AniMania – INUYASHA: THE FINAL ACT

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Last week, North American anime distributor Viz Media began airing the first episode of the long awaited conclusion to Rumiko Takahashi’s hit series, Inuyasha. Appropriately titled “Inuyasha: The Final Act”, the series will run for 26 episodes, and finally bring the animated version of Takahashi’s beloved feudal fairy tale to a close. The first episode, “Naraku’s Heart”, aired Saturday in Japan and was streamed on Hulu with English subtitles, making this a near simultaneous release. Upcoming episodes will be released the same way, with new installments airing each Saturday.

Loyal fans won’t be disappointed. Right from the start, this looks and feels like vintage Inuyasha, with beautiful opening animation set to the sounds of Do As Infinity’s “Kimi ga Inai Mirai.” DAI are no strangers to Inuyasha soundtracks, having also done the second and fifth ending themes for the show, “Fukai Mori” and “Shinjitsu no Uta” respectively. The opening animation features all of the major players fans know and love: Inuyasha, Kagome, Sango, and Miroku, along with your favorite villains and antiheroes, including Naraku, Kagura, Kikyo, Kouga, and Sesshomaru.

The rest of the episode makes good on the opening’s promise. This first episode is action packed. Wasting no time, it quickly picks up where the earlier installments of the series left off. We learn that Hakudoshi has hatched an evil plan to challenge Naraku and take the shards of the Shikon Jewel for himself. This leaves Kagura with a fateful choice — does she stay loyal to Naraku, or join forces with the traitor in an effort to escape her hated master?

Hakudoshi’s plan to collect the remaining jewel shards leads him to confront Kagome and company, and also causes Kouga and Kohaku to be drawn in. Kikyo does her part in the battle, but her powers are waning, leaving her to question whether or not she will survive long enough to confront Naraku. Sesshomaru is, well, Sesshomaru, and is busy wandering around looking menacing doing whatever it is Sesshomaru does when he’s off by himself. And in case you’re wondering, Kagome is STILL failing her classes. Whatever she did in the off season, apparently it wasn’t studying.

If the opening was beautiful, the ending is exquisite. Inuyasha is well known for having amazing ending themes and animation, and The Final Act is no exception. As we listen to the soft sounds of AAA’s “With You”, we are treated to a shot of Inuyasha and Kagome lying next to each other in the grass, with a red string of fate binding them together. The preview for next week’s episode casts an ominous light on Kagura’s struggle, leaving one to wonder if the wind sorceress can ever truly be free.

A few years ago, such a development would have been almost unimaginable. At that time, Takahashi’s epic seemed destined to go on forever, at least in its manga form. The anime had been left to languish with a non-ending that did little to satisfy fans or bring any sense of conclusion to the series. And that’s part of why this news is so important, not just for Inuyasha fans, but for the anime community at large.

For a long time, it was just accepted that many anime and manga either had really bad endings, or else didn’t end at all. A title might be canceled mid story, leaving fans in the lurch, or put on hold, sometimes indefinitely. A series in translation would often have agonizing gaps in between releases, and it was not at all unusual for part of a show or book to be partly translated, and never finished, leaving the rest of the plot line orphaned on the other side of the ocean. In such cases, a fan’s only hope was to either find a translation online (and that’s in the days since the invention of the internet!) or try to befriend someone who spoke Japanese, and persuade them to translate for them. More than one otaku ended up learning Japanese in order to finally be able to read his or her favorite works in their native language. And even when we did get a full release, it was just accepted, even expected, that we would have to wait several years before the English version made it to our shores.

But all that has changed. Inuyasha isn’t the first epic story to finally reach a conclusion. Natsuki Takaya’s long running shoujo manga, Fruits Basket, ended with its 23rd volume back in 2007. Amid a ground swell of fan support, the quirky retro sci-fi drama, Big O, was finally given a second season that told the other half of its story, though given the plot line of Big O, it might be a mistake to call the last episode an “ending.” Even Inuyasha’s creator, Takahashi, the queen of cliff hangers herself, has shown that there can be light at the end of the tunnel. Her romantic comedy, Maison Ikkoku, comes to a tightly crafted close.

