THE PRINCESS Documentary To Air On HBO Max August 13

The HBO Original documentary film THE PRINCESS is an intimate and immersive look at the life of Princess Diana, directed by Academy Award® nominee Ed Perkins (“Black Sheep” “Tell Me Who I Am”) and produced by Lightbox, Academy Award®-winning Simon Chinn (“Man on Wire” “Searching for Sugar Man”) and Emmy®-winning Jonathan Chinn (“LA92” HBO’s “Tina”). The film debuts on SATURDAY, August 13 (8:00-9:50 p.m. ET/PT) on HBO, coinciding with the 25th anniversary of Princess Diana’s tragic death, and will be available to stream on HBO Max. THE PRINCESS had its world premiere at the 2022 Sundance Film Festival.

The relationship of Diana and Charles, the Prince and Princess of Wales, was tabloid fodder for nearly two decades, the subject of almost daily headlines in the 24-hour news cycle. THE PRINCESS draws solely from contemporaneous archival audio and video footage to take audiences back to key events in Diana’s life as they happened, including their seemingly fairy-tale public courtship and wedding, the birth of their two sons, their bitter divorce, and Diana’s tragic and untimely death on August 31, 1997.

Flowers and mourners outside Kensington Palace in the days following the funeral of Princess Diana, in London, England, September 1997.

Intensely emotional, THE PRINCESS is a visceral submersion into Diana’s life in the constant and often intrusive glare of the media spotlight. The film unfolds as if it were in the present, allowing viewers to experience the overwhelming adoration, but also intense scrutiny of Diana’s every move and the constant judgement of her character. Through archival material, the film is also a reflection of society at the time, revealing the public’s own preoccupations, fears, aspirations, and desires.

Princess Diana’s tragic death, caused in part by a high-speed pursuit by paparazzi, was a moment for reflection by both the public and the media machine it feeds. However, after nearly 25 years since Princess Diana’s death, has anything really changed?

HBO Documentary Films presents THE PRINCESS, in association with SKY, produced by Lightbox. Directed by Ed Perkins; produced by Simon Chinn and Jonathan Chinn; editors, Jinx Godfrey and Daniel Lapira; co-producer, Vanessa Tovell. For HBO: coordinating producer, Anna Klein; executive producers, Nancy Abraham and Lisa Heller.

Diana, Princess of Wales surrounded by police and security as she arrives for a visit to Harlem Hospital’s pediatric AIDS unit in Harlem. New York City, USA. Feb 1989

First Look At Kristen Stewart As Princess Diana In SPENCER

SPENCER – Photo: Courtesy of Pablo Larraín

Principal photography has begun on SPENCER, which focuses on one weekend in the life of Princess Diana, as she spends the Christmas holiday with the royal family at the Sandringham estate in Norfolk, and decides to leave her marriage to Prince Charles.

Filming will take place in Germany and the UK and an autumn 2021 launch is anticipated. 2022 marks the 25th anniversary of Diana’s death.

December, 1991: The Prince and Princess of Wales’ marriage has long since grown cold. Though rumours of affairs and a divorce abound, peace is ordained for the Christmas festivities at Sandringham Estate. There’s eating and drinking, shooting and hunting. Diana knows the game. This year, things will be a whole lot different.

Kristen Stewart (Personal Shopper, Clouds of Sils Maria) is Princess Diana. Cast members joining Stewart include BAFTA Award nominee Timothy Spall (Mr. Turner, The Party), Academy Award nominee Sally Hawkins (The Shape of Water, Paddington) and Sean Harris (Mission: Impossible – Fallout, Prometheus).

SPENCER is directed by Pablo Larraín (Jackie, Neruda) and written by Steven Knight (Locke, Peaky Blinders and Academy Award nominee for Dirty Pretty Things). The film is produced by Juan de Dios Larraín (Jackie, A Fantastic Woman, Gloria) for Fabula Films, Jonas Dornbach and Janine Jackowski (Toni Erdmann, A Fantastic Woman) for Komplizen Film and BAFTA award winner and Academy award nominee Paul Webster (Anna Karenina, Atonement) for Shoebox Films.

