First 7 Minutes of ‘Brothers Bloom’

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I couldn’t believe after seeing ‘The Brothers Bloom’ at last year’s St. Louis International Film Festival that it was then going to hold off on getting a release until May.   It was such a great, fun movie, and Rian Johnson is quickly establishing himself as a diverse filmmaker whose only real similarities between projects is the level of story telling he brings to the table.

While the movie doesn’t release until May 29th, you can check out the first seven minutes of the film right here.   This clip comes to us today courtesy of Hulu, which is, evidently, plotting to take over the world.   Alec Baldwin told me so.

Check out ‘The Brothers Bloom’ clip right here:

See the rest when the film releases wide on May 29th.

Source: Hulu

First Look: Official Still from ‘Shutter Island’ Set

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Enough cannot be said about how much I am looking forward to ‘Shutter Island.’   I love the idea, that of a US Marshall arriving at a secluded mental institution on a tropical island during a hurricane to search for a missing murderess.   I love the cast made up of Leonardo DiCaprio, Mark Ruffalo, Ben Kingsley, Michelle Williams,  Max von Sydow, Patricia Clarkson, Emily Mortimer and Jackie Earle Haley.   On top of all of this, it’s directed by Martin Scorsese.   What’s not to love about this film already?

Empire Online brings to us the first official set pic today.   It doesn’t offer much in the way of thrills, but just seeing Scorsese on set of a new film is exciting enough.

Check it out:

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Ruffalo, who plays DiCaprio’s US Marshall partner in the film, has this to say about the film: “This could be one of [Scorsese’s] great films. He gets to do everything he loves about film: noir, dream sequences, suspense, tough urban stuff. It’s absolute madness, twist upon twist.”   Scorsese, himself, has likened the film to Orson Welle’s take on ‘The Trial.’

‘Shutter Island’ comes out on October 2nd.

Source: Empire Online

Teaser Poster for Scorsese’s ‘Shutter Island’

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I have to say of all the anticipated films coming out before the end of 2009, ‘Shutter Island’ has got to be at the top in terms of expectancy. Â  The idea of Scorsese doing a period piece about US Marshall in 1945 who goes to a mental institution on an island in the middle of a hurricane to search for a missing murderess just cries out “Must See Now.”

Ropes of Silicon brings to us today this early teaser poster, which was scanned into them by a reader who caught the teaser art in a local newspaper. Â  All in all, it’s pretty atmospheric and exactly what I expected to see from the film.

‘Shutter Island’ is set for release on October 2nd and stars Leonardo DiCaprio, Mark Ruffalo, Ben Kingsley, Michelle Williams,  Max von Sydow, Patricia Clarkson, Emily Mortimer and Jackie Earle Haley.   You can also check out the film’s official site, though there is nothing there, yet.

Source: Ropes of Silicon

Review: ‘Blindness’

Travis:

Two words to describe ‘Blindness’… bizarre and disappointing. In theory, the concept was great. The movie begins with a man suddenly and spontaneously losing his sight while driving through a busy downtown district. As a result, traffic is halted and the “very best” of people comes out. In an effort to assist the blind man, a pedestrian offers to drive him home. The pedestrian turns out to be a thief and con man, taking the opportunity to steal the blind man’s car after dropping him off at home. It’s a short-lived score, however, because the “whatever” that caused the man’s blindness is apparently contagious and the thief  is stricken with blindness later that night. This progresses on to “infect” the remaining cast of main characters, including a specializing eye doctor (Mark Ruffalo), a high-class female escort (Alice Braga), a small boy and an elderly man (Danny Glover)  who already wears an eye patch. In case you’re wondering why I haven’t mentioned the character’s names, it’s because they apparently don’t have any. No names are ever used in the movie.

