THE INSTIGATORS – Review

It’s funny how an old TV catchphrase will just magically pop into your brain. While watching this new comedy action caper I recalled George Peppard as Hannibal Smith, leader of the NBC 80s ratings juggernaut, “The A-Team”. With a big cigar clenched between his pearly whites, he’d grin and exclaim, “I love it when a plan comes together” as the bad guys’ vehicles would flip over (though there had to be a shot of them climbing out of the windows unscathed for the censors). Well, the two main characters of this film might say, “I hate it when a plan falls apart”. And it does spectacularly for these luckless schmoes, actually played by members of the “Ocean’s Crew” (the 2000s reboot). And though they spend most of the story’s runtime trying to escape and survive, the title ironically labels them THE INSTIGATORS.


In the film’s opening minutes we meet one half of the duo, the stoic Rory (Matt Damon). He’s attending one of his mandatory therapy sessions at a Boston area VA hospital. He says very little, but a few comments concern the staff psychologist Dr. Rivera (Hong Chau). He talks of making a set amount of money (down to the decimal) and then “cashing in his ticket”. Meanwhile, a “low-rent” petty criminal named Cobby (Casey Affleck) gets a grade-schooler to activate the breathalyzer activator on his motorcycle. The two men cross paths at Mr. Kelly’s neighborhood bar. where a hustler named Scalvo (Jack Harlow) enlists them in a heist. The real mastermind behind it is restaurant owner/crime-boss Mr. Besegai (Michael Stuhlbarg) and his partner, bakery chef Richie (Alfred Molina). The big score ties in with tomorrow’s mayoral election. They think the challenger is no match for long-time crooked incumbent Miccelli (Ron Perlman). The big victory party will be held at a fancy riverport ballroom facility where lots of local business owners will show up to “kiss the ring” as they pass along huge amounts of cash. Before the armored car arrives to pick up the payola, the trio plans to sneak in via motorboat and lift the moola. But the next day, the unthinkable happens…a major political upset. However, Scalvo and his bosses decide to proceed. Everything that can go wrong does, and Rory and Cobby are on the run from Besegai’s “retriever” Booch (Paul Walter Hauser) and Michelli’s ex-police enforcer Toomey (Ving Rhames) along with the entire Boston police force. Can these two bunglers “blow Beantown” and cross the border to chilly Canada? And how does Dr, Rivera fit into the big getaway?

The two main actors prove to be a fairly potent comedy pairing. Damon would be the “straight man” of the two, and he more than fulfills that function as Rory is rigid, maybe “uptight”, and somewhat obsessive over the details, frustrating partners as he wants to write everything down, or needing tidbits repeated. Affleck’s Cobby is the wildcard as he scoffs at Rory’s concerns and fears, while making sure his needs are met, insisting he drive with a painful shoulder wound for fear that he’ll be dumped out on the road. The duo becomes a trio with Chau as the clinical Rivera who upholds her ethics and throws out bits of “self-help jargon” as they dodge bullets and evade endless police cruisers. Harlow is quite funny as the team leader who really doesn’t inspire fear or respect as he tries to mimic pop culture tough guys. Much more intimidating is Stuhlbarg as the perpetually annoyed crime boss, who can’t believe he can’t get smarter “goons”. Molina is much more “laid back” as his “right hand” who’d rather just “make the donuts”. Perelman dominates every scene as the blustery, greedy politico who can’t give up his power, or the graft. And he’s hooked on heaping abuse on his assistant, played as a jittery “toady” by the marvelous Toby Jones. Hauser is dripping with sarcasm and snark as Besegai’s “clean-up man”, while Rhames is at his scary surly best as the SWAT tank-driving “muscle” for the Mayor.

So, how do you celebrate 30 years of feature film directing? If you’re Doug Liman you release two big action comedies…to streaming. Earlier this year he was in a big “kerfuffle” with Amazon Prime over his remake of ROAD HOUSE, and now the main outlet for his newest flick is Apple TV+, though it got the briefest, very limited theatrical run. It’s a shame since both movies would have great appeal for fans of big stunt sequences. While the earlier film focused on the fisticuffs, this one has the most auto-destruction perhaps since the original BLUES BROTHERS (both leave piles of “cop cars”) thanks to that SWAT tank, an armored car, and a fire truck! It’s just a shame that the terrific tech crew (stunts and pyrotechnics) weren’t in service of a stronger script. All we are told of Rory is that he’s a vet who wants to do right to the son taken from him, and we know even less about Cobby, other than his boozy behavior and a wonky flirtation with Rivera (talk about rooting for a couple not to “hook up”). Earlier I noted Damon and Affleck’s part in the Oceans franchise, which helps hammer home that this is the opposite of those slick caper stories, as these bunglers are closer to the early 70s cult fave THAT GANG THAT COULDN’T SHOOT STRAIGHT. If only some of the earlier movie’s grimy charm was upgraded. The impressive supporting cast is really putting in an effort, but some of the twists and turns stretch reality and logic too much. The Boston locales are great (unlike this week’s IT ENDS WITH US this town looks frigid and very “lived in”). Unfortunately all that talent never truly ignites or invigorates THE INSTIGATORS.

