SPIRAL (2021) – Review

If there’s anyone that truly believes in the expression, “Everything old is new again”, they probably live in Hollywood. And they are probably a movie studio exec. That’s because there seems to be a reboot, remake, or (the marketers coined this new phrase) a “re-imagining” of a familiar story or concept. Now, this week, the “old” part of that adage is really being put to the test…or stretched thin. After all, the last one hit theatres less than four years ago, And as for the original 2004 entry, it was followed up by six sequels every year, reminding us of the “B” movie franchises of the 30s and 40s, in which you could count on a yearly visit from Andy Hardy’s family, Tarzan, and Boston Blackie. I’m referring to the SAW series. This weekend we’ll see a new spin (sorry) on them via a new thriller whose original subtitle included “From the Book of Saw”, but will now appear on theatre marquees and box office listings as simply SPIRAL. And around it goes…

…until it lands in the middle of a crowded celebration (with the fireworks, it must be July Fourth). In the packed carnival midway, a woman screams that her purse was snatched. A “plainclothes” cop pursues the thief to a “porta-potty”. But the “perp” has vanished…or so it would seem. The er, “seat” has an opening that leads to a ladder that empties into a subway tunnel. It’s then that the cop becomes the prey of a “pig-mask” wearing fiend with a distorted voice and a knack for gruesome torture devices. The next morning we meet another cop who’s having a bad day (though less deadly). The drug bust that Det. Zeke Banks (Chris Rock) worked solo goes sideways. Which leads to a “dressing down” by his boss, Chief Garza (Marisol Nichols). Zeke tells her that he has to work alone since many of the other cops have branded him a “rat” for helping to take down a “dirty” officer. Even though he’s the son of the precinct’s former captain, Zeke will be assigned a partner, a “green” rookie right out of the academy, Will Schenk (Max Minghella). The two are sent out to work a weird subway death of a homeless guy. But later that day, Zeke gets a special delivery package that ID’s the “vic”. Next to a grisly appendage is the badge of Zeke’s only “work buddy”, Boz. Oh, and there’s a flash drive with an image of a red spiral sprayed on the courthouse door along with an audio message from that same distorted voice claiming that Boz has paid the price for his sins. Everyone in the squad room believes it’s the return of “jigsaw”, or a “copy-cat’. That night Zeke goes over the case with his dad Marcus (Samuel L Jackson), who is also his landlord as Zeke’s marriage is crumbling. The news springs Banks Senior into action, though he shares little with his son. As the investigation continues, the packages and bodies pile up. But why do the deliveries always go straight to Banks? Could there be a connection? Or could he be the killer’s ultimate final goal?

Carrying the dramatic weight of this thriller is the always entertaining Rock, who builds upon his recent much-lauded character work in the FX “Fargo” series. The years have given the celebrated stand-up comic a real sense of gravitas making us believe in his Zeke, a man who strives to be just but is frustrated at nearly every turn, by fate and his surly co-workers. Yet, somehow his humor shines through the somber situations as Zeke spouts endless cynical observations and even tosses off an “inside joke” over a very early Rock screen role (30 years already). His work really elevates the often flimsy material. Much the same can be said of Jackson, who makes a most compelling “tough love” pop for Rock’s Zeke. He shows us that retirement hasn’t worked for Marcus, as a return to “the life” actually puts a “spring in his step”. Unfortunately, after an early scene with Rock, which just crackles with energy, the two are apart for most of the flick, making us hope for another pairing as prickly partners. As Zeke’s actual partner, Minghella is quite believable as the “straight arrow’ who can be a “sounding board’ for Rock’s rants, but can also stand up to some of the questionable tactics while getting the job done “by the book”. He gives us hope for the soured system, while we root for him and his ideals to survive the constant chaos.

