We Are Movie Geeks All things movies… as noted by geeks.

August 9, 2024

THE INSTIGATORS – Review

It’s funny how an old TV catchphrase will just magically pop into your brain. While watching this new comedy action caper I recalled George Peppard as Hannibal Smith, leader of the NBC 80s ratings juggernaut, “The A-Team”. With a big cigar clenched between his pearly whites, he’d grin and exclaim, “I love it when a plan comes together” as the bad guys’ vehicles would flip over (though there had to be a shot of them climbing out of the windows unscathed for the censors). Well, the two main characters of this film might say, “I hate it when a plan falls apart”. And it does spectacularly for these luckless schmoes, actually played by members of the “Ocean’s Crew” (the 2000s reboot). And though they spend most of the story’s runtime trying to escape and survive, the title ironically labels them THE INSTIGATORS.


In the film’s opening minutes we meet one half of the duo, the stoic Rory (Matt Damon). He’s attending one of his mandatory therapy sessions at a Boston area VA hospital. He says very little, but a few comments concern the staff psychologist Dr. Rivera (Hong Chau). He talks of making a set amount of money (down to the decimal) and then “cashing in his ticket”. Meanwhile, a “low-rent” petty criminal named Cobby (Casey Affleck) gets a grade-schooler to activate the breathalyzer activator on his motorcycle. The two men cross paths at Mr. Kelly’s neighborhood bar. where a hustler named Scalvo (Jack Harlow) enlists them in a heist. The real mastermind behind it is restaurant owner/crime-boss Mr. Besegai (Michael Stuhlbarg) and his partner, bakery chef Richie (Alfred Molina). The big score ties in with tomorrow’s mayoral election. They think the challenger is no match for long-time crooked incumbent Miccelli (Ron Perlman). The big victory party will be held at a fancy riverport ballroom facility where lots of local business owners will show up to “kiss the ring” as they pass along huge amounts of cash. Before the armored car arrives to pick up the payola, the trio plans to sneak in via motorboat and lift the moola. But the next day, the unthinkable happens…a major political upset. However, Scalvo and his bosses decide to proceed. Everything that can go wrong does, and Rory and Cobby are on the run from Besegai’s “retriever” Booch (Paul Walter Hauser) and Michelli’s ex-police enforcer Toomey (Ving Rhames) along with the entire Boston police force. Can these two bunglers “blow Beantown” and cross the border to chilly Canada? And how does Dr, Rivera fit into the big getaway?

The two main actors prove to be a fairly potent comedy pairing. Damon would be the “straight man” of the two, and he more than fulfills that function as Rory is rigid, maybe “uptight”, and somewhat obsessive over the details, frustrating partners as he wants to write everything down, or needing tidbits repeated. Affleck’s Cobby is the wildcard as he scoffs at Rory’s concerns and fears, while making sure his needs are met, insisting he drive with a painful shoulder wound for fear that he’ll be dumped out on the road. The duo becomes a trio with Chau as the clinical Rivera who upholds her ethics and throws out bits of “self-help jargon” as they dodge bullets and evade endless police cruisers. Harlow is quite funny as the team leader who really doesn’t inspire fear or respect as he tries to mimic pop culture tough guys. Much more intimidating is Stuhlbarg as the perpetually annoyed crime boss, who can’t believe he can’t get smarter “goons”. Molina is much more “laid back” as his “right hand” who’d rather just “make the donuts”. Perelman dominates every scene as the blustery, greedy politico who can’t give up his power, or the graft. And he’s hooked on heaping abuse on his assistant, played as a jittery “toady” by the marvelous Toby Jones. Hauser is dripping with sarcasm and snark as Besegai’s “clean-up man”, while Rhames is at his scary surly best as the SWAT tank-driving “muscle” for the Mayor.

