KANG: You thought you could win?! SCOTT LANG: I don’t have to win… …we both just have to lose.
A new, action-packed trailer for Marvel Studios’ “Ant-Man and The Wasp: Quantumania,” which opens in theaters Feb. 17, 2023, debuted on Monday night during tonight’s College Football Playoff National Championship. Kicking off Phase 5 of the Marvel Cinematic Universe, the fast-paced, big-screen adventure features the MCU’s most powerful villain to date: Kang the Conqueror. Check out the trailer, plus a new poster.
Super-Hero partners Scott Lang (Paul Rudd) and Hope van Dyne (Evangeline Lilly) return to continue their adventures as Ant-Man and the Wasp. Together, with Hope’s parents Janet van Dyne (Michelle Pfeiffer) and Hank Pym (Michael Douglas), and Scott’s daughter Cassie Lang (Kathryn Newton), the family finds themselves exploring the Quantum Realm, interacting with strange new creatures and embarking on an adventure that will push them beyond the limits of what they thought possible.
Directed by Peyton Reed and produced by Kevin Feige, p.g.a. and Stephen Broussard, p.g.a., “Ant-Man and The Wasp: Quantumania” also stars Jonathan Majors as Kang, David Dastmalchian as Veb, Katy O’Brian as Jentorra, William Jackson Harper as Quaz and Bill Murray as Lord Krylar. The sci-fi adventure opens in theaters on Feb. 17, 2023.
There was excitement in the air on Saturday in Hall H at San Diego Comic-Con when Miss Minutes popped up to introduce Kevin Feige, president of Marvel Studios and chief creative officer of Marvel, who was joined on stage by moderator Ash Crossan to deliver Marvel Studios’ long-awaited live-action panel.
Feige didn’t disappoint the enthusiastic crowd, showcasing the Marvel Cinematic Universe’s upcoming slate with trailers, special looks, Q&As with talent and filmmakers, major announcements and a live, show-stopping performance.
MULTIVERSE SAGA: Two Avengers Films to Culminate the Saga
Fans were the first to learn that Phases 4, 5 and 6 are officially part of the Multiverse Saga, which will conclude with two all-new Avengers films, including “AVENGERS: THE KANG DYNASTY,” releasing May 2, 2025, and “AVENGERS: SECRET WARS,” which is slated for Nov. 7, 2025.
PHASE 4: Trailers and Talent Introduced, Plus Stunning Performance
Fans won’t have to wait long for the next Phase 4 title with “SHE-HULK: ATTORNEY AT LAW” debuting exclusively on Disney+ August 17, 2022. Directors Kat Coiro and Anu Valia, and head writer Jessica Gao, were joined by cast members Tatiana Maslany, Ginger Gonzaga and Jameela Jamil for a lively Q&A about the new series.
In Marvel Studios’ “She-Hulk: Attorney at Law,” Jennifer Walters (Tatiana Maslany)—an attorney specializing in superhuman-oriented legal cases—must navigate the complicated life of a single, 30-something who also happens to be a green 6-foot-7-inch superpowered hulk.
The nine-episode comedy series welcomes a host of MCU vets, including Mark Ruffalo as Smart Hulk, Tim Roth as Emil Blonsky/the Abomination, and Benedict Wong as Wong, as well as Jameela Jamil, Ginger Gonzaga, Josh Segarra, Jon Bass and Renée Elise Goldsberry.
“BLACK PANTHER: WAKANDA FOREVER” capped the Hall H presentation to thunderous roars and applause, beginning with a live performance by Baaba Maal (vocals), Massamba Diop (tama) and dancers and drummers. Feige was joined on stage by director Ryan Coogler and cast members Mabel Cadena, Michaela Cole, Winston Duke, Danai Gurira, Tenoch Huerta, Florence Kasumba, Alex Livinalli, Lupita Nyong’o, Dominique Thorne and Letitia Wright for a Q&A and first look at the film’s first trailer.
In Marvel Studios’ “Black Panther: Wakanda Forever,” Queen Ramonda (Angela Bassett), Shuri (Letitia Wright), M’Baku (Winston Duke), Okoye (Danai Gurira) and the Dora Milaje (including Florence Kasumba), fight to protect their nation from intervening world powers in the wake of King T’Challa’s death. As the Wakandans strive to embrace their next chapter, the heroes must band together with the help of War Dog Nakia (Lupita Nyong’o) and Everett Ross (Martin Freeman) and forge a new path for the kingdom of Wakanda.Introducing Tenoch Huerta as Namor, king of a hidden undersea nation, the film also stars Dominique Thorne, Michaela Coel, Mabel Cadena and Alex Livanalli.
Feige also shared that the film is the final title in Phase 4. “Black Panther: Wakanda Forever” opens in U.S. theaters Nov. 11, 2022.
PHASE 5: Talent Takes the Stage, Plus New Titles and Dates Revealed
Feige revealed that Phase 5 kicks off in 2023 with “ANT-MAN AND THE WASP: QUANTUMANIA,” opening Feb. 17, 2023. Director Peyton Reed and stars Paul Rudd, Evangeline Lilly, Jonathan Majors and Kathryn Newton engaged in a spirited Q&A with the host. Epic in scale and tone, “Ant-Man and The Wasp: Quantumania” is a sci-fi adventure that is decidedly unique to the franchise. Fans in the room were given a special look at the upcoming film.
Super Hero partners Scott Lang (Paul Rudd) and Hope Van Dyne (Evangeline Lilly) return to continue their adventures as Ant-Man and The Wasp. Together, with Hope’s parents Hank Pym (Michael Douglas) and Janet Van Dyne (Michelle Pfeiffer), the family finds themselves exploring the Quantum Realm, interacting with strange new creatures and embarking on an adventure that will push them beyond the limits of what they thought was possible.
Next up, the thrilling new series “SECRET INVASION” launches on Disney+ in Spring 2023. Cobie Smulders, who reprises her role of Maria Hill—a decorated spy and Nick Fury’s loyal #2—was on hand to talk about the new show. To the audience’s delight, a clip was shown to give a glimpse of what’s in store.
Marvel Studios’ “Secret Invasion” stars Samuel L. Jackson as Nick Fury and Ben Mendelsohn as the Skrull Talos—characters who first met in “Captain Marvel.” They are joined by Kingsley Ben-Adir, Emilia Clarke, Olivia Colman and Regé-Jean Page.
The crossover event series showcases a faction of shapeshifting Skrulls who have been infiltrating Earth for years.
“GUARDIANS OF THE GALAXY VOL. 3” heads to theaters on May 5, 2023. There were a lot of Guardians on hand to dish about the highly anticipated third installment of “Guardians of the Galaxy.” With director James Gunn taking the lead, cast members Chris Pratt, Karen Gillan, Pom Klementieff, Sean Gunn, Will Poulter and Maria Bakalova took part in an engaging discussion. Chukwudi Iwuji arrived on stage in costume, revealing to excited fans that he’ll be portraying High Evolutionary in the film. The audience was treated to a special look at the upcoming feature film.
In Marvel Studios “Guardians of the Galaxy Vol. 3” our beloved band of misfits are looking a bit different these days. Peter Quill, still reeling from the loss of Gamora, must rally his team around him to defend the universe along with protecting one of their own. A mission that, if not completed successfully, could quite possibly lead to the end of the Guardians as we know them.
New details emerged regarding a host of previously announced titles in Phase 5. Streaming exclusively on Disney+ in 2023 are highly anticipated series currently in production, including “ECHO,” which is slated for Summer 2023; “LOKI SEASON 2,” alsodebuting Summer 2023; and “IRONHEART,” streaming Fall 2023. “AGATHA: COVEN OF CHAOS” begins filming later this year with a debut date in Winter 2023.
Phase 5 theatrical releases include “THE MARVELS,” directed by Nia DaCosta, which hits theaters July 28, 2023;and“BLADE,” which begins shooting this October and opens in theaters Nov. 3, 2023.
Feige revealed for the first time today a trio of captivating projects debuting in 2024 that garnered a huge response from fans.
“CAPTAIN AMERICA: NEW WORLD ORDER” opens in theaters on May 3, 2024.
