NOSFERATU – Review

A carriage approaches Orlok’s castle in director Robert Eggers’ NOSFERATU, a Focus Features release. Credit: Courtesy of Focus Features / © 2024 FOCUS FEATURES LLC

Before Bela Lugosi created the image of an elegant Dracula in Todd Browning’s film DRACULA, F.W. Murnau made the brilliant silent film NOSFERATU, the first film adaptation of Bram Stoker’s eerie novel. Stoker’s estate refused to let the legendary German director use the book’s title but Murnau made the film anyway, renaming the vampire Count Orlok and re-setting the latter part of the story in Germany rather than England. Director Robert Eggers’ NOSFERATU is an outstanding film that both honors and recreates Murnau’s great classic, while also adding a modern horror edge as well.

Fans of Murnau’s incredible silent horror film will delight in Eggers’ new NOSFERATU, which faithfully recreates several of the striking scenes in the original. NOSFERATU is visually astounding, with gorgeously eerie scenes and set pieces, often using the central, symmetric framing typical of the silent movie era. Scene after scene opens with either a perfect recreation of Murnau’s atmospheric composition or a sternly creepy vista that sets the tone for the horror to come. The dark, brooding scene of a coach wending its way through stark looming mountains, to enter the sinister castle, which is featured in the movie’s trailer, is but a small taste of the visual delights to come. Leaning into the visual power of the silent is the perfect choice.

Although there have been countless Dracula movies, only a handful have gone back to Murnau’s great silent, with his Count Orlok. Those exceptions have included SHADOW OF THE VAMPIRE, a chiller about the making of Murnau’s silent, and Werner Herzog’s NOSFERATU THE VAMPYRE, with the great Klaus Kinski.

While Eggers’ based his script on Bram Stoker’s “Dracula” and Henrik Galeen’s screenplay for the first NOSFERATU, there are a few changes. The source of the vampire Count’s fascination with his real estate agent’s fiancee (his wife in this tale) is different and references to Vlad the Impaler, the blood-thirsty Eastern European Medieval prince who was Bram Stoker’s partial inspiration for the vampire in his novel.

The cinematography and the script are near flawless in this homage to the brilliant original, and the modern horror elements added by director Eggers, including leaning into the psycho-sexual aspects of the story, help bring the story into the current era without violating its late Victorian gothic setting. However the pacing is a bit slow for modern horror fans. Further, Bill Skarsgard’s Count Orlok, after his first appearance, looks more like a bulky if decaying Prince Vlad than Max Streck’s skeletal Orlok, making Orlok seem more intimidating than truly scary.

The cast includes a splendid Willem Dafoe as the Van Helsing-like Prof. Albin Eberhart von Franz. Nicholas Hoult plays Thomas Hutter, the first victim to aid Count Orlok’s escape from the castle, and Lily-Rose Depp plays his wife Ellen, who in this retelling is the reincarnation of Orlok’s former lover. Lily-Rose Depp’s performance is bold and over-the-top, sometimes veering into the absurd, but Nicholas Hoult’s more grounded, sincere performance helps balance things. Aaron Taylor-Johnson and Emma Corrin do fine work as the Hutters’ friends Friedrich and Anna Harding, but the other supporting actors give the horror tale its real fire, with outstanding work by Ralph Ineson as Wilhelm Sievers and Simon McBurney as creepy Herr Knock.

This remake/update NOSFERATU is a treat in particular for fans of Murnau’s original, but may not connect for all horror fans not familiar with the silent classic. Hopefully, they will remedy that by seeing the Murnau film, ideally on a big screen with live music.

NOSFERATU opens Wednesday, Dec. 25, in theaters.

RATING: 4 out of 4 stars

Win Passes To The St. Louis Special Screening Of NOSFERATU

Robert Eggers’ NOSFERATU is a gothic tale of obsession between a haunted young woman and the terrifying vampire infatuated with her, causing untold horror in its wake. The film stars Bill Skarsgård, Nicholas Hoult, Lily-Rose Depp, Aaron Taylor-Johnson, Emma Corrin, Ralph Ineson, Simon McBurney and Willem Dafoe.

NOSFERATU opens on Christmas Day.

Tickets on Sale Now HERE

The St. Louis special screening is Thursday, December 26, 7pm at the Chase Park Plaza.

Link: https://focusfeaturesscreenings.com/HsnBD49765

Please arrive early as seating is not guaranteed.

