Play It Again, Rosebud! The Rock ‘n’ Roll Drive-in in Chaffee, MO is Screening CASABLANCA Double Feature With CITIZEN KANE Friday April 8th

“Of all the gin joints, in all the towns, in all the world, she walks into mine”

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The Rock ‘n’ Roll Drive-in in Chaffee, MO (272 Drive-In Lane Chaffee, MO 63740) has become another great St. Louis-area place to see old movies (Chaffee is about 120 miles south of St. Louis). This Friday April 8th, the Rock ‘n’ Roll Drive-in is screening CASABLANCA double feature CITIZEN KANE. Gates open at 6:30 pm, and the movies begin at 8:00 pm. The Rock ‘n’ Roll Drive-in’s site can be found HERE. Their other screen is showing The Hunger Games (PG-13) and Harry Potter and the Prisoner of Azkaban (PG)

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I there was ever a film deserved to be considered a classic then CASABLANCA is it, Even if you haven’t seen it before you’ll recognize much of the dialogue; it is probably the most quoted, and misquoted, film of all time. Humphrey Bogart is excellent in this career defining role as bar owner Rick Blaine who has come into possession of two “letters of transit” which guarantee the holders unhindered passage out of Casablanca. He has these as Ugarte (Peter Lorre), the man who asked him to look after them, was captured by the Vichy French police before he could get them back. Ugarte had been planning to sell the documents to Victor Laszlo (Paul Henreid), a Czech nationalist who is fleeing from Nazi occupied Europe to the United States via neutral Portugal. Things are complicated by the fact that Laszlo’s wife Ilsa (Ingrid Bergman) had a relationship with Rick before the fall of Paris and he never really got over her.

Right up until the end we don’t know what Rick will do, perhaps he will let Victor and Ilsa have the letters, perhaps he will let Victor have them on condition that Ilsa stays with him or perhaps he will betray Victor and leave Casablanca himself with Ilsa. Bogart isn’t the only great performance; Ingrid Bergman is fantastic as Ilsa, there is a real chemistry between her and Bogart, Claude Rains is great as the French policeman who’s loyalty is likely to change depending on who he thinks is likely to be the most use to him and Paul Henreid’s restrained performance as Victor Laszlo is faultless too.

It is hard to say what genre this film is, it is one of the great romances, it is also a war film, a thriller and even has some subtle comedy moments. Don’t be put off by the film’s age or the fact that it is in black and white – CASABLANCA is a must see. Whatever your tastes you owe it to yourself to watch this at least once, although I suspect few people will only want to watch it just once.

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Is CITIZEN KANE the greatest film ever made? On a technical level, it may as well be. It’s at least the most groundbreaking film ever made. On a storytelling level, it’s an amazing achievement itself in that Orson Welles used such avant-garde techniques yet maintained an engrossing story. It’s a film full of contradictions and works perfectly because of them. Its over-the-top yet subtle, experimental yet accessible, quickly paced yet requiring of patience. Its considered the greatest film because of how it incorporates all these trademarks and the fact it basically reinvented the rules on how to make a movie. This must be credited to both Gregg Toland’s cinematography and Robert Wise’s editing as much as Orson Welles’ direction. This is probably the first film that could be considered so visually dense it required multiple viewings.

Oddly enough, in spite of the vast array of technical advances introduced in this film, it’s the story that one remembers. Welles is so often praised as a director, it’s easy to overlook the fact he was an accomplished actor also. Because of his multi-layered performance, Kane is a sympathetic individual instead of a cold hearted capitalist stock character. The screenplay by Herman J. Mankiewicz is so superb many argue he deserves as much credit as Welles. The hype on this one is really deserved. It really may as well be the greatest film of all time and now you’ll have the opportunity to see it on the big screen at The Rock ‘n’ Roll Drive-in

Rosebud! CITIZEN KANE at The Wildey Theater in Edwardsville Tuesday January 4th

“That’s all he ever wanted out of life… was love. That’s the tragedy of Charles Foster Kane. You see, he just didn’t have any to give.”

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Nothing’s more fun than The Wildey’s Tuesday Night Film Series CITIZEN KANE (1941) will be on the big screen when it plays at The Wildey Theater in Edwardsville, IL (252 N Main St, Edwardsville, IL 62025) at 7:00pm Tuesday January 4th. Tickets are only $3  Tickets available starting at 3pm day of movie at Wildey Theatre ticket office.  Cash or check only. (cash, credit cards accepted for concessions)  Lobby opens at 6pm.

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Is CITIZEN KANE the greatest film ever made? On a technical level, it may as well be. It’s at least the most groundbreaking film ever made. On a storytelling level, it’s an amazing achievement itself in that Orson Welles used such avant-garde techniques yet maintained an engrossing story. It’s a film full of contradictions and works perfectly because of them. Its over-the-top yet subtle, experimental yet accessible, quickly paced yet requiring of patience. Its considered the greatest film because of how it incorporates all these trademarks and the fact it basically reinvented the rules on how to make a movie. This must be credited to both Gregg Toland’s cinematography and Robert Wise’s editing as much as Orson Welles’ direction. This is probably the first film that could be considered so visually dense it required multiple viewings.