“DAREDEVIL: BORN AGAIN,” an 18-episode season with Charlie Cox and Vincent D’Onofrio returning, streams on Disney+ in Spring 2024.
“THUNDERBOLTS,” featuring an exciting new group of heroes, is slated for theaters on July 26, 2024.
PHASE 6: “Fantastic Four” Precedes New Avengers Titles
Looking ahead, Phase 6 of the Marvel Cinematic Universe promises compelling storytelling and Marvel Studios’ signature style of adventure.
“FANTASTIC FOUR” hits theaters on Nov. 8, 2024. Production kicks off next year for the feature film that introduces Marvel’s most iconic family.
“AVENGERS: THE KANG DYNASTY” opens in theaters May 2, 2025.
“AVENGERS: SECRET WARS” is slated for release on Nov. 7, 2025.
“Tra la! It’s May! The lusty month of May!” sings Guenevere in Lerner and Lowe’s classic musical “CAMELOT”. Well, if that “lust’ is for big Summer blockbusters, then the song holds true for film fans. Ah, but for the last fourteen years, May also means Marvel, as the cinema season officially begins with another trip into the MCU (Marvel Cinematic Universe). But it was in a later month, October, that Marvel’s master magician made his first big-screen appearance in a splashy solo outing/origin story. And can you believe that it was waaay back in 2016? Pretty long for a follow-up, though the good doc has been kept quite busy in the MCU, conferring with the Norse God in THOR: RAGNAROK, battling Thanos in the last two Avengers epics, and nearly six months ago he attempted to help Peter Parker in SPIDER-MAN: NO WAY HOME with pretty calamitous consequences. Oh, but this one’s his “baby’ as he touches up the goatee (we saw that “coloring kit” in the basement), and irons his devoted cloak of levitation for DOCTOR STRANGE IN THE MULTIVERSE OF MADNESS. Nuthin’ up his sleeves…
A pin-up by “Sturdy” Steve Ditko!
As that familiar logo fades out, the good doctor, Steven Strange (Benedict Cumberbatch) is right in the midst of a harrowing rescue mission, protecting a terrified young woman from a looming, vicious “beastie”. And things aren’t going well…until he awakens. What kind of late-night snack could’ve spawned that nightmare? Before we can find out, he’s on his way to a wedding involving his former hospital colleague Christine (Rachel McAdams). Of course, the reception is disrupted, as the sounds of mayhem alert Strange to an unknown and unseen destructive force (hurling cars, buses, the standard Kaiju stuff). With the wave of his hand his spiffy tux morphs into his familiar “work uniform”, and Strange leaps into the fray as his spells make the beast visible, a nasty one-eyed massive “land-octopus”. Oh, and that single orb is focused on a teenage woman, the same one from Strange’s dream. Luckily the current Sorceror Supreme, Wong (Benedict Wong) joins the battle royale and the young lady is rescued. The duo founds out her story at a nearby diner. She’s America Chavez ( Xochitl Gomez), who’s a visitor to the city. And this universe. It seems she has a “gift”: the ability to “cross over”, opening portals into different dimensions, a concept Strange dealt with in his team-up with Spidey. He believes that a powerful being used witchcraft to send the monster after her in order to exploit and perhaps steal her power. As Wong whisks her away to the mountain top magic fortress/training camp Kamar-Taj, Strange pays a visit to someone familiar with those dark arts. He finds Wanda Maximoff AKA the Scarlet Witch (Elizabeth Olsen), still in mourning at her secluded rural home. When the menace is revealed, a huge battle at the Taj sends Strange and Chavez on a wild multiverse trek, from “616” to “838” (not area codes), as they try to thwart a crazed masterplan that could destroy theirs and all the worlds.
Once again Cumberbatch reminds us of his “action hero” skills, though if he can be a self-loathing “cow-puncher, then the man can tackle any role. After his last three MCU exploits, he’s balancing the conjuring with an often dry, even brittle sense of humor, which offsets the deadly danger and often incredulous concepts. But here Cumberbatch shows us the good doctor’s somber side as he’s reminded of his life choices and ponders the “path not taken” (he’s caught off guard several times when asked, “Are you happy?”). Of course, he also conveys the doctor’s razor-sharp intelligence, even as he forgoes the “spells’ for some hand-to-hand battles. Matching his mystical methods is Olsen, fresh off her justly lauded work in the streaming series “Wandavision”, who delves further into the emotional depths to make Ms. Maximoff perhaps the MCU’s most conflicted character. She’s literally the “walking wounded”, haunted by the memories of the love she shared with her fantasy siblings (and Viz). But those sad eyes can turn icy cold when those “visions” are threatened, flipping the switch into “danger mode”. Olsen firmly establishes herself as one of the movies’ most talented and interesting talents. We also get another superb actress returning after the first DS epic, namely McAdams, who is given much more to do this time around as Strange’s “lost past love”, Christine. She projects that intense, still simmering passion for him, though it’s tempered by the heartbreaks of the past that remind her that they’re just “not in the cards”. Oh, and the film showcases a terrific new screen star in Gomez as Chavez, a teenager who’s much more than a “damsel in distress” or the prize in an epic “tig-of-war”. She’s dealing with intense guilt over her own past while forcing herself to move forward and find the solution within herself while being careful about the new version of familiar faces and not trusting too quickly. Wong as “Wong” is an excellent verbal sparring partner for the doctor, fighting to protect, but fast to deflate any bit of ego. And also returning from the 2016 flick is Chiwetel Ejiofor as Baron Mordo, Strange’s “frenemy” then, but now perhaps a pillar of support in a multiverse variant that may be an aid in the fight, though Strange keeps his defenses “up”.
Here’s a rare bit of merchandising from the 1960s: A T-shirt put out by Marvel themselves. Can you imagine the comments at school when you wore this? “Dude, izzat’ Vincent Price? Cool”
Earlier I provided a look into what’s really just the first act, or perhaps a prologue, of the film, to keep from spoiling any of the twists and surprises. Yes, it’s really action-packed, unlike many stories set in the “nether-realms”. And it charges right “out of the gate” at audiences, as though “shot out of a cannon” perhaps due to the new force at the “director’s chair’. But we could also call him a “seasoned” one as he’s new to the MCU, but a veteran of Marvel movies. I’m speaking of the masterful Sam Raimi who first brought Spidey to the cinemas twenty years ago (wow), along with two sequels for Sony (before Marvel started their own studio). Now he’s back, working directly for Marvel Studios on the other major “silver age of comics” creation from Stan Lee and Steve Ditko (and with his jet-black goatee and hair, with a side silver streak, Cumberbatch really looks like Ditko’s rendition in the flesh). Hard to believe that Raimi has been making movies for 40 years as he brings the energy and inventive spark of a recent film school grad to this superhero/ horror hybrid. Yes, there’s some truly scary stuff, so parents may want to check it out before deciding if their lil’ MCU fans can handle it. Oh, and Raimi brings much the same ferocity (as Stephen King said on the movie poster and ads) he used in the EVIL DEAD trilogy, the Spidey trilogy, and his pseudo-superhero DARKMAN with a pinch of the “gallows humor” of DRAG ME TO HELL. Plus he uses the new film tech as though he’s a kid in a candy store with swooping drone shots, twisty spiraling dreamscapes, and BEMs (bug-eyed monsters) who seem to have sprung from those Ditko-drawn Atlas comics of the late 50s. I’m most happy to report that he’s not merely “punching a time clock” doing “work for hire”. The wise execs in charge are letting Raimi be Raimi, complete with the signature camera shots and inside jokes and “running gags” that will warm his fans’ hearts. And it’s a blissful reunion with the music maestro behind many of his films, the great Danny Elfman who’s a big aid in a scene that’s a “music throw-down” mixing nods to FANTASIA and THE 5000 FINGERS OF DR. T (really). The screenplay from Michael Waldron provides a great “springboard’ for the fun, though the story’s highlight occurs prior to its third act with a “set piece’ that will make Marvel fans vibrate with glee (giddy doesn’t quite describe it). The MCU knows how to “reward” their fans (listen up, “Distinguished Competition”). But since that sequence is early, the film tends to drag a bit as it could use a bit of a trim (maybe five or six minutes to keep up the pace). And yes, the mid and post-credits bits are great, as this proves to be a most worthy successor to the recent Spidey spectacle. DOCTOR STRANGE IN THE MULTIVERSE OF MADNESS is more movie magic from the “house (and studio) of ideas”! Somewhere Stan is flashing that sweet smile…
3.5 Out of 4
DOCTOR STRANGE IN THE MULTIVERSE OF MADNESS is now playing in theatres everywhere
MJ (Zendaya) prepares to freefall with Spider-man in Columbia Pictures’ SPIDER-MAN: NO WAY HOME.
