Who Wants to See THE KIDS ARE ALL RIGHT With the Movie Geeks?

Howdy, all you crazy movie lovers…

And you too, random dude/lady who stumbled upon our geeky movie world by accident!

We are giving away passes to an advanced screening of THE KIDS ARE ALL RIGHT on Thursday, July 22nd (7:00pm) at Plaza Frontenac, starring Julianne Moore, Annette Bening, Mark Ruffalo, Mia Wasikowska and Josh Hutcherson. Now… how do you win? Hmmm… well the rules are as follows:

1. Fill in the comment line below with your Name and Email (your email will not be shared or made public)

2. Tell us a short story/line about something your parents did to embarrass you as a kid.

3. Laugh at the fact that, at some point, we have all been embarrassed by our parents.

4. You must be in the St. Louis area on the day of the screening. (Sorry all you out of state movie lovers…)

So, get to commenting! Let’s go people!

Synopsis:

The Kids Are All Right is the heartfelt new comedy from acclaimed director Lisa Cholodenko, starring Annette Bening, Julianne Moore, and Mark Ruffalo. Two teenaged children (Alice in Wonderland’s Mia Wasikowska and Journey to the Center of the Earth’s Josh Hutcherson) get the notion to seek out their biological father and introduce him into the family life that their two mothers (Bening and Moore) have built for them. Once the donor (Ruffalo) is found, the household will never be the same, as family ties are defined, re-defined, and re-re-defined. The New York Times raves that it’s “a generous, nearly note-perfect portrait of a modern family,” and Entertainment Weekly calls the movie “funny, smart and sexy!”

Oh, and a warning… this film is Rated R for strong sexual content, nudity, language and some teen drug and alcohol use.

Throwback Thursday: ‘The Fugitive’

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One of the first things I recall about having seen ‘The Fugitive’ for the first time was how strange it was to see Harrison Ford with a full beard. Aside from that, he gave an incredible performance as a man who is mistakenly convicted of his wife’s murder. The film begins with all the facts and evidence literally piling up on Dr. Kimble (Ford) in such a way that any jury would likely convict him. Then again, that’s the advantage of being the audience in a movie. We were the only one’s who knew he was innocent, but we couldn’t prove it yet. Just like Dr. Kimble knew he wasn’t the killer, we knew, but we had to take this exciting and unfortunate journey right alongside Dr. Kimble in order to prove to the authorities that he was innocent.

After his sentencing, the transport bus carrying Dr. Kimble and others wrecks during a prisoner uprising and coincidentally rolls down hill right onto a railroad track with a train barreling towards them. In the frenzy that follows, Dr. Kimble escapes. Enter Tommy Lee Jones, aka Marshall Samuel Gerard, or the guy who is going to track down Dr. Kimble by whatever means necessary. Jones is awesome as the badass tough-guy he’d already become so well known for playing in earlier films. ‘The Fugitive’ came just one year after Jones made waves in the popular Steven Seagal actioner ‘Under Siege’ where he was the one playing the bad guy. Good or bad, Tommy Lee Jones playing the no-bullsh** tough-as-nails character always equals hard-hitting fun.

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What we quickly learn about both characters is that they’re both incredibly intelligent and incredibly resourceful, but they do so from very different backgrounds. It helps being a doctor when you’re an injured fugitive on the run. Throughout the film, as the foot soldiers of law enforcement chase their tails, Dr. Kimble and Marshall Gerard are in a high-speed mental game of cat and mouse as their wits prove more crucial to the outcome than their physical speed or endurance . That’s not to say there isn’t real suspense and physical trials of will and determination, as within the first forty minutes, the story is already steamrolling towards it’s first climatic moment (of many to come) when Kimble and Gerard meet face to face for the first time. In a tense stare down on the edge of a drainage duct, Kimble and Gerard play a game of eyeball chicken before Kimble makes a daring escape in the form of a swan dive off the dam and into the reservoir below.