‘SPENCER is a dive inside an emotional imagining of who Diana was at a pivotal turning point in her life. It is a physical assertion of the sum of her parts, which starts with her given name; Spencer. It is a harrowing effort for her to return to herself, as Diana strives to hold onto what the name Spencer means to her.’– Kristen Stewart 

‘We are extremely grateful for the support of our distributors worldwide, our partners and funders who have shown tremendous commitment to us in these extraordinary times.  With Kristen Stewart, Steven Knight and the rest of our fantastic team both in front and behind the camera we are bringing SPENCER to the world. It is an independently produced film made for the big screen about an iconic woman’s own declaration of independence. We couldn’t be more excited!’ – Producers Jonas Dornbach, Janine Jackowski, Juan de Dios Larraín, Paul Webster, Pablo Larraín

Larraín’s creative team includes Director of Photography Claire Mathon (Portrait of a Lady on Fire), Costume Designer Jacqueline Durran (Academy award-winner for Little Women and Anna Karenina), Make Up and Hair Designer Wakana Yoshihara (Murder On The Orient Express, High Rise) and Guy Hendrix Dyas (Academy Award nominee for Passengers and Inception) is the Production Designer. Composing the original score is Academy Award, BAFTA and Grammy Award nominee, Radiohead’s Jonny Greenwood (You Were Never Really Here, Phantom Thread).

Executive producers are Tom Quinn, Jeff Deutchman and Christina Zisa for NEON and Michael Bloom, Maria Zuckerman and Ryan Heller for Topic Studios.

Princess Diana Controversial Documentary UNLAWFUL KILLING Will Premiere At Cannes This Friday

 

How’s this for timing – a mere two weeks after the Royal Wedding, the controversial documentary regarding the death of Princess Diana and her companion Dodi Fayed in 1997, will finally see the light of day at the 64th Cannes Film Festival. Highly unlikely that the film will ever be shown in Great Britain, this film will contain a never-before-scene picture of Diana as she lay dying. WAMG was one of the first sites to review the film in August 2009. Here’s a sneak preview of UNLAWFUL KILLING.

The film which is financed by businessman Mohamed Al-Fayed, father of Dodi Fayed, will premiere this Friday, May 13th. It’s been reported that Al-Fayad will be in Cannes for the screening.

Read this article from filmmaker Keith Allen (TRAINSPOTTING), father of pop star Lily Allen, on how UNLAWFUL KILLING is not about a conspiracy before the crash, but a provable conspiracy after the crash.

Visit the film’s official site HEREon Twitter: http://twitter.com/UnlawfulKilling and on Facebook: http://www.facebook.com/UnlawfulKillingFilm

Early, Exclusive Review: ‘Unlawful Killing’

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For those who know me, I’m as Anglophile as one can be and a loyal monarchist. It truly pains me to post this exclusive review of ‘Unlawful Killing,’ the formal inquest into the circumstances surrounding the death of Princess Diana and Dodi Al Fayed on August 31, 1997. 12 years later, there are still so many questions about what happened that night, despite the rulings from the inquest and Operation Paget. Don’t bother trying to google the title of this documentary either, as you won’t find it. The British Filmmakers  were trying to  keep it secret as long as possible…its so damning to the Royal Family. They added that they can’t even show this film in England because they’d be immediately arrested for saying such things against the Windsor Clan. By the way, one of the filmmakers is Keith Allen from ‘Trainspotting’ who happens to be the father of pop star Lily Allen. This film has been mulling around since last year. According to contactmusic.com, Keith tried to have it finished for Cannes 2008, but since it was still being worked on, it wasn’t quite ready to appear at the French film festival. Obviously it just shows how long its taken to finish  the documentary. One of our loyal WAMG  readers was at a secret screening last night out in Los Angeles and sent us their review of the film.

