THE DINK – Review

As World Cup FIFA fever cools off, while Major League baseball continues to simmer in the hot July sun, some fans may want to get their sports movie fix at the multiplex. Or better yet, on their big-screen TVs on a streaming app. Looks like Apple TV has just the ticket (without having to purchase a physical one). But no, this comedy isn’t in the world of soccer (yeah, football) or America’s pastime. You see, this activity is still pretty new, but it’s catching on. And it’s as addictive as the food in its name to many. It’s pickleball, though the title comes from that “hybrid’s glossary”, a soft “tap” called THE DINK.

Now, by “hybrid”, I’m referring to PB’s roots in another sport: tennis. This story begins with a young prodigy of that game, Dustin Boyd. We see him as a toddler, guided by his tennis pro pop, Chuck. As Dustin enters his teen years, his skills and ego expand, becoming known as “The Hammer”. But an agonizing defeat from a real-life “king of the court” quickly sends him into a downward spiral. Cut to now, as the almost middle-aged Dustin (Jake Johnson) works as a “pro” at his father’s (Ed Harris) ritzy tennis club. Tightening his “old school” headband, Dusty regales bored teens with tales of his former glory, while his adoring assistant PJ (Aaron Chen) delights with every word. All would be okay if not for the elders playing pickleball on a run-down court. In Chuck’s office, the PB liaison Skip (Patton Oswald) pleads for an extension to the club in order to offer more courts. Ah ha! Citing an obscure entry in the club’s handbook, Chuck tells Skip that this can be resolved in a “duel”, his best player against the PB champ. If Skip’s player wins, the expansion happens. If not, the pickleballers will vacate. Chuck holds a tryout (much to Dusty’s chagrin), and his son is victorious…until the ending jump over the net. Dusty busts up his wrist again…and he’s out of the match. And what does his doctor (Ben Stiller) prescribe? The dreaded pickleball. When Dusty goes to a big PB park, he encounters a trio of mature ladies. For a doubles game, he’s paired with the lovely divorcee Candace (Mary Steenburgen). The two squabble at first, then gradually a friendship begins. But could they “pair up” off the court? And does Dusty’s loyalty belong to tennis, and his pop, or will he join forces with this squad of scrappy seniors?

In his first leading film role since 2023’s SELF RELIANCE, Johnson channels his inner “man child” to make the often churlish, self-aggrandizing Dusty somewhat endearing. His boiling frustration is slowly tempered as Johnson delivers a convincing “character arc” when the “vets” inspire him to finally “grow up” ( and “grow a pair”). And unlike “The Hammer”, Jake’s a generous acting partner, particularly with the ever-radiant Ms. Steenburgen. She deftly mixes a cynical toughness with an aching vulnerability, especially as she contends with a dour ex-hubby. Happily, this Oscar-winner’s exchanges with Johnson crackle. Another screen stalwart, Harris, is the ultimate, hard-nosed “bad dad” who almost delights in slamming his “failed champ’ of a son. They all carry the emotional weight of the story, while the off-kilter, hysterical Chen expertly steals almost every scene with his strange comic timing. His PJ is a clueless goof with a heart of gold, despite a truly odd “kink”, reminding us of the old adage “whatever floats your boat”. Oswald is in full “dweeb” mode as the twitchy Skip, who won’t be verbally bullied by the dismissive Chuck. A couple of SNL vets have cameos: Chris Parnell as a club rival, and Chloe Fineman (who just exited the show) as Dusty’s conniving ex-girlfriend. The real tennis world is represented by iconic “racket-men” John McEnroe and Andy Roddick. Adding some sentiment are Candace’s pickleball sisters, Cleo King as the uninhibited Gail and Judy, played by the “queen of Pee Wee’s Playhouse”, yes, Miss Yvonne herself, the late Lynne Marie Stewart, in her final film performance.

Considering how much I enjoyed the director’s BARB AND STAR GO TO VISTA DEL MAR (just the silliness I needed during the “lockdown”) and the touching doc WILL AND HARPER, I had high hopes for the latest work from Josh Greenbaum. I did chuckle frequently, but it all seemed too familiar, with a tone reminiscent of the many sports comedies of Will Ferrell, who actually has a new Netflix sports-comedy series, “The Hawk”, set in the world of pro golf. Dusty’s another “child-man” confronting his past while trying to change his attitude and his career trajectory. And learning to care about others. Now, there’s what frustrated me. At around the midway point, the story seems to shift into a most unconventional (certainly for Hollywood) romance (the ole’ “May/December”). And then… the filmmakers “chickened out” in order to return to a “tried and true” finale/showdown. Maybe it didn’t “test well” or perhaps the “suits” nixed it, but this certainly derailed the plot’s welcomed detour. But the cast certainly has honed their “comedy chops” (looking forward to more of Mr. Chen), so their fans should find fun on the courts, although a bravado “love match” would have put me over “the line” and away from the “kitchen” (PB terms) with THE DINK.


2 Out of 4

THE DINK streams exclusively on Apple TV beginning on Friday, July 24, 2026

SPIDER-MAN: INTO THE SPIDER-VERSE Arrives on Digital February 26th and 4K, Blu-ray & DVD March 19th

The Academy Award Nominee for Best Animated Feature Film, SPIDER-MAN: INTO THE SPIDER-VERSE, swings onto Digital February 26 and on 4K Ultra HD Combo Pack, Blu-ray Combo Pack, and DVD on March 19 from Sony Pictures Home Entertainment and Sony Pictures Animation. From Phil Lord and Christopher Miller, the uniquely creative minds behind The Lego Movie and 21 Jump Street, the film offers a fresh vision of the Spider-Man universe with a groundbreaking visual style that’s the first of its kind.

SPIDER-MAN: INTO THE SPIDER-VERSE, a film that has grossed over $350 million in theaters worldwide to date, introduces Brooklyn teen Miles Morales, and the limitless possibilities of the Spider-Verse, where more than one can wear the iconic mask. “One of the most rewarding experiences in recent months has been to hear that children are telling their parents that they see themselves in Miles, or that they want to grow up to be like Spider-Gwen, anyone can be a hero. Thats why we made this film, and we hope that feeling of empowerment is something that both audiences young and old can take away,” say Directors Bob Persichetti, Peter Ramsey, and Rodney Rothman.

