FIGHT OR FLIGHT – Review

Josh Hartnett in FIGHT OR FLIGHT. Courtesy of Vertical Entertainment

Everything is exaggerated and over-the-top in the action-comedy FIGHT OR FLIGHT but the sky-high, stunt-filled film starring Josh Hartnett, which is really both fight and flight, certainly delivers on popcorn entertainment, both in the high body count action and the silly, strangely British-flavored comedy. Josh Hartnett is very entertaining as a disgraced, drunken Secret Service agent trying for a second chance, with an assignment to bring in a mercenary assassin who is on a plane where nearly everyone is trying to kill one or the other of them.

Action-comedy FIGHT OR FLIGHT opens with a shot of a jet flying high against a blue sky, as “The Blue Danube” plays, then cuts to a shot of a passenger aboard that flight, with eye mask and neck pillow, being rudely jolted awake as a brawl spills across the aisle, followed by a pan to the other aisle of the wide-body plane, where another army of brawlers are battling. All roiling with only the Blue Danube for sound, It gives to a taste of what this entertaining, silly, stunt-filled action-comedy has in store.

The opening is a clever set- up for this highly entertaining, high body count stunt fest with a John Wick vibe and goofy humor, which for some unknown reason felt British to this reviewer. No thinking required for this popcorn escapist delight and actually it might actually give you a headache to try to figure some details out. Just buckle-up that seat belt and go along for the comedy and action ride.

We next cut to 12-hours earlier, on the ground, as a young guy in a suit bounces happily down a city street, listening to “Sunshine and Lollipops” – until a phone call sends him into sends him into an angry string of cursing as he hurries to work. Cursing the doorman and being rude to everyone on his way, this jerk storms into work, hoping to avoid his boss.

Work for our cursing, arrogant guy in the suit, Aaron Hunter (Julian Kostov, from “White Lotus”), is at an private security agency run by ex-CIA folks doing similar work for private clients. Something has gone horribly wrong in Bangkok, and our suit is hoping to dodge his boss on the way in. He doesn’t.

Arrogant, foul-mouthed Hunter arrives to get the update from his assistant, Agent Robinson (Jyuddah Jaymes), but snarls at another agent, Simmons (Willem Van Der Vegt), when he chimes in with new information. When the boss, Katherine Brunt (Katee Sackhoff), shows up, Hunter tries to talk his way out of trouble with a string of excuses, until Agent Simmons calmly and efficiently provides the information Hunter doesn’t have, quietly showing him up in front of their boss Brunt.

The dry-humor workplace comedy bit is one of several occasional touches of silliness to come, comic relief amid the stunt action mayhem. That action and comedy balance is part of what makes this popcorn flick such fun.

What has gone wrong in Bangkok is an explosion that wiped out their whole team at that location, The bigger problem this creates is with their assignment to capture an elusive assassin known as the Ghost. Although no one has ever photographed the assassin, they know the Ghost is in Bangkok, and is not headed for the airport. The nearest other team is an hour and a half flight away. Desperate measures are needed. The desperate measure is to call disgraced U.S. Secret Service agent Lucas Reyes (Josh Hartnett).

Hartnett’s Lucas Reyes is trapped in Bangkok and currently drinking himself to death, unable to leave after being placed on the No-Fly list and having his passport revoked. But Lucas is not too happy to hear from his old buddy Brunt, with whom he also has a romantic history and now distrusts. Still, he eventually, reluctantly agrees to the assignment, in exchange for a new passport, a ton of cash, and lifting the no-fly ban.

Brunt knows which flight the Ghost will be on but has no photo to share. Lucas’ assignment is to locate the Ghost on the flight, take the target into custody and hand the assassin over to Brunt when the plane arrives in San Francisco.

What Lucas doesn’t discover until they are in the air, is that nearly everyone on the plane is there to kill him or kill the Ghost. He has to survive – and keep the Ghost from being killed too, to collect his fat paycheck.

The plane is a double-decker wide body, with a luxury class, first class and coach seating. Luckily, Lucas gets some help from flight attendants Isha (Charithra Chandran, of “Bridgerton”) and Royce (Danny Ashok).