Who’s ready for a holiday road trip? Oh, the destination? It’s Christmas time in the Marvel Cinematic Universe! Yes, I know we’ve been there three times before in the last six months or so, from BLACK WIDOW to SHANG-CHI AND THE LEGEND OF THE TEN RINGS, and most recently THE ETERNALS, but this is more than a bit unique. First, it’s another co-production with Sony, one that somewhat completes a trilogy. And though it is a journey forward with our favorite “wall-crawler” it also takes a side turn down “memory lane”. In that way, it’s a bit of a celebration since he swung into the comic book world sixty years ago next August, and this coming May it’ll be his twentieth-year “thwipping” through the big screen. But for all that time, poor Peter Parker can’t seem to catch a break with his new amazing adventure, SPIDER-MAN: NO WAY HOME
As you recall from the mid-credits sequence of the last flick Ole’ Pete (Tom Holland) is in big trouble. Blowhard video-blogger J. Jonah Jameson (J.K. Simmons) has revealed his identity to the world while accusing him of murdering Mysterio and unleashing a horde of deadly drones. But the media and law enforcement also go after GF MJ (Zendaya), BFF Ned (Jacob Batalon), Aunt May (Marisa Tomei), and even ‘Happy’ Hogan (Jon Favreau). Of course, this news torpedos the high school trio’s applications to MIT. How in the world can Pete fix this? He can’t just “web it up”. And his big “alibi”, Nick Fury, is “off-world”. Hey, he’s just blocks away from the “sanctum sanatorium” of his “Endgame” cohort, the master of mystic arts, Dr. Strange (Benedict Cumberbatch). After much pleading, the doc decides to grant Pete’s request by casting a complex spell that will make everyone forget that he’s Spidey. Unfortunately, Strange is distracted by Pete’s “add-ons” (except MJ…and Ned…and…). But it looks like everything’s under control as Peter tries to talk with an MIT recruiter that’s stuck in traffic. Suddenly an armored tentacle bursts through the pavement. It’s Dr. Otto Octavius (Alfred Molina), who recognizes Spider-Man, but is baffled by his unfamiliar voice (he’s a stranger to Pete) Then a cackling green troll tosses an explosive pumpkin-like grenade. The Green Goblin AKA Norman Osborn (Willam Dafoe) is on the attack. Later Strange explains that the flawed spell has opened up multiple portals to other dimensions, unleashing many unfamiliar “super-villains”. Can Spidey and Strange, with assists from MJ, Ned, and Happy (who’s got some old Stark tech) capture these powerful “baddies” and send them back? With the Avengers scattered, can anyone else help them out?
Once again, the talented Mr. Holland slips into the dual lead role as though it’s a pair of comfy old sneakers (perhaps more like a pair of “web-shooters”). He retains Pete’s infectious energy and optimism even though his whole world seems to be collapsing in on him. More than in the last two films, there’s much more at stake as his alter ego intrudes on the lives of those he cherishes the most. Holland communicates that through his often halting line delivery, which speeds up as Pete formulates a strategy at “Spidey-speed”. He proves that the character does indeed work best as a high-schooler (but not for much longer). Zendaya’s MJ still has that endearing snark, tinged with her near-pitch-black sense of humor, now tempered with her affection for Pete and the need to support and protect him. Much the same can be said for Batalon as Ned, still loving his role as “the guy in the chair”, but eager to take on more (which happens “in spades”). Tomei channels more of May Parker’s generous empathetic soul, when she’s not in “mama grizzly” mode to protect her dear Pete. Favreau is still a funny lovable “schlub” who’s often Pete’s mentor and cantankerous “Dutch Uncle”. And on the opposite side, several screen vets seem to be relishing their return to villainy. Molins is a malevolent megalomaniac who is baffled by his new, but “old”, enemy. Ditto for Dafoe, whose Osborn is in almost constant battle with the scheming Goblin. Oh, and Jamie Foxx is back as Max/Electro who appears to love hurling insults alongside his deadly lightning bolts. Luckily Cumberbatch as the good doctor/wizard is there to reign them in while proving to be another great teacher/coach and father figure to Pete.
As you can see from the splash page from 1965’s Amazing Spider-Man Annual #2, the Stan Lee/ Steve Ditko creations have been teaming up for quite a while
Returning to the director’s chair is Jon Watts, who proves most adept at juggling the action, comedy, and drama, keeping the pace steady while still hitting all the emotional “beats” of the script penned by some more series vets, Chris McKenna and Eric Summers. It’s quite an impressive balancing act, since several action epics often lurch about, changing done as they speed to the next big action sequence. Mind you, the great stunts and VFX are here “a plenty”, but what stays longest may be the quiet moments as unlikely characters bond despite bickering. Best of all Spidey remains a beacon of light amongst so many “grim and gritty” masked crimebusters (though he’s put to the test many times here). He continues to cling to the hope that people can change. And while other film franchises try to ignore or even discard their past incarnations, this endearing romp embraces all the quirks and foibles of its forebearers. That’s heightened by the sprightly score from Michael Giacchino which seamlessly weaves in iconic melodies. And though many may see this tale as a conclusion (at least to the “home” subtitles), its finale announces a new start (buoyed by word that Holland and Marvel will continue with Sony for another trilogy). SPIDER-MAN: NO WAY HOME is a celebration of the past, a touching look ahead, and an affectionate nod to the faithful fans of the beloved character. Somewhere Stan “the man” Lee is flashing that big grin…
4 Out of 4
SPIDER-MAN: NO WAY HOME is playing in theatres everywhere
In one month’s time, expect visitors from every universe. The brand new trailer has dropped for Columbia Pictures’ SPIDER-MAN: NO WAY HOME.
For the first time in the cinematic history of Spider-Man, our friendly neighborhood hero is unmasked and no longer able to separate his normal life from the high-stakes of being a Super Hero. When he asks for help from Doctor Strange the stakes become even more dangerous, forcing him to discover what it truly means to be Spider-Man.
Tickets on sale C̶y̶b̶e̶r̶ Spider-Monday, November 29.
Spider-man hanging on in Columbia Pictures’ SPIDER-MAN: NO WAY HOME.Spider-Man perched atop a light in Columbia Pictures’ SPIDER-MAN: NO WAY HOME.
The film is helmed by Jon Watts and produced by Amy Pascal and Kevin Feige. Watts directed and co-wrote Spiderman “Homecoming” (review) and “Far From Home.” (review)
It was announced in December 2020 that Watts would direct an upcoming Fantastic Four film.
Jon Watts will direct the new feature film for Marvel's First Family, Fantastic Four! pic.twitter.com/Eu26ghxbGT
Tom Holland stars as Peter Parker/Spider-Man and Benedict Cumberbatch stars as Doctor Strange in Columbia Pictures’ SPIDER-MAN: NO WAY HOME.Doctor Strange (Benedict Cumberbatch) looks on at Spider-Man in Columbia Pictures’ SPIDER-MAN: NO WAY HOME.
Based on the MARVEL Comic Book by Stan Lee and Steve Ditko, SPIDER-MAN™: NO WAY HOME exclusively in movie theaters on December 17, 2021.