2 out of 4

THE INSTIGATORS is now streaming exclusively on Apple TV+

Watch Casey Affleck And Matt Damon In First Trailer For Doug Liman’s THE INSTIGATORS

Apple TV+ has dropped this first trailer for the comedy heist thriller THE INSTIGATORS starring Matt Damon, Casey Affleck, Hong Chau, Michael Stuhlbarg, Paul Walter Hauser, Ving Rhames, Alfred Molina, Toby Jones, with Jack Harlow and Ron Perlman.

Directed by Doug Liman and written by Chuck MacLean and Casey Affleck, check out this first look now.

Rory (Matt Damon) and Cobby (Casey Affleck) are reluctant partners: a desperate father and an ex-con thrown together to pull off a robbery of the ill-gained earnings of a corrupt politician. But when the heist goes wrong, the two find themselves engulfed in a whirlwind of chaos, pursued not only by police, but also backwards bureaucrats and vengeful crime bosses. Completely out of their depth, they convince Rory’s therapist (Hong Chau) to join their riotous getaway through the city, where they must put aside their differences and work together to evade capture—or worse.

An Apple Original Film hailing from Artist Equity, Studio 8 and The Walsh Company, “The Instigators,” is directed by Doug Liman, written by Chuck MacLean and Casey Affleck,  produced by Ben Affleck, Matt Damon, Jeff Robinov, John Graham, Kevin J. Walsh, Alison Winter with Celia Costas, Dani Bernfeld, Kevin Halloran, Michael Joe, Cynthia Dahlgren, Luciana Damon serving as executive producers. 

THE INSTIGATORS will premiere in select cinemas and stream globally on Apple TV+ from 9 August, 2024.

SPIDER-MAN: NO WAY HOME – Review

MJ (Zendaya) prepares to freefall with Spider-man in Columbia Pictures’ SPIDER-MAN: NO WAY HOME.

Who’s ready for a holiday road trip? Oh, the destination? It’s Christmas time in the Marvel Cinematic Universe! Yes, I know we’ve been there three times before in the last six months or so, from BLACK WIDOW to SHANG-CHI AND THE LEGEND OF THE TEN RINGS, and most recently THE ETERNALS, but this is more than a bit unique. First, it’s another co-production with Sony, one that somewhat completes a trilogy. And though it is a journey forward with our favorite “wall-crawler” it also takes a side turn down “memory lane”. In that way, it’s a bit of a celebration since he swung into the comic book world sixty years ago next August, and this coming May it’ll be his twentieth-year “thwipping” through the big screen. But for all that time, poor Peter Parker can’t seem to catch a break with his new amazing adventure, SPIDER-MAN: NO WAY HOME

As you recall from the mid-credits sequence of the last flick Ole’ Pete (Tom Holland) is in big trouble. Blowhard video-blogger J. Jonah Jameson (J.K. Simmons) has revealed his identity to the world while accusing him of murdering Mysterio and unleashing a horde of deadly drones. But the media and law enforcement also go after GF MJ (Zendaya), BFF Ned (Jacob Batalon), Aunt May (Marisa Tomei), and even ‘Happy’ Hogan (Jon Favreau). Of course, this news torpedos the high school trio’s applications to MIT. How in the world can Pete fix this? He can’t just “web it up”. And his big “alibi”, Nick Fury, is “off-world”. Hey, he’s just blocks away from the “sanctum sanatorium” of his “Endgame” cohort, the master of mystic arts, Dr. Strange (Benedict Cumberbatch). After much pleading, the doc decides to grant Pete’s request by casting a complex spell that will make everyone forget that he’s Spidey. Unfortunately, Strange is distracted by Pete’s “add-ons” (except MJ…and Ned…and…). But it looks like everything’s under control as Peter tries to talk with an MIT recruiter that’s stuck in traffic. Suddenly an armored tentacle bursts through the pavement. It’s Dr. Otto Octavius (Alfred Molina), who recognizes Spider-Man, but is baffled by his unfamiliar voice (he’s a stranger to Pete) Then a cackling green troll tosses an explosive pumpkin-like grenade. The Green Goblin AKA Norman Osborn (Willam Dafoe) is on the attack. Later Strange explains that the flawed spell has opened up multiple portals to other dimensions, unleashing many unfamiliar “super-villains”. Can Spidey and Strange, with assists from MJ, Ned, and Happy (who’s got some old Stark tech) capture these powerful “baddies” and send them back? With the Avengers scattered, can anyone else help them out?