Josh Hartnett is terrific as the hard-drinking yet strangely very capable Lucas, who would like to get his life back on track but still craves the drink. Lucas Reyes is that familiar hero in need of a second chance. The hard-drinking Lucas is a sad soul at a crossroads, and someone with a bit of a heart, despite being a mercenary. And he is amazingly good at his job, despite the copious amount of alcohol he consumes.

Supporting cast is good as well. Brit Charithra Chandran is excellent in her role as Isha, and Katee Sackhoff is spot-on as hard-as-nails boss Brunt. Julian Kostov is funny as the foul-mouthed Hunter, and Marko Zaror is over-the-top as a weirdo passenger who goes by the name Cayenne. Hugie O’Donnell plays the overly-dramatic lead flight attendant, Garrett, while Sanjeev Kohli and Declan Baxter play the unflappable pilot and more “flappable” co-pilot, respectively.

An endless stream of adversaries come for Lucas but the film alternates between comedy and action, with a few breaks for brief character development scenes. The humor in FIGHT OR FLIGHT has a vaguely British feel but actually the film is American, albeit with an international cast the includes some Brits. At other times, the comedy is pure AIRPLANE. The action/comedy’s John Wick feel has more of a basis, as it was produced by the same team as the John Wick ones.

Emmy-winning director James Madigan does well helming his first feature film. keeping things moving briskly and balancing comedy and action well. The script by Brooks McLaren and D. J. Cotrona is pretty wild but has nice touches that lift this entertainment offering out of the familiar and predictable, while still satisfying its audience.

The entertaining action/comedy is also packed with colorful characters, great stunt fights along side silly humor, plus a bit of a heart and even a message against about slave labor being used to build smart phones.

Describing more would create spoilers, so we’ll stop here on that. The film is fast, fun, and keeps your interest throughout with both good characters and stunt work. Moving around the large plane keeps the visuals varied, as Hartnett’s Lucas battles one adversary after another. The John Wick vibe is strong but there is a bit of Indiana Jones too, although Hartnett’s drunken assassin is no intellectual heavy weight. he’s still likable. What happens with the Ghost we would say more about, to avoid spoilers, but it adds another layer of interest, as both of them are trying to survive the flight on a plane full of assassins.

Tons of action ensues, but many of the characters have a comic bent, while Lucas Reyes alternates between beating people to a pulp, heavy drinking and soul-searching. Josh Hartnett is surprisingly good and very likable in this oddball role, and you can’t help but root for him. Not in the fights, where he seems to defeat all with ease, no matter how much he drank, which is a nice comic bit. Hartnett reportedly did his own stunts, and looks pretty good doing them.

The stunt work is terrific, with that John Wick feel you might expect from these producers. The stunts are varied, and feature an array of characters, which keeps them interesting. Director James Madigan cleverly uses the action sequences to advance character development, and the action is nearly non-stop, with brief breaks for exposition and more character development, and of course, comedy.

Director Madison keeps everything cooking, and moving briskly in this film that runs under two hours, This is a high body count action film with an R rating but the action is stunt-work with a cartoon violence style rather than gore, although there is blood.

FIGHT OR FLIGHT is purely popcorn action comedy fun, despite a little bit about fighting slave labor used to produce smart phones. It is ridiculously far fetched but fast-paced and laced with humor, topped off by a winning performance from Josh Hartnett as a surprisingly likable drunken assassin. This is well-done, highly-entertaining popcorn fun. If you aren’t squeamish about the high body count that all its cartoon violence delivers, this fast-paced mix of laugh-out-loud comedy and high-octane stunt fighting is a good escapist distraction from a grim real world.

FIGHT OR FLIGHT opens Friday, May 9, in theaters.

RATING: 3 out of 4 stars

Josh Hartnett Stars In Second Eerie Trailer For M. Night Shyamalan’s TRAP

Check out the second trailer for TRAP

A father and teen daughter attend a pop concert, where they realize they’re at the center of a dark and sinister event. Written and directed by M. Night Shyamalan, TRAP stars Josh Hartnett, Ariel Donoghue, Saleka Shyamalan, Hayley Mills and Allison Pill.

The film is produced by Ashwin Rajan, Marc Bienstock and M. Night Shyamalan. The executive producer is Steven Schneider.