In a moment of nervous clarity, Dr. Kimble realizes that no one will ever believe he is innocent and no one will ever “give” him the opportunity to clear his name. He realizes that to prove his innocence, he will have to seize the opportunity for himself. At that moment on the dam, Dr. Kimble looks death in the face and determines it frightens him less than the prospect of spending the rest of his life behind bars with actual killers. At that moment, Dr. Kimble threw caution to the wind and was essentially reborn as a man focused on finding the truth and revealing it to his accusers while being pursued by Gerard and half the Illinois police force. All while being brilliantly assisted by the adrenalin-producing, emotion-evoking compositions of James Newton Howard.

‘The Fugitive’ raises some interesting points of discussion, the biggest and most obvious being the question of what lengths would you go to prove your innocence if wrongfully accused? We rarely consider this type of self-reflection, writing off the possibility of ever being in this sort of situation as virtually impossible. However, consider the fact that all it takes is being in the wrong place at the wrong time and the possibility becomes a bit less impossible. Consider this… “there have already been 238 post-conviction DNA exonerations in the United States.”* Now consider how many more there may be who haven’t had the opportunity to test their DNA against their convictions.

Now, I’m not suggesting that our prisons are filled with wrongfully accused inmates, but they do exist. Even our own government admits there is a disturbing margin of error within our legal system, whereas the United States Department of Justice, Bureau of Justice Statistics, “admits that statistically 8% to 12% of all state prisoners are either actually or factually innocent.”* One of the greatest achievements that a movie such as ‘The Fugitive’ can accomplish is to raise awareness of these scenarios and shed light on the inherent imperfections of our legal system. Acknowledging that no system is perfect, we must always pursue to make adjustments and corrections as to continually ensure that our means of protecting our citizens remains fair and just, both for the innocent and the accused.

I’ll end on this final note… place yourself in Dr. Kimble’s shoes for a moment. If you knew you were innocent, would you just accept that you are powerless and allow the imperfect legal system to imprison you for life, or even schedule your own death, or would you fight, not with violence, but with the legal system itself and every other resource available to you in an effort to clear your name, regardless of the outcome. For some in our country, this is the daily struggle they endure and they need the support of the free and the willing who believe in the possibility that they may have been wrongfully convicted. Wouldn’t you want the same done for you if the tables were turned against your favor?

Neeson, Moore & Thieriot join Egoyan for ‘Chloe’

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Studio Canal and Montecito are co-producing a remake of the French thriller ‘Nathalie…’ which will be directed by Canadian indie filmmaker Atom Egoyan (Sweet Hereafter).

So far, the film titled ‘Chloe’ presents a stellar leading man and lady in Liam Neeson (Taken) and Julianne Moore (Blindness). Max Thieriot (Jumper) has recently been cast as well.

The project centers on a married woman (Julianne Moore) who hires a prostitute (Amanda Seyfried) to find out whether her husband (Liam Neeson) is cheating on her. The prostitute, however, cons her about the nature of her husband’s fidelity, a move that puts the family in jeopardy. Thieriot plays Neeson and Moore’s son. — Hollywood Report

[source: Hollywood Reporter]

Colin Firth is “A Single Man”

Colin Firth is coming to a theater near you as ‘A Single Man’. In this film he will be starring along side Julianne Moore and Matthew Goode. First time director Tom Ford wrote the film so this should be good. The drama centers on a British college professor who loses his partner of 16 years. If it sounds familiar, the story is based on Christopher Isherwood’s 1964 novel, which tracks a single day in a professor’s life in Los Angeles. Production of the film has started and movie goers should be seeing previews for this movie next year.