This film is rated R.

https://www.focusfeatures.com/nosferatu

Check out the exclusive Nosferatu Popcorn Bucket HERE

Available at participating locations


Count Orlok signs his contract in director Robert Eggers’ NOSFERATU, a Focus Features release.

Credit: Aidan Monaghan / © 2024 FOCUS FEATURES LLC

Frightening NOSFERATU Trailer Hits

Opening in cinemas on Christmas Day is Robert Eggers’ NOSFERATU, a gothic tale of obsession between a haunted young woman and the terrifying vampire infatuated with her, causing untold horror in its wake.

The cast includes Bill Skarsgård, Nicholas Hoult, Lily-Rose Depp, Aaron Taylor-Johnson, Emma Corrin, Ralph Ineson, Simon McBurney and Willem Dafoe.

Focus Features has released the creepy new trailer for the upcoming movie.

An interesting choice to release the film during the holidays instead of October, but Eggers films always do well with audiences. His movies include The Witch (October 18, 2015), The Lighthouse (October 18, 2019) and The Northman (April 22, 2022).

‘Nosferatu Original Soundtrack’  – featuring music by Robin Carolan – will be released physically via Sacred Bones and digital via Back Lot Music on November 22nd, 2024. Pre-order links here.

The first two tracks “Goodbye” and “Increase thy Thunders” are now available on all streaming services. https://backlotmusic.ffm.to/nosferatu

A carriage approaches Orlok’s castle in director Robert Eggers’ NOSFERATU, a Focus Features release. Credit: Courtesy of Focus Features / © 2024 FOCUS FEATURES LLC

Nicholas Hoult stars as Thomas Hutter in director Robert Eggers’ NOSFERATU, a Focus Features release. Credit: Courtesy of Focus Features / © 2024 FOCUS FEATURES LLC

Lily-Rose Depp stars as Ellen Hutter in director Robert Eggers’ NOSFERATU, a Focus Features release. Credit: Courtesy of Focus Features / © 2024 FOCUS FEATURES LLC

Robert Eggers NOSFERATU First Trailer Is Here And It’s Filled With Bloodcurdling Terror

Nicholas Hoult stars as Thomas Hutter in director Robert Eggers’ NOSFERATU, a Focus Features release. Credit: Aidan Monaghan / © 2024 FOCUS FEATURES LLC

Focus Features has released this first teaser for the highly anticipated NOSFERATU.

Starring Bill Skarsgård, Nicholas Hoult, Lily-Rose Depp, Aaron Taylor-Johnson, Emma Corrin, Ralph Ineson, Simon McBurney and Willem Dafoe, Robert Eggers’ NOSFERATU is a gothic tale of obsession between a haunted young woman and the terrifying vampire infatuated with her, causing untold horror in its wake.

The German silent horror film released in 1922 was notable for being the earliest surviving film adaptation of Bram Stoker’s Dracula and for its technically novel and effective cinematography. Directed by German Expressionist filmmaker F.W. Murnau from a screenplay by Henrik Galeen, Nosferatu is known for its haunting vampire imagery, made possible in part by the state-of-the-art film tricks of cinematographers Fritz Arno Wagner and Günther Krampf, and for an eerie performance by Max Schreck as Count Orlok/Nosferatu.

https://www.britannica.com/topic/Nosferatu-film-by-Murnau-1922

Nosferatu the Vampyre, a German-French production directed by Werner Herzog and starring Klaus Kinski and Isabelle Adjani, was released in 1979. It is a relatively faithful adaptation of Bram Stoker’s Dracula that incorporates elements of Murnau’s Nosferatu. Kinski, as Dracula, suffered for his art, spending four hours in the makeup chair every day for his transformation into the blood-driven count.

Shadow of the Vampire, directed by E. Elias Merhige, was released in 2000. It is a fictionalized account of the making of Nosferatu in 1922, with the amusing premise that Max Schreck was a real vampire, cast by F.W. Murnau for authenticity. John Malkovich played Murnau, and Willem Dafoe portrayed Schreck.

Lily-Rose Depp stars as Ellen Hutter in director Robert Eggers’ NOSFERATU, a Focus Features release. Credit: Aidan Monaghan / © 2024 FOCUS FEATURES LLC

Composer Robin Carolan reunites with Eggers for the score. The two previously worked on THE NORTHMAN. Cinematographer Jarin Blaschke is back behind the camera for another of the director’s films. They collaborated on THE LIGHTHOUSE, THE WITCH and THE NORTHMAN.