So who’s ready to “make up” for “lost time” (well, maybe 2020 was a “lost year”), and take a third 2021 trek into the Marvel Cinematic Universe (MCU)? Now, this visit is a bit different as it delves more into the “universe” area of that label. BLACK WIDOW bounced about Eastern Europe, while SHANG-CHI AND THE LEGEND OF THE TEN RING zoned in on Asia (after a brief, but memorable San Francisco battle in the first act). The entry opening everywhere this weekend is almost everywhere and begins in the deep recesses of outer space (but don’t look for that pop-music-lovin’ crew of the Milano). Oh, and like Shang-Chi its comics roots sprang up in the (if they were the “swingin” 60’s” then the next decade would b “sparkly 70s”. Plus they were created solely (not with Stan Lee) by the artist extraordinaire behind most of the Marvel heroes we’ve already seen on screen, the man still affectionately known as the “king of comics”, Jack Kirby. Ah, but does it have plenty of that “Kirby crackle”? We’ll find out as we meet (and greet) those extraordinary ETERNALS.
Prior to the now-familiar Marvel Studios logo, we get a short “title prologue” (now there’s no “chapter heading” and the words don’t recede into the star backdrop). It seems that the galaxies were fashioned by the Celestials, one of which, Arishem, oversees its work, our solar system. In order to protect the emerging humans of Earth from the brutal, ravenous creatures called the Deviants, Arishem created a group of human-like immortal warriors known as the Eternals. We first see them in battle when the Deviants attack ancient Mesopotamia. They’re led by Ajak (Salma Hayek), a healer who communicates with Airshem. Sersi (Gemma Chan) can transform matter (turning heavy stone into water proves useful). Dashing Ikaris (Richard Maddin) can fly while shooting destructive yellow beams or rays from his eyes. Teenage Sprite (Lia McHugh) uses deceptive illusions on her foes. Kingo (Kumail Nanjiani) fires energy bolts from his fingertips, while Gilgamesh (Don Lee) uses his enhanced fists to pummel the “baddies” as Makkari (Lauren Ridoff) unleashes her super-speed skills. Thena (Angelina Jolie) can create all manner of weaponry which she masters in combat, while Druig (Barry Keoghan) uses his mind to take control of humans. But the humans have a great ally in Phastos (Brian Tyree Henry) whose projected “creations” gently “nudge” humanity toward industrial progress.
Say, isn’t that the “green goliath” mixing it up with the group in this Kirby cover?
As that battle ends, and the Eternals actually celebrate with the people, the story springs ahead to modern-day England where Sersi along with Sprite (posing as sisters) reside. Actually, Sersi teaches at a big museum alongside boyfriend Dane (Kit Harrington). The calm ends when an earth tremors interrupt a class. Later, after an evening out, the trio is attacked by a Deviant (not seen in many years). Luckily Ikaris pops up when this monster proves more powerful than any they’ve fought over the centuries. It’s a mystery that prompts the three Eternals to seek out the rest of the crew (as Jake Blues would say, “We’re getting the band back together”). When tragedy strikes a teammate, the truth is slowly revealed through several “time jumps over several spots in history. The secret behind the attack will pit Eternal against Eternal, as the fate of the Earth hangs in the balance.
Whew, the casting folks really earned their paychecks in assembling a most interesting acting ensemble for this big (ten members) “super-team”. Still, the main story “hook” is the relationship of Sersi and Ikaris, the “defacto’ parents of this fantastic “family”. Chan projects a regal intelligence as Sersi, who struggles to grasp the new challenges thrust upon her as the leadership “shifts”. Madden is intense and fairly stoic as the high-flying “frontman”. McHugh gives Sprite a tragic quality as she tries to deal with having a youngster’s appearance through eternity (kind of like Kirsten Dunst in INTERVIEW WITH THE VAMPIRE). On the flipside, Nunjiani is having lots of fun as the snarky, wise-cracking Kingo who has used his longevity to become a dynasty of “Bollywood” stardom. Also having fun is Jolie whose Thena relishes combat with the creatures, but is sadly the most vulnerable as she deals with a sort of “immortal madness’ that compels her to take on her teammates. It’s a bit more complex than Ajak, played with sincerity and gravitas by Hayek, who becomes the “go-between’ with the Celestial Arishem. Henry is also quite amusing as the often flustered inventor Phastos, who just wants to settle down with the mortals. Lee’s blustery bravado hides a tender caring soul (and a great chef) as the man with the furious fists. Ridoff is a bright burst of energy as the speedster which offsets the often sinister vibe from Keoghan’s mind controller (who appears to be leading a forest-based cult). Representing the humans is Harrington who has a shaggy bewildered charm as the audience’s surrogate (almost immediately he asks why Sersi and her pals didn’t take on Thanos), Dane.
Nobody can accuse the MCU of trying to “rest on their laurels” by “playing it safe”. You could even say that they’re “swinging for the fences” by attempting this cosmic adventure showcasing a largely “unknown property” in the Marvel comics staple. It worked a few years ago with GUARDIANS OF THE GALAXY. Sad to say that this time “at bat” only yields a solid double rather than a grand slam. Oscar-winning director Chloe Zhao gives us a taste of her versatility with this sprawling saga giving us a few great action “set pieces” (the first “beach fight’ is wondrous, but a battle in a forest near dusk is needlessly murky), and even an engaging musical number (the set of Kingo’s newest blockbuster). Unfortunately, the script she created with a trio of screenwriters needed at least a couple of “passes’ to tighten the story flow and trim the excess (perhaps less time on the road and a jettisoning of Thena’s malady), as it feels all of two and a half hours (though much longer, AVENGERS: ENDGAME sped by). The rapport between the main group is fun (mainly due to Kingo, who needs a spin-off at Disney+), but they’re too set apart from the rest of the MCU, though several Avengers are mentioned (and a couple of non-MCU heroes). Part of the problem may be the Deviants who are pixel-filled “creepers” with little weight (in form and writing). I will commend the producers for making sure some of the crew paid the ultimate price for their heroics, and kudos for the solo Jack Kirby credit (as opposed to “based on the Marvel Comics characters”), but it doesn’t make up for the sluggish pace nor the bland romantic subplot between former lovers Sersi and Ikaris that just “spins its wheels” (and the “beach consummation” seems wildly out of place). All the artistic effort to create this new mythology is often eye-popping, but it’s not enough to make ETERNALS not feel like an eternity.
So, did you think we’d bid adieu to the Summer of 2021 without a second visit to the Marvel Cinematic Universe (MCU)? Happily, the answer to that is no, “true believers”. Though we usually get the first flick at the start of May, well, things have changed since the MCU’s beginning in 2008. And that’s why we finally got to learn of the backstory of the BLACK WIDOW this past July. Now, this was her eighth feature appearance, but this holiday weekend sees the very first screen outing for a character who wasn’t part of that 1960s creative explosion that birthed Spidey, the Hulk, and so many others. This hero was part of the big Marvel Comics expansion (a new distribution deal allowed for more titles) in the 1970s and reflected one of that decades’ big pop culture trends: the martial arts TV shows and movies (Bruce Lee on the big screen, ABC’s “Kung Fu” on the small). And so the MCU expands and becomes even more diverse (we’ve explored Africa, Russia, and, well, outer space) with SHANG-CHI AND THE LEGEND OF THE TEN RINGS.
This tale’s prologue gives us a back story on those title “rings”. In ancient Asia, a mighty warrior named Xu Wenwu (Tony Chiu-Wai Leung) possessed a set of ten magical mysterious (were they from another world) rings (worn on his forearms rather than his fingers) that made him near-unstoppable. He and his army (known as the “Ten Rings”) conquered much of the land, but one area eluded them: a strange wooded land that supposedly was the home of real creatures of myth, TaLo. After much effort, Wenwu makes it into the woods and is confronted by its protector, the beautiful maiden Li (Fala Chen). Their combat leads to ..a romance. After several return visits, Wenwu proposes to Li and returns with her to his castle home. They become parents of a boy and a girl. When the now teenage son leaves, Wenwu gifts him with a jade jewel that he wears about his neck. Cut to modern-day San Francisco as that lad, now a twenty-something named Shaun (Simu Liu) works a menial job alongside best pal Katy (Awkwafina). When brutal thugs try to grab the jewel, Shaun’s martial arts skills are revealed to Katy (and later she learns his real name: Shang-Chi). He now believes his sister (who he hasn’t seen in many years) is in danger from this gang. Getting an address from an odd postcard ( a dragon sketch) from her, he and Katy travel to Hong Kong for a family reunion that may lead to a spectacular battle, all part of Shang-Chi’s destiny as a skilled defender of the whole planet.
