bop-boop) are courtesy of the gifted Sohn. Still, there’s lots of comedy to spare thanks to the wonderful trio of misfit space cadets who often baffle Buzz. Keke Palmer is sprightly upbeat and determined as Izzy, who offsets the often surly and grumbly Darby voiced by Dale Soules. The duo gives great support to the dim, “Inkpen-obsessed” Mo whose vocal stylings come from comedy “jack-of-all-trades” Taika Waititi. And I can let spill that the “big baddie”, Zorg (hey, he’s in the franchise’s “merch”) is given gravelly gravitas by James Brolin.

This could be considered a bit of a “direction change” from the Pixar artisans, as this plays almost like a straight adventure film, though a lot of humor is sprinkled throughout. Sure there are several nods to the TOY STORY films, but it earns its PG-13 rating with lots of suspenseful action set pieces and some truly scary alien “creepy-crawlies”. First-time director Angus MacLane (he co-directed FINDING DORY) wass up to the challenge of putting a “new spin” on a now-iconic movie character, as this version of Buzz had to look more like the “human” designs of Andy and his family rather than the “plastic-modeled” product we’ve seen since 95. And it had to be similar to the cinema of that year leaning more into STAR TREK (the features and TV shows) than STAR WARS (still a couple of years away from the prequel trilogy). It’s at first jarring to see Buzz out of his “purple swimming cap”, but it helps bring out his humanity. It also helps that the overall character designs are so appealing, especially the animation “acting” of Mo and the usually “exploding” Burnside. Ditto for the look of the film, from the “monster world’ to the different ships and spacesuits. Extra credit to MacLane for his work on the script with Matthew Aldrich and Jason Headley, which mixes the action melodramatics with a subtle affectionate satire. Sure, some will miss the old “play pals”, but most fans (even the older teens) will find lots to like in imaginative, inventive LIGHTYEAR. This “blast-off” is truly a blast.


3 Out of 4

LIGHTYEAR opens in theatres everywhere on June 17, 2022

Christian Bale Is Galactic Killer Gorr In New Trailer For Marvel Studios’ THOR: LOVE AND THUNDER

Christian Bale as Gorr in Marvel Studios’ THOR: LOVE AND THUNDER. Photo courtesy of Marvel Studios. ©Marvel Studios 2022. All Rights Reserved.

The brand new trailer and poster have arrived for Marvel Studios’ “Thor: Love and Thunder,” revealing new details about the God of Thunder’s latest adventure – including a trek to Olympus where Zeus (Russell Crowe) reigns supreme.

The film finds Thor (Chris Hemsworth) on a journey unlike anything he’s ever faced – a search for self-discovery. But his retirement is interrupted by a galactic killer known as Gorr the God Butcher (Christian Bale), who seeks the extinction of the gods. To combat the threat, Thor enlists the help of King Valkyrie (Tessa Thompson), Korg (Taika Waititi) and ex-girlfriend Jane Foster (Natalie Portman), who – to Thor’s surprise – inexplicably wields his magical hammer, Mjolnir, as the Mighty Thor.

Together, they embark upon a harrowing cosmic adventure to uncover the mystery of the God Butcher’s vengeance and stop him before it’s too late.

(L-R): Tessa Thompson as Valkyrie and Natalie Portman as Mighty Thor in Marvel Studios’ THOR: LOVE AND THUNDER. Photo by Jasin Boland. ©Marvel Studios 2022. All Rights Reserved.
(L-R): Natalie Portman as Mighty Thor and Chris Hemsworth as Thor in Marvel Studios’ THOR: LOVE AND THUNDER. Photo by Jasin Boland. ©Marvel Studios 2022. All Rights Reserved.

Directed by Taika Waititi (“Thor: Ragnarok,” “Jojo Rabbit”) and produced by Kevin Feige and Brad Winderbaum, “Thor: Love and Thunder” opens in U.S. theaters July 8, 2022.

Marvel Studios Unveils First Glimpse of the Upcoming Cosmic Adventure “Thor: Love and Thunder”

A new trailer and poster are here for Marvel Studios’ “Thor: Love and Thunder,” offering long-awaited clues to what’s in store for the God of Thunder.

The film finds Thor (Chris Hemsworth) on a journey unlike anything he’s ever faced – a quest for inner peace. But his retirement is interrupted by a galactic killer known as Gorr the God Butcher (Christian Bale), who seeks the extinction of the gods. To combat the threat, Thor enlists the help of King Valkyrie (Tessa Thompson), Korg (Taika Waititi) and ex-girlfriend Jane Foster (Natalie Portman), who – to Thor’s surprise – inexplicably wields his magical hammer, Mjolnir, as the Mighty Thor. Together, they embark upon a harrowing cosmic adventure to uncover the mystery of the God Butcher’s vengeance and stop him before it’s too late.

Directed by Waititi (“Thor: Ragnarok,” “Jojo Rabbit”) and produced by Kevin Feige and Brad Winderbaum, “Thor: Love and Thunder” opens in theaters July 8, 2022.

©Marvel Studios 2022. All Rights Reserved.

Watch the Trailer for Benedict Cumberbatch in THE ELECTRICAL LIFE OF LOUIS WAIN – Opens in St. Louis at the Plaza Frontenac on October 22nd and on Prime Video November 5th

Amazon Studios’ THE ELECTRICAL LIFE OF LOUIS WAIN will open in St. Louis at the Landmark Plaza Frontenac on Friday, October 22nd, 2021 and on Prime Video November 5th, 2021.