Focus Features will release NOSFERATU in cinemas on Wednesday, December 25th

Nicholas Hoult stars as Thomas Hutter and Aaron Taylor-Johnson as Friedrich Harding in director Robert Eggers’ NOSFERATU, a Focus Features release. Credit: Courtesy of Focus Features / © 2024 FOCUS FEATURES LLC

Lily-Rose Depp stars as Ellen Hutter and Emma Corrin as Anna Harding in director Robert Eggers’ NOSFERATU, a Focus Features release. Credit: Aidan Monaghan / © 2024 FOCUS FEATURES LLC

Willem Dafoe stars as Professor Albin Eberhart von Franz in director Robert Eggers’ NOSFERATU, a Focus Features release. Credit: Aidan Monaghan / © 2024 FOCUS FEATURES LLC

(l-r.) Ralph Ineson stars as Dr. Wilhelm Sievers, Willem Dafoe as Professor Albin Eberhart von Franz, Aaron Taylor-Johnson as Friedrich Harding and Emma Corrin as Anna Harding in director Robert Eggers’ NOSFERATU, a Focus Features release. Credit: Aidan Monaghan / © 2024 FOCUS FEATURES LLC

Lily-Rose Depp stars as Ellen Hutter in director Robert Eggers’ NOSFERATU, a Focus Features release.
Credit: Courtesy of Focus Features / © 2024 FOCUS FEATURES LL

Robert Eggers’ NOSFERATU Begins Filming – Stars Aaron-Taylor Johnson, Bill Skarsgård, Nicholas Hoult And Willem Dafoe

Aaron Taylor-Johnson stars in Bullet Train.

Focus Features announced today that production has commenced on Robert Eggers’ highly anticipated next film NOSFERATU.

Aaron Taylor-Johnson (Bullet Train) has joined the cast, starring alongside Bill Skarsgård (Barbarian), Nicholas Hoult (The Menu), Lily-Rose Depp (Wolf), Emma Corrin (Lady Chatterley’s Lover), Willem Dafoe (Inside), Simon McBurney (Carnival Row) and Ralph Ineson (The Green Night). NOSFERATU is written and directed by Robert Eggers. Jeff Robinov, John Graham, Eggers, Chris Columbus and Eleanor Columbus are producing the film, which is currently filming in Prague. 

Robert Eggers’ NOSFERATU is a gothic tale of obsession between a haunted young woman in 19th century Germany and the ancient Transylvanian vampire who stalks her, bringing untold horror with him.

Taylor-Johnson will next be seen starring as the titular superhero character in the Marvel film, KRAVEN THE HUNTER. He recently wrapped production on the upcoming action/adventure film THE FALL GUY, re-teaming with director David Leitch who previously directed him in BULLET TRAIN. Taylor-Johnson’s additional credits include Christopher Nolan’s TENET and the action-spy feature, THE KING’S MAN, a prequel to the “Kingsman” film series. He is represented by WME, Brillstein Partners and Sloane, Weber legal.

Focus previously collaborated with Eggers on 2022’s THE NORTHMAN. The studio’s upcoming slate includes Wes Anderson’s Asteroid City, Alexander Payne’s The Holdovers, an untitled comedy from Ethan Coen; Nida Manzoor’s Polite Society; A.V Rockwell’s A Thousand and One; Bill Holderman’s Book Club: The Next ChapterMy Big Fat Greek Wedding 3 from Nia Vardalos; Zelda Williams’ Lisa Frankenstein; Goran Stolevski’s Of An Age; Vasilis Katsoupis’s Inside and Bobby Farrelly’s Champions, among others. 

Alexander Skarsgård stars as Amleth in director Robert Eggers’ Viking epic THE NORTHMAN, a Focus Features release. Courtesy of Focus Features Credit: Aidan Monaghan / © 2022 Focus Features, LLC

NOSFERATU With Live Music by The Rats and People Motion Picture Orchestra October 25th at Urban Chestnut

” Is this your wife? What a lovely throat!”

nos2

There’s nothing better than silent films accompanied by live music and I’d go as far as saying there’s nothing better than silent films accompanied by the Rats and People Motion Picture Orchestra. And I’ll go even farther by saying that there’s nothing better than the 1922 silent spooker NOSFERATU accompanied by the Rats and People Motion Picture Orchestra which is an event that will be taking place Wednesday night, October 23rd at Urban Chestnut Brewing Company’s Midtown Brewery & Biergarten (3229 Washington Ave, St. Louis 63103). Doors open at 6pm and the movie unspools after dark! A Facebook invite for this event can be found HERE

ADMISSION IS FREE !!!