Once again, the talented Mr. Holland slips into the dual lead role as though it’s a pair of comfy old sneakers (perhaps more like a pair of “web-shooters”). He retains Pete’s infectious energy and optimism even though his whole world seems to be collapsing in on him. More than in the last two films, there’s much more at stake as his alter ego intrudes on the lives of those he cherishes the most. Holland communicates that through his often halting line delivery, which speeds up as Pete formulates a strategy at “Spidey-speed”. He proves that the character does indeed work best as a high-schooler (but not for much longer). Zendaya’s MJ still has that endearing snark, tinged with her near-pitch-black sense of humor, now tempered with her affection for Pete and the need to support and protect him. Much the same can be said for Batalon as Ned, still loving his role as “the guy in the chair”, but eager to take on more (which happens “in spades”). Tomei channels more of May Parker’s generous empathetic soul, when she’s not in “mama grizzly” mode to protect her dear Pete. Favreau is still a funny lovable “schlub” who’s often Pete’s mentor and cantankerous “Dutch Uncle”. And on the opposite side, several screen vets seem to be relishing their return to villainy. Molins is a malevolent megalomaniac who is baffled by his new, but “old”, enemy. Ditto for Dafoe, whose Osborn is in almost constant battle with the scheming Goblin. Oh, and Jamie Foxx is back as Max/Electro who appears to love hurling insults alongside his deadly lightning bolts. Luckily Cumberbatch as the good doctor/wizard is there to reign them in while proving to be another great teacher/coach and father figure to Pete.

As you can see from the splash page from 1965’s Amazing Spider-Man Annual #2, the Stan Lee/ Steve Ditko creations have been teaming up for quite a while

Returning to the director’s chair is Jon Watts, who proves most adept at juggling the action, comedy, and drama, keeping the pace steady while still hitting all the emotional “beats” of the script penned by some more series vets, Chris McKenna and Eric Summers. It’s quite an impressive balancing act, since several action epics often lurch about, changing done as they speed to the next big action sequence. Mind you, the great stunts and VFX are here “a plenty”, but what stays longest may be the quiet moments as unlikely characters bond despite bickering. Best of all Spidey remains a beacon of light amongst so many “grim and gritty” masked crimebusters (though he’s put to the test many times here). He continues to cling to the hope that people can change. And while other film franchises try to ignore or even discard their past incarnations, this endearing romp embraces all the quirks and foibles of its forebearers. That’s heightened by the sprightly score from Michael Giacchino which seamlessly weaves in iconic melodies. And though many may see this tale as a conclusion (at least to the “home” subtitles), its finale announces a new start (buoyed by word that Holland and Marvel will continue with Sony for another trilogy). SPIDER-MAN: NO WAY HOME is a celebration of the past, a touching look ahead, and an affectionate nod to the faithful fans of the beloved character. Somewhere Stan “the man” Lee is flashing that big grin…

4 Out of 4

SPIDER-MAN: NO WAY HOME is playing in theatres everywhere

Willem Dafoe, Alfred Molina, Jamie Foxx Discuss Playing Green Goblin, Doc Ock And Electro At CCXP21 Villains Panel For SPIDER-MAN: NO WAY HOME – Plus New Villains Posters

Look who’s back! Willem Dafoe, Alfred Molina, and Jamie Foxx talk about reprising their iconic roles as Green Goblin, Doc Ock, and Electro in a special panel for CCXP21 for SPIDER-MAN: NO WAY HOME.

The panel was introduced by Tom Holland, who started off by saying audiences will see pumpkin bombs, sandstorm, as well as the multiverse in ways we can’t imagine.

We’ve all had fan theories about what and who we will see, but in the meantime, listen as the actors discuss the previous films as well as what’s in store when the movie hits theaters December 17.

For the first time in the cinematic history of Spider-Man, our friendly neighborhood hero’s identity is revealed, bringing his Super Hero responsibilities into conflict with his normal life and putting those he cares about most at risk.

When he enlists Doctor Strange’s help to restore his secret, the spell tears a hole in their world, releasing the most powerful villains who’ve ever fought a Spider-Man in any universe. Now, Peter will have to overcome his greatest challenge yet, which will not only forever alter his own future but the future of the Multiverse.

Read Jim Batts’s reviews for SPIDER-MAN: HOMECOMING – Review and SPIDER-MAN: FAR FROM HOME – Review.