Even so, the fact that Inuyasha is finally getting its long hoped for animated conclusion is a treat for fans, and suggests tantalizing possibilities for other series that were left in anime limbo. The crew for the animated version of Fruits Basket commented on how magical the experience of working on that show was, and expressed doubt that such a dream team could ever be assembled again — but if it could be done with Inuyasha, then maybe Fruiba could also be revisited.

The anime for Fruits Basket was remarkably well done in almost every aspect, even down to such fine details as the background noises in the audio and the nuances of the characters’ different costumes, but it suffered from a very unsatisfying ending that leaves many questions unanswered and large portions of Fruiba’s very deep plot unexplored. If Inuyasha: The Final Act is a success (and given the show’s perennial popularity, I’ll dare to say it will be), maybe it will inspire Fruiba to be revisited.

Or maybe we could see a new version of Ken Akamatsu’s romantic comedy, Love Hina. It seems like a long shot to think that Akamatsu would ever go back to the Hinata Sou after such a long hiatus, but with his latest work, Negima, being almost immediately reversioned, maybe we haven’t seen the last of Keitaro and the girls after all.

The simultaneous release also puts to rest another long standing gripe of the English speaking anime community. For years, U.S. fans felt like they were relegated to a “second class” status, having to wait years for an English language release. That time has been getting shorter and shorter, from years to months to days, and now, with a subbed version of the new Inuyasha episode being made available the same day it aired in Japan, there can be no doubt that the North American audience is taken seriously. This, along side other developments, like Kodansha’s Japanese release of American manga-ka Fred Gallagher’s MegaTokyo, shows that the climate has genuinely become more multicultural, a positive development for more than just anime fans.

All that with one swipe of the Tetsuaiga? Not bad, but it still won’t save Inuyasha when Kagome tells him to “Sit!” The next episode, “Kagura’s Wind”, will be available this Saturday. You can access it from Viz’s website at www.viz.com. And for more on series creator Takahashi, check out Rumiko’s site at www.therumicworld.com.

Ani-Mania: How Do You Afford Your Anime Lifestyle?

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It’s been a month now, here at AniMania — a month of ninjas and wolfgirls, of star crossed lovers and hard boiled crime drama — and I realized that I haven’t even stopped to introduce myself. Travis told me when I started writing the column that I could post a short bio, but each week there were more shows, more reviews, more and better things to talk about than yours truly. And with so many new titles coming out, and so many great old series that deserve to have some light shed on them, there always will be. But here at the one month mark, I decided to take a break for this week, and tell you a little about myself, and part of my own descent into utter otaku geek-dom.

For starters, maybe I should explain the term, otaku. Simply put, an “otaku” is an anime fan. And I don’t mean just any fan. An otaku is a really geeky, hopelessly obsessive fan, whose whole life revolves around buying and watching anime. The only thing geekier than an otaku might be what the Japanese call a “hikikomori”, someone who becomes a hermit, refusing to leave their home, no longer able to function in normal society. Otaku are still marginally functional. They have jobs. So they can buy more anime…

One of the marks of a true otaku is that they don’t just buy the shows — they buy all of the STUFF that goes along with them. There are posters, figures, wall scrolls, models, soundtracks — life sized body pillows of the characters in their underwear — the list goes on. And I decided, right at the beginning, that I wanted no part of it. All of those things smacked of geekery, or worse yet, being a NERD, and I still considered myself to be a normal, well adjusted individual who just happened to like anime. At least, that’s what I thought.

It started with Inuyasha figures. ONE Inuyasha figure. I’d seen them for a while at the Hot Topic store, but resisted getting any, dismissing all of that as a bunch of childish nonsense. But one day, after seeing them for about a year, and feeling particularly nostalgic for that old sensation of buying a “toy” again, I decided to treat myself, and bought the figure for my favorite character, the priestess, Kikyo.