I’ve seen NOSFERATU with live music before and have even shown a 25-minute cut of the film at my old monthly Super-8 Movie Madness show with live keyboard accompaniment  (by the talented Linda Gurney), but seeing the full-length version  near Halloween on the big screen at Urban Chestnut with an original score performed the Rats and People is not something you want to miss.

nos4

The Rats and People is a treasure and St. Louis is lucky to have them here. I’ve seen them perform with silent films several times, often at The St. Louis International Film Festival, and usually at Webster University’s Moore Auditorium and it’s always a stunning good time at the movies. I’ve seen  Rats and People play along to some Charlie Chaplin and Buster Keaton at the SLIFF/KIDS film fest, and Harold Lloyd’s THE FRESHMAN. And one year at St. Louis International Film Festival, I had the privilege of orally translating the Dutch subtitles of the 1912 version of IVANHOE while they played. The Rats and People Motion Picture Orchestra haveaccompanied the 1927 collaboration THE UNKNOWN, Fritz Lang’s DESTINY, PASSION OF JOAN OF ARC and so many more. This NOSFERATU event October 23rd will show you how talented these musicians are and will be a great opportunity to see their unbeatable combination of Silent film and live music.

nos3


Released in 1922, NOSFERATU was essentially an unofficial adaptation of Bram Stoker’s 1897 novel. Disguising the film under different names and details, this Dracula story portrays Count Orlock negotiating a move to Bremen in Germany  with realtor Thomas Hutter, and like the plagued-diseased rats of history, Count Orlock is a harbinger of death, bringing a great darkness with him in as he obsessively pursues the neck of Hutter’s wife and brings death and menace to the people of Bremen.

Masterfully directed by F W Murnau, NOSFERATU features timeless images of the nocturnal blood sucker gravitating through the shadows – the epitome being the iconic shot of the shadow ascending the stairs, as one with the dark  – an image that will send chills down your spine. Max Schreck’s Count Orlock grotesques all with his rat-like physical demeanor and long, bony fingers ending in talon-like nails – white-washed pale face – pointed ears – dark, sunken eyes – and hideous fangs centered in the very front of his mouth. Schrek’s Orlock takes his rightful place as one of the scariest movie monsters to grace celluloid. Count Orlock is a vampire you won’t be accustomed to seeing if you have been a regular viewer of the shirtless escapades present in the ‘Twilight’ films. NOSFERATU is not exactly heart-warming, buff or sexy. More, a pale stick insect which has just crawled out of a rat hole. Edward Cullen and family like transparent architecture, with their expensive, modern real estate. Nosferatu prefers his abode to be a beautifully haunting, Bavarian castle. It’s all so cool. Bram Stoker’s widow sued the producers of NOSFERATU and the resulting ruling ordered all copies to be destroyed. But, like the movie’s iconic monster, it seems the film was destined for immortality. At least one print survived and NOSFERATU has lived on as the best silent horror film in cinema history. Don’t miss this screening!

Nosferatu


The Rats and People Motion Picture Orchestra site can be found HERE

The Urban Chestnut site can be found HERE

NOSFERATU With Live Music by The Rats and People Motion Picture Orchestra October 25th at Urban Chestnut

NOSFERATU-header-uc
” Is this your wife? What a lovely throat!”

nos2

There’s nothing better than silent films accompanied by live music and I’d go as far as saying there’s nothing better than silent films accompanied by the Rats and People Motion Picture Orchestra. And I’ll go even farther by saying that there’s nothing better than the 1922 silent spooker NOSFERATU accompanied by the Rats and People Motion Picture Orchestra which is an event that will be taking place Thursday night, October 25th at Urban Chestnut Brewing Company’s Midtown Brewery & Biergarten (3229 Washington Ave, St. Louis 63103). Doors open at 6pm and the movie unspools after dark!

ADMISSION IS FREE !!!

A Facebook invite for this event can be found HERE

https://www.facebook.com/events/255950208596615/permalink/255952768596359/

I’ve seen NOSFERATU with live music before and have even shown a 25-minute cut of the film at my old monthly Super-8 Movie Madness show with live keyboard accompaniment  (by the talented Linda Gurney), but seeing the full-length version  near Halloween on the big screen at Urban Chestnut with an original score performed the Rats and People is not something you want to miss.