Electro from Columbia Pictures’ SPIDER-MAN: NO WAY HOME.
Alfred Molina as Doc Ock in Columbia Pictures’ SPIDER-MAN: NO WAY HOME.
Green Goblin from Columbia Pictures’ SPIDER-MAN: NO WAY HOME.

Created by writer-editor Stan Lee and writer-artist Steve Ditko, Spider-Man first appeared in the anthology comic book Amazing Fantasy #15 (Aug. 1962) in the Silver Age of Comic Books.

The movie, directed by Jon Watts, stars Tom Holland, Zendaya, Benedict Cumberbatch, Jacob Batalon, Jon Favreau with Marisa Tomei.

SPIDER-MAN: NO WAY HOME is rated PG-13 by the Motion Picture Association for the following reasons: sequences of action/violence, some language and brief suggestive comments.

MARVEL and all related character names: © & ™ 2021 MARVEL

RALPH BREAKS THE INTERNET – Review

Well, feature animation fans it’s time to empty out that big change jar and head down to the video arcade. You know, right next to the multiplex. What to do you mean it’s gone? Why the next thing you’ll tell me is that the Blockbuster Video is…uh, oh. That sums up the challenge for the folks at the Walt Disney Animation Studios. In 2010 they finally had a hit that almost rivaled their friendly (same company by then) neighbor at Pixar, a modern attitude take on the Rapunzel fairy tale called TANGLED. And two years later WDAS had an even bigger hit with WRECK-IT RALPH a zany look at what goes on after hours at a video arcade, a clever mix of TOY STORY and WHO FRAMED ROGER RABBIT (lots of cameos from game superstars from several companies). Six years later WDAS decides to finally produce a theatrical sequel (most follow-ups to their features go right to home video or TV), but video arcades are on the outs, unless they’re part of those big family fun places that include food (pizza primarily) and interactive activities (bumper cars, mini-coasters, etc.). Where are folks playing video games now? At home mostly, with gaming systems and online with other folks across town or the globe. There’s now only one option for that brick smashing game icon, as we try to maintain our WiFi connection when RALPH BREAKS THE INTERNET.

Yes, the setting of this new flick is today, and somehow Litwak’s Arcade is still open. Ralph (voice of John C. Reilly) and Vanellope (Sarah Silverman) spend their days entertaining the kid clientele via their respective games, “Fix-It Felix Jr.” and “Sugar Rush”. At night, the two meet down at the electrical outlet power strip and spend the wee hours at different games before heading to Tappers for a frosty root beer before heading back to their respective home games. Vanellope enjoys their time together but ponders to Ralph whether there’s more to do. One day their routine is disrupted when one of the other games is unplugged and replaced with a WiFi router. The two are curious but are warned away by Surge Protector (Phil Johnston). Hours later, the ultimate disaster occurs, the steering wheel on the Sugar Rush game is broken. Ralph and Vanellope overhear Mr. Litwak (Ed O’Neill) say that he’ll have to order a new one from the internet. Now the duo has a mission, as they sneak into the world wide web via the router cord. The helpful guide/search engine KnowsMore (Alan Tudyk), gets them to the eBay site which has a wheel up for auction. The two bid way too much, thinking the point is to top each other’s number, and so they need to make some quick cash. In their travels the two stumble into the gritty game, Slaughter Race, where Vanellope becomes fast friends with its racing star Shank (Gal Gadot). While they bond, Ralph visits the BuzzTube offices of Yesss (Taraji P. Henson) who plans to make him a viral video superstar (lots of hits=lotsa’ dough). Then the unthinkable happens. Vanellope thinks that she may want to stay online in Shanks’ game. Will these inseparable best buds be …separated? And can Ralph prevent that from happening without, well, breaking the internet?

The returning voice actors easily slip back into their gaming personas, like, um, a comfortable old pair of slippers. Reilly is that same big, friendly affable lunkhead with a soft heart to match his head, at times. He always has the best intentions, though never truly thinks out the consequences. But he’s a devoted pal to Vanellope who still has the right mix of innocence and sass thanks to the spirited vocal stylings of Silverman. This time out, though there’s a touch of pathos to the mischievous imp. Like some many Disney heroines before her, she’s yearning for something and eager to explore the world, newly expanded thanks to the “interweb”. Jack McBrayer and Jane Lynch also return as the oddest of arcade couple, eternal lovebirds perky, peppy Felix and tough somewhat surly Calhoun. As for the new additions, Gadot is smooth and sultry as the street-smart Shank making her the ideal big sis to Ms. V. While Henson brings an infectious energy to the also cool, though much flashier Yesss who nearly flings herself across her opulent digs when formulating a plan. Tudyk, who may be WDAS’s good luck charm as much as John Ratzenberger is over at Pixar, makes KnowsMore a very funny and endearing “know-it-all”. SNL vet Bill Hader pops in and out as a motor-mouthed pop-up ad pitchman, similar to a cyber member of Nathan Detroit’s crew from GUYS AND DOLLS. But not everybody’s helpful and pleasant. Alfred Molina represents the “dark side” of the web as the growling, gruesome underworld…er web kingpin known as Double Dan (if you’re reminded of a 1990 sci-fi misfit, then you have TOTAL RECALL). Plus there are loads of familiar voices showing up as the online incarnation of their famous media roles.

