THE GREATEST HITS – Review

Here comes another time-traveling fantasy, but with a twist. As the kids on Bandstand used to say to Dick Clark, “It’s a gotta’ good beat. You can dance to it”. Maybe you could even do the twist. That’s because the force to send this story back through the decades isn’t a big machine, like the one H.G. Welles conjured or even the beloved DeLorean that Doc Brown modified. Nor is it hypnosis ala’ SOMEWHERE IN TIME, though the brain is involved along with…the ears. You see the gimmick here is music, specifically certain pop tunes that propel a twenty-something woman into the past. And just what is she doing six or seven years ago? Making “sure bet” investments perhaps? No, she’s trying to save a “lost love”, so this is really a romantic fantasy with a soundtrack that’s this couple’s take on those old “compilations” that were touted as THE GREATEST HITS.

Ths tale’s “traveler” is a lovely twenty-something woman named Harriet (Lucy Boynton) who is haunted by her departed love and spends her nights trying to change his fate. We meet her in her dark, but spacious LA apartment as she prepares for her nightly ritual. After a cocktail or three, she looks at her “mission board” that takes up most of the living room wall. It’s filled with index cards, photos, and bits of art denoting specific years (“2017”, “2020”, etc.). Across from it are stacks of boxes filled with vinyl AKA LP records, each box with a different designation (“safe”, “unused”, etc.). Harriet puts a record on her turntable, gets it spinning, sits on her big comfy chair, and passes out as the world spins about her. She awakens at a concert in the past where she met her love Max (David Corenswet). With different songs, we see flashes of their romance, culminating seconds before a fatal car crash that Harriet can’t prevent. She finally returns to the “now” just in time to put in her earplugs and headphones (so that some background music doesn’t “trigger a trip”) and go to her job at the nearby library (lots of quiet there). From work she drops in to see her BFF, aspiring DJ Morris (Austin Crute), who shares her secret without judgment, though he urges her to “move on” while providing her with access to vintage vinyl. Then it’s off to the grief support group run by the sympathetic Dr. Bartlett (Retta). Then one day, Harriet’s routine is broken by a new addition to the group, the friendly but somewhat sad (he just lost both parents) David (Justin H. Min). They two begin to connect, but will the possibility of a new romance stop Harriet’s “music mission”? And just what will he think of her when she has a “spell” and tries to explain her dives through the decades via timeless tunes?

The role of Harriet seems well suited to Boynton as perhaps part of her “pop music trilogy” with roles in SING STREET and BOHEMIAN RHAPSODY. Aside from her camera-ready looks, she conveys a real passion for the melodies, while also being fearful of being blindsided by a tune that will expose her “gift”. Boynton also expresses a yearning for the past and a need to put up a wall to ward off a new connection. That is her developing kinship with Min as the slightly melancholy David who is also clinging to the past, mainly his takeover of the failing antique shop of his parents. He too needs to step away from the legacy, but Min shows us David’s unease that saps the sparks with Harriet. Corenswet doesn’t really break a sweat (sorry) as the effortlessly cool charismatic “dream guy” forever frozen in happier times. It’s a nice supporting role for him before we see him zooming over Metropolis next year. Crute brings some energy and a bit of snark in the thankless now rom-com cliche gay cheerleader pal of the story’s heroine (though it’s hinted that Morris is probably bisexual). He deserves better. And that goes for the warm compelling Retta who does get a nice speech about grief before she tries to guide Harriet into a healing mode.

Writer/director Ned Benson evokes a bit of the spirit of David Boyle’s YESTERDAY mixed with a very generous amount of John Carney for this love letter to LPs and live music, complete with a nice acting cameo from a celebrated singer. And that word seems to sum up the whole enterprise…nice. Harriet, David, and Max are all very nice people, but aside from Harriet’s music mania, they’re all sort of bland, It’s a surprise after the risks Benson took with his Eleanor Rigby trilogy a few years ago. The LA locations are fairly familiar with opulent apartments that feel like the fantasy digs of a sitcom. Everybody seems to be just drifting along with any concern over “paying their dues”, though David is torn about the family biz. I was pleased that they found an engaging clever way to thwart fate and avoid all the timeline “hoo-hah” of flicks like FREQUENCY (doesn’t hold up to logic, though it’s lotsa’ fun). All the principals are ultra-cool to the point that they never come close to the boiling point of passion, aside from their zeal to grab a rare disc. In the cinema subgenre of time travel fantasies, this trifle wouldn’t have a spot in THE GREATEST HITS.

2 Out of 4

THE GREATEST HITS streams exclusively on Hulu beginning on Friday, April 12, 2024

Win A Code To Watch THE GREATEST HITS – Debuts On Hulu April 12th

What if a single song, an unmistakable melody, an unforgettable sound – could take you back in time, literally? Harriet (Lucy Boynton) finds music imitating life when she discovers beloved songs shared with her former boyfriend can take her back to the scene of the moment, giving her a second chance to twist fate.

While she relives the past through romantic memories, her time traveling collides with a burgeoning new love interest in the present (Justin H. Min). As she takes her journey through the hypnotic connection between music and memory, she wonders – even if she could change the past, should she? 

THE GREATEST HITS streams only on HULU starting Friday, April 12th.

For a chance to win a code to stream the movie:

EMAIL michelle@wearemoviegeeks.com to enter.

WINNER WILL BE CHOSEN FROM ALL QUALIFYING ENTRIES. NO PURCHASE NECESSARY. 

The cast includes Lucy Boynton, Justin H. Min, David Corenswet, and Austin Crute.