Oddly enough, in spite of the vast array of technical advances introduced in this film, it’s the story that one remembers. Welles is so often praised as a director, it’s easy to overlook the fact he was an accomplished actor also. Because of his multi-layered performance, Kane is a sympathetic individual instead of a cold hearted capitalist stock character. The screenplay by Herman J. Mankiewicz is so superb many argue he deserves as much credit as Welles. The hype on this one is really deserved. It really may as well be the greatest film of all time and now you’ll have the opportunity to see it on the big screen when it screens Tuesday January 4th at The Wildey.

The Criterion Collection – Orson Welles’ CITIZEN KANE Available on 4k and Blu-ray October 19th

“That’s all he ever wanted out of life… was love. That’s the tragedy of Charles Foster Kane. You see, he just didn’t have any to give.”

Orson Welles’ classic CITIZEN KANE (1941) will be available on 4k and Blu-ray October 19th. A 4-DISC 4K UHD+BLU-RAY COMBO and a 3-BLU-RAY EDITION will both be available.

In the most dazzling debut feature in cinema history, twenty-five-year-old writer-producer-director-star Orson Welles synthesized the possibilities of sound-era filmmaking into what could be called the first truly modern movie. In telling the story of the meteoric rise and precipitous fall of a William Randolph Hearst–like newspaper magnate named Charles Foster Kane, Welles not only created the definitive portrait of American megalomania, he also unleashed a torrent of stylistic innovations—from the jigsaw-puzzle narrative structure to the stunning deep-focus camera work of Gregg Toland—that have ensured that Citizen Kane remains fresh and galvanizing for every new generation of moviegoers to encounter it.


SPECIAL EDITION FEATURES

• New 4K digital restoration, with uncompressed monaural soundtrack

• In the 4K UHD edition: One 4K UHD disc of the film presented in Dolby Vision HDR and three Blu-rays with the film and special features

• Three audio commentaries: from 2021 featuring Orson Welles scholars James Naremore and Jonathan Rosenbaum; from 2002 featuring filmmaker Peter Bogdanovich; and from 2002 featuring film critic Roger Ebert

• The Complete “Citizen Kane,” (1991), a rarely seen feature-length BBC documentary

• New interviews with critic Farran Smith Nehme and film scholar Racquel J. Gates

• New video essay by Orson Welles scholar Robert Carringer

• New program on the film’s special effects by film scholars and effects experts Craig Barron and Ben Burtt

• Interviews from 1990 with editor Robert Wise; actor Ruth Warrick; optical-effects designer Linwood Dunn; Bogdanovich; filmmakers Martin Scorsese, Henry Jaglom, Martin Ritt, and Frank Marshall; and cinematographers Allen Daviau, Gary Graver, and Vilmos Zsigmond

• New documentary featuring archival interviews with Welles• Interviews with actor Joseph Cotten from 1966 and 1975

• The Hearts of Age, a brief silent film made by Welles as a student in 1934

• Television programs from 1979 and 1988 featuring appearances by Welles and Mercury Theatre producer John Houseman

• Program featuring a 1996 interview with actor William Alland on his collaborations with Welles

• Selection of The Mercury Theatre on the Air radio plays featuring many of the actors from Citizen Kane

• Trailer

• English subtitles for the deaf and hard of hearing

• PLUS: Deluxe packaging, including a book with an essay by film critic Bilge Ebiri

Rosebud! CITIZEN KANE at The Tivoli This Monday!

“That’s all he ever wanted out of life… was love. That’s the tragedy of Charles Foster Kane. You see, he just didn’t have any to give.”

CITIZEN KANE comes to life on the big screen Monday August 5th as part of the ‘Classics on the Loop’ series. Showtimes are 4pm and 7pm. Admission is $7.A Facebook invite can be found HERE

Citizen Kane (1941) Directed by Orson Welles Shown from left, front: George Coulouris, Buddy Swan; rear: Harry Shannon, Agnes Moorehead

Is CITIZEN KANE the greatest film ever made? On a technical level, it may as well be. It’s at least the most groundbreaking film ever made. On a storytelling level, it’s an amazing achievement itself in that Orson Welles used such avant-garde techniques yet maintained an engrossing story. It’s a film full of contradictions and works perfectly because of them. Its over-the-top yet subtle, experimental yet accessible, quickly paced yet requiring of patience. Its considered the greatest film because of how it incorporates all these trademarks and the fact it basically reinvented the rules on how to make a movie. This must be credited to both Gregg Toland’s cinematography and Robert Wise’s editing as much as Orson Welles’ direction. This is probably the first film that could be considered so visually dense it required multiple viewings.