The director of photography is Sayombhu Mukdeeprom (“Call Me by Your Name”). The production designer is Debbie de Villa (“The Hating Game”). It is edited by Noëmi Preiswerk and the music is by Herdĭs Stefănsdŏttir (“Knock at the Cabin”). The music supervisor is Susan Jacobs (“Old”); the costume designer is Caroline Duncan (“Old”). The casting is by Douglas Aibel (“Asteroid City”).

Warner Bros. Pictures presents a new experience in the world of M. Night Shyamalan—TRAP —featuring performances by rising music star Saleka Shyamalan. The film will be distributed worldwide by Warner Bros. Pictures, in theaters only nationwide on August 9, 2024 and internationally beginning on 1 August, 2024.

Original songs by Saleka as Lady Raven. Pre-order the album and listen to “Release” available now: https://saleka.lnk.to/ladyraven

Cast And Filmmakers Discuss The Experience Of OPPENHEIMER In New Six-Minute Featurette

There was a chance that when they pushed that button, they’d destroy the world.

Get a behind-the-scenes, six minute look at OPPENHEIMER with Christopher Nolan, the cast and filmmakers.

Experience the movie on the largest screen possible July 21.

Written and directed by Christopher Nolan, OPPENHEIMER is an IMAX®-shot epic thriller that thrusts audiences into the pulse-pounding paradox of the enigmatic man who must risk destroying the world in order to save it.

The film stars Cillian Murphy as J. Robert Oppenheimer and Emily Blunt as his wife, biologist and botanist Katherine “Kitty” Oppenheimer. Oscar® winner Matt Damon portrays General Leslie Groves Jr., director of the Manhattan Project, and Robert Downey, Jr. plays Lewis Strauss, a founding commissioner of the U.S. Atomic Energy Commission.

Academy Award® nominee Florence Pugh plays psychiatrist Jean Tatlock, Benny Safdie plays theoretical physicist Edward Teller, Michael Angarano plays Robert Serber and Josh Hartnett plays pioneering American nuclear scientist Ernest Lawrence. Oppenheimer also stars Oscar® winner Rami Malek and reunites Nolan with eight-time Oscar® nominated actor, writer and filmmaker Kenneth Branagh.

The cast includes Dane DeHaan (Valerian and the City of a Thousand Planets), Dylan Arnold (Halloween franchise), David Krumholtz (The Ballad of Buster Scruggs), Alden Ehrenreich (Solo: A Star Wars Story) and Matthew Modine (The Dark Knight Rises).

L to R: Florence Pugh is Jean Tatlock and Cillian Murphy is J. Robert Oppenheimer in OPPENHEIMER, written, produced, and directed by Christopher Nolan.

© Universal Pictures. All Rights Reserved.

Cillian Murphy is J. Robert Oppenheimer in OPPENHEIMER, written, produced, and directed by Christopher Nolan.

The film is based on the Pulitzer Prize-winning book American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer by Kai Bird and the late Martin J. Sherwin. The film is produced by Emma Thomas, Atlas Entertainment’s Charles Roven and Christopher Nolan.

OPPENHEIMER is filmed in a combination of IMAX® 65mm and 65mm large-format film photography including, for the first time ever, sections in IMAX® black and white analogue photography.

Nolan’s films, including Tenet, Dunkirk, Interstellar, Inception and The Dark Knight trilogy, have earned more than $5 billion at the global box office and have been awarded 11 Oscars and 36 nominations, including two Best Picture nominations.

OPPENHEIMER, written and directed by Christopher Nolan

OPERATION FORTUNE: RUSE DE GUERRE – Review

So, all savvy filmgoers know that the season for big, noisy action blockbusters is the Summertime (when the livin’ is easy), but with Spring break looming, well, why wait for some popcorn escapism? After all, we’re right in the middle of two big superhero franchise entries (from the competing studios), and a few days away from a thriller in a horror series, not to mention a sports sequel that opens on the same day. It may just be the perfect time for a spy spectacular since Bond is in flux (casting a new 007, y’know), Bourne is in limbo, and Mr. Cruise is about to trade in his flight suit for a tux full of nifty gadgets. I’m sure this new movie hopes to begin a “tentpole”, as it mixes in some satire and some “caper” elements (it’s a “movie mutt”, I tells ya’). Plus there’s a fan-favorite director behind OPERATION FORTUNE: RUSE DE GUERRE.