Series vet Darren Lynn Bousman strives to bring a gritty sense of reality to the often far-fetched fantasy set-pieces. He sets his sights on the classic police/serial killer flicks like SILENCE OF THE LAMBS and especially SE7EN, but is tossed off course by the formula structure of the SAW legacy. The “boiling point” feel is pushed to the limit early as we are told of the city’s “heatwave” and frequent “brown-outs” which layers everyone with a sheen of sweat along with “pit stains” and slowly rotating fans left over from BODY HEAT. But the atmosphere can’t mask some of the script’s extreme “suspensions of disbelief”. We’ve got to accept that the killer can somehow sneak into places (one, in particular, is pretty darn public) and set up and monitor these Rube Golberg-inspired torture contraptions. One somehow meshed broken bottles with what seems to be a sort-of jet engine. The marriage of machine, grime and sticky gore soon becomes tedious as the victims are told via that wonky voice that they have a way out, which never seems to work. It doesn’t help that the mystery elements are so sloppy. There’s a squad room full of suspects, so when the “splatter ” set-ups are disrupted, it’s easy to zero in on the killer’s true identity. An early injection of Tarantino snark, when Zeke does a comic riff on an iconic Tom Hanks role, it doesn’t come close to QT’s pop culture bits (from Madonna to “Green Acres”). All the entrails in “blue boxes” lead up to a climax that’s like a balloon sputtering out it’s last bit of air before its limp plunge to the ground (I was reminded of the last moments of the recent Oscars telecast). Rock is always compelling but the tired gore formula and familiat serial killer tropes just cause SPIRAL to keep spinning its bloody wheel to little effect or real interest. Time to put that worn ole’ saw back in the cinema tool shed.

1.5 Out of 4

SPIRAL opens in select theatres on Friday May 14, 2021

Samuel L. Jackson And Chris Rock Star In First Trailer For SPIRAL – From The Book Of Saw

A sadistic mastermind unleashes a twisted form of justice in SPIRAL, the terrifying new chapter from the book of SAW.

Working in the shadow of an esteemed police veteran (Samuel L. Jackson), brash Detective Ezekiel “Zeke” Banks (Chris Rock) and his rookie partner (Max Minghella) take charge of a grisly investigation into murders that are eerily reminiscent of the city’s gruesome past.

Watch the first trailer. The film opens in theaters May 15, 2020.

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Unwittingly entrapped in a deepening mystery, Zeke finds himself at the center of the killer’s morbid game.

SPIRAL stars Chris Rock, Max Minghella, Marisol Nichols, and Samuel L. Jackson, and is produced by the original SAW team of Mark Burg and Oren Koules. The film is directed by Darren Lynn Bousman and written by Josh Stolberg & Pete Goldfinger.

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3 Weeks Til SAW Returns To Theaters – Check Out The Second Poster

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The second eerie poster for the 10th anniversary event of the legendary horror film, SAW, was revealed yesterday. This is the second of five limited-edition collectable posters that will be released weekly, as we countdown the return of this epic film. The poster was created by TAZ who has designed several of the special edition posters for the franchise.

Now is your chance to relive the brilliantly wrenching games, led by the iconic serial killer Jigsaw, on the big screen when it returns this HALLOWEEN.

Head to a theater near you for the early showing of SAW at 10pm on Thursday, October 30th.

With a dead body lying between them, two men wake up in the secure lair of a serial killer who’s been nicknamed “Jigsaw”. The men must follow various rules and objectives if they wish to survive and win the deadly game set for them.

Directed by James Wan (THE CONJURING, upcoming FAST & FURIOUS 7) and written by Leigh Whannell, from a story by James Wan and Leigh Whannell, SAW stars Cary Elwes, Danny Glover, Monica Potter, Michael Emerson, Ken Leung, Tobin Bell and Leigh Whannell .

Re-Opening on October 30, 2014, the horror film is rated R for strong grisly violence and language.

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Director James Wan and Cary Elwes on the set of SAW. Photo Credit: Greg Gayne

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Tapp (Danny Glover, left) and Sing (Ken Leung, right) in SAW

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Tobin Bell stars as ‘Jigsaw’ in SAW

New Poster & Trailer Celebrate SAW 10th Anniversary – See It In Theaters Halloween Week

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The countdown begins for the iconic horror film, SAW, to arrive back in theaters for one week during Halloween.

Lionsgate has released the new poster and trailer in celebration of this 10th anniversary event.

The new poster marks the first of five limited-edition collectable posters that will be released weekly during the countdown to the release of the film. You’ll also have a chance to get your very own copy of this new poster at participating AMC, Regal, Cinemark and Carmike theaters this Thursday, October 2nd.

Also catch the trailer of James Wan’s first horror film SAW, in theaters this weekend before ANNABELLE.

In the original film, with a dead body lying between them, two men wake up in the secure lair of a serial killer who’s been nicknamed “Jigsaw”. The men must follow various rules and objectives if they wish to survive and win the deadly game set for them.

The return of Jigsaw and his twisted, deadly games is sure to leave you on the edge of your seat this Halloween, so make sure you find SAW at a theater near you on October 31st. If you want to be the first one to catch it – head to theaters for the early showing at 10pm, Thursday, October 30th!