So, how do you celebrate 30 years of feature film directing? If you’re Doug Liman you release two big action comedies…to streaming. Earlier this year he was in a big “kerfuffle” with Amazon Prime over his remake of ROAD HOUSE, and now the main outlet for his newest flick is Apple TV+, though it got the briefest, very limited theatrical run. It’s a shame since both movies would have great appeal for fans of big stunt sequences. While the earlier film focused on the fisticuffs, this one has the most auto-destruction perhaps since the original BLUES BROTHERS (both leave piles of “cop cars”) thanks to that SWAT tank, an armored car, and a fire truck! It’s just a shame that the terrific tech crew (stunts and pyrotechnics) weren’t in service of a stronger script. All we are told of Rory is that he’s a vet who wants to do right to the son taken from him, and we know even less about Cobby, other than his boozy behavior and a wonky flirtation with Rivera (talk about rooting for a couple not to “hook up”). Earlier I noted Damon and Affleck’s part in the Oceans franchise, which helps hammer home that this is the opposite of those slick caper stories, as these bunglers are closer to the early 70s cult fave THAT GANG THAT COULDN’T SHOOT STRAIGHT. If only some of the earlier movie’s grimy charm was upgraded. The impressive supporting cast is really putting in an effort, but some of the twists and turns stretch reality and logic too much. The Boston locales are great (unlike this week’s IT ENDS WITH US this town looks frigid and very “lived in”). Unfortunately all that talent never truly ignites or invigorates THE INSTIGATORS.

2 out of 4

THE INSTIGATORS is now streaming exclusively on Apple TV+

June 13, 2024

Watch Casey Affleck And Matt Damon In First Trailer For Doug Liman’s THE INSTIGATORS

Apple TV+ has dropped this first trailer for the comedy heist thriller THE INSTIGATORS starring Matt Damon, Casey Affleck, Hong Chau, Michael Stuhlbarg, Paul Walter Hauser, Ving Rhames, Alfred Molina, Toby Jones, with Jack Harlow and Ron Perlman.

Directed by Doug Liman and written by Chuck MacLean and Casey Affleck, check out this first look now.

Rory (Matt Damon) and Cobby (Casey Affleck) are reluctant partners: a desperate father and an ex-con thrown together to pull off a robbery of the ill-gained earnings of a corrupt politician. But when the heist goes wrong, the two find themselves engulfed in a whirlwind of chaos, pursued not only by police, but also backwards bureaucrats and vengeful crime bosses. Completely out of their depth, they convince Rory’s therapist (Hong Chau) to join their riotous getaway through the city, where they must put aside their differences and work together to evade capture—or worse.

An Apple Original Film hailing from Artist Equity, Studio 8 and The Walsh Company, “The Instigators,” is directed by Doug Liman, written by Chuck MacLean and Casey Affleck,  produced by Ben Affleck, Matt Damon, Jeff Robinov, John Graham, Kevin J. Walsh, Alison Winter with Celia Costas, Dani Bernfeld, Kevin Halloran, Michael Joe, Cynthia Dahlgren, Luciana Damon serving as executive producers. 

THE INSTIGATORS will premiere in select cinemas and stream globally on Apple TV+ from 9 August, 2024.

April 4, 2022

New TV Spot For Marvel Studios’ DOCTOR STRANGE IN THE MULTIVERSE OF MADNESS – Tickets On Sale April 6

Benedict Cumberbatch as Dr. Stephen Strange in Marvel Studios’ DOCTOR STRANGE IN THE MULTIVERSE OF MADNESS. Photo courtesy of Marvel Studios. ©Marvel Studios 2022. All Rights Reserved.

“The fate of the Multiverse depends on us.”

Marvel Studios has released a new TV spot for DOCTOR STRANGE IN THE MULTIVERSE OF MADNESS. The film takes place following the events of Marvel Studios’ WandaVision and SPIDERMAN NO WAY HOME.

 Tickets for the Sam Raimi film go onsale this Wednesday, April 6.

In Marvel Studios’ “Doctor Strange in the Multiverse of Madness,” the MCU unlocks the Multiverse and pushes its boundaries further than ever before. Journey into the unknown with Doctor Strange, who, with the help of mystical allies both old and new, traverses the mind-bending and dangerous alternate realities of the Multiverse to confront a mysterious new adversary.

Benedict Cumberbatch as Dr. Stephen Strange and Xochitl Gomez as America Chavez in Marvel Studios’ DOCTOR STRANGE IN THE MULTIVERSE OF MADNESS. Photo by Jay Maidment. ©Marvel Studios 2022. All Rights Reserved.
Elizabeth Olsen as Wanda Maximoff in Marvel Studios’ DOCTOR STRANGE IN THE MULTIVERSE OF MADNESS. Photo courtesy of Marvel Studios. ©Marvel Studios 2022. All Rights Reserved.