The out-of-this-world voice cast includes Shameik Moore as Miles Morales alongside Jake Johnson (“New Girl”) as Peter B. Parker, Hailee Steinfeld (Bumblebee) as Gwen Stacy/Spider-Gwen, Mahershala Ali (Green Book) as Miles’ Uncle Aaron, Brian Tyree Henry (“Atlanta”) as Jefferson Davis, Lily Tomlin (“Grace and Frankie”) as Aunt May, Luna Lauren Velez (“How To Get Away with Murder”) as Rio Morales, Zoë Kravitz (“Big Little Lies”) as Mary Jane, John Mulaney (“Big Mouth”) as Spider-Ham, with Nicholas Cage (The Croods) as Spider-Man Noir, Kathryn Hahn (Hotel Transylvania 3: Summer Vacation) as Doc Ock and Liev Schreiber (“Ray Donovan”) as the villain Kingpin.

SPIDER-MAN: INTO THE SPIDER-VERSE arrives filled with engaging bonus materials that are fun for the whole family and give fans even more of the unique comic book style action that they loved in theaters with over 90 minutes of bonus content. In his very own original short,  Spider-Ham: Caught In a Ham, fan favorite Spider-Ham defeats his greatest foe, delivers sidesplitting puns, and get sucked into another dimension! It actually can get weirder! Don’t miss the thrilling Alternate Universe Mode where fans can view the film in an entirely new way to discover alternate scenes, plotlines, characters, and more with the filmmakers as their guide. Also included is The Spider-Verse Super-Fan Easter Egg Challenge, where fans are challenged to find every single Easter Egg hidden within the Spider-Verse (and there are a lot of them!).  Explore the character design in the visually stunning film including specific looks at the now-iconic Spider-Ham character as well as the classic villains who inhabit the Spider-Verse. Additional special features include a celebration of the diversity in the film and the idea that anyone can wear the mask in a feature called We Are Spider-Man, a featurette called Spider-Verse: A New Dimension, where fans can hear from the artists and filmmakers who pushed the boundaries of the comic book artform to create a visual experience unlike anything done in animation before, a showcase of all the amazing fan favorite characters featured in the Spider-Verse and the actors who bring them to life, and  a touching tribute to comic legends Stan Lee and Steve Ditko, who originally created the Spider-Man character. Other bonus materials include two lyric videos featuring “Sunflower” by Post Malone and Swae Lee and “Familia” by Nicki Minaj and Anuel AA (feat. Bantu).

SPIDER-MAN: INTO THE SPIDER-VERSE is directed by Bob Persichetti (The Little Prince), Peter Ramsey (Rise of the Guardians) and Rodney Rothman (22 Jump Street), and screenplay by Phil Lord and Rodney Rothman from a story by Lord. The film is produced by Avi Arad, Amy Pascal, Phil Lord, Chistopher Miller, and Chrstina Steinberg. The executive producers are the late Stan Lee, Brian Michael Bendis, and Will Allegra.

Bonus Materials Include:

  • We Are Spider-ManExploring and celebrating one of the key themes of the film, We Are Spider-Man takes a deep dive into the diversity of the characters and aspirational core that any person from any gender or cultural background can wear the mask.
  • Spider-Verse: A New DimensionWith a stunning visual style and state of the art animation designed to take the viewer into the pages of a comic, Spider-Man: Into The Spider-Verse is not only a love letter to comic books but a groundbreaking take on the super hero genre. Hear from the artists and filmmakers who pushed the boundaries of the artform as they discuss their journey.
  • The Ultimate Comics Cast: Enjoy this showcase of all of the fan favorite characters featured in the Spider-Verse and the spectacular cast who were chosen to bring them to life.
  • A Tribute to Stan Lee & Steve Ditko: Celebrate the amazing legacy and powerful spirit of the creators of Spider-Man.
  • The Spider-Verse Super-Fan Easter Egg Challenge: The Spider-Verse is loaded with Easter Eggs, from cameos to comics references. Fans are challenged to find them all!
  • Designing Cinematic Comics Characters: A breakdown of all aspects of the character design including costume, movement in animation, and distinct powers for each character.
    • Heroes & Hams: Meet the amazing Spider-people of the Spider-Verse.
    • Scorpions and Scoundrels: Explore the classic villains who wreak havoc on the Spider-Verse.
  • Alternate Universe Mode: In this all-new viewing experience, discover alternate scenes, plotlines, characters, and more with the filmmakers as your guide.
  • 2 Lyric Videos
    • “Sunflower” by Post Malone and Swae Lee
    • “Familia”  by Nicki Minaj & Anuel AA (feat. Bantu)
  • All-New Original Short “Spider-Ham: Caught In a Ham” It’s another normal day for Peter Porker, a.k.a. the Spectacular Spider-Ham, fighting bad guys and loving hot dogs, until a mysterious portal starts messing with the very fabric of his cartoon reality.

4K Ultra HD Disc Includes:

  • Feature film presented with High Dynamic Range and Dolby Atmos sound
  • Also includes the film and special features on the included high-def Blu-ray

SPIDER-MAN: INTO THE SPIDER-VERSE has a run time of approximately 117 minutes and is rated PG for frenetic sequences of animated action violence, thematic elements, and mild language.

SPIDER-MAN: INTO THE SPIDER-VERSE – Review

With just 16 days left in 2018, many filmgoers (let’s not call them “haters”, but rather “grumblers”) might think they’ve seen the last of the Marvel movie heroes for this year, especially since Warner Brothers and the “Distinguished Competition” (a phrase coined by the much-missed Stan Lee, which replaced the deriding “Brand Echh”) are clearing the multiplex waters for AQUAMAN. Mind you, this has been a stellar year for Marvel Studios which had three films in the box office top ten, with BLACK PANTHER and the latest Avengers at the top two spots, but now it looks that there’ll be one more hit by the drop of the Times Square glitter-ball. But technically it’s not from that studio. Sony has had a lock on the Marvel mascot, Spider-Man, for all of the new century, but after the disastrous reboot flicks in 2012 and 2014, they wisely joined forces with Marvel Studios for last year’s smash SPIDER-MAN: HOMECOMING (which allowed him to mix it up alongside their franchise stars, with Iron Man as a mentor). Now Sony said they’d continue making their own spin-offs with secondary characters and villains. They had a good-sized success with a solo VENOM flick a couple of months ago (#10 in this year’s B.O. stats). Now comes another one, swinging out from Sony…Animation! Yes, the folks behind last year’s Razzie fave, THE EMOJI MOVIE. Will the webbed wonder escape that fate? The answer lies with SPIDER-MAN: INTO THE SPIDER-VERSE.