Official Site: http://sawmovie.com/
Official Facebook: https://www.facebook.com/Saw
Official Twitter: https://twitter.com/lionsgatehorror

“Jigsaw” Coming Back To Theaters for 10th Anniversary Weeklong Showings of SAW

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This Halloween, Lionsgate will celebrate the 1oth anniversary of the theatrical release of SAW, the film that kicked off the most successful horror franchise in history, by bringing it back to theaters nationwide for one week only.

The film will open on Friday, October 31, with select screenings beginning Thursday night, October 30th.  The seven SAW films grossed $874 million at the box office worldwide and were hailed by the Guinness Book of World Records as the “Most Successful Horror Franchise” of all time.

“The launch of SAW was a signature event in Lionsgate’s history, establishing our first franchise and paving the way for our growth into a global studio,” said Lionsgate President of Acquisitions & Co-Productions Jason Constantine. “We are excited for our fans to revisit the twisted magic that first blew their minds on Halloween 2004.”

“As part of SAW’s 10th anniversary, we’re thrilled to give new fans and audiences the opportunity to experience this film on the big screen for the very first time,” added SAW’s producers Oren Koules and Mark Burg.

SAW was the first collaboration for co-creators James Wan, who directed the film, and Leigh Whannell, who wrote the screenplay. Together, they also created the successful INSIDIOUS franchise, and Wan has gone on to direct such high-profile films as THE CONJURING and the upcoming FAST & FURIOUS 7.

Directed by Wan from a script penned by Whannell, SAW is a psychological thriller focusing on two men, Adam (Leigh Whannell) and Gordon (Cary Elwes), who wake up in a secure lair of a serial killer, with a dead body lying between them. The killer, nicknamed “Jigsaw,” leaves them tape recorded messages with details of how to make it out alive. The only way for one man to make it out alive is to do the unthinkable. The two men desperately try to find a way out, while also trying to figure out who’s behind their kidnapping.

The film, which was released over Halloween weekend on October 29, 2004, was produced by Gregg Hoffman, Oren Koules, and Mark Burg.

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Top Ten Tuesday: SAW Traps

With the release of Saw in 3D… we are dedicating this weeks Top Ten to Saw Traps. Sure, they are creepy and deadly, but they are also intricate!

TOP TEN SAW TRAPS

Full Carousel Trap- SAW VI

The carousel trap consisted of six of William’s junior associates: Aaron, Emily, Gena, Dave, Shelby, and Josh (in order of when they were stopped by the carousel), chained to a rotating roundabout-like object inside of a large metal cage. At the front of the cage was a large metal device attached to a shotgun which was pointing at the carousel. The carousel repeatedly slowed to a halt with a random victim facing the gun. William was forced to choose to place his hand inside a metal box and press a button, causing a metal rod to pierce his hand in order to prevent the selected victim from being shot, or choose not to and let the victim be shot point-blank in the chest by the gun, thus killing the person that was in the gun’s path. Unfortunately, William was told that he could only save two of the six people on the carousel and in the end, William chose to save Emily, the second and Shelby, the fifth person to be stopped by the carousel, while the other four associates: Aaron, Gena, Dave, and Josh were shot and killed by the gun. William finds a key in the next room, unlocking the final strap on his body, and proceeds to his final test.

Barbed Wire Noose Trap- SAW VI

In William’s second test, he reached a dimly lit reptile room with two small screens on the railing, flashing the words, “Take Them” (referring to two chains with handles connected to the railing), and a large window in front of him. Originally William refused to take the chains, but when he attempted to continue through the room, the bomb on his wrist began to blink, forcing William to retreat and pick up both of the handles. Picking up the handles in turn activated two spotlights, illuminating two plank-like platforms behind the glass on one platform stood a young company file clerk, Allen, and on the other, William’s elderly secretary, Addy. Each person had a barbed wire noose around the neck and was gagged, with their hands tied behind their backs. To move on, William was instructed to release one chain, causing the corresponding person’s platform to retract and hang them, guaranteeing the other’s safety.

Freezer Trap- SAW III

Words inscribed on the door to the Freezer Room read: “Face Your Fears.”