The opening sequence throws us right into the action as snippets of a violent attack on a secret lab are intercut with the clicks of a sharply attired Brit walking with purpose down a long hallway. At his destination, undercover operations supervisor Nathan Jasmine (Cary Elwes) gets his newest assignment from his boss Knighton (Eddie Marsan). It seems that the aforementioned attack was part of a theft of something deadly and unknown (it’s referred to as the “Handle”). And it appears that the thieves are going to sell it to the highest bidder, which would plunge the world into chaos. Nathan gets the go-ahead to assemble an elite team. His choice for leader, much to the ire of Knighton, is “human blunt force”, Orson Fortune (Jason Statham). His usual “cyber ace” (the “guy at the keyboard”) is part of a rival unit led by Orson’s “frenemy” Mike (Peter Ferdinando). The alternative is snarky American Sarah Fidel (Audrey Plaza). Luckily Orson’s backup “muscle” is on board, J.J. Davis (Bugzy Malone). As the mission ensues, Orson is surprised to see that a “bag man” is linked to undercover arms dealer Greg Simmons (Hugh Grant). But how to get past his heavily guarded estate? Just what does this billionaire want? Not if, but who. Greg was rebuffed when he tried to hire his favorite action film superstar Danny Francesco (Josh Hartnett) is “pop out” of his birthday cake. Sarah proves her cyber sleuthing “worth’ when she gets some dirt on Danny, thus adding him to the team. With Orson posing as his manager, and Sarah as his “arm candy”, can this unlikely trio pull a fast one on Greg and retrieve whatever the Handle is but the whole planet goes kaput?

In the title role, Statham once again delivers as one of the most consistent and compelling action stars. During several exciting action sequences ( a fight on a yacht, a chase into a building, etc.), this swaggering screen superman shows no hint of slowing down (as opposed to a certain 80s star whose stunt had to be “tweaked” and “sped up” AKA undercranking). The only problem is that his Orson, despite a new quirk (his “deal” involves private jets stocked with vintage vino), is pretty much like most of his other roles, even his self-parody in SPY. To give him a little more of a sparring partner, the filmmakers have cast Plaza, perhaps in hope of some “opposites attract” sparks. That never really ignites, but it’s a nice change for her from the edgy comedies and odd “indie flicks” ( though she was remarkably great in her crime thriller EMILY THE CRIMINAL, who could’ve kicked Orson’s tail). Yes, she does grab the laughs even though she’s saddled with the now cliche “gigabyte gobbledygook” (“Some firewall…I’m in!”), and really goes confidently “glam” as the big’s star’s “bimbo” Mikala. In that disguise, she has almost as much fun as Hartnett, who seems delighted to skewer spoiled, indulgent mega movie star “himbos”. Also “havin’ a laugh” is Grant who adds Greg to his growing roster of lowlife villains, combining elements of his Baddies” from THE GENTLEMEN and PADDINGTON 2. He can barely hold back a wink at the camera as he fawns over Danny while brazenly lusting for Mikala. Elwes has the stiffest of upper lips as the buttoned-down uptight exasperated head honcho, whose “slow burn” is matched by his superior Marsan. And kudos to Malone whose J.J. is a great laid back, highly skilled teammate to Orson.

Oh, that fave director I mentioned earlier, well it’s the prolific Guy Ritchie. Here he’s taking a respite from his low-class thugs and punks to hobnob with the smart set in lavish sets and locales, while sharp-dressed operatives ply their deadly trade. It’s all slickly and energetically done, but, well it’s just so familiar. From the aforementioned computer wizardry (I kept thinking of Napolean Dynomite’s “hacker” dreams) to the clumsy “actor tossed into real danger”, which was done so superbly in last year’s THE UNBEARABLE WEIGHT OF MASSIVE TALENT (you can’t beat Nick Cage making out with himself). Perhaps this was due to the film sitting on the shelf too long as it changed studio hands and dealt with real-life global dustups. The big “reveal” of the Handle lands with a dud (it might’ve been a threat from S.P.E.C.T.R.E.), and the double and triple-crosses become more tiresome and confusing than clever. Despite Statham’s combat skills and Plaza’s off-kilter delivery, it all feels like a MISSION IMPOSSIBLE rip-off Netflix seems to churn out several times a year. And even though its mid-end credits sequence revels in a “biting the hand” wit, the gag fizzles, and flops much like the largely forgettable OPERATION FORTUNE: RUSE DE GUERRE. Wonder if that’s French for “failed franchise”?