“Doctor Strange in the Multiverse of Madness” stars Benedict Cumberbatch, Chiwetel Ejiofor, Elizabeth Olsen, Benedict Wong, Xochitl Gomez, with Michael Stühlbarg, and Rachel McAdams. The film is directed by Sam Raimi, and Kevin Feige is the producer. Louis D’Esposito, Victoria Alonso, Eric Hauserman Carroll, Scott Derrickson and Jamie Christopher serve as executive producers.

The screenplay was written by Michael Waldron. “Doctor Strange in the Multiverse of Madness” releases in U.S. theaters on May 6, 2022.

https://www.marvel.com/movies/doctor-strange-in-the-multiverse-of-madness

Benedict Cumberbatch as Dr. Stephen Strange in Marvel Studios’ DOCTOR STRANGE IN THE MULTIVERSE OF MADNESS. Photo courtesy of Marvel Studios. ©Marvel Studios 2022. All Rights Reserved.

MARVEL STUDIOS’ DOCTOR STRANGE IN THE MULTIVERSE OF MADNESS FAN ART CONTEST

Prepare to enter the Multiverse — however you see it! In Marvel Studios’ Doctor Strange in the Multiverse of Madness, the MCU unlocks the Multiverse and pushes its boundaries further than ever before. The Fan Art Contest gives participants the opportunity to showcase their own mysterious and mystical artwork for a chance to win a variety of prizes, including a trip for 2 to the world premiere of the movie. Entries will be judged by a panel from inside Marvel Studios with an emphasis on style, originality/creativity and technical ability.
Find official contest rules HERE, and prepare to enter a new dimension of Strange, only in theaters on May 6!

Dates:

  • April 4th – April 15th

How To Enter:

  • Post your original artwork on Twitter and/or Instagram with #DoctorStrangeContest for a chance to win.
  • 1 entry per platform.
  • Contest will be judged under the criteria of style, originality/creativity and technical ability.
  • Must Be Following Marvel Studios and Doctor Strange Twitter and Instagram Accounts

Prizing:

  • Grand Prize Winner receives a trip for 2 to the Doctor Strange in the Multiverse of Madness World Premiere!
  • First Prize Winner receives Signed Doctor Strange Art from Ian Joyner (Marvel Studios’ Visual Development & Sr. Illustrator) and a signed Scarlet Witch piece of art from Andy Park (Marvel Studios’ Visual Development & Production Illustrator)
  • 2nd Place Prize Winner receives a gift card and Doctor Strange in the Multiverse of Madness Swag
Benedict Wong as Wong in Marvel Studios’ DOCTOR STRANGE IN THE MULTIVERSE OF MADNESS. Photo courtesy of Marvel Studios. ©Marvel Studios 2022. All Rights Reserved.

June 4, 2020

SHIRLEY – Review

At this time of quarantine, self-isolation, and (in several major urban areas) imposed curfew, who’s ready for a film about a person dealing agoraphobia? Yes, that’s right. A person who can physically leave the house , but mentally cannot. But there’s much more to this film than that. It’s a fictional tale set during the life of a celebrated and still studied actual author. So, this isn’t a standard biography, rather an imagined incident occurring during a real career. Much as with J.D. Salinger who was the subject of a standard bio in 2017, REBEL IN THE RYE, and a supporting player in the fictional COMING THROUGH THE RYE two years previous. There’s a couple of things that make this “what if” story unique. The first would be the fact that the author in question is a woman (a rarity in cinematic portrayals of the profession). And second, she was best remembered for the genre known as horror (both psychological and supernatural), though a couple of centuries after Mary Shelly. In between Poe and King there was Jackson, the woman known as SHIRLEY.


