ANT-MAN AND THE WASP: QUANTUMANIA – Review

(L-R): Paul Rudd as Scott Lang/Ant-Man, Kathryn Newton as Cassandra “Cassie” Lang, Evangeline Lilly as Hope Van Dyne/Wasp in Marvel Studios’ ANT-MAN AND THE WASP: QUANTUMANIA. Photo courtesy of Marvel Studios. © 2022 MARVEL.

So, has it been three months already? A few days more, actually, since we took our last trip into the magnificent Marvel Cinematic Universe with BLACK PANTHER: WAKANDA FOREVER. And as its (most likely) Oscar win looms, we’re taking another trek to that magical place, with a hero we’ve not visited in four years. Oh, and the actual locale is not a foreign land as with the previous flick and last year’s Thor, or the maddening multiverse of Doctor Strange and Spidey. In a few more months we’ll be blasting back to outer space with those Guardians, which leaves us the “opposite destination journey”: inner space. This “area” was a big ‘factor” in the ENDGAME, but it was more of a travel “hub” or station. Luckily we’ve got the perfect pair (along with their family) of tour guides in ANT-MAN AND THE WASP: QUANTUMANIA. As Steve Martin used to say, “Let’s get small”.

This new adventure begins with a look back many years to the survival story of Janet Van Dyne (Michelle Pfeiffer), who’s trapped in the Quantum Realm. But she’s not alone as she encounters strange “beasties”, creatures, and a somber alien explorer we later learn is Kang (Johnathan Majors). The story abruptly shifts to the present day as Scott Lang (Paul Rudd) basks in the glories and “perks” of being part of the Avengers team that “took out” Thanos. Unfortunately, his day of selfies, high-fives, free lattes, and a book reading/signing is interrupted by a call from jail. His now-teenaged daughter Cassie (Kathryn Newton) has been taken into lock-up with several social protesters. After bailing her out, the two quarrel on the way to Pym labs to visit Hope (Evangeline Lilly), now the head of the company, and her parents Janet and Hank (Michael Douglas). The shocks keep coming at Scott as he learns that Hank has made a “shrink suit” for Cassie and that she’s made a device that will send messages to the Quantum Realm. The latter news horrifies Janet who tries to shut the machine down. Ah, but something has taken control of it and the quintet is “sucked into” the micro-universe. The Pyms and the Langs are separated as the weird beings and gnarly natives converge on them. We soon learn that they are fighting a long battle with the forces of Janet’s old pal Kang. Our tiny troupe must stop him, along with an old foe, from acquiring a power source that will make Kang the conqueror of this and all realms.

Naturally Rudd brings his always engaging everyman persona to the role of Scott, though we’re treated to a few more “shades’ of the character. In ENDGAME he explored the tragedy of Scott being denied the experience of his daughter’s pre-teen years, which is touched on here as Scott feels he has to “make up” with surprise birthday events. In the Realm Rudd subtly conveys Scott’s repressed panic as he believes that he’s “out of his pay grade” in dealing with the unpredictable denizens and an intimidating master villain. And Majors is truly menacing and compelling as Kang, who treats Scott and his team as though they were indeed insects he must swat aside in order to complete his destiny. His near-robotic line delivery enhances his threats with an aura of banal evil, making his later enraged outburst even more volatile. Once again Lilly proves to be a terrific partner for Rudd as they come together in battle and scientific strategy to forge an inspired MCU team. Almost matching them are Pfieffer and Douglas as “point one” of the duo, who truly “come through” during the darkest moments. Douglas is still the blunt, but lovable mentor while Pfieffer’s Janet seems to be haunted as the Realm triggers her past despair. Newton, a new addition to the series, pushes past the “annoyed teen” cliches to become a pupil of her pop’s (they bond over times “in the joint”) and a valued ally. Speaking of allies, a couple of the Realm’s freedom fighters shine, namely William Jackson Harper (TV’s “The Good Place”) as an alien whose “enhanced ability” is more of an annoyance at times, and the dynamic Katy M. O’Brian as warrior queen Jentorra, who’s often irritated but always hyper-focused and fiercely formidable (like an entire squad of Wakandan elite guards). I won’t spoil the entertaining returnee to the series, but, since he’s in the trailer, I can attest that Murray almost steals the show in an extended cameo role.