Danica Scott was suspended by her arms in a walk-in freezer, where she was stripped naked and had her body systematically sprayed with water from twelve hoses, linked along two vertical poles on either side of her. Jeff was forced to decide whether or not to assist her or let her freeze to death in the freezer room. Danica was the witness to the accident which killed Jeff’s son, but she fled the scene of the accident and refused to testify against the man responsible. After Danica pleaded for her life and apologized to Jeff, she was able to convince Jeff to try to save her although he appeared unwilling at first. Jeff’s task was to retrieve the key that would unlock Danica’s bindings, as well as the door to the next room and to escape the Freezer Room. The key was suspended behind a wall of icy cold pipes, just out of Jeff’s reach and the only way he was able to retrieve the key was by leaning just far enough for his face to press against the pipes, causing the flesh of his cheek to stick to them. Grabbing the key, Jeff pulled back, tearing away part of the flesh from his cheek, however, by the time Jeff had obtained the key to free her, Danica had frozen solid to death, becoming completely encased in ice.

The Fatal Five Trap- SAW III

Five victims (Brit, Charles, Luba, Mallick, and Ashley) awakened to discover that they were trapped in a sewer, with the intention of reaching the exit. Jigsaw captured each of them because the five were all involved in a fire that resulted in the deaths of innocent people, and their actions or inactions were a result of avarice and self-serving needs. The five were subjected to four tests, all involving teamwork. Each test, and the whole series, was subjected to a time limit. When the door to the previous room was closed, a fifteen-minute timer would begin to count down in the current room, and a cluster of nail bombs (similar to the bomb in Troy’s Classrom Trap) would go off when it expired. The doors would also seal after a time limit, so the subjects were required to be prompt, lest they all die by the bombs. The tests were designed in such a way that the participants would either have to work together and escape with only minor injury (a concept that was not realized until their final test), or would gradually kill them one-by-one (one person per room) if they would not co-operate. The notion of teamwork was exemplified by the final two traps, which were designed in such a way that if for whatever reason there was only one survivor when facing either of the traps, he or she would not be able to complete the trap and would be killed by the nail bombs.

The Reverse BearTrap


This trap was applied to a heroin addict named Amanda Young, whose wrists were bound with duct tape to armrests on a chair in a dimly-lit room, with a heavy metal apparatus hooked into her upper and lower jaw. The Jigsaw Puppet (a.k.a Billy) appeared on a television screen before her and revealed that Amanda had a short amount of time to remove the trap from her head before it would snap open in a similar fashion to that of a bear trap in reverse, which would rip her jaws wide open in the process. To emphasize this point, a demonstration was shown to Amanda, who watched as the device went off on a mannequin head, which exploded as the device activated. The puppet told her that the key that she needed to remove the device was in the stomach of the “dead” Donnie Greco lying across the room from her.

Classroom Trap or The Body Chains- SAW III

This trap featured Troy, who awoke in an empty school classroom, with eleven chains hooked into his flesh at various points on his body. Upon awakening, a television placed directly in front of him switched on and Billy the puppet appeared on the screen, informing Troy that his reason for being tested was because he had been sent to jail on many different occasions (for unspecified reasons).The recording continued on to explain that if he wished to survive, he would have to break free of the chains attached to his body before a timer expired, which would detonate a nail bomb also placed in front of him, and he would die in the resulting explosion. The chains were hooked into his lower jaw, shoulders, arms, hands, obliques, legs, and Achilles tendons. When the recording finished, the timer initiated and Troy began to painfully rip out the chain links from his skin, one chain at a time. Troy managed to detach all of the chains from his body with the exception of the one attached to his jaw. The chain ring was looped through his lower jaw, which appeared to be impossible to remove in time. Because he was unable to unhook this last ring, he was killed when the timer triggered the bomb. It was later revealed by Kerry, as she studied his nail-ridden corpse, that there was no escape route for Troy even if he had succeeded in removing the last ring, as the door to the room had been welded shut. Also, because the final chain was attached to the strongest bone on the human head, there would be no way for him to have removed it with just his bare hands.

The Collars

The five subjects awoke in individual stalls inside of a room with five keys located in five boxes at the other end of the room. Each person was equipped with a collar attached to a cord, which fed back into their stall. This trap involved one person pulling against the five cords, each one linked to the collar around the others’ necks, to retrieve the keys at the end of the room and unlock their collars. The obstacle of this test was that as one person ran forward (pulling on his/her own cord) the other four people would be pulled backward towards their own pulleys. The consequence for not completing the trap was decapitation as, in front of the pulleys for the cords, rested mounted razors, which would decapitate them should one person fall back too far, or the timer run out and pull all of the collars into the wall. Mallick became anxious and ran ahead, starting the timer. In the end, the whole group, except for Ashley, managed to retrieve their keys and unlock their collars. Ashley was eventually beheaded by the blade, when the timer counted down to 0 (from 60 seconds), and the cords were pulled tightly into the wall. Had they used teamwork to free themselves, they would have all survived, as only one key was needed to release the lock on all of the collars. They would have been able to simply pass the key from person to person.