nos4
The Rats and People is a treasure and St. Louis is lucky to have them here. I’ve seen them perform with silent films several times, often at The St. Louis International Film Festival, and usually at Webster University’s Moore Auditorium and it’s always a stunning good time at the movies. I’ve seen  Rats and People play along to some Charlie Chaplin and Buster Keaton at the SLIFF/KIDS film fest, and Harold Lloyd’s THE FRESHMAN. At last year’s St. Louis International Film Festival, I had the privilege of orally translating the Dutch subtitles of the 1912 version of IVANHOE while they played. Last year, The Rats and People Motion Picture Orchestra accompanied the 1927 collaboration THE UNKNOWN as part of last year’s St. Louis International Film Festival and they will be accompanying Fritz Lang’s DESTINY at this year’s SLIFF on Saturday, Nov. 5 at 8:00pm at Webster University’s Moore Auditorium, but this NOSFERATU event October 20th will show you how talented these musicians are and will be a great opportunity to see their unbeatable combination of Silent film and live music.

nos5
Released in 1922, NOSFERATU was essentially an unofficial adaptation of Bram Stoker’s 1897 novel. Disguising the film under different names and details, this Dracula story portrays Count Orlock negotiating a move to Bremen in Germany  with realtor Thomas Hutter, and like the plagued-diseased rats of history, Count Orlock is a harbinger of death, bringing a great darkness with him in as he obsessively pursues the neck of Hutter’s wife and brings death and menace to the people of Bremen.
nos3
Masterfully directed by F W Murnau, NOSFERATU features timeless images of the nocturnal blood sucker gravitating through the shadows – the epitome being the iconic shot of the shadow ascending the stairs, as one with the dark  – an image that will send chills down your spine. Max Schreck’s Count Orlock grotesques all with his rat-like physical demeanor and long, bony fingers ending in talon-like nails – white-washed pale face – pointed ears – dark, sunken eyes – and hideous fangs centered in the very front of his mouth. Schrek’s Orlock takes his rightful place as one of the scariest movie monsters to grace celluloid. Count Orlock is a vampire you won’t be accustomed to seeing if you have been a regular viewer of the shirtless escapades present in the ‘Twilight’ films. NOSFERATU is not exactly heart-warming, buff or sexy. More, a pale stick insect which has just crawled out of a rat hole. Edward Cullen and family like transparent architecture, with their expensive, modern real estate. Nosferatu prefers his abode to be a beautifully haunting, Bavarian castle. It’s all so cool. Bram Stoker’s widow sued the producers of NOSFERATU and the resulting ruling ordered all copies to be destroyed. But, like the movie’s iconic monster, it seems the film was destined for immortality. At least one print survived and NOSFERATU has lived on as the best silent horror film in cinema history. Don’t miss this screening!

Nosferatu
The Rats and People Motion Picture Orchestra site can be found HERE

http://theratsandpeople.com/

The Urban Chestnut site can be found HERE

http://urbanchestnut.com/home/

 

Ten Classic Scary Movies For Halloween


I have known for years, many people will not watch black and white movies, of any kind. It has to be color and no older than 10 years, preferably movies made this year, or last year. I have had people look at me with astonishment when I tell them I not only watch black and white movies regularly but even silent movies. I’ve had people admit they didn’t know movies were being made in 1927, much less 1915.

So for this Hallowe’en, when movie geeks thoughts turn to scary movies here is my personal and eclectic list of great, old, scary movies, filmed in glorious black and white.


10. Nosferatu 1922

The Great Grand Daddy of all Dracula movies, and the template for every vampire movie ever made, the first, one of the best and still creepy, even if you’ve seen it repeatedly. A silent masterpiece by FW Murnau and with the incredible Max Schreck as Graf Orlock looking weasel faced and moving like a big rodent, this vampire is light years from Lugosi’s suave aristocrat or Christopher Lee’s super human woman magnet. Some of the camera tricks have not aged well, but there is nothing camp or silly about Nosferatu. Remade brilliantly by Werner Herzog with the incredible Klaus Kinski playing the Vampire King and the subject of Shadow of the Vampire, a movie about the making of Nosferatu that put forth the idea, what if Schreck was a real Vampire? But accept no substitutes. Radah and I got to see this at the Tampa Theater a few years ago for Hallowe’en, with live organ accompaniment, an unforgettable experience.


9. Haxan 1922

Another silent masterpiece Benjamin Christensen’s still controversial Haxan is deeply disturbing, still creepy and captured images unlike any other film made during the silent era, or any time later for the matter of that. Part documentary, part hallucinatory nightmare Haxan was recut and rereleased as Witchcraft Through the Ages with a music score and narration by the one and only William S Burroughs. Filled with nudity, demons, the very devil himself and horrifying scenes of accused witches on trial and being tortured into confessions, Haxan is one of a kind, and perfect for Hallowe’en.