Rich Moore, who snagged a well-deserved Oscar for ZOOTOPIA a couple of years ago, returns for this sequel sharing the director reigns with first-time feature filmmaker Phil Johnson. Oh, and the two share story and screenplay credits with Jim Reardon, Pamela Ribon, and Josie Trinidad. Big kudos to them all for bringing us a follow-up that just as funny, and perhaps, emotionally richer than the first flick. Happily, the look of the new supporting players is just as interesting as the “Mutt and Jeff” dynamic of Ralph and Vanellope, while bringing us a variety of design and styles. And somehow they all work well together. There are the “cartoony” short and squat looks (inspired by the UPA shorts of the 1950’s) of KnowMore and the “pop-up” pitchmen. But they’re distinct from the icons representing internet viewers with cubed heads and spindly-thin bodies (look for one that recalls a very recently departed, much-beloved superstar). Then we’ve got the fairly realistic, almost out of an adventure comic strip, denizens of the Slaughter Race site, with the fine details of Shank’s streetwear and chopped frayed hair. Somewhere in-between is the slick, curved rendering of Yesss, who has a neo-futuristic fashion sense, sort of hip-hop meets Hirschfield (the caricature genius that inspired the Genie in ALADDIN). Speaking of character design, as the ads and trailers heavily tout, the Disney Princesses appear all together here. The artists have made the icons from different eras look pleasing in CGI 3D (many were originally drawn in 2D cell animation), and they interact without any jarring visual gaffes. So, Snow White can hang with Moana, and it seems natural. Happily, not all the best jokes and gags are in the ads. There’s a winking sense of affectionate satire in the interactions that will delight Disney fans of all ages. But that’s just a few scenes in this smart script that mingles cyber jokes about that annoying buffering spinning colored circle to the dangers of reading the comments section with a sweet, touching story of relationships. It extolls the joys of friendship while having much to say about a “selfish love” and the destructive results of trying to hold a friend back, for fear of losing them. Heady stuff in a family flick, eh? Oh, about the look of the internet, well it’s a glistening blue-tinged mix of Oz and METROPOLIS (the silent classic, not Superman’s home turf), that is often too jampacked with widgets and “gee-gaws” (maybe I should spring for the 3D upgrade on the next viewing). Yes, it’s a visual feast loaded with heart and humor. When RALPH BREAKS THE INTERNET, he and his old and new friends will delight movie audiences of any age.

4.5 Out of 5

LITTLE MEN (2016) – Review

littlemen

New York City has been the home base and preferred story setting for many talented film makers, from Woody Allen to Noah Baumbach to Spike Lee. Each has given audiences a unique look at this very familiar metropolis. With this new release, another writer/director joins that roster: Ira Sachs. His last film, the charming, heart-breaking family drama LOVE IS STRANGE took us all around the area, and included a major source of conflict and anxiety for those residents, in general, real estate. Characters mulled over many real life concerns of the NYC populace, rent control, leases, tenant rights, landlords. Sach’s new film also delves into this, but it’s also a family drama, this time about two very different families. Real estate connects them initially, but a friendship further joins them. Don’t be misled by the literary title. This is not another adaptation of Louisa May Alcott’s 1871 sequel to her classic “Little Women”. No, it’s a very contemporary tale, and two very different 13 year-old boys are at the heart of LITTLE MEN.

 