Angel Trap or The Ribcage Harness

Allison Kerry, a detective who worked on the Jigsaw cases, woke up suspended above the floor of an abandoned building, in a contraption which consisted of a leather harness, hung from the ceiling by numerous chains, lining her torso with two sets of needles on either side. Upon further examination of her harness, she found that the two sets of needles attached to her torso were connected to her ribcage, each needle hooking into an individual rib. Each array of needles was attached to one of two metal arches resting behind her, that, for the time being, remained folded. Hanging before her was a jar filled with acid into which a key was dropped upon her regaining consciousness. The jar was also suspended by chains, and was tightly fastened so as to be unable to tip over. A television turned on in front of her and delivered the instructions to Kerry’s test. Billy informed Kerry that she was placed in the test because she was “dead on the inside,” explaining why she was so adept at her job as a Forensic Detective. He also implied that the device Kerry was equipped with would tear her ribcage from her body, knowing that Kerry would understand from her experience with Jigsaw’s previous tests. Billy told her that she would have one minute to retrieve the key from the jar before the key was dissolved by the acid and before the timer on the device ran out. After hesitating, Kerry plunged her hand into the jar, severely burning it, but failed to grab the key. Screaming in pain, she plunged her hand in a second time and successfully retrieved the key. She pulled out her bloodied, severely corroded hand, and unlocked the padlock on her harness. Upon removing the lock, however, she found that she was unable to remove the harness itself. It is then that she realized that the trap was never intended to be escapable, as each of the pins were hooked directly into her ribcage, and there was a second lock at the back of the device that held it in place. As Kerry realized this, Amanda entered the room, revealing herself as the inventor of the trap. With that revelation, Kerry raised her arms and clenched the chains she was hanging from as the two arms attached to the harness swiftly arched upwards in a similar manner to a pair of wings (hence the name of the trap), and pulled each side of the harness with them, causing the needles embedded in her torso to rip both sides of her ribcage out in opposite directions. She soon collapsed and died in the leather straps as her internal organs spilled out onto the floor.

The Cube Trap

Immediately after killing Jeff, and being locked in Jigsaw’s operating room by Hoffman, Agent Strahm located a hallway revealed to him by glow-in-the-dark paint. In the hallway he discovered a cassette player that warned him not to proceed any further, lest the room become his tomb. Refusing to comply, Strahm proceeded down the hallway and was then tranquilized by Hoffman. Strahm woke up with his head encased in a clear glass box with tubes connected to it, and his gun confiscated. The box started filling with water, eventually filling completely with the intent to drown Strahm. Thinking quickly, Strahm pulled out his pen and stabbed it into his throat, performing an emergency tracheotomy to sustain his breathing until help arrived. Strahm ultimately survived the trap, being wheeled out by paramedics, much to Hoffman’s surprise. The irony is that Strahm managed to survive a trap that was constructed with no intended means of escape.

The Venus Fly Trap

This trap was similar to an iron maiden device, but on a much smaller scale. The trap consisted of a harness, attached to the victim’s chest, which was only removable if the key to the padlock was obtained. Attached to the harness was a contraption which consisted of two metal masks, opposite from each other and angled down from the victim’s head. Each mask had several nails protruding inwards from the interior. The device was connected to a spring timer, and if it wasn’t removed in time, the two masks would clamp together on the victim’s head, in a smiliar fashion to that of a Venus Flytrap, and drive the nails through his skull. The victim of this trap was Michael Marks, a police informant. He woke up in an empty room, and found himself in the helmet. In order to remove the device, Michael was instructed that he would have to find the key to the harness, which he soon learned, from a video tape and some X-rays of his own skull, was hidden behind his right eye. Supplied with a scalpel, he attempted to surgically remove his eye, but found that he couldn’t bring himself to do it, and threw the scalpel across the room in anger. The timer expired, and the masks snapped shut on his head, killing him. Fans have speculated that Michael could have used the chair that he had awoken on to drag the toolbox that held the surgical knife, and cut the key out of his eye without ever triggering the spring timer.

Descriptions from SAWPEDIA.