8. Vampyr 1932

Only marginally a talking picture Vampyr is another one of a kind, deeply disturbing tale of Vampirism told in a hallucinatory, dream like way. Shot through gauze filters with a non actor in the lead role, Vampyr, directed by Carl Theodor Dreyer, is disorienting, creepy and leaves the viewer with a serious feeling of uneasiness. There are no jump out of your seat scares and yet, we are never really sure what in hell is going on; shadows dance on the walls without people being present, living person’s shadows get up and move on their own, point of view changes constantly, characters enter and exit without explanation. Most unsettling, we get an entire sequence of what it would feel like to be buried alive, the view from inside a coffin, while still alive, and being carried to a grave site, in the hypnotic thrall of a vampire. Be forewarned, some people don’t get it. Forest J Ackerman, editor of Famous Monsters of Film land, hated this movie, didn’t think it scary at all, or entertaining. It is referenced constantly throughout Francis Ford Coppola’s Bram Stoker’s Dracula, good enough recommendation for me.


7. Island of Lost Souls 1932

In the 1930s Universal Studios was considered the major producer of horror films. Their movies, if you are a serious movie geek like me, are so familiar they are probably not scary at all anymore. Despite Universal’s dominance of the genre other studios put out some great productions. Paramount Pictures, known for classy musicals produced one of the most disturbing horror movies of the 1930s, Island of Lost Souls, a movie that packed such a punch on its original release it was banned in England and other countries for years. And it still has a powerful, painful effect. Directed by Earl C Kenton and the first film version of HG Well’s Island of Dr. Moreau (Wells hated the film) Island of Lost Souls features an incredible performance by Charles Laughton, obsessed with creating men out of animals and operating on them without using anesthetic. His island is populated with these half man half animal hybrids, among them, most unforgettably Bela Lugosi as Sayer of the Law “What is the Law? Are we not men?” and someone named Hans Steinke as Ouran, another unforgettable character. It is not just the horror in the house of pain or the monstrousness of the animal men, there is a queasy, oppressive atmosphere in the whole film, the jungle itself seems to be alive, even more so than in King Kong. Criterion’s blu ray is incredible, bringing out details, especially in the makeup I had never noticed before.


6. The Black Cat 1934

Another one of a kind horror movie, although made by Universal, the Black Cat is unlike any other film in their various franchises, or any other movie ever made for that matter. Rather than a gothic castle The Black Cat is set in a futuristic house,(it even has digital clocks, in 1934!) built on a fortress from WWI, in the Bauhaus style, and that house is inhabited by Boris Karloff playing a thinly disguised version of Aleister Crowley. Bela Lugosi arrives with a young couple in tow(David Manners and Julie Bishop) who get sucked into the vortex of Karloff and Lugosi’s poisoned history. Lugosi and Karloff were in eight movies together, usually with Karloff in the lead role, once, in The Raven, it was Lugosi’s movie. Here they stand as co equal characters, both of them dangerous, both actors at the top of their form. And masterfully directed by Edgar G Ulmer, who somehow made a movie that deals with necrophilia, cannibalism, Satan worship and God knows what else in 1934! I have watched The Black several times, usually around Hallowe’en and it never fails to make me feel very ill at ease. This is seriously creepy stuff, especially when Lugosi decides it would be a swell idea to skin Karloff alive.


4. Black Sunday 1960

The official first movie directed by Mario Bava (he had a hand in several other films, without credit) Black Sunday still has the power to horrify and frighten. A witch (Barbara Steele) is tortured and put to death in a blasted looking landscape, where the sun never seems to shine. She vows revenge and comes back years later, along with her walking dead servant and proceeds to wreck all manner of carnage and mayhem. Her main concern is taking over the life of her look alike descendant (also Steele). Bava has several masterpieces on his resume, this is one of them. Drenched in gothic atmosphere, as only Bava could produce, Black Sunday is still genuinely scary stuff. The servant Javutich crawling up out of his grave is still the stuff of nightmares.


3. Psycho 1960

A game changer is ever there was, Hitchcock’s film was not just the template for every psychotic slasher movie that came out over the years it changed the way we see movies. If it’s a scary movie we expect that no one is safe. No one had ever killed off the major character in any movie previously, certainly not from a major film maker. And Hitchcock’s genius shines in every frame, no matter how many times it is seen the shower scene still is shocking, the entire movie has an uneasiness, even the mundane scenes at the beginning have an edge. And the famous all strings music by Bernard Herrmann can still put you in a nervous frame of mind. A classic and still scary after all these years.