As the story unfolds, we encounter half of that duo, Jake Jardine (Theo Taplitz), a shy introverted youngster who is completely focused on his art (drawing frequently inspired by popular fantasy novels), attracting derision from class mates and even faculty. One day he is picked up by the family housekeeper, because his father Brian (Greg Kinnear), a still-struggling stage actor, is arranging funeral services for his recently deceased father. Oh, and Jake’s mother Kathy (Jennifer Ehle) is a busy Manhattan psychologist and the main family bread-winner. The post funeral service reception will be held at the upstairs apartment of the building Grandpa’ Jardine owned in Brooklyn. Downstairs is leased to a seamstress Leonor Calvelli (Paulina Garcia), who runs a dress shop there. The Jardines meet her and her 13 year-old son Tony (Michael Barbieri). He and Jake immediately form a friendship (thanks to a mutual love of video games). Brian, along with sister Audrey (Talia Balsam), inherit the building, and he decides to move his family into dad’s apartment. The two boys become inseparable,during and after school. The outgoing Tony connects with Jake, and they hatch a plan. Near the end of eighth grade they’ll both try to get into the LaGuardia High School of Music and Performing Arts (Jake for his drawing skills, and Tony as an actor). But something may derail their plans. The lease agreement for Leonor is nearly up. Brian discovers that his father was charging a very low rental amount for such a valuable retail property, and the area is becoming more popular. He’ll have to increase the rent, more than double it. Brian finally meets with Leonor (after she avoided him), and informs her of the increase. But she will not hear of it, bemoaning soft sales and telling him that Jardine senior considered her and Tony more of a family than Brain. Oh, and senior was ashamed of Brian’s thespian dreams. She insists on staying put and not paying a cent more in rent. Brian is feeling intense pressure from sister Audrey. Will he be forced to evict? And what will happen to the friendship of Tony and Jake? Can it possibly survive their parents’ battle?

 

 

This film truly depends on the casting of the two title characters. Happily Mr. Sachs found a pair of young gifted actors more than up to the formidable task. Taplitz captures the distracted look of an intense artist who’s exploding with ideas, but somewhat disconnected with his environment. His head is often “in the clouds”, only landing to interact with his parents. But this new friendship opens Jake up. In Taplitz’s best work in the film, he conveys Jake despair when he learns the truth about the war between the two families, pleading between sobs for a solution. It’s an amazing emotional bomb blast. Fortunately he has an equally talented acting partner in Barbieri as the motor-mouthed Tony. Full of outer confidence, and often unintentionally funny, when he’s hanging with Jake, he reveals his pain over his absentee father. Papa Calvelli is a globe-trotting medic, going to any and all disasters. Tony tells of infrequent visits with him that follow a sad pattern: happy reunion followed by a quick angry spat between spouses, then a hasty exit. All of his bravado acts as a shield, one that we know won’t withstand the harsh disappointments waiting to pummel the gentle soul. He gets a taste of the mean ole’ world when he acts on an infatuation. And we’re shattered for him, wanting to “take the hit”, to lessen the pain. I look forward to the next projects from the superb Taplitz and Barbieri.

 

Hey, what about the grown-ups? They’re pretty great too, especially screen veteran Kinnear as a most understanding film father. Brian has followed his dream, which may have cost him a relationship with his own father. After the mourners have left, Brian takes out the trash and finally gives himself a chance to weep, in a memorable early scene. Later, we see this gentle man backed into a corner, and forced to be confrontational . Kinnear conveys through his weary eyes, the toll this takes on the actor’s spirit. However it doesn’t damper his unconditional adoration for his son and respect for Jake’s talent. We should all be lucky to have such a nurturing parent in our lives. Now the person that backs Brian into a corner is Leonor, played with passion and a touch of venom by the formidable Garcia. In her initial scenes, she’s passive and accommodating to the Jardines. But when Brian finally confronts her about the lease terms, Leonor throws off the soft “lamb-skin” to reveal a feral beast that goes right for the emotional jugular. She tosses photos off Brian’s father hanging out with her and Tony, images intended to pierce Brian’s heart like a dagger. While most people facing eviction would softly plead, she spews casual cruel jabs at her landlord and his professional (“you’re in ‘The Seagull’? Bet it’s a big hit!”). Garcia is frustrating, exasperating, and unforgettable. Ehle has the less showy role as the always-on-the-go Mama Jardine, but she’s an excellent partner to Kinnear and is a terrific peacemaker when her hubby finally loses his patience when the lads give him “the silent treatment”.Oh, and the always interesting Alfred Molona shows up for a couple of brief scenes as a Calvelli family friend and legal advisor.

 
Ira Sachs has given movie audiences an involving, compelling family drama, thanks in large part to the sensitive, emotionally engaging screenplay he co-wrote with Maurico Zacharias. And as mentioned previously, his guidance of an exceptional cast. The film really captures the first real friendship between two young men, both perhaps yearning for a brother. In one sequence, Sachs follows them as they dash through the streets, one on skates, the other guiding a scooter, just enjoying day, one made better just by having someone to share it. If only that feeling could last, and perhaps survive all the attacks from those aloof adults. At a brisk, but very satisfying 85 minutes, LITTLE MEN is a sweet, charming film fable that will touch the child inside the most jaded audiences.