The story doesn’t start with a guy named Pete, which most would assume. No, this story is set in a world a lot like ours (the police cruisers are marked “P.D.N.Y.”, so that’s a hint), where we encounter a very smart (street and book) pre-teen guy named Miles Morales (voiced by Shameik Moore). He’s a bit anxious on this day because his policeman pop Jefferson (Brian Tyree Henry) and nurse mom Rio (Luna Lauren Velez) are sending him off to a prestigious private school (all on a scholarship) where he’ll stay in a dorm room during the week. And maybe the recent tremors are making Miles jumpy. Either way, he has a tough time on his first day. So tough in fact, that he sneaks out of his dorm that evening to visit his favorite uncle Aaron (Mahershala Ali). He decides to take his nephew to a secluded spot just off the subway line, where they can indulge their passion for “street art”. But they’re joined by a most unwelcome guest: a genetically engineered spider. Which, you guessed it, bites young Miles. When he wakes up the next morning he notices that he’s undergone some “changes”, and not the “voice deepening” kind. That night Miles revisits the “secret spot” to locate that spider. Unfortunately, a wall collapses and he finds himself a very scared witness to a pitched battle between the city’s “friendly neighborhood” Spider-Man and some super-powered goons employed by the Kingpin AKA Wilson Fisk (Liev Schreiber). Before the fighting ends tragically, Spider gives Miles a tiny flash drive (later called a “goober”) to shut down Fisk’s big machine (which is causing the tremors and brief blackouts). Luckily Miles escapes before one of those goons, the high tech killer known as The Prowler, captures him. The next day, Miles is stunned to encounter his hero once more. But he’s different, older, a bit flabby, and going by Peter B. Parker (Jake Johnson). He explains to Miles that Fisk has built a giant super magnet that opens a portal that brings back objects (including people) from alternate Earths. And unfortunately, Pete’s losing his molecular stability and will cease to exist unless he can get back to the device. The old pro super-hero teams up with the novice as they eventually encounter more “travelers’, other beings with similar powers. There’s Gwen Stacey AKA Spider-Woman (Hailee Steinfeld), hard-boiled 30’s P.I., Spider-Noir (Nicolas Cage), teenager Peni Parker (Kimiko Glenn), who works with a massive spider-controlled robot, and anthropomorphic hero, Peter Porker, the Spider-Ham (John Mulaney). Can Miles refine his abilities, send his new friends home, and stop the Kingpin’s destructive weapon before it erases the heroes of the spider-verse?

A most impressive roster of actors make these animated characters…well, even more animated. Moore makes Morales a most endearing young hero, full of enthusiasm while constantly fretting over his “cool factor’ amongst his new classmates. Of course, all his concerns feel multiplied after receiving a dose of super-spider powers. Moore conveys his fears and heartbreak while balancing it with Miles’s compassion. He cares about everyone: his family, his old and new friends, and especially the scruffy wiseguy who becomes his reluctant mentor. As the Spidey we’ve followed through several decades (and eight live-action features) Johnson is the ultimate everyman hero, greyed, paunchy, but always ready with a plan in a pinch. But Johnson also gives us a guy that’s been kicked around by life, who wonders if all this dimension skipping is worth it. Fortunately, he still has that snarky sense of humor, and Johnson delivers the taunts with skill and precision. As for the “spider squad”, Steinfeld is confident but a bit closed off, cautious about getting to close anyone, especially Miles. Cage voices a great homage to film noir tough guys, tossing out hilarious forgotten 30’s slang, while Mulaney makes the Spider-Ham a lovable loopy cartoon cut-up. Prior to the bug bite, Miles has two strong male role models. Henry is great as his gruff, loving but stern policeman papa, while Ali is ultra smooth and slick as the super cool uncle. As for those bad guys, Schrieber makes Fisk a most formidable foe. But it’s a different take than we saw from Michael Clark Duncan in the 2003 DAREDEVIL film or Vincent D’Onofrio in the current Netflix DD series. He’s not the oversized, but cultured mastermind. Despite his suit and tie, this Kingpin is a powerhouse palooka, still fresh from the mean streets, who Schrieber makes even more fearsome with his guttural growls (“Kill dat’ guy!!”). Kudos also to comic actresses Kathryn Hahn for a fresh take on a well-established Spidey villain, and Lily Tomlin who offers a tough, smart take on Aunt May.

It’s no wonder that it took three tremendously talented artists to direct this work that could definitely be referred to as a game changer, much like the first TOY STORY, in future annals of animation history. Bob Persichetti, Peter Ramsey, and Rodney Rothman unite to breathe fresh new life into the super-hero genre, so much a part of the new century, while showing us that animation need not be a “cinema sitter”, that it can work for action stories as well as it has for funny animal fables. And all while affectionately acknowledging their source material, making the finished film seem like a graphic novel (okay, “comic book”) come to vibrant, noisy life. We hear Miles’s thoughts via voice-overs, while also seeing the boxed captions pop up all about him. Sound effects appear (not as garish as the classic 60’s Batman TV show though), as the force of impact ( a punch or a kick) splinter and shatter the screen in electric hues. The colors overlap and mesh much like the old four-color printing of the books. The tones almost glow and pop, reflecting hip-hop inspired ‘street art’. Then there are the eclectic character designs, mixing the molded-shading of CGI figures coupled with dark, delineating outlines, sharpening the edges much as a comic inker would enhance and accentuate a jawline or the curve of a nose. Particularly impressive is the look of the Kingpin who appears to be two tons of dark granite on two legs, his angry bald head is almost floating in a sea of black. Of course, that heft doesn’t get in the way of his deadly speed with those massive meaty fists crushing anything in their path. Yes, the flick is dazzling, but it’s also really clever and funny thanks to the script from Phil Lord meshing the creations of many wonderful comics artists. The dialogue deftly deflates countless action movie cliches without careening into derisive “camp” cavorting. Somehow it’s equal parts sweet and silly while making us care about this swooping, web-slinging “spandex squad”. Things sometimes get a bit “grim and gritty”, but Lord doesn’t neglect the fun aspect of bouncing and twirling high above the streets. Actually fun is the main word to describe the wondrous entertainment machine that is SPIDER-MAN: INTO THE SPIDER-VERSE. It’s the best holiday gift you could give the kid inside you.