Which are your favorite SAW traps ala Jigsaw? Let us know in the comments section below,

And remember, on October 29th, the traps come alive when SAW 3D in Real D 3D hits theaters. Attend a midnight showing of SAW 3D on Friday, October 29th and get a free pair of custom SAW 3D glasses! (While supplies last.)

Visit the film’s official site here and on Twitter here & Facebook here.

Elwes Returns for SAW VII 3-D

Yes, I know we are few and far between.  Some of us still look forward to the latest installment of the SAW franchise, even if the series’ best days are behind it.  However, this latest news may bring a glimmer of hope for those of us who are still waiting for the ultimate SAW film.  Latino Review is reporting Cary Elwes, last seen in the first, SAW film, has signed to reprise his role as Dr. Lawrence Gordon in this year’s SAW VII 3-D.

The Dr. Gordon character has been rumored and wishfully thought to be returning to the SAW series ever since 2005’s SAW II hit theaters.  Many believed his return would be the “big twist” in the last, couple of films.  However, it appears his return won’t be a twist at all, but part of a much bigger storyline.

Here, also, is the official synopsis for the upcoming film:

As a deadly battle rages over Jigsaw’s brutal legacy, a group of Jigsaw survivors gathers to seek the support of self-help guru and fellow survivor Bobby Dagen, a man whose own dark secrets unleash a new wave of terror.

SAW VII 3-D is to be directed by Kevin Greutert, who directed SAW VI.  Elwes joins a cast that includes Tobin Bell, Costas Mandylor, Betsy Russell, and Sean Patrick Flanery.  It his theaters on October 22nd.

PARANORMAL ACTIVITY 2 Gets a Director…

So it’s no secret that the sleeper horror hit of the year was Oren Peli’s PARANORMAL ACTIVITY. The flick was made for roughly $15k and grossed millions, beating out Halloween favorite SAW VI in the box office. That’s where things get interesting. It looks like Paramount has nabbed SAW VI director Kevin Greutert and writer Michael R. Perry to helm the sequel, working title PARANORMAL ACTIVITY 2. Hmm…I dunno if I buy it. The first flick was quite good. It brought a Hitchcockian element of suspense to a dwindling horror genre and offered a breakout performance from director Oren Peli. Peli has gone on record saying this about the upcoming sequel:

” These guys get it, and the fans won’t be disappointed,”

Is that enough for me as a fan? I don’t quite know yet. I find it ironic that ACTIVITY beat out the 6 SAW film at its home field (Halloween box office if you will). The only true issue I can see with this new development is the probable “sequelitus” that ACTIVITY 2 could sprout. We all know and “love” the fact that a new SAW film hits theaters every 4th week of October every year, but truthfully, I feel that ACTIVITY was an outstanding stand-alone. It’s one that will most likely be visited by viewers for many many years to come, not only on Halloween, but all throughout theyear. But we all know that studios don’t give a ouiji board about that (heh) and are just looking for the best way to shoot a penny their way.

But who knows? I could be speaking too soon and we might have a very skilled director with a very good script. I certainly hope so. More information will be posted as it becomes available, but for the time being, what do you readers think of this announcement?
PARANORMAL ACTIVITY is now available on Bluray and DVD and SAW VI will be available on both formats on January 26th 2010. Oren Peli’s AREA 51 (in the same vein as ACTIVITY) will hopefully hit theaters later this year.

Source: /Film

New ‘Saw VI’ Poster Unveiled

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They look like big, good, strong hands, don’t they? I always thought that’s what they were.

That classic line from ‘The Neverending Story’ is the first thing that comes to mind when I scope this new poster for ‘Saw VI,’ brought to us courtesy of Shock Till You Drop.  Probably not what director Kevin Greutert was intending.  Of course, if you look really closely, you’ll see Shawnee Smith’s name at the very end of the cast list, indicating this one is going to be flashback-heavy.

Don’t let the gloves fool you, either.  If past ‘Saw’ posters are any indication, there won’t be a central plot theme about loose, fitting mittens.

‘Saw VI’ hits our theaters on October 23rd.

Saw Team’s ‘The Collector’ Get’s a Tattered Poster

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‘The Collector’ is the new horror film hoping to get launched into a ‘Saw’-like franchise. It is directed by Marcus Dunstan, and co-written by Dunstan and Patrick Melton, the writing team behind ‘Saw IV,’ ‘V,’ and ‘VI’ and the ‘Feast’ trilogy. Continue reading Saw Team’s ‘The Collector’ Get’s a Tattered Poster