2. Carnival of Souls 1962

A one of a kind regional movie, made by people who made classroom and training films, on a very low budget with non actors, except for the lead actress Candice Hilligoss, (who is brilliant.) Carnival of Souls is not terrifying, but again, it will put you in an uneasy frame mind that can last for days. A major influence on George Romero Carnival is yet another movie, even if you know the ending, is worth revisiting many times. All of the scenes at the old Salt Air Pavilion in Utah are literally haunting. A text book example of what can be done on a low budget, if you have some talent. I first saw Carnival of Souls on Zone 2 in 1965, a local St. Louis tv show with a Horror Host played by Jack Murdock , scared me half to death.


1. Night of the Living Dead

The other game changer on this list. We have George Romero and his underpaid crew to thank for all the zombie movies that have come out since 1968, including the Walking Dead. And yet another regional film made by people who made industrial and corporate training films, as well as sports documentaries, Night of the Living Dead may shock you, it may horrify you, so if you are the least bit faint hearted, well, we warned you!

And, as I said this is a very personal list, I have to give honorable mentions to the original The Haunting, The Thing From Another World, Creature from the Black Lagoon, The Brain that Wouldn’t Die, all of the Val Lewton series made at RKO in the 1940s, The Mummy’s Hand, Bride of Frankenstein and, what the hell, I love them all, whether they are still scary of not!

And a very Happy Hallowe’en to you all!

NOSFERATU With Live Music by The Rats and People Motion Picture Orchestra October 18th at Urban Chestnut

NOSFERATU-header-uc
” Is this your wife? What a lovely throat!”

nos2

There’s nothing better than silent films accompanied by live music and I’d go as far as saying there’s nothing better than silent films accompanied by the Rats and People Motion Picture Orchestra. And I’ll go even farther by saying that there’s nothing better than the 1922 silent spooker NOSFERATU accompanied by the Rats and People Motion Picture Orchestra which is an event that will be taking place Thursday night, October 18th at Urban Chestnut Brewing Company’s Midtown Brewery & Biergarten (3229 Washington Ave, St. Louis 63103). Doors open at 6pm and the movie unspools after dark!

ADMISSION IS FREE !!!

I’ve seen NOSFERATU with live music before and have even shown a 25-minute cut of the film at my old monthly Super-8 Movie Madness show with live keyboard accompaniment  (by the talented Linda Gurney), but seeing the full-length version  near Halloween on the big screen at Urban Chestnut with an original score performed the Rats and People is not something you want to miss.

nos4
The Rats and People is a treasure and St. Louis is lucky to have them here. I’ve seen them perform with silent films several times, often at The St. Louis International Film Festival, and usually at Webster University’s Moore Auditorium and it’s always a stunning good time at the movies. I’ve seen  Rats and People play along to some Charlie Chaplin and Buster Keaton at the SLIFF/KIDS film fest, and Harold Lloyd’s THE FRESHMAN. At last year’s St. Louis International Film Festival, I had the privilege of orally translating the Dutch subtitles of the 1912 version of IVANHOE while they played. Last year, The Rats and People Motion Picture Orchestra accompanied the 1927 collaboration THE UNKNOWN as part of last year’s St. Louis International Film Festival and they will be accompanying Fritz Lang’s DESTINY at this year’s SLIFF on Saturday, Nov. 5 at 8:00pm at Webster University’s Moore Auditorium, but this NOSFERATU event October 20th will show you how talented these musicians are and will be a great opportunity to see their unbeatable combination of Silent film and live music.

nos5
Released in 1922, NOSFERATU was essentially an unofficial adaptation of Bram Stoker’s 1897 novel. Disguising the film under different names and details, this Dracula story portrays Count Orlock negotiating a move to Bremen in Germany  with realtor Thomas Hutter, and like the plagued-diseased rats of history, Count Orlock is a harbinger of death, bringing a great darkness with him in as he obsessively pursues the neck of Hutter’s wife and brings death and menace to the people of Bremen.
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Masterfully directed by F W Murnau, NOSFERATU features timeless images of the nocturnal blood sucker gravitating through the shadows – the epitome being the iconic shot of the shadow ascending the stairs, as one with the dark  – an image that will send chills down your spine. Max Schreck’s Count Orlock grotesques all with his rat-like physical demeanor and long, bony fingers ending in talon-like nails – white-washed pale face – pointed ears – dark, sunken eyes – and hideous fangs centered in the very front of his mouth. Schrek’s Orlock takes his rightful place as one of the scariest movie monsters to grace celluloid. Count Orlock is a vampire you won’t be accustomed to seeing if you have been a regular viewer of the shirtless escapades present in the ‘Twilight’ films. NOSFERATU is not exactly heart-warming, buff or sexy. More, a pale stick insect which has just crawled out of a rat hole. Edward Cullen and family like transparent architecture, with their expensive, modern real estate. Nosferatu prefers his abode to be a beautifully haunting, Bavarian castle. It’s all so cool. Bram Stoker’s widow sued the producers of NOSFERATU and the resulting ruling ordered all copies to be destroyed. But, like the movie’s iconic monster, it seems the film was destined for immortality. At least one print survived and NOSFERATU has lived on as the best silent horror film in cinema history. Don’t miss this screening!