It all begins aboard a passenger train in the early 1950s, as restless anxious recent bride Rose (Odessa Young) is immersed in the world of the recently published short story, “The Lottery”. The tale has added impact by the fact that she and her hubby, aspiring literature teacher Fred (Logan Lerman) will meet the author later that day. A trip to the restroom (far from the “mile high club”) alleviates some boredom and tension. As dusk settles over rural Vermont, the young couple arrives at the home of Fred’s mentor/supervisor, Bennington College’s Professor of Music and Folklore Stanley Hyman (Michael Stuhlbarg) where a big party is in full swing. Sitting inside the two-story manor house is his irritated chain-smoking spouse, celebrated writer Shirley Jackson (Elisabeth Moss). The plan is for the young couple to stay with the Hymans until they can find a suitable rental property, but Stanley has other plans. Since they’ve just lost a housekeeper, perhaps the new arrivals can stay rent-free, until new house help can be hired, with Rose doing the cooking and cleaning in between her classes and while Fred tackles his new job. The first private home dinner doesn’t go well as Shirley guesses that Rose is with child (she’s right) and hurls verbal barbs at her about their “shotgun wedding”. Rose is mortified, but Stanley convinces them to ignore his wife’s venom. The young couple stay put. As the days pass, and Fred spends more time with Stanley on campus, the tensions between the two women dissolve. They even become partners as Shirley sends out Rose (the author will not leave her home) to collect research information about a local young woman from the college who has been missing for many weeks. Shirley decides that this will be the basis of her new work, a full novel. But as she begins the story, her new friendship with Rose begins to blossom into something compelling and eventually passionate. How can their relationship continue in the repressed ’50s in New England?

When last we saw Ms. Moss she was carrying the recent “re-imagining” of the H.G. Welles classic THE INVISIBLE MAN just a few months ago (right when we could view it in a movie theatre…remember those). She returns here as a very different type of heroine whose complexity just emphasizes Moss’s remarkable acting gifts. During the opening sequences her take on Jackson is that of a true monster, one just as frightening as those that haunted Hill House. She sneers at the party guests from her “throne” couch alternating between gulps of booze and drags on an ever-present cigarette. It appears as though she’s saving up her strength to strike, which she does at the next night’s supper, with Rose her stunned prey. Moss takes a huge creative risk in making her so venal, knowing that she must win us back, which she does “in spades”. We see that Jackson is fighting several mental health challenges, though she will tolerate no pity. Her creativity fuels her as the big town mystery imbues her with the strength to pound on the manual typewriter, making it sound like a “Tommy-gun” (you’d think sparks would be flying from that Underwood). Some time later Moss shows us Jackson’s emotional vulnerability as her new friend seems to unearth long-buried passions. This performance, coupled with her superb TV roles, cements her reputation as one of today’s most versatile and compelling actresses.

Luckily, another superb actor is on board as her spouse/adversary. Stuhlbarg is once again playing an academic, but it’s a twisted turn on his nurturing art professor in CALL ME BY YOUR NAME. Hyman is a strutting peacock, in class and at home. seeking to always be the center of attention. He feeds on it and almost drools at the prospect of “feeding” off the young couple. While shamelessly flirting with Rose, he cultivates admiration from Fred, well until he feels threatened by the ‘upstart”, and slams him back to earth with a scathing critique. But they still don’t see his full cruelty as he batters his spouse with passive-aggressive verbal slaps. He tells her to get out of bed, but says she’s “biting off too much” with plans for a novel. Stuhlbarg makes him a truly charming cad. Particularly as he clumsily pursues Young who brings a wide-eyed wounded feel to the confused Rose. She’s being trained and groomed to be the perfect faculty “wifey’ since Jackson is too much of a “pill”. But Rose’s new friendship with Rose literally awakens her to injustices in this new “role” for her. Young conveys this with a change in body language, standing straight as she goes toe-to-toe with anyone hoping that she’ll just “sit quietly”. Lerman as Fred is visibly “gobsmacked” by her refusal to be a placid part of his life plan. Though he seems more hurt by his father figure Hyman “gut-punching’ him with an academic “wake up call”. He’s a big part of this film’s formidable acting quartet.