The documentary’s title, ‘Unlawful Killings,’ comes from the actual legal findings of the inquest. The deaths of Princess Diana and Dodi Al Fayed were ruled “unlawful killing” by the other vehicles that surrounded them in the Alma Tunnel in Paris , and not, like most people have been led to believe, an accident. The original reports indicated that among the contributing factors to the accident were 1) that the driver of the car, Henri Paul, was drunk, and 2) the actual crash was caused by paparazzi on motorcycles chasing the car to get pictures of Diana and Dodi.

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The evidence presented in this documentary shows that this is simply not true. First of all, Henri Paul had no history of being an alcoholic, as accused. Receipts from the restaurant that night show that he only had 2 drinks, and video images of him leaving the restaurant do not show him stumbling drunk, but relatively sober with no visible impairment. When his apartment was searched after the accident, very small amounts of alcohol were found – a bottle or two. When a later search was done, the report mysteriously indicated that there was enough alcohol to stock a full bar. The inquest panel questions whether some tampering took place to build the story against Henri Paul. This is not to say he was totally innocent. There is also video of Henri Paul stepping outside the back of the hotel and “signaling” to someone that they are about to leave. This leads us to believe that he was in on the plot and he was not meant to die in the accident. Further more, upon examination of the vehicle after the accident, it was determined that all the seatbelts in the car were in working order except in the seat where Diana was sitting. It was reported that she always wore a seatbelt, but that hers was jammed and she couldn’t wear it, again raising questions of tampering.

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Then there is the issue of the paparazzi giving chase. Eye witness reports from the scene say that the car that Diana and Dodi were in was too powerful for the paparazzi on their motorcycles to keep up with and by the time they reached the entrance to the tunnel, the paparazzi were left far behind. Witnesses reported seeing the car surrounded by three or four other high-powered motorcycles and a small Fiat. The motorcycles blocked the car, making it impossible to avoid hitting the Fiat when a bright flash went off in the tunnel seconds before Henri Paul lost control of the car. Questions are raised not only about the mysterious flash that went off, but also as to why the surveillance cameras in the tunnel were turned off, when normally they were recording 24-7. Adding to the conspiracy theory, it was documented that it took an astonishing 37 minutes to get Diana out of the car once emergency personnel arrived on the scene (there was not enough damage to her side of the car to justify it taking that long), and a HORRIFYING 187 minutes before she reached the hospital in an ambulance driving on empty streets.

BRITAIN DIANA

So there is some of the evidence. But the really compelling and fascinating issues come from the question of why. Why was there a plot to kill Diana and Dodi in the first place? Mohammed Al Fayed, Dodi’s father and owner of Harrod’s Department store in London has his suspicions. These are presented in the film by various interviews and video footage. In a nutshell, according the senior Al Fayed, the Royal Family, led by Prince Phillip (husband of the Queen) are racist and were not going to stand by and watch the royal bloodline diluted by an Arab Muslim like Dodi Al Fayed. In the months leading up to the crash, Diana and Dodi’s relationship had become serious and there were reports that they would marry and that she was even pregnant with his child. There are even accusations that the reason that Diana’s body was embalmed so quickly was so that no pregnancy test could be done on her. When the issue of a blood test was brought up years later, Diana’s blood samples had mysteriously disappeared.

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And lastly, the most frightening conclusion from this film is that the Royal Family is above the law. During the inquest, no one was forced to testify, including both Prince Phillip and Prince Charles. The high court most definitely participated in covering up evidence and making special rulings that apply only to the royal family. In a letter that Diana sent to a friend shortly before her death, she wrote “My husband is planning to have me killed in an accident, like in a car with the brake line cut.” Even if this was written by a woman with an overactive imagination, if it were any other family it would have been investigated more thoroughly. I guess it’s good to be a royal.

So there you have it. This  documentary is  the total antithesis of 2006’s ‘The Queen’ which made the Royal Family, with the exception of Prince Phillip, all touchy-feely after the death of Princess Diana. Hopefully, the documentary will find a distributor and soon.