2 Out of 4

OPERATION FORTUNE: RUSE DE GUERRE is now playing in select theatres

Watch The IMAX Trailer For Christopher Nolan’s OPPENHEIMER

Written and directed by Christopher Nolan, Oppenheimer is an IMAX®-shot epic thriller that thrusts audiences into the pulse-pounding paradox of the enigmatic man who must risk destroying the world in order to save it.

The film stars Cillian Murphy as J. Robert Oppenheimer and Emily Blunt as his wife, biologist and botanist Katherine “Kitty” Oppenheimer. Oscar® winner Matt Damon portrays General Leslie Groves Jr., director of the Manhattan Project, and Robert Downey, Jr. plays Lewis Strauss, a founding commissioner of the U.S. Atomic Energy Commission.

Credit: Melinda Sue Gordon. © Universal Studios. All Rights Reserved.

Academy Award® nominee Florence Pugh plays psychiatrist Jean Tatlock, Benny Safdie plays theoretical physicist Edward Teller, Michael Angarano plays Robert Serber and Josh Hartnett plays pioneering American nuclear scientist Ernest Lawrence.

Oppenheimer also stars Oscar® winner Rami Malek and reunites Nolan with eight-time Oscar® nominated actor, writer and filmmaker Kenneth Branagh.

The cast includes Dane DeHaan (Valerian and the City of a Thousand Planets), Dylan Arnold (Halloween franchise), David Krumholtz (The Ballad of Buster Scruggs), Alden Ehrenreich (Solo: A Star Wars Story) and Matthew Modine (The Dark Knight Rises).

The film is based on the Pulitzer Prize-winning book American Prometheus: The Triumph and Tragedy of J. Robert Oppenheimer by Kai Bird and the late Martin J. Sherwin. The film is produced by Emma Thomas, Atlas Entertainment’s Charles Roven and Christopher Nolan.

Oppenheimer is filmed in a combination of IMAX® 65mm and 65mm large-format film photography including, for the first time ever, sections in IMAX® black and white analogue photography.

OPPENHEIMER, written and directed by Christopher Nolan
OPPENHEIMER, written and directed by Christopher Nolan
OPPENHEIMER, written and directed by Christopher Nolan ” © Universal Studios. All Rights Reserved.”

Nolan’s films, including Tenet, Dunkirk, Interstellar, Inception and The Dark Knight trilogy, have earned more than $5 billion at the global box office and have been awarded 11 Oscars and 36 nominations, including two Best Picture nominations.

OPPENHEIMER opens in theaters on July 21, 2023.

Here’s the Trailer For Guy Ritchie’s OPERATION FORTUNE Starring Jason Statham, Aubrey Plaza, Hugh Grant and Josh Hartnett

OPERATION FORTUNE will be in Theaters Nationwide 2022.

Here’s the trailer:

In the film, super spy Orson Fortune (Jason Statham) must track down and stop the sale of a deadly new weapons technology wielded by billionaire arms broker Greg Simmonds (Hugh Grant). Reluctantly teamed with some of the world’s best operatives (Aubrey Plaza, Cary Elwes, Bugzy Malone), Fortune and his crew recruit Hollywood’s biggest movie star Danny Francesco (Josh Hartnett) to help them on their globe-trotting undercover mission to save the world.

OPERATION FORTUNE stars Jason Statham, Aubrey Plaza, Josh Hartnett, Cary Elwes, Bugzy Malone and Hugh Grant

 

Josh Hartnett and Margarita Levieva in INHERIT THE VIPER Arrives on Blu-ray, DVD & Digital March 10th

Check out the We Are Movie Geeks interview with INHERIT THE VIPER star Margarita Levieva HERE

Some debts can’t be paid when Inherit the Viper arrives on Blu-ray™ (plus DVD & Digital) and DVD March 10 from Lionsgate. This film is currently available on Digital and On  Demand. Inherit the Viper stars Josh Hartnett, Margarita Levieva, Owen Teague, Valorie Curry, Chandler Riggs, Brad William Henke, Tara Buck), with Dash Mihok, and Academy Award® nominee Bruce Dern. A tense crime thriller with powerful performances, Inherit the Viper will be available on Blu-ray and DVD for the suggested retail price of $22.99 and $19.98, respectively.