The epidemic continues to spread as the main characters willingly place themselves in government quarantine, led by the doctor and his wife (Julianne Moore), who mysteriously ends up being the only human not affected by this “thing” of blindness. At first, the group fares well, reluctantly working together until more and more people begin to show up with the same condition. Before long, the quarantine ward is over-populated, food and water is running low and the health and sanitary conditions become a threat in and of themselves. The military gaurds outside treat them quarantined captives like lepers, refusing to help when needed or offer much needed additional food and medical supplies. The doctor’s wife (Moore) increasingly finds herself struggling with the realization that she’s having to care for an entire ward of newly blind adults, but continues to do so out of a sense of duty.

Things become even more difficult when ward three, led by “the king” (Gael Garcia Bernal), decided they are going to keep all of the food rations and distribute them as they see fit. This send the film into it’s somewhat downward spiral. “The King of Ward Three” (Bernal) adds an element of ‘Lord of the Flies’ while the situation itself gives the film an element of ‘Doomsday’ or ’28 Days Later’. This shift of power results in the rapid downfall of quarantine community, leading to some horrific scenes of humanity’s darkest sides. The middle portion of the film seems to dwell on the concept that when put into a situation like this, human beings revert to their most primal nature. This act of the story deals with the corruption of power and greed, fueled by the emotions of fear and paranoia.

Continue reading Review: ‘Blindness’

Spread the ‘Blindness’

Earlier this month, Miramax Films released the movie trailer for the upcoming thriller ‘Blindness’ from the brilliant director Fernando Meirelles (City of God and The Constant Gardener) and starring Julianne Moore, Mark Ruffalo, Danny Glover,  and Alice Braga.  Based on a novel by Nobel Prize winner Jose Saramago, ‘Blindness’ is an apocalyptic fable about a plague of blindness ravaging first one man, then a city, then the entire globe, with devastating fury and speed.

The “Doctor’s Wife” (Moore)  becomes the only person with the ability to see in a  world where everyone is struck with a mysterious case of sudden blindness, the “White Sickness.” When all the victims are rounded up and  quarantined at  a crumbling, insane asylum, she  pretends to be blind  in order to take care of her husband,  “The Doctor” (Ruffalo).  Amongst chaos and fear, the “Doctor’s Wife” is the only one left to lead  the blind back from the brink of destruction. ‘Blindness’ is scheduled for a late September release.


  

Review: ‘Reservation Road’

Zac:

This Oscar hopeful unfortunately falls short. Joaquin Phoenix and Mark Ruffalo star in this serious drama about the effect of a hit and run can have on the two parties involved; the grieving family and the runner. Ruffalo plays the runner and i good as always. Playing the tortured soul to a great effect, we can buy into his pain and struggle with carrying on with the guilt or facing the music and turning himself in. The major hitch in his dilemma is that he loves his son and wants to be the good father to him that he never had; he also wants to watch the Red Sox win the World Series. Phoenix also plays his part well with the obsessed father doing anything to seek “justice” for the loss of his son. Phoenix’s wife in the movie is played by Jenifer Connelly who turns in some great work as the grieving mother that is trying to move on with life without losing her husband.
As for the story, everything is there. Grief filled family, check. Fighting parents, check. Tortured soul, check. It’s the other elements that make things kind of fishy. The fact that Ruffalo ends up working on the case for Phoenix is a bit of a stretch, even for a small town, and is a bit convenient. Ruffalo is also able to doop everyone fairly easily by renting a car as well. The arc’s for the Connelly and Phoenix are also a bit amiss. Phoenix falls into revenge mode in a hurry and isn’t very deep beyond a couple shades of change. While Connelly goes through the grieving process a bit fast for my tastes, especially since the movie takes place over the course of the Red Sox 04 playoff run, which in itself is an interesting backdrop.(How can we make this great moment wrapped in sadness to stick it to Boston)
Overall it is a very heavy movie, that has solid performances all around. The movie’s logic might be a bit off at times but there are some great scenes sprinkled through out, usually with Ruffalo dealing with his guilt, but in the end the movie fails to take it to that next level of being anything more than, ‘it was good’.

[rating: 3/5]