5 Out of 5

TAG (2018) – Review

 

Enough with the frivolity down at the multiplex, we’ve got another film opening this week that was “inspired by true events”. Seriously (usually very very), they’re stories of triumph against the elements (as with the recent ADRIFT) or bravery in the face of injury or disease (BREATHE, STRONGER, and countless others). Just a minute, you’ve seen the TV ads and trailers for the last few months so you know it’s a comedy. Now that’s a real rarity, little seen hybrid mix, like the “jackalope”. Needles to say it’s been somewhat exaggerated or enhanced for the big screen. The reports of a pack (around a dozen) of buddies now in middle age (being generous here) who have set aside one month every year to continue a game of tag started while they were in grade school (so we could say it’s based on a classic game like CLUE or BATTLESHIP, but there’s no boards or dice involved, just hands and legs) has seen exposure in print and on the TV news (CBS Sunday Morning just rebroadcast their profile). For the flick they’ve cut back the squad to five and they guys are trim and in their early forties (and of course, a couple of them are extremely photogenic). Oh, and the game is much more violent (slapstick, you could say), because audiences would expect that for an “R” rated game of TAG.

In the movie’s opening moments we see the elaborate planning of “tag” player “Hoagie” Malloy (Ed Helms) to deliver the “touch” to business tycoon Bob Callahan (Jon Hamm). Bob becomes “it” just as he’s beginning an interview with a reporter from the Wall Street Journal, Rebecca (Annabelle Wallis). She’s intruiged by the ensuing chaos, so the guys explain. Every year, during the month of May, they continue a game of tag begun in their youth. Of course you can’t tag back the guy that just made you “it”. And the fella’ that’s it at the end of those 31 days is the loser (nope, no real winner). This time Hoagie has a master plan to finally make one of their pals “it”. Jerry (Jeremy Renner) has successfully stayed hidden in May (and he’s super fast, too). Seems that Jerry’s getting hitched on the last day of the month in Portland. As Jake Blues would say, “It’s time to get the band back together”. This all seems much more interesting to Rebecca than an interview, so she tags along. But she’s not the only lady, since Hoagie’s wife Anna (Isla Fisher), though not a player, is psyched to help track down their “white whale”. Soon their two other buddies, laid-back herbal enthusiast Randy AKA Chilli (Jake Johnson) and quirky, soft-spoken Sable (Hannibal Buress) join the journey. Their first run at Jerry is disrupted by his nervous fiancee Susan (Leslie Bibb), She’s scared that they will ruin her big weekend. During a truce they set up new ground rules: no tag at the wedding rehearsal, the following dinner/reception, or at the actual ceremony. They all agree, though Hoagie and his crew continue their efforts to get Jerry alone and end his streak and finally make his “it”.

The cast is an interesting mix of comedy TV vets, stand-up comedians, and even an action flick staple. The leader of the mayhem is probably Helms’s Hoagie, who’s doing a less awkward take on his HANGOVER patsy while bringing lots of energy and a demented zeal to his quest. Hoagie’s likable, but completely hyper-focused on his “Jerry hunt”. Almost matching him in his mania is Fisher as wife Anna, whose fiery spirit matches her hair color. Though unable to tag, she’s a valuable addition the the guys’ mission. And Fisher is a most delightful “firecracker”. Plus she gets to team up with a co-star from the 2016 underrated farce KEEPING UP WITH THE JONESES, Jon Hamm, who once again plays against his leading man looks to display his formidable comic skills and getting more physical via the great slapstick sequences. Buress can still steal scenes with his off-kilter line delivery, seeming to “toss off” killer quips. Johnson’s also great with a snarky joke, given with a laid-back wiseguy charm. Unfortunately the constant “weed” bits wear out and become an easy laugh or a scene ender with CGI smoke wafting from his lips. The best surprise may be the work of Renner, doing an inspired parody of his action movie roles from THE BOURNE LEGACY and Hawkeye in the Marvel movies. Jerry has a soft side, but Renner plays him as a closed book for much of the action, preferring to be the smug “man in control”. This makes for an odd pairing with Bibb as his future bride. Susan often comes off as a shrill “fun-killer” and her manic “bride-zilla” can be a bit “over the top”, but Bibb truly commits in her performance. That role is more compelling than Rebecca, who’s mostly the wide-eyed observer and “voice of reason”, but kudos to the striking Wallis for bouncing back from last year’s twins of trash, THE MUMMY and KING ARTHUR: LEGEND OF THE SWORD. Also representing the ladies is Rashida Jones, the talented star of TV’s “Angie Tribeca” and “Parks and Recreations”, who is underused as the former high school sweetheart of two of the guys (invited by Jerry to split the team). Her character is the source of a particularly crude joke about their teen years. Jones deserves better. But there are some nice turns by stand-ups Sebastian Maniscalo and LilRel Howery (so hilarious in GET OUT), along with comic actors Steve Berg (he really wants in the game), SNL vet Nora Dunn, and Thomas Middleditch (love that fabulous ponytail) from HBO’s “Silicon Valey”.

First time feature director Jeff Tomsic does his best work in the movie’s “game” scenes, using the “slow-mo, speed-up, then quick back to slow” effect in some many action flicks, enhanced with some CGI for the facial impacts. This also gives us time to hear the characters’ thoughts as they try to avoid being “it”. But it’s more Three Stooges-style violence were they might only need an aspirin rather than a trip to the ER. Unfortunately Tomsic couldn’t smooth out some of the kinks of the hit-and-miss script this is indeed based on a Wall Street Journal article (written by a dude, though). In one third act plot point a phrase describing a “pregnancy mishap” is repeated so much, that it becomes distasteful, annoying, and insensitive (every mention was fingernails on a chalkboard). But the biggest problem may be the lack of chemistry between the actors. They don’t seem like guys that would still want to hang out for a full month year after year. The hospital-set finale with one player in dire straights feels like a forced attempt at pathos and comes off as clunky. Luckily the flick cuts to a wonderful montage that succeeds in giving viewers the ole “warm fuzzies”. But this and the action sequences aren’t quite enough elevate TAG above its schoolyard roots. Dodgeball, it ain’t.

3 Out of 5

 

WAMG Giveaway – Win THE MUMMY Blu-ray – Stars Tom Cruise

When an ancient evil rises up to seek revenge on our world, relive the epic saga in The Mummy, unleashed onto Digital on August 22, 2017, and on 4K Ultra HD, Blu-ray, DVD and On Demand on September 12, 2017 from Universal Pictures Home Entertainment. Packed with over an hour of special bonus content, experience never-before-scene footage and hidden secrets The Mummy has within with stars Tom Cruise, Sofia Boutella, Annabelle Wallis, Russell Crowe, and Jake Johnson. 

