Academy Award-winner Geoffrey Rush (Best Actor, Shine, 1997) and Golden Globe-nominee Armie Hammer (Best Supporting Actor, Call Me By Your Name, 2017) star in the compelling story about artistic genius and the search for creative perfection in FINAL PORTRAIT, debuting on DVD and digital July 31 from Sony Pictures Home Entertainment. Adapted from James Lord’s memoir “A Giacometti Portrait,” the film was written and directed by Stanley Tucci (The Hunger Games franchise, Spotlight) and tells the story of famed artist Alberto Giacometti (Rush) who asks the American writer and art-lover James Lord (Hammer) to sit for a portrait which takes much longer than either of them anticipate. FINAL PORTRAIT also stars Golden Globe-winner Tony Shalhoub (TVs “Monk” 2002; “The Marvelous Mrs. Maisel”), Sylvie Testud (La Vie en Rose) and Clémence Poésy (In Bruges).
The DVD release of FINAL PORTRAIT includes interview clips from the cast and filmmakers, plus behind the scenes footage from the set.
Now you can own the FINAL PORTRAIT on DVD. We Are Movie Geeks has 3 copies to give away.All you have to do is leave a comment answering this question: What is your favorite movie starring Armie Hammer? (mine is THE LONE RANGER!). It’s so easy!
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In 1964, while on a short trip to Paris, the American writer and art-lover James Lord is asked by his friend, the world-renowned artist Alberto Giacometti, to sit for a portrait. The process, Giacometti assures Lord, will take only a few days. Flattered and intrigued, Lord agrees.
So begins not only the story of a touching and offbeat friendship, but, seen through the eyes of Lord, a uniquely revealing insight into the beauty, frustration, profundity and, at times, downright chaos of the artistic process. FINAL PORTRAIT is a bewitching portrait of a genius, and of a friendship between two men who are utterly different, yet increasingly bonded through a single, ever-evolving act of creativity. It is a film which shines a light on the artistic process itself, by turns exhilarating, exasperating and bewildering, questioning whether the gift of a great artist is a blessing or a curse.
Adapted from James Lord’s memoir A Giacometti Portrait, FINAL PORTRAIT was written and directed by Stanley Tucci. The film was produced by Gail Egan, Nik Bower and Ilann Girardy; and executive produced by Fred Hogge and Deepak Nayar.
Bonus Materials Include:
Interview clips from the cast and filmmakers
Behind the scenes footage from the set
FINAL PORTRAIT has a run time of approximately 90 minutes and is Rated R for language, some sexual references and nudity.
Time for a hefty dose of culture down at the ole’ multiplex (really, the joint needs some classing up). The cinema arts have often used iconic figures in the other arts for inspiration and drama. Films have been based on the lives of writers, composers, musicians, and performers. Since the movies are such a visual medium, it’s only natural that they would veer into the worlds of illustration and fine art. Over the last few years, a cinematic art museum has featured lauded film biographies like MR. TURNER, POLLOCK, and last year’s Oscar-nominated wonder LOVING VINCENT. Really, Van Gough has been the focus or supporting character in several films, as have DaVinci, Michelangelo, Picasso, even Warhol. Now add another to that roster with this film about the 20th century sculptor Alberto Giacometti. But in this docudrama he’s not working his magic with clay and plaster. This story is told by the subject of his work with paint brushes on canvas. We go from blank slate to the FINAL PORTRAIT.
Writer and art historian James Lord (Armie Hammer) narrates the story of this collaboration in early sixties Paris. At a gallery, Lord accosts an older, chain-smoking, disheveled gentleman. It is the renown Alberto Giacometti (Geoffrey Rush), who has asked him to pose for a portrait. They head back to his studio, on an out-of-the-way side street. Across from that workshop is the flat he shares with often neglected wife Annette (Sylvie Testud). And above the studio is the workspace of Alberto’s younger brother Diego (Tony Shalhoub), who crafts the armatures for his brother’s sculptures along with pedestals and frames. As Lord sits across from Alberto for his new masterpiece, the calm is disrupted by the arrival of the great artist’s obsession, the prostitute known as Caroline (Clemence Poesy). The promise of “only a two or three-hour posing session” has its first postponement. But Lord has a few days to spare and gladly agrees to return, for a Giacometti is more than worth a bit of inconvenience. But soon those “few hours” stretch into days and eventually weeks as Lord befriends the master’s brother and long-suffering wife. As Alberto hems, haws, procrastinates, and restarts over and over, Lord wonders if the piece will ever be completed.