[source: www.canmag.com]

Review: ‘Blindness’

Travis:

Two words to describe ‘Blindness’… bizarre and disappointing. In theory, the concept was great. The movie begins with a man suddenly and spontaneously losing his sight while driving through a busy downtown district. As a result, traffic is halted and the “very best” of people comes out. In an effort to assist the blind man, a pedestrian offers to drive him home. The pedestrian turns out to be a thief and con man, taking the opportunity to steal the blind man’s car after dropping him off at home. It’s a short-lived score, however, because the “whatever” that caused the man’s blindness is apparently contagious and the thief  is stricken with blindness later that night. This progresses on to “infect” the remaining cast of main characters, including a specializing eye doctor (Mark Ruffalo), a high-class female escort (Alice Braga), a small boy and an elderly man (Danny Glover)  who already wears an eye patch. In case you’re wondering why I haven’t mentioned the character’s names, it’s because they apparently don’t have any. No names are ever used in the movie.

The epidemic continues to spread as the main characters willingly place themselves in government quarantine, led by the doctor and his wife (Julianne Moore), who mysteriously ends up being the only human not affected by this “thing” of blindness. At first, the group fares well, reluctantly working together until more and more people begin to show up with the same condition. Before long, the quarantine ward is over-populated, food and water is running low and the health and sanitary conditions become a threat in and of themselves. The military gaurds outside treat them quarantined captives like lepers, refusing to help when needed or offer much needed additional food and medical supplies. The doctor’s wife (Moore) increasingly finds herself struggling with the realization that she’s having to care for an entire ward of newly blind adults, but continues to do so out of a sense of duty.

Things become even more difficult when ward three, led by “the king” (Gael Garcia Bernal), decided they are going to keep all of the food rations and distribute them as they see fit. This send the film into it’s somewhat downward spiral. “The King of Ward Three” (Bernal) adds an element of ‘Lord of the Flies’ while the situation itself gives the film an element of ‘Doomsday’ or ’28 Days Later’. This shift of power results in the rapid downfall of quarantine community, leading to some horrific scenes of humanity’s darkest sides. The middle portion of the film seems to dwell on the concept that when put into a situation like this, human beings revert to their most primal nature. This act of the story deals with the corruption of power and greed, fueled by the emotions of fear and paranoia.

Continue reading Review: ‘Blindness’

Spread the ‘Blindness’

Earlier this month, Miramax Films released the movie trailer for the upcoming thriller ‘Blindness’ from the brilliant director Fernando Meirelles (City of God and The Constant Gardener) and starring Julianne Moore, Mark Ruffalo, Danny Glover,  and Alice Braga.  Based on a novel by Nobel Prize winner Jose Saramago, ‘Blindness’ is an apocalyptic fable about a plague of blindness ravaging first one man, then a city, then the entire globe, with devastating fury and speed.

The “Doctor’s Wife” (Moore)  becomes the only person with the ability to see in a  world where everyone is struck with a mysterious case of sudden blindness, the “White Sickness.” When all the victims are rounded up and  quarantined at  a crumbling, insane asylum, she  pretends to be blind  in order to take care of her husband,  “The Doctor” (Ruffalo).  Amongst chaos and fear, the “Doctor’s Wife” is the only one left to lead  the blind back from the brink of destruction. ‘Blindness’ is scheduled for a late September release.


  

WAMG First Look at ‘Savage Grace’

Savage Grace
Directed by Tom Kalin
Starring: Julianne Moore, Stephen Dillane, Eddie Redmayne

Always a sucker for Julianne Moore films, I stumbled upon some promotional material for this new flick. The movie officially had a limited US release on May 28, 2008 but hasn’t made beyond the major markets yet. Savage Grace received enormous praise from audiences at Cannes and Sundance and there’s even some light buzz on the Internet about the gold guy.

Official Synopsis:

[Savage Grace is the incredible true story of a scandal that even today remains shocking. The beautiful Barbara Daly marries above her social class to the dashing heir of the Bakelite plastics fortune, Brooks Baekeland. The birth of the couple’s only child, Tony, intensifies the already volatile marriage. As Tony matures, he becomes an unwilling pawn in the psychosexual games of his parents. When Brooks can no longer deal with Barbara’s notorious instability or his son’s homosexuality, he abandons them, forcing Tony even closer to his mother. As Tony and Barbara grow increasingly intimate, Barbara’s attempts to thwart her son’s desires will dangerously challenge even the most shocking taboos.]