With a casting choice harkening back to the first THOR, the MCU masterminds have wisely chosen a largely unknown actor (although he’s had many supporting roles on TV and features) to play their “master of martial arts” (though “Iron Fist” preceded him on Netflix in 2017). Liu as Shang-Chi/Shaun has an easy-going average guy quality, especially in the early San Fran scenes, while balancing mush of the powerful action/acrobatic stances of (dare I say) young Bruce along with the comic slapstick reactions of Jackie Chan. But Liu still conveys a tender vulnerability as he tries to face the tragedies of his past while attempting to process the awesome responsibilities of his future path. . I look forward to seeing the actor and character mature in future film adventures (and as part of the “greater MCU”). Plus, he’s an endearingly sweet straight man to the warrior queen of comedy, Awkwafina. Yes, she’s very funny and steals scenes with what seems like little effort, but there’s more to Katy than the wisecracks and caustic “burns”. Katy’s truly adrift, just trying to coast through life before her BFF opens up new possibilities for her. Awkwafina subtly balances her amazement over her pal (“Dude, who are you?!!”) while his secret life fuels some sadness. After her somewhat abrasive voicework in RAYA AND THE LAST DRAGON (far too much use of modern slang), Awkwafina shines as a real “fish out of water”.
Hey Marvel-maniacs, here’s the cover to Shang-Chi’s first Marvel comic appearance!
As for the supporting players, kudos for giving the film a most complex and conflicted villain. Leung starts as your standard power-mad baddie, but we see how his quest opens his soul to new ideas, like truly caring about another person. It all adds to his devasting loss, as Leung shows us that the sparkle, the light of love has left his eyes. His final master plan is created out of love and despair (much as with Thanos and Loki), making us hope that he’ll come to his senses. Hard to think I’d be rooting for the Mandarin (One of the many names attached to Wenwu is also the great 1960s Iron Man arch nemesis). Meng’er Zhang is quite compelling as Shang-Chi’s estranged sister Xialing, letting us question her loyalties and outlook. Chen has an ethereal beauty and a quiet dignity as the princess that actually rescues a king. Much the same can be said about the always engaging Michelle Yeoh as her sister and current protector of the wonders of TaLo, a compassionate aunt and a stern taskmaster. And, since it’s already been revealed online, I can praise the great Ben Kingsley who is hysterical as he reprises his role of Trevor Slattery, the self-absorbed dimbulb actor who “played” the Mandarin in IRON MAN III. His “riff” on a classic sci-fi movie series will stick with me when another entry or reboot is made. Maybe Trevor and Katy can team up for a future flick.
Oh, and here’s another example of the MCU “thinking outside the box” (much like casting Liu in the lead). Rather than going for one of the name “big action” directors, they entrusted the launch of this new franchise with a director mainly known for indie-like dramas (SHORT TERM 12, THE GLASS CASTLE, and JUST MERCY), Destin Daniel Cretton. Smart move as he lets the emotions bubble up subtly in-between the astounding stunt showcases. We embrace Shang-Chi, Katy, and surprisingly Wenwu even as they appear to defy the laws of physics. Hey, about those stunts….truly astounding, perhaps surpassing the face-offs in BLACK WIDOW. The film has not one, but two of this year’s greatest action sequences (one had me smiling as it reminded me of a favorite iconic arcade video game). And somehow, during the mayhem, we’re gobsmacked by the beauty of the imagery, even rivaling CROUCHING TIGER, HIDDEN DRAGON. giving the story a fairytale-like feel. Much of that is due to the scenes in TaLo, which joins the MCU atlas of locales that we wish were real (Wakanda, Asgard, etc.). The script by Cretton, along with Dave Callaham and Andrew Lanham has almost the perfect mix of heart, action, and humor….almost. Hate to be a bit of a “wet blanket”, but the big CGI-overloaded final battle takes the focus off the folks we care up and tries to emulate the recent kaiju re-dos as pixels fight pixels in a choppily edited free-for-all. So, they don’t “stick the landing” darn it. Ah, but the journey there is so engrossing. And (need I say) the mid-credits bonus scene will leave you smiling. Maybe all the way until the anticipated (I’m there) and very warranted follow-up to SHANG-CHI AND THE LEGEND OF THE TEN RINGS. Perhaps an even dozen next time?
3 Out of 4
SHANG-CHI AND THE LEGEND OF THE TEN RINGS opens in theatres everywhere on Friday, September 3, 2021
Okay, now we’re talking “Summer at the movies”! Yeah, yeah we’ve had the newest entry in a “tentpole franchise” with the mind- (and butt) numbing F9, but this Friday’s big release continues a now 13-year tradition. We’re going back to the multiplex (or a deluxe “single-screen palace” for those lucky few) for a deep dive into the Marvel Cinematic Universe! “Excelsior’, as our much-missed “king of cameos” would say. Oh, and this dive is so “deep’ you may get a bit of whiplash in your reclining theatre seat (or in your “Lazy boy” at home, which is now an option, but go out, please) since it’s a prequel to the film in which we said goodbye to this character, from 2019. But really, after her introduction in 2010s IRON MAN II, and roles in six other MCU epics, she, yes S-H-E, is long, long overdue for a solo showcase (heck, a team-up with her bow-wielding BFF would’ve been nice). And after countless release date changes, it’s finally time for film fans to brace themselves for the sting (or should it be bite) of the BLACK WIDOW! To quote Stan once more, “Face front!”, or you won’t see the screen, ‘natch’ true believers!
The film actually begins a lot further back with a prologue intro, as a fiesty preteen, her electric blue hair shimmering in the late afternoon sun, pedals her bike in suburban Ohio, circa 1995 (hmmm, on the west coast, an aspiring SHIELD agent is encountering a certain Kree-based warrior, so it’s a pivotal time in the MCU). As she joins her blonde kid sister and “mama” (Rachel Weisz), “papa” (David Harbour) bursts through the door to announce that they must quickly pack “for an adventure”. After eluding the authorities, they hop on a plane that lands in Cuba. There they meet daddy’s boss, Dreykov (Ray Winstone), who promptly (well, after getting a prized “floppy disc”) separates the two sobbing sisters. After the main title “history montage”, the story zips ahead to 2016, In the aftermath of CAPTAIN AMERICA: CIVIL WAR, General Thaddeus “Thunderbolt” Ross (William Hurt) believes that he has trapped Natasha Romanoff AKA the Black Widow (Scarlett Johansson), who gives him “the slip” and escapes to a secluded trailer “safe house” in Eastern Europe, which is tended by pal and “acquisitions expert” Mason (O-T Fagbenie). Far away, an elite squad of female agents led by now not-so-lil’-sis Yelena (Florence Pugh) tracks down a fugitive woman. She’s fatally injured, but before she expires she plunges a needle into Yelena’s leg. It’s one of a bag full of hypos filled with a glowing red liquid. Later, Mason gives Nat her accumulating mail, which includes a rather large case, which i contains those red needles. On her way to her Prague apartment, she is attacked by an armored high-tech assassin, Taskmaster.. After thwarting that killer, and holding on to the package, Nat is attacked again at her “flat”, this time by Yelena. After their reunion “workout” Yelena tells Nat that the needles contain an antidote to the mind-controlling chemicals used to create the “perfect killer agents’ at the “Red Room” (we saw a glimpse of that “school” that creates “black widows” in AVENGERS: THE AGE OF ULTRON). But Nat is confused since that “program” ended when she “liquidated” its creator, the despicable Dreykov, who is still “in business” at a hidden locale. The “sisters” must distribute that serum, but they’ve got to elude an army of agents with the same training. This necessitates a “family reunion” as Nat and Yelena track down “papa” Alexi AKA the Red guardian at a frozen gulag and “mama” Melina at her remote pig farm (wonder which place smelled worse). But can this quarreling quartet save the new “Red Room” recruits and thwart the power-mad despot, Dreykov?