Then I noticed Naraku was on sale. Six bucks! I couldn’t say no to a deal like that. But now I had a problem. It was one thing, to buy one figure, on a lark. Now I had two: Kikyou and Naraku. But Kikyo and Naraku don’t go together at ALL (unless you’re one of those underground Kikyo x Naraku shippers, but we won’t get into that here). Somehow, this led to an epic quest to collect all of the Inuyasha figures. Unfortunately, Hot Topic had just discontinued them. After visiting every Hot Topic within a 50 mile radius, picking up Sango at a con (if it sounds bad, it’s supposed to), and receiving Kagome as a gift, I finally had the whole set, all except for Kouga, but the Kouga figures had some sort of problem at the factory, and came out a little orange looking, so I held off on getting him.

Around the same time, I innocently noticed that I was running out of new things to listen to in the car, so I bought one of the soundtracks for Cowboy Bebop, and two from Big O. Geekery aside, the soundtracks from both of these shows stand on their own as great music, and if you like jazz or bebop, they are well worth a listen. At this point, I was unconcerned. I’d picked up a few toys, but so what? They all fit neatly on one table, and it was fun to buy toys again. And then — well, I’m still not sure what happened.

For one thing, Christmas happened. A close friend of mine was in danger of moving out of state, and as a special gift, in anticipation of all the Christmasses we then figured we’d be out of touch for, he went and did the unthinkable, and got me two limited edition Motoko Aoyama figures. To this day, he won’t tell me how much they cost him, and though I did get him a Shinobu, and later chipped in to buy him a sword, I still don’t feel like I’ve adequately returned the favor.

That next spring, I was at a con (I’d started going to cons by this point), and was able to haggle a great deal on a Rei Ayanami figure. It was “Wedding Rei”, and I ended up having my friend help me smuggle her to the car, because my girlfriend has been wanting to get married since somewhere around the second date, and if she found out I saw Rei in a wedding dress before I saw her in one, she’d kill me.

My girlfriend found out (they ALWAYS find out), and ironically, she didn’t kill me. Instead, she got me a Gothic Rei figure for my birthday. I have a VERY understanding girlfriend. I’d say it was all downhill from there, but it had probably been all downhill the entire time. And so where does that leave things now? Well, let’s see, looking around the room here, my Inuyasha figures are piled on my writing table, along with a very nicely sculpted rendering of Alex Row from Last Exile. A small Rei and Sesshomaru are on top of the computer desk, along with Gothic Rei, who is wearing skirt and sitting on concrete, which can’t be very comfortable. Wedding Rei is on the chest of drawers, with Kikyo, Kagome, two Motokos, and a Haruhi Suzumiya figure.

My girlfriend’s Haruhi outfit is in the closet — she sent it home with me, because she doesn’t have any more hanging space for the rest of her cosplays. My Sesshomaru costume is hanging on the back of the door. There’s a wall scroll in the corner of Yuko, from xxxHolic, and signed by the voice actress, Colleen Clinkenbeard, who also autographed the xxxHolic clock my girlfriend gave me at this year’s ACEN. Another xxxHolic wallscroll is over the bed. The swords from the aforementioned Sesshomaru costume are by the night stand. More posters and wall scrolls are piled around the room. And then there’s the anime. And manga. Man, I’m such a dork.

I’m still not sure just how I acquired all of this stuff. I have this sneaking suspicion that my friends gave some of it to me in an effort to pull me down to their own levels of geek-ness. That, or it’s a conspiracy by the NHK. Both scenarios are equally likely. For my part, I’m blaming the whole thing on Kikyo. Either way, that’s all for this week’s column. Look for more reviews next week, and if there’s something you’d like to see or comment about, feel free to leave a post about it.

(Edward Douglas does NOT own any anime body pillows. Instead, he plots ways to get his girlfriend to cosplay his favorite anime characters.)