Now you can own THE MUMMY on Blu-ray. We Are Movie Geeks has four copies to give away. All you have to do is leave a comment answering this question: What is your favorite movie about Mummys? (mine is BLOOD FROM THE MUMMY’S TOMB!). It’s so easy!
Good Luck!

OFFICIAL RULES:

1. YOU MUST BE A US RESIDENT. PRIZE WILL ONLY BE SHIPPED TO US ADDRESSES.  NO P.O. BOXES.  NO DUPLICATE ADDRESSES.

2. WINNERS WILL BE CHOSEN FROM ALL QUALIFYING ENTRIES.

An ancient evil is unleashed after centuries of captivity and her lust for revenge threatens to destroy the world in The Mummy, a spectacular saga coming to Digital onAugust 22, 2017 and 4K Ultra HD, Blu-ray, DVD and On Demand on September 12, 2017 from Universal Pictures Home Entertainment. Tom Cruise (Mission: Impossible franchise, Top Gun) battles the ultimate evil in a breathtaking version of the legendary and mystical monster that has captivated and terrified humankind for centuries. With more than an hour of never-before-seen bonus features, The Mummy 4K Ultra HD, Blu-ray and DVD reveal the deepest secrets behind this sumptuous and wonder-filled epic.

Thought safely entombed deep beneath the desert, an ancient princess (Sofia Boutella, Star Trek Beyond,Kingsman: The Secret Service) whose destiny was unjustly taken from her is awakened in our current day. Her malevolence has grown over millennia and with it come terrors that defy human comprehension. From the sands of the Middle East through modern-day London, The Mummy balances wonder, thrills, and imagination.

The latest action-packed entry from director and producer Alex Kurtzman (Star Trek Into DarknessNow You See Me) and producer Chris Morgan (Fast & Furious franchise), The Mummy also stars Oscar®winner Russell Crowe (GladiatorA Beautiful Mind), Jake Johnson (Jurassic World, “New Girl”), Annabelle Wallis (King Arthur: Legend of the Sword, “Peaky Blinders”), and Courtney B. Vance (“American Crime Story: The People v. O.J. Simpson,” Terminator Genisys).

BONUS FEATURES EXCLUSIVE TO 4K ULTRA HD, BLU-RAY™ AND DVD:

  • Deleted and Extended Scenes
  • Cruise & Kurtzman: A Conversation Rooted in Reality – Tom Cruise and Alex Kurtzman discuss the making of The Mummy.
  • Rooted in Reality – Filmmakers and cast reveal how they broke away from old tropes and traditions to create a dynamic and realistic 21st century monster movie.
  • Life in Zero-G: Creating the Plane Crash – Watch Tom Cruise, Annabelle Wallis, and the crew shoot the incredible plane sequence.
  • Meet Ahmanet – Sofia Boutella shares the excitement of reinventing a monster icon.
  • Cruise in Action – A behind-the-scenes look at Tom Cruise’s most memorable Mummy stunts.
  • Becoming Jekyll and Hyde  Find out how the casting of Russell Crowe brought a bold new dimension to the roles of Jekyll and Hyde.
  • Choreographed Chaos – Watch as cast and filmmakers create an epic outdoors clash between ancient and modern worlds.
  • Nick Morton: In Search of a Soul – Tom Cruise describes what drew him to play a man seemingly without a soul.
  • Ahmanet Reborn Animated Graphic Novel – Witness Ahmanet’s descent into the monstrous underworld as she is reborn into the Goddess of Chaos and Wrath.
  • Feature Commentary with director and producer Alex Kurtzman, and cast members Sofia Boutella, Annabelle Wallis and Jake Johnson

FILMMAKERS:
Cast: Tom Cruise, Annabelle Wallis, Sofia Boutella, Jake Johnson, Courtney B. Vance, Marwan Kenzari, Russell Crowe
Casting By: Francine Maisler CSA
Music By: Brian Tyler
Costume Designer: Penny Rose
Edited By: Paul Hirsch ACE, Gina Hirsch, Andrew Mondshein ACE
Production Designers: Dominic Watkins, John Hutman
Director of Photography: Ben Seresin BSC ACE
Executive Produced By: Jeb Brody, Roberto Orci
Produced By: Alex Kurtzman p.g.a, Chris Morgan, Sean Daniel p.g.a, Sarah Bradshaw
Story By: Jon Spaihts, Alex Kurtzman, Jenny Lumet
Screenplay By: David Koepp, Christopher McQuarrie, Dylan Kussman
Directed By: Alex Kurtzman

DOLBY ATMOS® SOUNDTRACK
The Mummy Blu-ray™ and 4K Ultra HD will feature a Dolby Atmos® soundtrack remixed specifically for the home theater environment to place and move audio anywhere in the room, including overhead. To experience Dolby Atmos at home, a Dolby Atmos enabled AV receiver and additional speakers are required, or a Dolby Atmos enabled sound bar. Dolby Atmos soundtracks are also fully backward compatible with traditional audio configurations and legacy home entertainment equipment.

TECHNICAL INFORMATION – 4K Ultra HD:
Street Date: September 12, 2017
Copyright: 2017 Universal Pictures Home Entertainment. All Rights Reserved.
Selection Number: 61188191 (US)/ 61188192 (CDN)
Running Time: 1 hour, 50 minutes
Layers: BD-66
Aspect Ratio: Widescreen 2.40:1
Rating: PG-13 for violence, action and scary images, and for some suggestive content and partial nudity
Language/Subtitles: English SDH, French and Spanish
Sound: English Dolby Atmos, Spanish and French DTS Digital Surround 5.1

TECHNICAL INFORMATION – BLU-RAY:
Street Date: September 12, 2017
Copyright: 2017 Universal Pictures Home Entertainment. All Rights Reserved.
Selection Number: 61168754 (US)/ 61168764 (CDN)
Running Time: 1 hour, 50 minutes
Layers: BD-50
Aspect Ratio: Widescreen 2.40:1
Rating: PG-13 for violence, action and scary images, and for some suggestive content and partial nudity
Language/Subtitles: English SDH, French and Spanish
Sound: English Dolby Atmos/Dolby Digital 2.0, Spanish and French DTS Digital Surround 5.1

TECHNICAL INFORMATION – DVD:
Street Date: September 12, 2017
Copyright: 2017 Universal Pictures Home Entertainment. All Rights Reserved.
Selection Number: 61168755 (US)/ 61168765 (CDN)
Running Time: 1 hour, 50 minutes
Layers: DVD 9
Aspect Ratio: Anamorphic Widescreen2.40:1
Rating: PG-13 for violence, action and scary images, and for some suggestive content and partial nudity
Language/Subtitles: English SDH, French and Spanish
Sound: English Dolby Digital 5.1, Spanish and French Dolby Digital 5.1

The film will be available on 4K Ultra HD in a combo pack which includes Ultra HD Blu-ray, Blu-ray and Digital. The 4K Ultra HD will include all bonus features on the Blu-ray disc.