For siblings Kip (Josh Hartnett) and Josie (Margarita Levieva), dealing opioids isn’t just their family business—it’s their only means of survival. When a deal goes fatally wrong, Kip decides he wants out. But Kip’s attempt to escape his family’s legacy ignites a powder keg of violence and betrayal, imperiling Kip, Josie, and their younger brother, Boots (Owen Teague), in this searing crime-thriller that builds to a shattering conclusion.

CAST

Josh Hartnett              TV’s “Penny Dreadful,” The Long Home

Margarita Levieva       TV’s “The Deuce,” The Lincoln Lawyer

Owen Teague             TV’s “Bloodline,” It Chapter Two

Valorie Curry               American Pastoral, Blair Witch

Chandler Riggs           TV’s “The Walking Dead,” “A Million Little Things”

Brad William Henke    TV’s “Orange Is the New Black,” Bright

Tara Buck                   TV’s “Ray Donovan,” “True Blood”

with Dash Mihok         TV’s  “Ray Donovan,” Silver Linings Playbook

and Bruce Dern          The Hateful Eight, Nebraska

WAMG Interview: Margarita Levieva – Star of INHERIT THE VIPER

INHERIT THE VIPER starring Josh Hartnett, Margarita Levieva, Owen Teague, and Bruce Dern opened in select theaters January 10th and is currently available on digital streaming platforms. INHERIT THE VIPER is a crime thriller about three siblings in Appalachia getting by as local opioid dealers, trying not to get caught in the spiral of violence that comes with the territory.

Margarita Levieva is an American actress. Born in Leningrad, Russian Soviet Federative Socialist Republic (now Saint Petersburg, Russian Federation), at age three she began the rigorous training program of a competitive rhythmic gymnast. Levieva continued to train for the next 13 years, winning competitions in Russia and eventually going on to compete in the United States after emigrating. When she was 11, Levieva’s mother moved her and her twin brother to Sheepshead Bay, Brooklyn in New York City. In 2005, New York Magazine featured her as one of the 50 Most Beautiful People in New York.

Margarita Levieva took the time to talk to We Are Movie Geeks about INHERIT THE VIPER

Interview conducted by Tom Stockman January 10th 2020

 Tom Stockman: Hello Margarita. I just watched your new film INHERIT THE VIPER. You played Josie in that and you were very good.

Margarita Levieva: Thank you. 

TS: Whenever I see you in something like The Deuce, you’re quite glamorous, but as Josie in INHERIT THE VIPER you really were de-glammed quite a bit. Almost unrecognizably so. 

ML: Yes. That’s something that’s really important to me, to always  honor the characters that I play. When I read the script I realized that Josie was not someone who would pay much attention to her physical appearance. Truthfully I love playing characters that don’t require much make up, where the focus is not so much on physical beauty and more on the character  and the soul of the person. The way I looked just fit the role.

TS: She’s also not a very sympathetic character. 

ML: No unfortunately not. And for me, those characters, like I’ve played in The Deuce and The Invisible, I’m drawn to because  they are complex and not necessarily sympathetic. I’m interested in the psychology of these types of characters and what’s inside them, and what drives them.  These characters are sympathetic to me if not necessarily to the audience. 

TS: Where did you film INHERIT THE VIPER? 

ML: Birmingham Alabama.  

TS: Did you do a lot of research on opiate addiction and the lives of drug dealers? 

ML: Absolutely. One of the reasons I was really drawn to the story is because I’ve been personally following the opiate addiction problems over the years. It’s really upsetting how rampant it is and how many lives it has taken. It’s a subject matter close to my heart, something important    

TS: Did you enjoy working with Josh Hartnet? 

ML: I did. I loved him. I love the whole cast but Josh was really extraordinary  it’s not pleasant playing characters that are so far away morally at this point in their lives and still struggling to maintain a connection.  But he’s incredibly wonderful and giving as an actor.

TS: What are the release plans for this film? Has it played at festivals? 

ML:  It did not play film festivals but it definitely was worthy. 

TS: Have you been to many film festivals?

ML: I have. I have been to Sundance five times and I have been to the Austin film Festival. INHERIT THE VIPER will be released today in theaters and across various digital platforms. 