Director Josepher Decker brings a languid dream-like quality to this quirky character study. What starts as a real-life riff on WHO’S AFRAID OF VIRGINIA WOLF ( the troubled older couple drawing in the fresh-faced younger two) twists into an awakening fable and an unconventional love story. The symbolism often feels a bit heavy in the screenplay by Sarah Gubbins based on the book by Susan Scarf. As Rose strides across campus, she passes a bevy of nubile co-eds wrapping around the limbs of an old tree recalling Circe and her sirens luring sailors to the rocks, destroying ships (or in this case, marriages). And the whole missing student mystery too often echoes Rose’s off-kilter journey to enlightenment. Plus there’s a frequent confusion with the abundant dream montages, making us wonder if we’re in the head of Jackson or Rose (or both). But the locale of a sleepy college town (scandals aplenty) is expertly recreated in all its post-war ivy league glory (those proto-hippies, the beatniks, seem to be just lurking around the next corner). Despite the leisurely pacing, the bravado compelling performances of the cast, led by exceptional Moss, makes SHIRLEY an engaging look at a still influential literary icon.

2.5 Out of 4

SHIRLEY opens on selects screens and is available as a Video On Demand on most cable and satellite systems, along with many media platforms. SHIRLEY is also now streaming on the Hulu app.

May 8, 2020

First Trailer For NEON’s SHIRLEY Starring Elisabeth Moss, Odessa Young, Michael Stuhlbarg and Logan Lerman Is Here

Filed under: Movies — Tags: , , , , , — Michelle McCue @ 10:56 am

Special Jury Prize – Auteur Filmmaking at the 2020 Sundance Film Festival, here’s your first look at NEON‘s SHIRLEY starring Elisabeth Moss, Odessa Young, Michael Stuhlbarg and Logan Lerman.

The film will be available everywhere on June 5.

Renowned horror writer Shirley Jackson is on the precipice of writing her masterpiece when the arrival of newlyweds upends her meticulous routine and heightens tensions in her already tempestuous relationship with her philandering husband. The middle-aged couple, prone to ruthless barbs and copious afternoon cocktails, begins to toy mercilessly with the naïve young couple at their door.

Elisabeth Moss starred earlier this year in THE INVISIBLE MAN, the box office hit and reboot of the classic monster movie, for Universal/Blumhouse and makes an appearance in the upcoming Wes Anderson film, THE FRENCH DISPATCH.

She will star in Taika Waititi’s NEXT GOAL WINS, opposite Michael Fassbender and Armie Hammer. Most recently, Moss starred in the Alex Ross Perry film HER SMELL, which she also produced, for which she was nominated for a Gotham Award and an Independent Spirit Award, as well as opposite Melissa McCarthy and Tiffany Haddish in THE KITCHEN, an adaptation of the DC/Vertigo crime comic book series of the same name.

SHIRLEY is directed by Josephine Decker and written by Sarah Gubbins.

Decker says of her film and main character:

Shirley Jackson was a wildly unorthodox human and storyteller. Encountering her work was like finding a map towards becoming the kind of artist I would like to be. Daring. Intimate. Structured yet dreamlike.

Shirley’s work rides on the skin between imagined and real, seducing with its oddness and humble cracks until you can’t tell if you’re looking up the stairwell or into your own mouth. I felt strongly that this film needed to feel like a Shirley Jackson story. Cinematographer Sturla Grovlen and I tried to build an ever-evolving visual language for the film that would feel both real and surreal. I remember Sturla saying at some point on the shoot, “Usually, as you go along, it becomes easier to make choices. You understand the film you are making, and then it becomes clearer what you need to do in each scene. This is the only film I have made where that is not the case. The rules are constantly changing.” This was one of the challenges of the film and also one of its thrills.

Sarah Gubbins wrote a fantastic script that inhabits many worlds: the world inside Shirley’s house so different from the world outside Shirley’s house; the world inside Shirley’s mind at times inextricable from the world outside it. The layers kept folding in upon themselves. The napkin dropped. The spoon became a fork became a ghost. We were constantly chasing the reality, and I think this is one of the things I find most special about our film. I deeply adore collaboration, and on this project, we let the mystery remain a mystery. I hope that this was true on all levels of the process- – the acting, the production design, the cinematography. We had to work on the edge of what we knew so the process could remain fresh and alive, as mysterious as Shirley’s mind.

December 22, 2017

CALL ME BY YOUR NAME – Review

(l-r) Armie Hammer as Oliver and Timothee Chalamet as Elio, in director Luca Guadagnino’s CALL ME BY YOUR NAME. Photo courtesy of Sony Pictures Classics ©

Director Luca Guadagnino explores coming-of-age and gay attraction in earlier, less-open times in Italy, in CALL ME BY YOUR NAME. The film is the third in the Italian director’s “Desire” trilogy, following 2009’s I AM LOVE and 2015’s A BIGGER SPLASH. Once again, Guadagnino explores passion in a beautiful Mediterranean setting.