 

4.5 Out of 5

 

LITTLE MEN opens everywhere and screens exclusively in the St. Louis area at Landmark’s Tivoli Theatre

 

 

littlemenmovieposter

Win Passes To The Advance Screening Of WHISKEY TANGO FOXTROT In St. Louis

WHISKEY TANGO FOXTROT

When reporter Kim Baker’s (Tina Fey) life needs something more, she decides to ‘shake it all up’ by taking an assignment in a war zone. There, in the midst of chaos, she finds the strength she never knew she had. Sometimes it takes saying ‘WTF’ to find the life you were always destined to have.

Based on the true adventures of war-reporter-in-the-making Kim Barker — and her acclaimed autobiography The Taliban Shuffle: Strange Days in Afghanistan and Pakistan – comes this hilarious and heartfelt portrait of a woman getting her life together in a global hot spot where everything else seems to be falling apart.

Also starring Margot Robbie, Martin Freeman, Alfred Molina and Billy Bob Thornton, the film is directed by Glenn Ficarra and John Requa (“Crazy, Stupid, Love”) from a screenplay by Robert Carlock (“Saturday Night Live,” “30 Rock”).

WHISKEY TANGO FOXTROT is in theaters March 4, 2016.

WAMG invites you to enter for a chance to win a pass (Good for 2) to the advance screening of WHISKEY TANGO FOXTROT on Tuesday, March 1 at 7PM in the St. Louis area.

We will contact the winners by email.

Answer the following:

Fey was a featured voice, alongside Will Ferrell and Brad Pitt, in which DreamWorks animated film?

TO ENTER, ADD YOUR NAME, ANSWER AND EMAIL IN OUR COMMENTS SECTION BELOW.

OFFICIAL RULES:

1. YOU MUST BE IN THE ST. LOUIS AREA THE DAY OF THE SCREENING.

2. A pass does not guarantee a seat at a screening. Seating is on a first-come, first served basis. The theater is overbooked to assure a full house. The theater is not responsible for overbooking.

3. No purchase necessary

Visit the official website http://www.whiskeytangofoxtrotthemovie.com/

Left to right: Tina Fey plays Kim Baker and Margot Robbie plays Tanya Vanderpoel in Whiskey Tango Foxtrot from Paramount Pictures and Broadway Video/Little Stranger Productions in theatres March 4, 2016.
Left to right: Tina Fey plays Kim Baker and Margot Robbie plays Tanya Vanderpoel in Whiskey Tango Foxtrot from Paramount Pictures and Broadway Video/Little Stranger Productions in theatres March 4, 2016.

wtf1-shtpayoff (1)

SECRET IN THEIR EYES Coming To Blu-ray/DVD February 23, 2016

secret-in-their-eyes

After more than a decade, the unsolved murder of a young woman comes to a shocking conclusion in Secret in Their Eyes, coming to Digital HD on February 9, 2016, and Blu-ray combo pack, DVD and On Demand on February 23, 2016, from Universal Pictures Home Entertainment.

From STX Entertainment (The Gift), Secret in Their Eyes is a powerful and unforgettable thriller based on the Academy Award-winning film El Secreto de sus ojos (Best Foreign Language Film, 2010) that will have audiences riveted until the last mind-bending twist. With a star-studded cast and an Oscar-nominated writer-director at the helm, Secret in Their Eyes on Blu-ray and DVD includes feature commentary by the filmmakers, a look behind the scenes at the making of the movie and an exclusive interview with actress Julia Roberts.

Academy Award-nominee Chiwetel Ejiofor (12 Years a Slave) and Academy Award-winners Nicole Kidman (The Hours) and Julia Roberts (Erin Brockovich) star in this intense thriller that explores the murky boundaries between justice and revenge. A tight-knit team of investigators — Ray (Ejiofor), Jess (Roberts) and their supervisor Claire (Kidman) — is torn apart when Jess’s teenage daughter is brutally and inexplicably murdered. After obsessively searching for the elusive killer every day for 13 years, Ray finally uncovers a new lead that he’s certain will resolve the case. No one is prepared, however, for the shocking secret that will reveal the enduring, destructive effects of personal vengeance on the human soul.

Read Tom Stockman’s review HERE.

BLU-RAY and DVD BONUS FEATURES:

  • Adapting the Story for Today’s World
  • Julia Roberts Discusses Her Most Challenging Role
  • Feature Commentary with Director/Screenwriter Billy Ray and Producer Mark Johnson

The film will be available on Blu-ray with DIGITAL HD and UltraViolet and DVD.

  • Blu-rayunleashes the power of your HDTV and is the best way to watch movies at home, featuring 6X the picture resolution of DVD, exclusive extras and theater-quality surround sound.
  • DVD offers the flexibility and convenience of playing movies in more places, both at home and away.
  • DIGITAL HD with UltraViolet lets fans watch movies anywhere on their favorite devices. Users can instantly stream or download.