TS: You’re from Russia and came to this country when you were 11.  What does the name Margarita mean in Russian? 

 ML: It means ‘pearl’ in Greek. Margarita is also the title of one of the biggest classics in Russia.

TS: When you were a little girl in Russia, did you watch a lot of movies and TV? 

ML: Not much. I grew up there during the communist era. We had two channels. One of them was news and the other was mostly cartoons. We had very limited access to television.  I did manage to see a few films growing up there, one was ONCE UPON A TIME IN AMERICA, which is probably my favorite movie just because of the nostalgic factor . But I was a dancer since the age of three, and was often performing at theaters. That was a big part of my upbringing.

TS: Who are some of your favorite actors that you have worked with? 

ML: I’ve been fortunate to have worked with some really brilliant actors.  Truly the cast in INHERIT THE VIPER, Josh and Owen Teague, I loved working with them. I loved working with some people on The Deuce. James Franco and Dominique Fishback were great. I worked with Tim Robbins a few years ago and really enjoyed working with him . I worked with Jesse Eisenberg who I loved as an actor. Kristen Stewart was great too. I enjoyed working with Ashton Kutcher and Dustin Hoffman for sure. 

TS: What did you act with Hoffman in? 

ML: I was signed on to do the second season of Luck which we were filming. Unfortunately, the series got canceled. But I was lucky to get to work with him. 

TS: What projects do you have coming up that you are excited about?

ML: I’m figuring out what I want to do next. I’m thinking about doing this series about a Russian spy which I am pretty excited about. 

TS: Well you’d be perfect. You were born to play that part!  Thank you for talking to me and good luck with INHERIT THE VIPER.

ML: Thank you.

OH LUCY! Screens May 4th – 6th at Webster University


OH LUCY! screens Friday May 4th through Sunday May 6th at Webster University’s Moore Auditorium (470 East Lockwood). The movie starts at 7:30pm all three evenings.


Setsuko (Shinobu Terajima) is a single, emotionally unfulfilled woman, seemingly stuck with a drab, meaningless life in Tokyo. At least until she’s convinced by her niece, Mika to enroll in an unorthodox English class that requires her to wear a blonde wig and take on an American alter ego named “Lucy.” This new identity awakens something dormant in Setsuko, and she quickly develops romantic feelings for her American instructor, John (Josh Hartnett). When John suddenly disappears from class and Setsuko learns that he and her niece were secretly dating, Setsuko enlists the help of her sister, Ayako and the pair fly halfway across the world to the outskirts of Southern California in search of the runaway couple. In a brave new world of tattoo parlors and seedy motels, family ties and past lives are tested as Setsuko struggles to preserve the dream and promise of “Lucy.” The film is in English & Japanese with English subtitles.

Admission is:

$7 for the general public
$6 for seniors, Webster alumni and students from other schools
$5 for Webster University staff and faculty

Free for Webster students with proper I.D.

Advance tickets are available from the cashier before each screening or contact the Film Series office (314-246-7525) for more options. The Film Series can only accept cash or check.

The Webster University Film Series site can be found HERE

http://www.webster.edu/film-series/

OH LUCY – Review

(l-r) Tom/Komori (Koji Yakusho), John (Josh Harnett), and Lucy/Setsuko (Shinobu Terajima), in director Atsuko Hirayanagi’s OH LUCY. Photo courtesy of Film Movement ©

Director Atsuko Hirayanagi makes a strong feature film debut with OH LUCY, a Japanese comedy/drama with a darker, absurdist undercurrent. Hirayanagi’s film mixes absurd comedy with a very dark undercurrent, in this strange tale of a lonely middle-aged single Japanese women gaining a new view of life after signing up for a course to learn English that requires her to don a curly blonde wig and adopt a new identity as “Lucy.” Hirayanagi focuses on a type of character often overlooked and offers that character an unexpected second chance at life. The director also peppers her film with little comic absurdities, alternating with some moments of bracing darkness.

Setsuko (Shinobu Terajima) is a lonely, never-married middle-aged Japanese woman living a rather stilled life in Tokyo. Her daily routine takes her to a dull job as office drone and back home in her cluttered, cramped apartment. With her permed hair and figure-concealing clothes, she presents the very picture of dowdy, Japanese style. At work, she avoids socializing and chain-smokes, and beneath her colorless exterior, we sense something else: a cynical disdain mixed with resignation, as well as a touchingly sad, vulnerable soul.