  • 4K Ultra HD is the ultimate movie watching experience. 4K Ultra HD features the combination of 4K resolution for four times sharper picture than HD, the color brilliance of High Dynamic Range (HDR) with immersive audio delivering a multidimensional sound experience.
  • Blu-ray unleashes the power of your HDTV and is the best way to watch movies at home, featuring 6X the picture resolution of DVD, exclusive extras and theater-quality surround sound.
  • DIGITAL lets fans watch movies anywhere on their favorite devices. Users can instantly stream or download.

THE MUMMY Starring Tom Cruise and Sofia Boutella Unleashes on Digital August 22nd and Blu-ray & DVD September 12th


When an ancient evil rises up to seek revenge on our world, relive the epic saga in The Mummy, unleashing onto Digital on August 22, 2017, and on 4K Ultra HD, Blu-ray, DVD and On Demand on September 12, 2017 from Universal Pictures Home Entertainment. Packed with over an hour of special bonus content, experience never-before-scene footage and hidden secrets The Mummy has within with stars Tom Cruise, Sofia Boutella, Annabelle Wallis, Russell Crowe, and Jake Johnson. 

An ancient evil is unleashed after centuries of captivity and her lust for revenge threatens to destroy the world in The Mummy, a spectacular saga coming to Digital onAugust 22, 2017 and 4K Ultra HD, Blu-ray, DVD and On Demand on September 12, 2017 from Universal Pictures Home Entertainment. Tom Cruise (Mission: Impossible franchise, Top Gun) battles the ultimate evil in a breathtaking version of the legendary and mystical monster that has captivated and terrified humankind for centuries. With more than an hour of never-before-seen bonus features, The Mummy 4K Ultra HD, Blu-ray and DVD reveal the deepest secrets behind this sumptuous and wonder-filled epic.

Thought safely entombed deep beneath the desert, an ancient princess (Sofia Boutella, Star Trek Beyond,Kingsman: The Secret Service) whose destiny was unjustly taken from her is awakened in our current day. Her malevolence has grown over millennia and with it come terrors that defy human comprehension. From the sands of the Middle East through modern-day London, The Mummy balances wonder, thrills, and imagination.

The latest action-packed entry from director and producer Alex Kurtzman (Star Trek Into DarknessNow You See Me) and producer Chris Morgan (Fast & Furious franchise), The Mummy also stars Oscar®winner Russell Crowe (GladiatorA Beautiful Mind), Jake Johnson (Jurassic World, “New Girl”), Annabelle Wallis (King Arthur: Legend of the Sword, “Peaky Blinders”), and Courtney B. Vance (“American Crime Story: The People v. O.J. Simpson,” Terminator Genisys).

BONUS FEATURES EXCLUSIVE TO 4K ULTRA HD, BLU-RAY™ AND DVD:

  • Deleted and Extended Scenes
  • Cruise & Kurtzman: A Conversation Rooted in Reality – Tom Cruise and Alex Kurtzman discuss the making of The Mummy.
  • Rooted in Reality – Filmmakers and cast reveal how they broke away from old tropes and traditions to create a dynamic and realistic 21st century monster movie.
  • Life in Zero-G: Creating the Plane Crash – Watch Tom Cruise, Annabelle Wallis, and the crew shoot the incredible plane sequence.
  • Meet Ahmanet – Sofia Boutella shares the excitement of reinventing a monster icon.
  • Cruise in Action – A behind-the-scenes look at Tom Cruise’s most memorable Mummy stunts.
  • Becoming Jekyll and Hyde  Find out how the casting of Russell Crowe brought a bold new dimension to the roles of Jekyll and Hyde.
  • Choreographed Chaos – Watch as cast and filmmakers create an epic outdoors clash between ancient and modern worlds.
  • Nick Morton: In Search of a Soul – Tom Cruise describes what drew him to play a man seemingly without a soul.
  • Ahmanet Reborn Animated Graphic Novel – Witness Ahmanet’s descent into the monstrous underworld as she is reborn into the Goddess of Chaos and Wrath.
  • Feature Commentary with director and producer Alex Kurtzman, and cast members Sofia Boutella, Annabelle Wallis and Jake Johnson

FILMMAKERS:
Cast: Tom Cruise, Annabelle Wallis, Sofia Boutella, Jake Johnson, Courtney B. Vance, Marwan Kenzari, Russell Crowe
Casting By: Francine Maisler CSA
Music By: Brian Tyler
Costume Designer: Penny Rose
Edited By: Paul Hirsch ACE, Gina Hirsch, Andrew Mondshein ACE
Production Designers: Dominic Watkins, John Hutman
Director of Photography: Ben Seresin BSC ACE
Executive Produced By: Jeb Brody, Roberto Orci
Produced By: Alex Kurtzman p.g.a, Chris Morgan, Sean Daniel p.g.a, Sarah Bradshaw
Story By: Jon Spaihts, Alex Kurtzman, Jenny Lumet
Screenplay By: David Koepp, Christopher McQuarrie, Dylan Kussman
Directed By: Alex Kurtzman

DOLBY ATMOS® SOUNDTRACK
The Mummy Blu-ray™ and 4K Ultra HD will feature a Dolby Atmos® soundtrack remixed specifically for the home theater environment to place and move audio anywhere in the room, including overhead. To experience Dolby Atmos at home, a Dolby Atmos enabled AV receiver and additional speakers are required, or a Dolby Atmos enabled sound bar. Dolby Atmos soundtracks are also fully backward compatible with traditional audio configurations and legacy home entertainment equipment.