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http://uni.pictures/SITETrailer

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FILMMAKERS:
Cast: Chiwetel Ejiofor, Nicole Kidman, Julia Roberts, Dean Norris, Michael Kelly, Joe Cole, Alfred Molina
Directed By: Billy Ray
Written By: Billy Ray
Based on the Film By: Juan José Campanella, Eduardo Sacheri
Produced By: Mark Johnson, Matt Jackson
Co-produced By: John Ufland
Executive Produced By: Stuart Ford, Deborah Zipser, Russell Levine, Lee Jea Woo, Robert Simonds, Matt Berenson, Jeremiah Samuels, Juan José Campanella
Production Designer: Nelson Coates
Director of Photography: Daniel Moder
Edited By: Jim Page
Composer: Emilio Kauderer
Costume Designer: Shay Cunliffe

TECHNICAL INFORMATION BLU-RAY:
Street Date: February 23, 2016
Copyright: 2016 Universal Pictures Home Entertainment
Selection Number: 64176457
Layers: BD-50
Aspect Ratio: 2.40:1
Rating: PG-13 for thematic material involving disturbing violent content, language and some sexual references
Languages/Subtitles: English SDH, Spanish and French Subtitles
Sound: English DTS-HD Master Audio 5.1
Run Time: 1 hour, 52 minutes

TECHNICAL INFORMATION DVD:
Street Date: February 23, 2016
Copyright: 2016 Universal Pictures Home Entertainment
Selection Number: 64176458
Layers: Dual
Aspect Ratio: 2.40:1
Rating: PG-13 for thematic material involving disturbing violent content, language and some sexual references
Languages/Subtitles: English SDH, Spanish and French Subtitles
Sound: English Dolby Digital 5.1
Run Time: 1 hour, 52 minutes

(L-R) JULIA ROBERTS, NICOLE KIDMAN, and CHIWETEL EJIOFOR star in SECRET IN THEIR EYES.
(L-R) JULIA ROBERTS, NICOLE KIDMAN, and CHIWETEL EJIOFOR star in SECRET IN THEIR EYES.

See Tina Fey In New Trailer For WHISKEY TANGO FOXTROT

WTF_1-Sht_Payoff

This weekend you can see the comedy duo Tina Fey and Amy Poehler in the movie SISTERS.

Today, watch Fey in the first trailer for Paramount Pictures’ WHISKEY TANGO FOXTROT.

Based on a true story, Fey (also producer on the movie) plays US journalist Kim Barker who is sent overseas to cover the war in Afghanistan.

Directed by Glenn Ficarra and John Requa, the film also stars Margot Robbie, Martin Freeman, Alfred Molina and Billy Bob Thornton.

WHISKEY TANGO FOXTROT is in theaters March 4, 2016.

Visit the official site: www.whiskeytangofoxtrotthemovie.com

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Principal Photography Begins on UNTITLED TINA FEY – MARGOT ROBBIE – MARTIN FREEMAN PROJECT

tina-fey

Paramount Pictures announced that principal photography has commenced on the “UNTITLED TINA FEY – MARGOT ROBBIE – MARTIN FREEMAN PROJECT,” starring Tina Fey (“30 Rock,” “THIS IS WHERE I LEAVE YOU”), Margot Robbie (“FOCUS,” “THE WOLF OF WALL STREET”) and Martin Freeman (“THE HOBBIT” franchise, “Sherlock”).

Based on the autobiography The Taliban Shuffle: Strange Days in Afghanistan and Pakistan by Kim Barker, which the NY Times called “hilarious and harrowing, witty and illuminating, all at the same time,” the film is directed by Glenn Ficarra and John Requa (“FOCUS,” “CRAZY, STUPID, LOVE”) from a screenplay by Robert Carlock (“Saturday Night Live,” “30 Rock”).

The producers are Lorne Michaels (“Saturday Night Live,” “THREE AMIGOS,” “MEAN GIRLS”), Tina Fey and Ian Bryce (“TRANSFORMERS” franchise, “WORLD WAR Z”).

The film also stars Alfred Molina (“The Normal Heart,” “Law & Order: LA”), Nicholas Braun (“GET A JOB,” “THE PERKS OF BEING A WALLFLOWER”), Christopher Abbott (“A MOST VIOLENT YEAR,” “Girls”), Sheila Vand (“State of Affairs,” “ARGO”), Stephen Peacocke (“Home and Away,” “HERCULES”), Evan Jonigkeit (“BONE TOMAHAWK,” “X-MEN: DAYS OF FUTURE PAST”) and Billy Bob Thornton (“THE JUDGE,” “Fargo”).

Shooting in now underway in New Mexico.