One of Setsuko’s days starts off with a man on the commuter train platform pushing past her to throw himself under the oncoming train. At work, she says nothing about the suicide, and just dodging the office’s cloyingly sweet chatterbox Yoshiko (Miyoko Yamaguchi) and her ever-present box of candies. Setsuko is pleased to get out of the office when her niece Mika (Shioli Kutsuna) calls and invites her to lunch. They meet at the “maid cafe” where the niece works (a nice little dry comic touch) and it turns out the niece wants a favor. She wants Aunt Setsuko to take over the English lessons she signed up for, because she now needs the money but can’t get a refund. Setsuko has no interest in learning English but she agrees to reimburse her for the cost and go anyway.

The language school turns out to be a hole-in-the-wall storefront that look more like a seedy massage parlor than a language school, a dive run by yakuza. The teacher is a talkative, friendly young American named John (Josh Harnett) who has a very different approach to language instruction. John requires his students to take an American identity, donning a wig and taking an American name. Setsuko is re-named “Lucy” and given a curly blonde wig to wear as she learns “American English.” John’s technique involves role-playing, high-fives, American slang and lots of hugging. The class is strange, to say the least, yet Setsuko is surprised to find she kind of likes it.

Taking on a new identity allows Setsuko to do things as Lucy she would never ordinarily do, such as hanging out in a karaoke bar or flirting. In class, she meets and befriends a fellow student given the name Tom, a widower whose real name is Komori (Koji Yakusho). She also becomes fascinated with her young American teacher.

When “Lucy” shows up for class again and is told John is gone, she’s shocked, even devastated. Turns out, Mika and John have run off together, and soon Setsuko’s hypercritical sister Ayako (Kaho Minami), Mika’s mother, turns up on Setsuko’s doorstep looking for her missing daughter and scolding Setsuko for “interfering.” Clearly, the sisters are not close, yet they find themselves embarking on a strange road trip in search of the runaway couple.

Shinobu Terajima crafts a character who touches our hearts with Setsuko, even when she lashes out in anger or makes bone-headed decisions. Her painful longing speaks to her life of quiet desperation and her vulnerability has an appealing almost childlike quality.

Some may expect OH LUCY to be somewhat similar to the Walter Mitty-like HELLO, MY NAME IS DORIS but this character is quite different and director Hirayanagi treats her with more human kindness. What is happening to Setsuko is more a mid-life crisis,  just a very weird one, and it is just that we are much more used to seeing middle-aged men into this kind story. Setsuko doesn’t just go to work one day and develop an obsession, and she isn’t delusional – well, not any more than any middle-aged man trying to be 20-years-old again. It is just that Setsuko unexpectedly steps into something that opens her eyes to the possibility of a different life, suddenly awakening to a realization she wants something else in life.

The American who appeared so smooth in Japan turns out to be quite different back home. Josh Hartnett does well with this flawed character in this culture clash comedy/drama. Shioli Kutsuna is sweet as niece Mika and Kaho Minami good as her tiger of a mother, but the star that really shines throughout is Shinobu Terajima in the lead role.

Often what happens has the kind of strange randomness of real life. There is also a fear of death behind Setsuko’s madness, a chill that begins with that opening suicide, not the usual thing for a comedy. Of course, this film is partly a drama, as Setsuko goes through a transformation and reassessment of her life. The comedy is in how this mid-life madness manifests itself – in a very bizarre, sometimes hilarious ways. The director could have just gone madcap comedy, but instead Hirayanagi keeps that grim, dark tone under the antics.

The film veers between absurdist comedy and a really dark undercurrent, as Setsuko makes one bad decision after another. The film takes twists and turns we do not see coming and yet resolves in a way that is both unexpected and satisfying.

OH LUCY is not flawless comedy, with a few moments that sag, and the bracing undercurrent of darkness occasionally may take audiences aback, Still, it is a strong first feature from director Atsuko Hirayanagi, and an excellent showcase for the considerable talent of actress Shinobu Terajima. OH LUCY, in English and Japanese with English subtitles, opens in St. Louis at the Tivoli Theater on Friday, March 16.

RATING: 3 1/2 out of 5 stars