After sliding into that unforgiving black bodysuit for the past 11 years, you’d think that Ms. Johansson wouldn’t have anything new to offer as the reformed “killer queen”. And you’d be very mistaken. Sure she handles the incredible action sequences with style and flair (you could consider LUCY and GHOST IN THE SHELL as more “prep”), but she surprises us with the emotional depth this new “old” story reveals in Nat’s complex story. In the quieter moments, there’s still that haunted, sad look in her eyes as she mentally flips the pages of the ledger “filled with red ink”, as Loki taunted her with in the first AVENGERS. In this outing, we see the maternal, nurturing side of the Widow, reminding us of Ms. J’s tender “indie” film roles that followed ENDGAME, nabbing Oscar noms for MARRIAGE STORY and JO JO RABBIT. This is brought out by the superb and inspired pairing of her with the very talented Pugh. Nat wants to protect her while also being frustrated by her in an honest exploration of the sibling dynamic (or even mother/daughter as their matriarch is often absent). Pugh proves she’s ready for the big “studio flicks” after her last big low-budget efforts in the recent take on LITTLE WOMEN (earning her own Oscar nom as Amy) and the creepy MIDSOMMAR as a mostly irritating heroine. Her “burns’ are almost as debilitating as her “roundhouse” kicks ( the delight in her eyes as she calls “big sis” a “poser” is priceless). And we can’t neglect the parents, especially when papa is played with a merry wink by the scene-stealing Harbour. The years between the “escape” and the “reunion” have “filled out” his character in both personality and, well, “physical”presence. He boasts of imagined triumphs to fellow inmates (“But wasn’t Capitan America frozen?”), and later barely squeezes into his old “fight suit” (we keep waiting to hear the latex split). But his blustery blowhard has his tender side too, as he yearns to be a true pater to the ‘sisters”. The same can’t really be said of Weisz, who’s far from the warm matriarch. In fact, she’s nearly as cold as her farm’s stables, as Melina dismisses the women as a long-ago “assignment’ she’s almost forgotten. She’s slow to “warm-up”, though her revived passion for her partner is hilariously endearing and a bit moving. None of that applies to the story’s ‘big baddie”. played by Winstone as a waddling barrel filled with bile. His Dreykov craves control and power as most would desire food and oxygen. He’s a mastermind most worthy of Nat and her crew, including Fabenle’s affable Mason, who complains but still deeply cares for his often brusque demanding “boss”.
Hey Marvel movie geeks. Here’s the Widow over the years. First, on the far left is her look in those early 1960s Iron Man stories in “Tales of Suspense”. In the middle is her hero (or heroine) guise from the 70s in the “Amazing Adventures” comics, both drawn by “Dashing” Don Heck. And on the far right is a publicity still for a proposed 1975 ABC TV show starring Angela Bowie (yes, David’s wife).
Marvel Studios, once again, taps a talent that not a part of the “blockbuster brigade’ to guide this rousing adventure. Director Cate Shortland is mainly known for intimate character-driven “indies” like LORE and BERLIN SYNDROME, but can now add action/spy epic to her resume”. She keeps the tale moving swiftly with confidence in both the big stunt “set-pieces” (and big kudos to that stunt team) to the exchanges that reveal key elements of the main characters (the reunion meal is compelling as is the gas station verbal sparring of the sister widows). And oh, those action experiences, just as thrilling as anything in F9, but made more riveting by our interest in the heroines (and an out-of-shape hero). And as with the other MCU flicks, this isn’t set in a “bubble” as others refer to Nat’s recent exploits (Yelena wonders why she doesn’t send a call to that “god from outer space”). And I shouldn’t have to tell you to stick around through the end credits, should I ( a sweet “payoff’ for the fans)? And that’s who this globe-hopping romp was intended. The fans of the character are generously given a chance to say a proper farewell to the wondrous Johannson (she’s even an executive producer on this). Some are calling this entry unnecessary, but it gives proper respect to a comics icon that’s added so much to the Marvel heritage, letting a terrific teammate (a superb partner to all the Avengers, especially Cap in WINTER SOLDIER) ambling into one final sunset. Bye-bye and bravo BLACK WIDOW. And consider that “ledger” finally wiped clean.
3.5 Out of 4
BLACK WIDOW opens in theatres everywhere on 7/8/2021 and is available via Premier Access on the Disney+ streaming service on 7/9/2021
Front Row L to R: Sean Gunn (Kraglin), Hannah John-Kamen (Ghost), Director Scott Derrickson, Executive Producer Trinh Tran, Jeremy Renner (Hawkeye), Paul Rudd (Ant-Man), EVP, Physical Production Victoria Alonso, Zoe Saldana (Gamora), Angela Bassett (Ramonda), Director/Actor Jon Favreau (Happy Hogan), Chris Hemsworth (Thor), Gwyneth Paltrow (Pepper Potts), Chris Evans (Captain America), Robert Downey Jr. (Iron Man), Executive Producer/Writer Stan Lee, President of Marvel Studios Kevin Feige, Scarlett Johansson (Black Widow), Co-President of Marvel Studios Louis D’Esposito, Kurt Russell (Ego), Danai Gurira (Okoye), William Hurt (Thaddeus Ross), Director Alan Taylor, Karen Gillan (Nebula), Executive Producer Brad Winderbaum, Emily VanCamp (Sharon Carter), Director Louis Letterier Second Row L to R: Director Jon Watts, Casting Director Sarah Finn, Tessa Thompson (Valkyrie), VP, Physical Production David Grant, Don Cheadle (War Machine), Tom Holland (Spider-Man), Director James Gunn, Dave Bautista (Drax), Michael Peña (Luis), Anthony Mackie (Falcon), Evangeline Lilly (Wasp), Director Joe Russo, Director Anthony Russo, Chris Pratt (Star-Lord), Chadwick Boseman (Black Panther), Benedict Cumberbatch (Doctor Strange), Elizabeth Olsen (Scarlet Witch), Director Joss Whedon, Paul Bettany (Vision), VP, Physical Production Mitchell Bell, Frank Grillo (Crossbones), Director Anna Boden, Director Ryan Fleck, Letitia Wright (Shuri), Editor Jeffrey Ford Third Row L to R: Director Peyton Reed, Laurence Fishburne (Dr. Bill Foster), Linda Cardellini (Laura Barton), Executive Producer Jonathan Schwartz, Sebastian Stan (Winter Soldier), Ty Simpkins (Harley Keener), Mark Ruffalo (Hulk), Brie Larson (Captain Marvel), Michael Douglas (Hank Pym), Executive Producer Stephen Broussard, Director Ryan Coogler, Michelle Pfeiffer (Janet van Dyne), Executive Producer Jeremy Latcham, Hayley Atwell (Peggy Carter), Pom Klementieff (Mantis), Exe
Today Marvel Studios kicks off the year-long Marvel Cinematic Universe 10-Year anniversary celebration with an iconic class photo featuring talent and filmmakers from over the last ten years.
On October 7th, 2017 a group of more than 80 actors and filmmakers all came together in secret in Atlanta, Georgia, on the set of Marvel Studios’ “Avengers: Infinity War” to memorialize the last ten years with a photo and to celebrate the accomplishments of the Marvel Cinematic Universe.
An impressive group of Super Hero talent assembled, including Robert Downey Jr., Chris Evans, Chris Hemsworth, Mark Ruffalo, Scarlett Johansson, Paul Rudd, Benedict Cumberbatch, Chris Pratt, Chadwick Boseman, Brie Larson, Jeremy Renner, Tom Holland, Sean Gunn, Hannah John-Kamen, Zoe Saldana, Angela Bassett, Jon Favreau, Gwyneth Paltrow, Kurt Russell, Danai Gurira, William Hurt, Karen Gillan, Emily VanCamp, Tessa Thompson, Don Cheadle, Dave Bautista, Michael Peña, Anthony Mackie, Evangeline Lilly, Elizabeth Olsen, Paul Bettany, Frank Grillo, Letitia Wright, Laurence Fishburne, Linda Cardellini, Sebastian Stan, Ty Simpkins, Michael Douglas, Michelle Pfeiffer, Hayley Atwell, Pom Klementieff, Benedict Wong, Michael Rooker, Vin Diesel, Cobie Smulders, Samuel L. Jackson and Jeff Goldblum.