Many folks complain that franchises begin to repeat themselves as they spawn new installments. Now that’s something that Mr. Feige and the MCU have dodged by upping the stakes and the action in this third outing. I’m not sure if this completely works for the devoted fanbase of what had been called a minor Marvel character. Mind you, the 2015 and 2018 were basically “caper flicks’ with Scott and his motley crew trying to pull off a “heist” while dealing with enhanced adversaries (plus the necessary “origin” in the first). While there’s a great rapport with the expanded family in this, I missed the “Lang crew” of T.I. ‘s Dave, David Dastmalchian as Kurt, and especially Michael Pena’s Luis (can you imagine him describing the Realm’s critters). Ditto for Scott’s ex Maggie (Judy Greer) and her new beau Paxton (Bobby Cannavale). Though the hero’s powers seem sillier than other Marvel heroes, Scott’s seemed the most human and “grounded”. But things are more “cosmic” here, reportedly at the request of veteran director Peyton Reed, so after an endearing and funny opening of Scott enjoying his celebrity perks, we’re plunged literally, into the furious fray. There’s still lots of humor (love that “pink goo” guy), though the shifting backdrops and hordes can be disorienting. That’s not to say that it’s done poorly, since this adventure seems even stranger than last year’s STRANGE WORLD. Plus there are lots of cool visuals riffs with multiplying clones and towering golden cities (overrun with Kang’s blue “fishbowl-head” armies). Still, the final showdown feels a bit truncated and the pre-end titles fadeout gag lands with a thud (on average first-time feature screenwriter Jeff Loveless “nails” the landings). As usual, the bonus scenes are fun, particularly the final. Sure this one’s more visually dazzling, but it’s at the cost of the light-hearted hijinks of the first two. Luckily there’s still plenty of wit and charm with “the little guys (and ladies)” of ANT-MAN AND THE WASP: QUANTUMANIA.


3 Out of 4


ANT-MAN AND THE WASP: QUANTUMANIA is now playing in theatres everywhere.

ANT-MAN AND THE WASP: QUANTUMANIA. © 2023 MARVEL.

WAMG Dines With Real-Life Mobster Ronnie Lorenzo : THE FAMILY

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Recently, WAMG was treated to a delicious Italian meal with real-life (former) mobster Ronald ‘Ronnie’ Lorenzo, and several other members of the press, to celebrate the release of THE FAMILY on DVD. Check out some of the dinner chat below!

Here is a little background on Ronnie Lorenzo:

According to the newspapers, Ronnie was “allegedly” associated with the Bonanno family. The Bonanno crime family is known to be one of the ‘five families’ within the Mafia that controls organized crime actvities in New York. Aside from his ‘family’, Ronnie has been around ‘street guys’ for his entire life since he was just 12 years old.

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Ronnie was born on January 4th 1946 in New York City. When he was very young Ronnie was in the Firework Business, then he opened after-hours clubs (many with gambling) around the city. He was also involved in a few discos… and the last club he owned before leaving New York was a Jazz club at 210 W. 70th St. and Broadway called The Grand Finale, which is where Woody Allen shot the movie ANNIE HALL. Ronnie sold it in 1979, and moved to California in 1982, where he opened up a few restaurants in Malibu called Dudley’s, Splash, and a pizza restaurant Spruzzo, which means ’splash’ in Italian. Spruzzo is still open, and Splash is now The Sunset Restaurant. Ronnie also opened Mulberry St. Pizza on Cannon Drive in Beverly Hills, and was partners with James Caan and the actress Cathy Moriarty. Shorty after opening Mulberry St., Ronnie was “locked up” and sold his interest to Cathy and her boyfriend. Once released, he opened up another place in Brentwood called Lorenzo’s but in his words “the rent was killer so I sold it”.

After moving to California, Ronnie was charged with conspiracy, drugs, racketeering and “whatever else they could put on me”. As Ronnie best explained, “I was no angel, but I was never a drug dealer. The FBI set me up over a period of about 5 years. They paid a Rat “Fat Ralph Franchi”, and he was a low-life pimp from Boston’s North End. They paid him over a million dollars to put me in a trap, so that the Feds could make a Rat out of me, but it didn’t work! I would not cooperate with them so they were left with the case that they put a lot of time and money in. They even set up a phony production office to try and get me to straighten out some fake union problems they made up so they could lock up some Teamsters, I never fell for it.” As a first offender, Ronnie served 11 years and 5 years on supervised release for a charge that called for 10 years.