Check out the trailer:

The extraordinary true story of eccentric British artist Louis Wain (Benedict Cumberbatch), whose playful, sometimes even psychedelic pictures helped to transform the public’s perception of cats forever. Moving from the late 1800s through to the 1930s, we follow the incredible adventures of this inspiring, unsung hero, as he seeks to unlock the “electrical” mysteries of the world and, in so doing, to better understand his own life and the profound love he shared with his wife Emily Richardson (Claire Foy).

THE ELECTRICAL LIFE OF LOUIS WAIN stars Benedict Cumberbatch, Claire Foy, Andrea Riseborough, Toby Jones, Sharon Rooney, Aimee Lou Wood, Taika Waititi, and Olivia Colman

FREE GUY Arrives On Digital, September 28, and On 4K Ultra HD, Blu-ray And DVD, October 12

(L-R): Lil Rel Howery as Buddy and Ryan Reynolds as Guy in 20th Century Studios’ FREE GUY. Courtesy of 20th Century Studios. © 2021 20th Century Studios. All Rights Reserved.

20th Century Studios’ action-comedy Free Guy debuts on all major digital platforms on September 28 and on 4K Ultra HD, Blu-ray and DVD on October 12. Consumers can enjoy never-before-seen bonus material including two deleted scenes, an extended scene, bloopers and making-of featurettes.

Read WAMG’s review HERE.

A bank teller (Ryan Reynolds) who discovers he is actually a background player in an open-world video game decides to become the hero of his own story – one he rewrites himself. Now, in a world where there are no limits, he is determined to be the guy who saves his world his way… before it’s too late.

20th Century Studios’ Free Guy Bonus Features*

  • Deleted and Extended Scenes
    • Guy and Buddy Hit the Beach
    • Hot Nuts Gets Blown
    • NPC Rally (Extended)
  • Gag Reel
  • Dude vs Guy – Join Ryan Reynolds, director Shawn Levy and the creative and stunt teams as they reveal the innovative process of creating Free Guy’s ultimate showdown between Guy and the wildly amped-up, spray-tanned, frosted-tipped version of himself known as Dude.
  • Creating Molotovgirl – Jodie Comer transforms from a brilliant programmer to her fierce avatar in Free Guy. Watch as the award-winning action star and filmmakers deconstruct the conceptualization, evolution and execution of bringing Molotovgirl to life.
  • It’s Taika’s World – Free Guy’s outrageous action may exist in a virtual world, but Taika Waititi makes the real world just as crazy with the over-the-top Antwan. See him at work in this entertaining showcase of a genuinely talented and hilarious performer.
  • Welcome to Free City – Delve into the reality-skewing universe that is Free City, as revealed by director Shawn Levy, the cast, and its inventive creative teams. Find out how they transformed a real metropolis into a virtual playground where anything is possible.

*bonus features vary by product and retailer

Cast: Ryan Reynolds as Guy
Jodie Comer as Millie / Molotovgirl
Lil Rel Howery as Buddy
Joe Keery as Keys
Utkarsh Ambudkar as Mouser
and Taika Waititi as Antwan

Directed by: Shawn Levy

Produced by: Ryan Reynolds, p.g.a.
Shawn Levy, p.g.a.
Sarah Schechter
Greg Berlanti
Adam Kolbrenner

Executive Producers: Mary McLaglen
Josh McLaglen
George Dewey
Dan Levine
Michael Riley McGrath

Screenplay by: Matt Lieberman
and Zak Penn

Story by: Matt Lieberman

Music by: Christophe Beck

Ryan Reynolds as Guy and Jodie Comer as Molotov Girl in 20th Century Studios’ FREE GUY. Courtesy of 20th Century Studios. © 2021 20th Century Studios. All Rights Reserved.

20th Century Studios’ Free Guy Product Specifications

Street Date: 

  • Digital: September 28
  • Physical: October 12

Product SKUs:  Digital: 4K UHD, HD, SD

Physical: 4K Ultra HD Combo Pack (4K UHD + Blu-ray + Digital Code), Blu-ray Combo Pack (Blu-ray + Digital Code) & DVD  

Feature Run Time:  Approx. 115 minutes

Rating:  U.S. Rated PG-13 – Bonus material not rated       

Aspect Ratio: Digital: 2.39 and Physical: 2.39:1

U.S. Audio: 

  • 4K Ultra HD:  English DVS 2.0 Dolby Digital, English 7.1.4 Dolby Atmos, French 7.1 Dolby Digital Plus, French 5.1 Dolby Digital, Spanish 7.1 Dolby Digital Plus
  • Blu-ray: English 7.1 DTS-HDMA, English DVS 2.0 Dolby Digital, French 5.1 Dolby Digital, Spanish 5.1 Dolby Digital
  • DVD: English 5.1 Dolby, English DVS 2.0 Dolby, French 5.1 Dolby, Spanish 5.1 Dolby
  • Digital: English Dolby Atmos (UHD only, some platforms), English 5.1 & 2.0 Dolby Digital, Spanish 5.1 & 2.0 Dolby Digital, French 5.1 & 2.0 Dolby Digital, English Descriptive Audio 2.0 Dolby Digital (some platforms)

U.S. Subtitles:

  • 4K Ultra HD: English SDH, Spanish, French
  • Blu-ray: English SDH, Spanish, French
  • DVD: English SDH, Spanish, French
  • Digital: English SDH, French, Spanish (some platforms)

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