Filmmakers from the past 10 years of MCU film joined the festivities, including Kevin Feige, Louis D’Esposito, Victoria Alonso, Stan Lee, Scott Derrickson, Trinh Tran, Alan Taylor, Brad Winderbaum, Louis Letterier, Jon Watts, Sarah Finn, James Gunn, Joe Russo, Anthony Russo, Joss Whedon, David Grant, Mitchell Bell, Anna Boden, Ryan Fleck, Jeffrey Ford, Peyton Reed, Jonathan Schwartz, Stephen Broussard, Ryan Coogler, Jeremy Latcham, Nate Moore, Christopher Markus, Stephen McFeely, Taika Waititi, Erik Carroll, Ryan Meinerding and Craig Kyle.
The Marvel 10-Year Sweepstakes will take place across social media and last for five weeks, from February 8 to March 15. Each week of the sweepstakes features a different Marvel Cinematic Universe film. Fans can post a photo of themselves on Twitter or Instagram and/or tweet their favorite personal memory from the film of the week using the film hashtag and #Marvel10YearSweepstakes to be entered for a chance to win.
Each week, a drawing will take place and a winner will be selected. The weekly winner will receive the Ultimate Marvel Fan prize package, including Marvel Studios’ “Captain Marvel” set visit; Marvel Studios visit and tour; tickets to Marvel Studios’ “Avengers: Infinity War” premiere; all transportation and lodging; and more. Full prize details, information on how to enter and official sweepstakes rules can be found at: www.marvel.com/10YearSweepstakes
Marvel Studios’ 10th anniversary begins with the release of “Avengers: Infinity War” and covers an impressive decade of Marvel Studios’ blockbusters released from 2008 through the “Avengers” untitled film in 2019. In celebration of the anniversary, fans can expect exclusive consumer products and collectibles, along with in-theater events and much more in the coming months.
Marvel Studios’ unprecedented success over the last ten years is reflected in its cumulative box-office receipts of over $13.5 billion worldwide. Legions of fans—both old and new—have enjoyed the live-action exploits of favorite Marvel Super Heroes in films that express the unique vision and creativity of the filmmakers, and deliver spectacle and thrilling action with relatable characters.
From STAR WARS and CAPTAIN AMERICA to PIRATES OF THE CARIBBEAN and ALICE THROUGH THE LOOKING GLASS, Disney, Marvel Studios and Lucasfilm presented their live action film slates this morning at the D23 EXPO 2015 at the Anaheim Convention Center in Anaheim, Calif.
The presentations, which revealed exclusive news and details about the upcoming live action films, were aided by live and video appearances from talent and filmmakers. Walt Disney Studios Chairman Alan Horn hosted the highly anticipated biennial event.
“It’s quite something to be able to have Disney, Marvel and Lucasfilm all on the same stage, and it’s tremendously gratifying to unveil our upcoming projects to our most dedicated fans first,” said Alan Horn, Chairman, The Walt Disney Studios. “We always have an incredible time at the D23 EXPO.”
After welcoming the crowd to D23 EXPO 2015, Horn introduced Kevin Feige, President of Marvel Studios, and Sean Bailey, President of Walt Disney Studios Motion Picture Production, to present overviews of the Marvel Studios and Disney live action slates.
Later Horn returned to the stage to present the Lucasfilm film slate to the enthusiastic audience.
Here’s a recap of the presentation.
Kevin Feige led off with a glimpse into the world of Marvel’s “Doctor Strange,” featuring a video greeting by Benedict Cumberbatch, who stars as the title character, followed by a pre-production piece that offered fans a taste of the look and feel of the upcoming film, opening in U.S. theaters on October 26, 2016.
Marvel’s “Captain America: Civil War” marched into D23 EXPO with an introduction by its producer, Kevin Feige. To the delight of the audience, Chris Evans and Anthony Mackie showed up on stage to help Feige show never-seen-before footage from the movie.
Before the footage rolled, Feige revealed that there was a special “Easter egg” for fans to find: it was aptly a nod to D23 EXPO.
Marvel’s “Captain America: Civil War” picks up where “Avengers: Age of Ultron” left off, as Steve Rogers leads the new team of Avengers in their continued efforts to safeguard humanity. After another international incident involving the Avengers results in collateral damage, political pressure mounts to install a system of accountability and a governing body to determine when to enlist the services of the team. The new status quo fractures the Avengers while they try to protect the world from a new and nefarious villain.
The movie stars Chris Evans, Robert Downey Jr., Scarlett Johansson, Sebastian Stan, Anthony Mackie, Emily VanCamp, Don Cheadle, Jeremy Renner, Chadwick Boseman, Paul Bettany, Elizabeth Olsen, Paul Rudd, Frank Grillo, Tom Holland, with William Hurt and Daniel Brühl.
Marvel’s “Captain America: Civil War” is directed by Anthony & Joe Russo and produced by Kevin Feige. Louis D’Esposito, Alan Fine, Victoria Alonso, Patricia Whitcher, Nate Moore and Stan Lee serve as executive producers and the screenplay is by Christopher Markus & Stephen McFeely.
Marvel’s “Captain America: Civil War” opens in the U.S. on May 6, 2016.
(L-R) Actor Chris Evans of CAPTAIN AMERICA: CIVIL WAR, actor Miles Brown and actor Anthony Mackie of CAPTAIN AMERICA: CIVIL WAR took part today in “Worlds, Galaxies, and Universes: Live Action at The Walt Disney Studios” presentation at Disney’s D23 EXPO 2015 in Anaheim, Calif. (Photo by Alberto E. Rodriguez/Getty Images for Disney)
Sean Bailey took the stage to introduce the first film in the Disney live-action lineup, “The Finest Hours,” which is based on the remarkable true story of the most daring rescue mission in the history of the Coast Guard.
Chris Pine, who plays Bernie Webber, the captain of the rescue boat, joined Bailey on stage to give fans a peak at the heroic action-thriller.
Presented in Digital 3D, Real D 3D and IMAX 3D, the film, which is directed by Craig Gillespie and also stars Casey Affleck, Ben Foster, Holliday Grainger, John Ortiz and Eric Bana, transports audiences to the heart of the action, creating a fully-immersive cinematic experience on an epic scale.
“The Finest Hours” is produced by Jim Whitaker and Dorothy Aufiero and Doug Merrifield is the executive producer. The film is based on the book by Michael J. Tougias and Casey Sherman and the screenplay is by Scott Silver and Paul Tamasy & Eric Johnson.
“The Finest Hours” storms into U.S. theaters on January 29, 2016.
After an introduction by Sean Bailey, Jon Favreau, director of Disney’s upcoming “The Jungle Book,” welcomed to the stage newcomer Neel Sethi, who was selected from thousands of candidates to play man-cub Mowgli; plus Oscar winners Ben Kingsley, who helps bring panther-turned-mentor Bagheera to life, and Lupita Nyong’o, who lends her voice to the protective mother wolf Raksha.
Favreau treated fans to a sneak peek of footage from the film, and each guest received a copy of the dramatic teaser poster following the presentation. The all-new, live-action epic adventure showcases Mowgli’s journey of self-discovery when he’s forced to abandon the only home he’s ever known.
(Photo by Jesse Grant/Getty Images for Disney)
Based on Rudyard Kipling’s timeless stories and inspired by Disney’s 1967 animated classic, the film features state-of the-art technology that immerses audiences in the lush world like never before.
“The Jungle Book” also features the voices of Bill Murray, Idris Elba, Scarlett Johansson, Giancarlo Esposito and Christopher Walken. Jon Favreau and Brigham Taylor produce and the screenplay is by Justin Marks. “The Jungle Book” hits theaters in stunning 3D and IMAX 3D on April 15, 2016.
Bailey welcomedMia Wasikowska to the stage, where she thrilled fans with a preview of the all-new spectacular adventure, “Alice Through the Looking Glass,” featuring the unforgettable characters from Lewis Carroll’s beloved stories. Director James Bobin brings his own unique vision to the spectacular world Tim Burton created on screen in 2010 with “Alice in Wonderland,” in which Alice (Wasikowska) returns to the whimsical world of Underland and travels back in time to save the Mad Hatter.