Oddly enough, in spite of the vast array of technical advances introduced in this film, it’s the story that one remembers. Welles is so often praised as a director, it’s easy to overlook the fact he was an accomplished actor also. Because of his multi-layered performance, Kane is a sympathetic individual instead of a cold hearted capitalist stock character. The screenplay by Herman J. Mankiewicz is so superb many argue he deserves as much credit as Welles. The hype on this one is really deserved. It really may as well be the greatest film of all time and now you’ll have th opportunity to see it on the big screen when it screens Monday August 5th at The Tivoli.

CITIZEN KANE, Orson Welles, 1941, astride stacks of newspaper

The ‘Classics on the Loop’ will continue at The Tivoli:

Aug. 12th CABARET

CITIZEN KANE ‘Rescheduled’ for Saturday Morning January 20th at The Hi-Pointe

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“That’s all he ever wanted out of life… was love. That’s the tragedy of Charles Foster Kane. You see, he just didn’t have any to give.”

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CITIZEN KANE was supposed to screen at St. Louis’ fabulous Hi-Pointe Theater this weekend as part of their Classic Film Series but becasue of the weather, it’s been pushed back a week. It’s  now Saturday, January 20th at 10:30am at the Hi-Pointe located at 1005 McCausland Ave., St. Louis, MO 63117. The film will be introduced by Harry Hamm, movie reviewer for KMOX. Admission is only $5

citizenkane2

Is CITIZEN KANE the greatest film ever made? On a technical level, it may as well be. It’s at least the most groundbreaking film ever made. On a storytelling level, it’s an amazing achievement itself in that Orson Welles used such avant-garde techniques yet maintained an engrossing story. It’s a film full of contradictions and works perfectly because of them. Its over-the-top yet subtle, experimental yet accessible, quickly paced yet requiring of patience. Its considered the greatest film because of how it incorporates all these trademarks and the fact it basically reinvented the rules on how to make a movie. This must be credited to both Gregg Toland’s cinematography and Robert Wise’s editing as much as Orson Welles’ direction. This is probably the first film that could be considered so visually dense it required multiple viewings.

CITIZEN KANE, Orson Welles, 1941, astride stacks of newspaper

Oddly enough, in spite of the vast array of technical advances introduced in this film, it’s the story that one remembers. Welles is so often praised as a director, it’s easy to overlook the fact he was an accomplished actor also. Because of his multi-layered performance, Kane is a sympathetic individual instead of a cold hearted capitalist stock character. The screenplay by Herman J. Mankiewicz is so superb many argue he deserves as much credit as Welles. The hype on this one is really deserved. It really may as well be the greatest film of all time and now you’ll have th opportunity to see it on the big screen when it screens this Saturday morning (January 14th)

Citizen Kane (1941) Directed by Orson Welles Shown from left, front: George Coulouris, Buddy Swan; rear: Harry Shannon, Agnes Moorehead

The Hi-Pointe’s site can be found HERE

http://hi-pointetheatre.com/

CITIZEN KANE Saturday Morning at The Hi-Pointe

citizenkane-header

“That’s all he ever wanted out of life… was love. That’s the tragedy of Charles Foster Kane. You see, he just didn’t have any to give.”

citizenkane1

CITIZEN KANE screens at St. Louis’ fabulous Hi-Pointe Theater this weekend as part of their Classic Film Series. It’s  Saturday, January 14th at 10:30am at the Hi-Pointe located at 1005 McCausland Ave., St. Louis, MO 63117. The film will be introduced by Harry Hamm, movie reviewer for KMOX. Admission is only $5

citizenkane2

Is CITIZEN KANE the greatest film ever made? On a technical level, it may as well be. It’s at least the most groundbreaking film ever made. On a storytelling level, it’s an amazing achievement itself in that Orson Welles used such avant-garde techniques yet maintained an engrossing story. It’s a film full of contradictions and works perfectly because of them. Its over-the-top yet subtle, experimental yet accessible, quickly paced yet requiring of patience. Its considered the greatest film because of how it incorporates all these trademarks and the fact it basically reinvented the rules on how to make a movie. This must be credited to both Gregg Toland’s cinematography and Robert Wise’s editing as much as Orson Welles’ direction. This is probably the first film that could be considered so visually dense it required multiple viewings.

CITIZEN KANE, Orson Welles, 1941, astride stacks of newspaper

Oddly enough, in spite of the vast array of technical advances introduced in this film, it’s the story that one remembers. Welles is so often praised as a director, it’s easy to overlook the fact he was an accomplished actor also. Because of his multi-layered performance, Kane is a sympathetic individual instead of a cold hearted capitalist stock character. The screenplay by Herman J. Mankiewicz is so superb many argue he deserves as much credit as Welles. The hype on this one is really deserved. It really may as well be the greatest film of all time and now you’ll have th opportunity to see it on the big screen when it screens this Saturday morning (January 14th)

Citizen Kane (1941) Directed by Orson Welles Shown from left, front: George Coulouris, Buddy Swan; rear: Harry Shannon, Agnes Moorehead

The Hi-Pointe’s site can be found HERE

http://hi-pointetheatre.com/