CALL ME BY YOUR NAME takes place in the summer of 1983 in scenic Lombardy, Italy, where 17-year-old American Elio Perlman (French actor Timothee Chalamet). Like all teens, he thinks of the tiny town where his family lives as impossibly dull, even though he and his parents (Michael Stuhlbarg and Amira Casar) live in a 17th-century villa in an idyllic setting. His archaeology professor father always has a graduate student as a summer intern who lives with them. This year, it is tall, blonde and handsome Oliver (Armie Hammer). Thus begins a summer of discovery and exploration of sexual awakening that changes both their lives.

Gorgeously photographed in sunny Italy, young Elio and handsome Oliver bicycle around the beautiful countryside, visit the seashore to see newly-discovered Greek statues, and explore the quaint town. Mostly, they go swimming, with Elio’s friends or on their own, which gives us a plenty of chances to see beautiful bodies.

Basically, this film a coming-of-age film and a gay romance (it should be no spoiler to say that) set in an earlier, more restrictive time for same-sex attraction. Awakening passion and figuring out one’s identity are themes. Both the Perlmans and Oliver are Jewish but Elio describes his family as kind of secret Jews, not drawing attention to their identity in heavily Catholic Italy. On the other hand, Oliver proudly wears a Star of David on a chain around his neck. His openness about his Jewish identity intrigues Elio but no sooner does the film raise the issue of Jewish identity than it drops it, returning to the topic only in a final scene. Instead, it is sexual identity that is the focus of this story.

CALL ME BY YOUR NAME has garnered a lot of praise from critics but it seems to this reviewer to offer less than the director’s previous two films in this trilogy. It certainly is a lovely romantic fantasy but it delivers less on the deeper subjects at which it hints. The film’s best moment comes late in the film, when Michael Stuhlbarg, as Elio’s professor father, gives a remarkable soliloquy that sums up some of those themes.

Still, Timothee Chalamet turns in a marvelous performance as Elio. Chalamet, who was also wonderful in LADY BIRD this year, shows Elio struggling with conflicted feelings about who he is, exploring sexuality with a girl (Esther Garrel) while also being attracted to handsome Oliver. Meanwhile, Armie Hammer gives a far-less satisfying performance. Hammer looks too old for a graduate student in his early to mid-twenties, and seems too self-assured as well. Hammer certainly looks good but he does little to really present Oliver as anything other than an idealized Adonis. Armie Hammer’s leaden performance tends to weigh down the whole film, as pretty as he is.

CALL BY YOUR NAME is a visually stunning film and a romantic tale of forbidden love, framed by the beauty of youthful bodies and picturesque Italian countryside, but not quite as complex or intriguing as the previous two films in Guadagnino’s desire series.

RATING: 4 out of 5 stars

December 15, 2017

THE SHAPE OF WATER – Review

Sally Hawkins and Richard Jenkins in the film THE SHAPE OF WATER. Photo Courtesy of Fox Searchlight Pictures. © 2017 Twentieth Century Fox Film Corporation All Rights Reserved

Magical, evocative THE SHAPE OF WATER blends Cold War thriller, romance and monster movie genres in director Guillermo Del Toro’s best film since PAN’S LABYRINTH. In fact, THE SHAPE OF WATER is one of the year’s best.

Elisa (Sally Hawkins) lives a lonely life of unchanging routine as cleaning woman at a hidden military research facility during the Cold War. Mute but not deaf, Elisa’s best friend is her co-worker Zelda (Octavia Spencer), and she rents space in an apartment above an old movie theater from platonic friend Giles (Richard Jenkins), who is a marginalized person like them. Elisa’s quiet routine is changed forever by the arrival of ambitious, harsh military operative Richard Strickland and a mysterious creature in a water tank.

Rounding out the cast are Michael Stuhlbarg as a scientist and Doug Jones in a motion-capture performance as the creature. Fans of old monster movie will instantly note that this watery creature has a striking resemblance to another movie monster, which is no accident.