The film, which once again features Johnny Depp, Anne Hathaway, Helena Bonham Carter and the voices of Alan Rickman, Stephen Fry, Michael Sheen and Timothy Spall, introduces several new characters as well: Zanik Hightopp (Rhys Ifans), the Mad Hatter’s father, and Time himself (Sacha Baron Cohen), a peculiar creature who is part human, part clock.
Joe Roth, Suzanne Todd and Jennifer Todd, and Tim Burton produce and John G. Scotti is the executive producer. The screenplay is by Linda Woolverton. Presented in Digital 3D, Real D 3D and IMAX 3D, Disney’s “Alice Through the Looking Glass” opens in U.S. theaters on May 27, 2016.
In addition to attending the film’s presentation in Hall D23 at the Convention Center, fans had the opportunity to transform themselves into their favorite characters from Underland with an interactive experience, Travel Through the Looking Glass.
By means of a first-to-market face-tracking application, D23 EXPO participants entering one of four photo booths located on the show floor were able to become the Mad Hatter, the Red Queen, the White Rabbit or the Cheshire Cat with full digital-makeup and cinematic 3D objects seamlessly—and instantly—applied to their reflections, and in real time. They were then emailed a 10-second video and still image, which they could share on their favorite social media platforms.
Bryce Dallas Howard joined Bailey on stage to talk about her starring role in “Pete’s Dragon,” a reimagining of Disney’s cherished family film.
The heartwarming adventure of an orphaned boy named Pete and his best friend Elliott, who just so happens to be a dragon, “Pete’s Dragon” is directed by David Lowery, produced by Jim Whitaker, and executive-produced by Barrie Osborne, and also stars Oakes Fegley, Wes Bentley, Karl Urban, Oona Laurence and Robert Redford.
“Pete’s Dragon” opens in U.S. theaters on August 12, 2016.
Bailey, with the help of Lupita Nyong’o, introduced the crowd to the upcoming film “Queen of Katwe,” which is based on the inspirational true story of a girl from the poverty-stricken slums of rural Uganda who dreams of becoming a champion chess player.
Directed by Mira Nair from a screenplay by William Wheeler based on the book by Tim Crothers, “Queen of Katwe” stars Nyong’o, David Oyelowo and newcomer Medina Nalwanga.
Bailey next presented “Beauty and the Beast,” includinga musical greeting from stars Emma Watson, Josh Gad and Luke Evans – sent from the London set where they are currently filming.
The live-action musical, a retelling of the studio’s animated classic, stars Watson, Dan Stevens, Evans, Gad, Kevin Kline, Ewan McGregor, Stanley Tucci, Emma Thompson, Ian McKellen, Gugu Mbatha-Raw, Audra McDonald and newcomer Nathan Mack.
The film is directed by Bill Condon. Alan Menken, who won two Academy Awards (Best Original Score and Best Song) for the animated classic, provides the score, which will include new recordings of the original songs written by Menken and Tim Rice, as well as several new songs.
“Beauty and the Beast” will be released in U.S. theaters on March 17, 2017.
A surprise visit by Johnny Depp, who showed up on stage completely decked out as Captain Jack Sparrow, brought down the house and thrilled fans at Sean Bailey’s presentation of the next exciting film in the “Pirates of the Caribbean “ franchise, “Pirates of the Caribbean: Dead Men Tell No Tales.”
The film is directed by Espen Sandberg & Joachim Rønning and stars Johnny Depp, Javier Bardem, Brenton Thwaites, Kevin R. McNally, Kaya Scodelario, Golshifteh Farahani, Stephen Graham, David Wenham and Geoffrey Rush.
A photo posted by Joachim Rønning (@joachimronning) on
Thrust into an all-new adventure, a down-on-his-luck Captain Jack Sparrow finds the winds of ill-fortune blowing even more strongly when deadly ghost pirates led by his old nemesis, the terrifying Captain Salazar (Bardem), escape from the Devil’s Triangle, determined to kill every pirate at sea…including him. Captain Jack’s only hope of survival lies in seeking out the legendary Trident of Poseidon, a powerful artifact that bestows upon its possessor total control over the seas.
Jerry Bruckheimer is the producer and Chad Oman, Mike Stenson, Joe Caracciolo, Jr. and Brigham Taylor serve as executive producers. Jeff Nathanson wrote the screenplay.
“Pirates of the Caribbean: Dead Men Tell No Tales” releases in U.S. theaters on July 7, 2017.
Alan Horn took the stage again to present the Lucasfilm slate and timeline to the D23 EXPO fans. Horn told the audience that there were only 124 days to the release of Episode VII, “Star Wars: The Force Awakens,” on December 18, 2015 and added that there have been record-breaking trailer views and fantastic fan response.
Touching on “Star Wars: Episode VIII,” Horn reminded the audience that Rian Johnson will be directing the film slated for release on May 26, 2017. Then in a surprise announcement, Horn informed everyone that Colin Trevorrow (“Jurassic World”) has signed on to direct “Star Wars: Episode IX,” which is scheduled for release in 2019.
Moving on to the new Star Wars stories series, Horn touched on the “Untitled Han Solo” stand-alone film, slated for release on May 25, 2018 by reminding everyone that it will be directed by Christopher Miller & Phil Lord, with Lawrence Kasdan and his son Jon Kasdan writing the screenplay.
Horn then took the audience by surprise, announcing the cast for “Rogue One,” the first of the standalone Star Wars stories to hit the big screen, which has commenced principal photography. Gareth Edwards (“Godzilla,” “Monsters”) is directing “Rogue One,” which tells the story of resistance fighters who have united to steal plans to the dreaded Death Star.
The filmmakers have assembled a stellar cast, including Felicity Jones, nominated for an Academy Award® for her leading role in “The Theory of Everything”; Diego Luna, who was featured in 2008’s Oscar®-winning “Milk” and the critically acclaimed “Killing Them Softly”; Ben Mendelsohn, recently nominated for an Emmy for his leading role in “Bloodline” and co-starring in the upcoming “Mississippi Grind”; Donnie Yen, Hong Kong action star and martial artist who starred in “Ip Man” and “Blade II”; Jiang Wen, who co-wrote, produced , directed and starred in the award-winning “Let the Bullets Fly” and “Devils on the Doorstep”; Forest Whitaker, recently featured in the critically-acclaimed Lee Daniels’ “The Butler” and winner of an Academy Award for his leading role in 2006’s “The Last King of Scotland; Mads Mikkelsen, who starred in “The Hunt” and was the memorable villain from 2006’s “Casino Royale”; Alan Tudyk, who plays a performance-capture character in “Rogue One,” stars in the soon-to-be-released “Con Man” series and “Trumbo,” which releases this November; and Riz Ahmed, who was recently featured in “Nightcrawler” and starred in the BAFTA-winning film “Four Lions.”
The film is produced by Kathleen Kennedy and is slated for a December 16, 2016 release.
“Star Wars: The Force Awakens” ended the live-actionpresentation with a bang as J.J. Abramsintroduced stars John Boyega, Daisy Ridley, Oscar Isaac and Lupita Nyong’o.
The crowd cheered when John Boyega announced that everyone there would get a Drew Struzan D23 EXPO commemorative poster to take home.
Then, in a bringing-down-the house surprise moment, Harrison Ford, who is reprising his role as Han Solo, joined Abrams on stage to wild applause.
“Star Wars: The Force Awakens” stars Harrison Ford, Mark Hamill, Carrie Fisher, Adam Driver, Daisy Ridley, John Boyega, Oscar Isaac, Lupita Nyong’o, Andy Serkis, Domhnall Gleeson, Anthony Daniels, Peter Mayhew and Max Von Sydow. Kathleen Kennedy, J.J. Abrams and Bryan Burk are producing with Tommy Harper and Jason McGatlin serving as executive producers. The screenplay is by J.J. Abrams & Lawrence Kasdan.
“Star Wars: The Force Awakens” releases in U.S. theaters on December 18, 2015.