TECHNICAL INFORMATION – 4K Ultra HD:
Street Date: September 12, 2017
Copyright: 2017 Universal Pictures Home Entertainment. All Rights Reserved.
Selection Number: 61188191 (US)/ 61188192 (CDN)
Running Time: 1 hour, 50 minutes
Layers: BD-66
Aspect Ratio: Widescreen 2.40:1
Rating: PG-13 for violence, action and scary images, and for some suggestive content and partial nudity
Language/Subtitles: English SDH, French and Spanish
Sound: English Dolby Atmos, Spanish and French DTS Digital Surround 5.1

TECHNICAL INFORMATION – BLU-RAY:
Street Date: September 12, 2017
Copyright: 2017 Universal Pictures Home Entertainment. All Rights Reserved.
Selection Number: 61168754 (US)/ 61168764 (CDN)
Running Time: 1 hour, 50 minutes
Layers: BD-50
Aspect Ratio: Widescreen 2.40:1
Rating: PG-13 for violence, action and scary images, and for some suggestive content and partial nudity
Language/Subtitles: English SDH, French and Spanish
Sound: English Dolby Atmos/Dolby Digital 2.0, Spanish and French DTS Digital Surround 5.1

TECHNICAL INFORMATION – DVD:
Street Date: September 12, 2017
Copyright: 2017 Universal Pictures Home Entertainment. All Rights Reserved.
Selection Number: 61168755 (US)/ 61168765 (CDN)
Running Time: 1 hour, 50 minutes
Layers: DVD 9
Aspect Ratio: Anamorphic Widescreen2.40:1
Rating: PG-13 for violence, action and scary images, and for some suggestive content and partial nudity
Language/Subtitles: English SDH, French and Spanish
Sound: English Dolby Digital 5.1, Spanish and French Dolby Digital 5.1

The film will be available on 4K Ultra HD in a combo pack which includes Ultra HD Blu-ray, Blu-ray and Digital. The 4K Ultra HD will include all bonus features on the Blu-ray disc.

  • 4K Ultra HD is the ultimate movie watching experience. 4K Ultra HD features the combination of 4K resolution for four times sharper picture than HD, the color brilliance of High Dynamic Range (HDR) with immersive audio delivering a multidimensional sound experience.
  • Blu-ray unleashes the power of your HDTV and is the best way to watch movies at home, featuring 6X the picture resolution of DVD, exclusive extras and theater-quality surround sound.
  • DIGITAL lets fans watch movies anywhere on their favorite devices. Users can instantly stream or download.

 

Watch Tom Cruise And Russell Crowe In First Trailer For THE MUMMY

The Mummy

Tom Cruise headlines a spectacular, all-new cinematic version of the legend that has fascinated cultures all over the world since the dawn of civilization: The Mummy.

Welcome to a New World of Gods and Monsters. The new trailer for Universal Pictures’ THE MUMMY has just debuted online.

Thought safely entombed in a tomb deep beneath the unforgiving desert, an ancient princess (Sofia Boutella of Kingsman: The Secret Service and Star Trek Beyond) whose destiny was unjustly taken from her is awakened in our current day, bringing with her malevolence grown over millennia and terrors that defy human comprehension.

From the sweeping sands of the Middle East through hidden labyrinths under modern-day London, The Mummy brings a surprising intensity and balance of wonder and thrills in an imaginative new take that ushers in a new world of gods and monsters.

Cruise is joined by a cast including Annabelle Wallis (upcoming King Arthur, television’s Peaky Blinders), Jake Johnson (Jurassic World), Courtney B. Vance (TV’s American Crime Story: The People V. O.J. Simpson) and Oscar® winner Russell Crowe (Gladiator).

The Mummy 2474_tpt2_00028r_graded 2474_tpf_00053r 2474_tpf_00075r_crop

The creative team on this action-adventure event is led by director/producer Alex Kurtzman and producer Chris Morgan, who have been instrumental in growing some of the most successful franchises of the past several years—with Kurtzman writing or producing entries in the Transformers, Star Trek and Mission: Impossible series, and Morgan being the narrative engineer of the Fast & Furious saga as it has experienced explosive growth from its third chapter on. Sean Daniel, who produced the most recent Mummy trilogy, produces alongside Kurtzman and Morgan.

The film is written by Jon Spaihts and Christopher McQuarrie.

THE MUMMY opens in theaters June 9, 2017.

www.themummy.com

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Tom Cruise in THE MUMMY – Watch the Teaser Trailer and Check Out the Poster

mummy-setpics-03
Today fans get their first look at Tom Cruise in Universal Pictures’ THE MUMMY!

Check out the new teaser trailer:

Tom Cruise headlines a spectacular, all-new cinematic version of the legend that has fascinated cultures all over the world since the dawn of civilization: The Mummy.

Thought safely entombed in a tomb deep beneath the unforgiving desert, an ancient princess (Sofia Boutella of Kingsman: The Secret Service and Star Trek Beyond) whose destiny was unjustly taken from her is awakened in our current day, bringing with her malevolence grown over millennia and terrors that defy human comprehension.

From the sweeping sands of the Middle East through hidden labyrinths under modern-day London, The Mummy brings a surprising intensity and balance of wonder and thrills in an imaginative new take that ushers in a new world of gods and monsters.

Cruise is joined by a cast including Annabelle Wallis (upcoming King Arthur, television’s Peaky Blinders), Jake Johnson (Jurassic World), Courtney B. Vance (TV’s American Crime Story: The People V. O.J. Simpson) and Oscar® winner Russell Crowe (Gladiator).

This new THE MUMMY poster is amazing!

mummy1

The creative team on this action-adventure event is led by director/producer Alex Kurtzman and producer Chris Morgan, who have been instrumental in growing some of the most successful franchises of the past several years—with Kurtzman writing or producing entries in the Transformers, Star Trek and Mission: Impossible series, and Morgan being the narrative engineer of the Fast & Furious saga as it has experienced explosive growth from its third chapter on.  Sean Daniel, who produced the most recent Mummy trilogy, produces alongside Kurtzman and Morgan.  www.themummy.com

The full length trailer debuts this Sunday!

JURASSIC WORLD – The Review

Jurassic World : Nouvelles photos

The original JURASSIC PARK set a new standard for state-of-the-art visual effects. It was suddenly possible to see humans and dinosaurs interacting in a way that had never before been possible, and to feel the entire theater shake with the approach of a T-Rex. 23 years later not a whole lot has changed. As the belated third sequel opens, and John Williams’s famous theme swells, JURASSIC WORLD feels both nostalgically familiar and excitingly new. The story is simple: The Costa Rica-set Jurassic World theme park is now a popular tourist destination. Scientists there develop a bigger, better hybrid supersaurus which escapes its enclosure resulting in the usual monster mayhem. JURASSIC WORLD is a true summer movie experience. It’s got thrills, chills, and checks every box needed for big entertainment. It has its share of flaws, chief of which are the familiarity factor and a weak script, but it still offers a couple hours of glitzy, hi-tech fun. That’s just about all that anyone can reasonably expect from this kind of blockbuster, but the magical spark that characterized the original Spielberg film is largely absent.