The Greatest Hits

SHORTCOMINGS – Review

Justin Min as Ben, Timothy Simons as Leon and Ally Maki as Miko, in SHORTCOMINGS. Photo credit: Jon Pack. Courtesy of Sony Pictures Classics.

We all have shortcomings but in SHORTCOMINGS, all the characters have them in abundance. This funny, smart, modern comedy follows the lives and misadventures of Ben Tanaka (Justin H. Min, who played Ben Hargreaves in the TV series “The Umbrella Academy” and Jimmy Woo in ANTMAN AND THE WASP), his best friend Alice Kim (comedian Sherry Cola) and his girlfriend Miko Hayashi (actress/fashion maven Ally Maki) as the San Francisco Bay area twenty-somethings navigate relationships and just real life. Based on the graphic novel of the same name by Adrian Tomine, SHORTCOMINGS is filled with laugh-out-loud humor and sharp, witty dialog in a real-life tale that also shows the variety of Asian American experience.

Based on a graphic novel of the same name by Adrian Tomine, SHORTCOMINGS is actor-turned director Randall Park’s first feature. Tomine also wrote the screen adaptation of his graphic novel for this hilarious, pointed comedy, which premiered at Sundance.

The story opens at the movies, where a feel-good wish-fulfillment Hollywood ending to an Asian American romance is on screen. The empowering happy ending sends the audience out of the theater in a glow, to the delight of the people putting on this Berkeley Asian film festival. Ben’s live-in girlfriend Miko is the assistant director of the film festival and very pleased with the film’s reaction. But wannabee film director Ben is rolling his eyes at the crowd-pleaser, complaining that there is not a single realistic character in the movie. Miko defensively pushes back, saying the film’s slick Hollywood style and positive representation of Asian Americans actually will open doors for more varied Asian American films, like Ben might make. Still, Ben continues to argue, even carrying over his negative attitude into the next days, creating a rift in their relationship.

In what may be a breakout role, Justin Min does an impressive job making Ben likable despite the character’s tendency to be argumentative, whiny and self-sabotaging while having no insight on his shortcomings in dealing with people. Further, Ben also doesn’t like change even though he is drifting through life. He calls himself a filmmaker, but really he works as the manager of an art-house movie theater, where he shows minimal interest in the theater’s success.

The couple continues to drift apart, arguing over Ben’s secret habit of searching for photos of white women, an obsession he denies. Shortly after, Miko announces she is going to accept an internship in New York. Ben immediately bad-mouths New York but doesn’t try to talk her out of it. Actually, he is worried about losing Miko, but keeps his worries to himself. When Miko leaves, she tells tells him they should take a break in their relationship. Again, Ben says nothing. But he immediately hits on Autumn (Tavi Gevinson), a pretty white woman he just hired at the theater. Then he quickly drops her to go out with another woman, again white, Sasha (Debbie Ryan) even though his friend Alice tries to warn him off her.

Ben certainly seems like a jerk at this point, and a lot of the characters tell him, again and again, that he is the problem – one time even using a reverse of that classic breakup line “it’s not you, it’s me,” letting him know that it is not the culture, it’s not prejudice, it’s him. But clueless Ben resists taking any of that to heart. With Miko in New York, the film follows Ben and Alice and their romantic misadventures. Sparkling, smart and funny dialog is one of the treats in this comedy but so are the relationship exchanges, which are so real world that you could imagine them in any relationship. The characters and situations, while played for comedy, all have a refreshing realism, with messy real-life situations and characters who are likable, complicated, contradictory and flawed all at the same time. The warts and all characters are refreshing rather than irritating because we are given insights on why they do what they do, even when their behavior is not nice and the characters themselves don’t have those insights.

While Ben is bad at revealing his feelings to his girlfriend Miko, he is more forthcoming with his best friend Alice especially while Miko is gone. Alice, a gay graduate student with a history of serial relationships, can be as insensitive as Ben, which might be part of why they get along so well. While Ben wants to hold on to the relationship he has been sabotaging, Alice’s response to relationship troubles is to run away.

Despite his missteps, Justin Min keeps Ben likable enough that we still care about him, while director Randall Park makes clear that Ben is as much the target of bad behavior as he is often the source. They are all behaving badly, and as the story develops, we see lots of shortcomings of other characters, often with Ben bearing the brunt of that, despite the verbal drumbeat of it being all Ben’s fault. In a way, it is, because his lack of insight on himself and his self-sabotage is at the heart of his troubles.

This is a very funny film but director Randall Park also aims to use humor spotlight some things about Asian Americans rarely seen on scene, like the diversity in the Asian American experience. In one particularly good sequence, Alice, afraid to reveal that she is gay to her conservative parents, persuades Ben to pose has her boyfriend to meet her parents, one Korean and the other Chinese. But she doesn’t want him reveal his Japanese heritage to her Korean grandfather, even though Ben points out that his family has been in the U.S. for several generations, because she worries about lingering prejudices from WWII. It sets up a hilarious, farcical exchange but highlights something non-Asians might not think about.

Eventually, Ben and Alice do end up in New York, partly fleeing their own messes back home, but also giving Ben a chance to find out what is going on with Miko, who has been dodging his calls. We meet Leon (Timothy Simons) and Meredith (Sonoya Mizuno), and more craziness, hilarious moments and telling insights ensue, as the film cleverly wraps things up, although not with the predictably neat Hollywood bow.

With humor that catches you off-guard until the end, delightfully smart dialog, and unexpected insights, SHORTCOMINGS has few shortcomings as a clever, insightful, real-world comedy.

SHORTCOMINGS opens Friday, August 4, in theaters.

RATING: 4 out of 5 stars