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Ronnie’s life today is much different from his past. He changed his life around, and does his best to stay on the “straight and narrow” path. Ronnie and his wife have been together for over 50 years, and have been married for 45 years. They have two daughters and two grandsons. Nowadays, Ronnie spends as much time as he can watching his grandkids play baseball and other sports.

MALAVITA

The movie is produced by Martin Scorsese… and it had Robert DeNiro, Michele Pfeiffer and Tommy Lee Jones. In the movie, DeNiro’s character actually watches GOODFELLAS.  Is GOODFELLAS the high mark for mobster movies?

Ronnie Lorenzo: Pretty much. GOODFELLAS is probably the most realistic mob movie in that way. The people I’ve known and the characters they’ve portrayed were pretty good. Robert DeNiro played a character named Jimmy Conway, but in real life it was Jimmy Burke. DeNiro really had him spot on too. He was a great guy and an Irish guy. Because of that, he held the respect of every made man.

What are some of your favorite movies of the mobster genre?

Ronnie Lorenzo: Probably my favorite mob movie will be ONCE UPON A TIME IN AMERICA. You watch those kids grow up for the first hour of the movie, you really know the characters and you know them well. That’s really sweet. Of course, THE GODFATHER is a good movie. For reality, GOODFELLAS is real. It’s as real as it gets.

You’ve seen the movie. How realistic is the plot of THE FAMILY?

Ronnie Lorenzo: Not at all. I guess it shouldn’t be because it’s not a documentary. It’s entertainment. A lot of things I pick at… other people don’t. They send six guys to kill one guy. [Laughs] And these six guys came with rocket-launchers [laughs] and God knows how many guns and rifles. How did they get to France? I guess they could have had somebody in Italy bring it to France or something… so, I guess there’s a possibility. It was entertaining. In reality, that doesn’t exist.

THE FAMILY depicts Manzoni’s wife and children as violent as he is. Is that typically the case in mob families?

Ronnie Lorenzo: No, I don’t think so. Look, you can’t paint everybody with the same brush. From what I know, any respectful guy always has the business completely separate from his family. Sometimes, the wives and kids get into trouble… and the FBI will use that as a hammer. If you get your wife involved in something, they will use that as a hammer against you.

DeNiro plays a lot of these characters. What is he doing right?

Ronnie Lorenzo: He grew up in our neighborhoods. I knew Marty [Scorsese] when he was a kid. I didn’t know him well. DeNiro hung out with us when I was a kid… and he was a little older than I was. He was from Fourteenth Street. He was known as “Bobby Fourtheeth Street… or Bobby Irish.” [Laughter] He’s still friends with a couple of my friends back then. Bobby’s been around us. He’s from New York and Downtown. He would know it. Mean streets is pretty much how we grew up. That’s my neighborhood. Marty knows it well.

When they shot the movie… I was supposed to be in the movie. Many of my friends had small parts in the movie. I chose not be on camera since I’m not an actor. DeNiro really has it down. But, Marty is the ones who gets the actors to perform well. If you see DeNiro perform as a gangster in this picture as compared to the one directed by Marty… there’s a world of difference.

Are there good mob stories that haven’t been told yet?

Ronnie Lorenzo: Plenty! [Laughs] In fact, I’m in the middle of something now that they’re going to make a series out of. I can’t talk about it. There’s a movie that should be made about Joe Colombo. He was head of the Colombo crime family. He’s the youngest boss ever to have a family named after him. He started a league called the Italian-American Civil Rights League. You know, in THE GODFATHER you never hear the word “Mafia” or “Cosa Nostra.” Joe Colombo was responsible for getting them not to use those words in the movie. It would make a great story. His son, Joe Jr., and I have put together an outline for a movie.

MALAVITA

In the dark action comedy The Family, a Mafia boss and his family are relocated to a sleepy town in France under the Witness Protection Program after snitching on the mob. Despite Agent Stansfield’s (Tommy Lee Jones) best efforts to keep them in line, Fred Manzoni (Robert De Niro), his wife Maggie (Michelle Pfeiffer) and their children, Belle (Dianna Agron) and Warren (John D’Leo), can’t help resorting to old habits by handling their problems the “family” way. Chaos ensues as their former Mafia cronies try to track them down and scores are settled in the unlikeliest of settings, in this subversively funny film by Luc Besson.

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FACEBOOK: https://www.facebook.com/TheFamilyMovie

THE FAMILY is out now on Blu-ray and DVD

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