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The Rats and People Motion Picture Orchestra site can be found HERE

http://theratsandpeople.com/

The Urban Chestnut site can be found HERE

http://urbanchestnut.com/home/

 

NOSFERATU With Live Music by The Invincible Czars Saturday Night at Webster University

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St. Louis-area movie geeks will have two opportunities this week to see the 1922 silent vampire classic NOSFERATU accompanied by live music. The first is Thursday night, October 20th at Urban Chestnut Brewing Company’s Midtown Brewery & Biergarten (3229 Washington Ave, St. Louis 63103) with music by The Rats and People Motion Picture Orchestra (more details on that event HERE). And then if you can’t get enough of Count Orlock and his little rat-faced antics, head over to Webster University’s Moore Auditorium (470 East Lockwood) at 7:30 Saturday night October 22nd for a screening accompanied by the Austin, Texas-based group The Invincible Czars.
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The Invincible Czars

An unauthorized adaptation of Bram Stoker’s Dracula, Nosferatu is the quintessential silent vampire film. Rather than depicting Dracula as a shape-shifting monster or charming gentleman, director Murnau’s Graf Orlok (Max Schreck) is a nightmarish, spidery creature with a disfigured head and fierce looking claws. Nosferatu was filmed in villages and a castle located in the Carpathian Mountains capturing a more realistic and unnerving feel that was atypical of expressionist films at the time.

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Austin’s most adventurous band, The Invincible Czars, will bring their new tastefully modern score for the 1922 German silent film Nosferatu (1922 F.W. Murnau) to the South, Mid-Atlantic and Mid-West during the month of October. This tour follows a string of sold-out and full houses in the western and gulf coast states. Nosferatu is one of the most revered films in the history of cinema and certainly the most important horror film of the silent era though it was almost completely lost when the estate of Bram Stoker sued the filmmakers for copyright infringement and most of the prints of the movie were destroyed. Fans, theaters and media have praised The Invincible Czars for making the near century-old movie “actually scary” for modern day audiences with their cinematic sensibility and precise performances. But the group was reluctant to create a score for Nosferatu at first. “We didn’t think the world needed another score for this movie so we never seriously considered doing it,” says band leader Josh Robins, who founded the group in 2002 and set them down the path of scoring and accompanying silent films  2006. “But it was hard to deny all the requests we kept getting for it.”  So in 2015 they decided to try it.  “We checked out a ton of other scores by orchestras, metal bands, DJs and other silent film accompaniment groups and tried to make ours as stand apart.” Using a mix of acoustic and electric instruments helped but the real stand-out is wind player Leila Henley’s otherworldly vocal performance.  (She also makes much of the group’s stage wardrobe.) The band always borrows music from the classical realm in their scores. For Nosferatu, they chose Bela Bartok’s Romanian Folk Dances in a nod to the fictional Count Orlock’s home turf and because the pieces were composed around the same time as the movie was made. Nosferatu tells the story of Hutter and Ellen, a couple from the village of Wisborg.  Hutter travels to Transylvania to sell a piece of property in Wisborg to Count Orlok.  Hutter stays in Orlok’s castle only to learn that the Count is a vampire. Orlok purchases a house next to Hutter’s, locks Hutter in the castle and travels to Wisborg. On the way, he manages to possess Hutter’s employer and Ellen and strike the village with an outbreak of the plague. Hutter rushes home to stop him before it’s too late.

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The band encourages fans and attendees to dress for the Halloween season at these shows.

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Admission is $10

Advance tickets are available from the cashier before each screening or contact the Film Series office (314-246-7525) for more options. The Film Series can only accept cash or check.

The Webster University Film Series site can be found HERE

http://www.webster.edu/film-series/