The makers of JURASSIC WORLD get a lot right in this new take on the story. As expected, the effects are flawless – the dinosaurs seem as alive as the human actors (and in the case of Bryce Howard, more so). The scene where the huge Mosasaurus lunges up from his tank to consume a dangling shark was a nice way to foreshadow the dangers to come. My favorite scene is when the swarm of pterodactyls (some dino-nerds call them dimorphodons) attack fleeing tourists and one slob grabs his margaritas before running. But Williams’s music isn’t the only thing recycled here and the whole film feels like a retread of the first one. The most disappointing thing about JURASSIC WORLD is how perfunctory the screenplay by director Colin Trevorrow (and three other writers) is. Trevorrow was hired apparently based on SAFETY NOT GUARANTEED, his excellent 2012 indie nominally about time travel, but he fails to provide his own voice, seeming content to turn things over to the CGI gurus and ape Spielberg’s directorially style. JURASSIC WORLD presents cookie-cutter characters played by usually-good actors who collectively have nothing to do but spew expository dialogue, breathe heavy, and run. Hiding, screaming, getting eaten and dashing through doorways just as they are closing are tried and true tropes of the Jurassic franchise, and this movie does not disappoint in that regard. The cast is second fiddle to the spectacle. Chris Pratt as Owen Grady, the stalwart animal-trainer hero (we know he’s the ‘alpha-male’ because we’re told so several times) is likeable enough but here he lacks the scruffy charm that buoyed GUARDIANS OF THE GALAXY. His leading lady is Claire Dearing, the park’s operations manager who spends the film alternating between terrified and valiant and is stiffly played by Bryce Dallas Howard. Better is Irrfan Kahn as the wealthy park owner who underestimates the danger at hand and an underused B.D. Wong, back from the original as Dr. Wu, the scientist who knows best. There’s also a pair of teen brothers (Ty Simpkins and Nick Robinson), Claire’s nephews, to provide rescue fodder and nice comedy relief in the form of Jake Johnson (the star of SAFETY NOT GUARANTEED) as a geeky park tech who wears his original ‘Jurassic Park’ T-shirt he got off Ebay for $150. Vincent D’Onofrio overplays the cartoonishly sinister contractor who thinks raptors would make dandy weapons of war. But the real villain of JURASSIC WORLD is the “larger than a T. Rex” Indominus Rex, a lab-brewed kind of evil genius beastie that Roger Corman would have named Megasaur! Indy manages to adjust his body temperature so he can’t be traced via thermal means, yank out his own tracking device, change color, and hunt just for sport, leaving a sad trail of bloody brontosaurus carcasses in his wake. He’s intimidating enough, but no rock star. An early scene with the critter, his snout dripping blood (he just ate a fat guy), leaning over to menace Chris Pratt from underneath the truck where he’s hiding should be scary, but it’s really not. He’s not that much bigger than a T-rex and that his genetically-enhanced abilities used as the angle to hang the film’s plot on shows a lack of ambition on the screenwriter’s part.

The bar for CGI destruction was set this summer with SAN ANDREAS and visceral excitement with MAD MAX FURY ROAD. JURASSIC WORLD is not nearly as good as either of those. It’s not any worse than the earlier Jurassic sequels, but that’s faint praise. I’ll recommend JURASSIC WORLD, but you may want to dial down your expectations.

3 of 5 Stars

juracssicworld_

JURASSIC WORLD Hollywood Premiere Video; Plus The Reviews Are In

premiere

By Michelle McCue and Melissa Thompson

On Tuesday evening (June 9), JURASSIC WORLD had it’s big Hollywood Premiere at Hollywood and Highland and TCL Chinese Theatre IMAX.

Hosted by Universal Pictures and Amblin Entertainment, Hollywood and Highland was transformed into the entrance of Jurassic Park.

Fans caught a glimpse of cast members Chris Pratt, Bryce Dallas Howard, Vincent D’Onofrio, Ty Simpkins, Nick Robinson, Jake Johnson, BD Wong, Judy Greer, Brian Tee, Andy Buckley, James Dumont, Michael Papajohn; writer/director Colin Trevorrow; writers Rick Jaffa & Amanda Silver and Derek Connolly; producers Frank Marshall and Patrick Crowley.

Originally released in 1993, Spielberg’s JURASSIC PARK provided moviegoers with a film that connected with global audiences of all ages and has since become an indelible part of their cultural collective memory. Based on Michael Crichton’s blend of science fiction and boundless imagination, the film left audiences breathless and asking the question: “Could this actually happen?”

Jump ahead 22 years to JURASSIC WORLD, a fully operational luxury resort off the coast of Costa Rica where 20,000 guests explore the wonder of Earth’s most magnificent living prehistoric marvels – of every shape and size – and interact up close with them every day.

When the massive and mysterious Indominus rex stages an escape and disappears into the jungle, order turns to mayhem, guests turn into prey and no corner within the world’s greatest theme park is safe anymore.

The first reviews of director Colin Trevorrow’s sci-fi adventure are in and is this film ever fun!

As the world awaits the June 12th opening of the movie where dinosaurs escape into the open, the skies and the water, check out the early reviews.

“The second half of this movie is where Trevorrow cuts loose, and there are some big kicks to be had. There are all sorts of great gags and beats as the dinosaurs rip hell out of this park.” – Drew McWeeny (HitFix)

“Exposition and character-building chitchat are kept at a minimum as we gawk at raptors on the prowl, prehistoric sea monsters breaching out of their water pens to feed on a great white, and our old pal T. rex slugging it out with the new-and-improved I. rex.” – Chris Nashawaty (EW)

“The dinos themselves have rarely looked better than they do under the direction of VFX supervisor Tim Alexander, especially Indominous rex (arguably the movie’s most well-developed female character), and a new underwater beastie who’s like Shamu on steroids.” – Scott Foundas (Variety)

“Even more than its intensely likeable central performances and convincingly solid visual effects, it’s this supple self-reflexiveness that makes Colin Trevorrow’s film a worthy sequel to Spielberg’s industry-changing original.” – Robbie Collin (Telegraph)

Come back on Thursday for fellow geek, Tom Stockman’s, review.

Film Title: Jurassic World

Get your tickets now and download the new Mobile MovieMaker app to be a part of Jurassic World.

JURASSIC WORLD has been rated PG-13 for intense sequences of science-fiction violence and peril

http://www.jurassicworld.com/

http://www.jurassicworldmovie.com/

© 2015 Universal Studios and Amblin Entertainment, Inc. ALL RIGHTS RESERVED.

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