Cinematically and as entertainment, THE SHAPE OF WATER exceeds on all levels. There is fine acting by an excellent cast, a story that offers a thought-provoking twist on the monster genre, beautiful moody photography, magical visual effects, and brilliant direction. Then film draws on a number of Cold War era monster movies, such as THE BLOB and CREATURE FROM THE BLACK LAGOON but also evokes the stifling conformity and judgmental tone of the era, an anti-gay, racist, pre-feminist time when those with disabilities or differences were also disdained.

 

Del Toro reportedly wanted to direct a comic book movie re-make of CREATURE FROM THE BLACK LAGOON but was thwarted in that effort. That explains the appearance of the watery creature, but this film is a far better story than a remake, a better as well as more original film.

THE SHAPE OF WATER is a visual delight, often shot in a slightly greenish, slanting-light style that suggests a watery world even above the surface. The soft light of rosy dawn lights the face of Sally Hawkins as her character rides the bus to work in the morning. The second floor apartment she shares with the friend played by Richard Jenkins is above an old movie theater, and partly lit by the theater’s marquee. The military installation where she and her best friend played by Octavia Spencer work is lit by dim fluorescent lights, filled with the gray and green fixtures of the 1950s.

Sally Hawkins is amazing in the lead role, creating an appealing and mysterious character we fall in love with, all without speaking a word. Hawkins is a delight but the supporting performances are wonderful as well. Richard Jenkins plays Eliza’s friend, a painter and gay man, who is an outsider in the conformist culture of the 1950s. Michael Shannon represents that rigid culture but goes way beyond that in his cold character who is the true villain. Michael Stuhlbarg delivers a touching performance as a scientist with a conscience and Octavia Spencer is fine as sharp-tongued, sharp-witted Zelda, Eliza’s loyal friend. Doug Jones, dressed in a bulky, elaborate costume enhanced by motion-capture, in the role as the watery creature is the perfect movie monster in the mold of James Whale’s Frankenstein monster.

The combination of Cold War thriller, monster movie and romance plays to all of Del Toro’s strengths as a director. The sense of the magical in PAN’S LABYRINTH returns here, along with some other the powerful and the powerless, but this is a more hopeful film. The characters are grouped into the marginalized and the powerful, but the creature is the question mark in that equation.

Anyone who has loved either old monster movies or the Beast in the fairy tale Beauty and the Beast will be charmed by this wonderful sci-fi fantasy of outsiders, insiders, and monsters in THE SHAPE OF WATER.

RATING: 5 out of 5 stars

December 3, 2017

Win Passes To The Advance Screening Of THE SHAPE OF WATER In St. Louis

THE SHAPE OF WATER opens in St. Louis on December 15th and WAMG has your free passes to see it first in St. Louis.

The movie recently won the most awards from the Los Angeles Film Critics, with three first-place awards (actress – Sally Hawkins, director – Guillermo del Toro  and cinematography -Dan Laustsen).

From master story teller, Guillermo del Toro, comes THE SHAPE OF WATER – an other-worldly fable, set against the backdrop of Cold War era America circa 1962. In the hidden high-security government laboratory where she works, lonely Elisa (Sally Hawkins) is trapped in a life of isolation. Elisa’s life is changed forever when she and co-worker Zelda (Octavia Spencer) discover a secret classified experiment. Rounding out the cast are Michael Shannon, Richard Jenkins, Michael Stuhlbarg and Doug Jones.

WAMG invites you to enter for the chance to win TWO (2) seats to the advance screening of THE SHAPE OF WATER on December 11 at 7:00 pm in the St. Louis area.

Answer the Following:

Mixing many genres from lush musicals to suspenseful noir, THE SHAPE OF WATER particularly revisits and reinvigorates the enduring allure of the classic monster films such as THE CREATURE FROM THE BLACK LAGOON.

What is the title of del Toro’s giant-robot/monster blockbuster movie?

TO ENTER, ADD YOUR NAME, ANSWER AND EMAIL IN OUR COMMENTS SECTION BELOW.

OFFICIAL RULES:

1. YOU MUST BE IN THE ST. LOUIS AREA THE DAY OF THE SCREENING.

2. No purchase necessary. A pass does not guarantee a seat at a screening. Seating is on a first-come, first served basis. The theater is overbooked to assure a full house.

R for sexual content, graphic nudity, violence and language

foxsearchlight.com/theshapeofwater

Sally Hawkins and Doug Jones in the film THE SHAPE OF WATER. Photo by Kerry Hayes. © 2017 Twentieth Century Fox Film Corporation All Rights Reserved

November 8, 2017

Meryl Streep And Tom Hanks Headline New Trailer In Steven Spielberg’s Oscar Hopeful THE POST

Meryl Streep, Director Steven Spielberg, and Tom Hanks on the set of THE POST. Photo Credit: Niko Tavernise.

Opening during awards season on December 22  is the much anticipated THE POST from 20th Century Fox.

Steven Spielberg directs Meryl Streep and Tom Hanks in THE POST, a thrilling drama about the unlikely partnership between The Washington Post’s Katharine Graham (Streep), the first female publisher of a major American newspaper, and editor Ben Bradlee (Hanks), as they race to catch up with The New York Times to expose a massive cover-up of government secrets that spanned three decades and four U.S. Presidents. The two must overcome their differences as they risk their careers – and their very freedom – to help bring long-buried truths to light.

THE POST marks the first time Meryl Streep, Tom Hanks and Steven Spielberg have collaborated on a project. Streep has been nominated for 20 Academy Awards, winning three Oscars (THE IRON LADY, SOPHIE’S CHOICE and KRAMER VS. KRAMER), while Hanks has been nominated 5 times and garnered two back to back Oscars for PHILADELPHIA and FORREST GUMP.

In addition to directing, Spielberg produces along with Amy Pascal and Kristie Macosko Krieger. The script was written by Liz Hannah and Josh Singer, and the film features an acclaimed ensemble cast including Alison Brie, Carrie Coon, David Cross, Bruce Greenwood, Tracy Letts, Bob Odenkirk, Sarah Paulson, Jesse Plemons, Matthew Rhys, Michael Stuhlbarg, Bradley Whitford and Zach Woods.

THE POST will be released in select theaters on December 22, 2017 and in theaters everywhere on January 12, 2018. Fox’s other BIG Oscar hopeful, opening on December 20th, is THE GREATEST SHOWMAN which stars Hugh Jackman as P.T. Barnum.

Check out the official site foxmovies.com/movies/the-post

L-R: Tom Hanks (Ben Bradlee), David Cross (Howard Simons), John Rue (Gene Patterson), Bob Odenkirk (Ben Bagdikian), Jessie Mueller (Judith Martin), and Philip Casnoff (Chalmers Roberts) in Twentieth Century Fox’s THE POST. Photo Credit: Niko Tavernise.

Meryl Streep stars as Kay Graham in Twentieth Century Fox’s THE POST. Photo Credit: Niko Tavernise.

Tom Hanks (as Ben Bradlee) and Meryl Streep (as Kay Graham) star in Twentieth Century Fox’s THE POST. Photo Credit: Niko Tavernise.

Tom Hanks (as Ben Bradlee) and Meryl Streep (as Kay Graham) star in Twentieth Century Fox’s THE POST. Photo Credit: Niko Tavernise.

September 14, 2017

Watch The Red Band Trailer For Guillermo del Toro’s THE SHAPE OF WATER

THE SHAPE OF WATER premiered the Venice Film Festival. In their review, Indiewire said the film movie is “one of del Toro’s most stunningly successful works and it’s also a powerful vision of a creative master feeling totally, joyously free.”

Check out the brand new red band trailer for the movie, out in theaters December 8.

From master story teller, Guillermo del Toro, comes THE SHAPE OF WATER – an other-worldly fairy tale, set against the backdrop of Cold War era America circa 1962.

In the hidden high-security government laboratory where she works, lonely Elisa (Sally Hawkins) is trapped in a life of isolation. Elisa’s life is changed forever when she and co-worker Zelda (Octavia Spencer) discover a secret classified experiment.

Rounding out the cast are Michael Shannon, Richard Jenkins, Michael Stuhlbarg and Doug Jones.

Visit the official site foxsearchlight.com/theshapeofwater

Sally Hawkins in the film THE SHAPE OF WATER. Photo by Kerry Hayes. © 2017 Twentieth Century Fox Film Corporation All Rights Reserved

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