Though he’s not the teller of the tale, Rush has the real showcase role as the enigmatic, eccentric artist. Alberto shuffles about in a dead-eyed stare, only exuding his passion when around his much-younger muse. or when he curses at a brush stroke (explosive F-bombs shake the studio with great frequency). At the start of any session, Rush makes us think that there will be a flurry of creativity, only to shift gears to hit the pub or take a stroll. Then later, he exhibits child-like delight as he tosses huge wads of cash about the over-stuffed studio, for though he is half Swiss he doesn’t believe in banks. For much of the film, Hammer is the endlessly patient “straight man”, a blank sounding board for Rush’s rants and outbursts. His Lord may be too cool and aloof, only mildly annoyed that he must call the airline to postpone flights home. Despite a pleading phone conversation trying to calm a rattled acquaintance (friend or lover perhaps), the extended stay is a slight inconvenience. When Lord is agitated it’s merely a contrast to Alberto’s passivity. Shalhoub, with his close-cropped silver hair, is nearly unrecognizable as the great artist’s social buffer, the one who can tame the “talent demons”. But he can only do so much, and becomes Lord’s guide to his brother’s quirks and wild mood swings. As Diego, Shalhoub portrays a man completely content to hover in the shadows, allowing his sibling to bathe in the spotlight of adoration. Poesy as Alberto’s street-walking inspiration is a careening ball of energy knocking the cobwebs and dust off of the artist’s studio and the man himself. Her true motivations remain a mystery. Is he just a “sugar daddy’ or does she really care about him? What is clear is that her “drop-ins” plunge a dagger into the heart of Testud’s Annette, who generates a great deal of empathy as the betrayed spouse.
This marks the first directing effort from acclaimed actor Stanley Tucci , who also wrote the script, that doesn’t include his work in front of the camera. Perhaps this was to concentrate on the interplay between the two leads, or to present the toil and strain in creating art. Unfortunately the scenes in the studio are just not that compelling and quickly become repetitive: Lord arrives, Albert’s crankiness reaches a boiling point, a few brush strokes, then the day’s done. Albert’s inspiration is elusive. An early scene in which he compare Lord’s face to a “thug” or a “degenerate’ doesn’t ring true, particularly with an actor who looks as though he just stepped down from Mount Olympus. A few “outsiders” enter the art space, like gallery dealers and Caroline’s..umm…managers, but the scenes end with little dramatic result. Paris of that era is well recreated, but the constant drinking and chain-smoking seems forced. This true story may have made an engaging two act play, but there’s not enough going on in FINAL PORTRAIT to merit a feature-length flick. Perhaps another museum trek is time better spent on Giacometti.
2 Out of 5
FINAL PORTRAIT opens everywhere and screens exclusively in the St. Louis area at Landmark’s Plaza Frontenac Cinemas
“Pirates of the Caribbean” sets sail for one more adventure at sea, in what is being hinted to be the final chapter in the franchise, PIRATES OF THE CARIBBEAN: DEAD MEN TELL NO TALES. The result is mixed, with the good being Javier Bardem and Geoffrey Rush as villains, great visual effects, and a nice, satisfying ending. The bad being having to endure an over-long, nonsensical plot with sporadic moments of entertainment to get there.
OK, everyone has a guilty pleasure, and mine might be pirates. As a fan of all things pirate, including silly pirate movies, it was a delight when the first PIRATES OF THE CARIBBEAN, Disney’s attempt to turn an amusement park ride into a movie, turned out to be such fun. Audiences were surprised by the original movie, which harkened back to the fun of Errol Flynn adventures at sea. The Gore Verbinski-directed original featured Orlando Bloom and Keira Knightley as the romantic leads, and Johnny Depp as a loopy, colorful pirate that was comic relief as much as protagonist, in a tale of high-seas adventure, comedy and romance.
But after three sequels, the franchise has lost its luster, as it sank into a series of increasingly complicated ghost stories and sea legends magical story lines, more in the realm of fantasy than “Treasure Island.” After four sequels, this pirate movie franchise has clearly played out.
Still, this latest installment DEAD MEN TELL NO TALES is better than the previous one, ON STRANGER TIDES. Of course, it is no where near the fun of the first film. While this sequel has dazzling effects, some enjoyable moments and wraps it all up with a nice finish, the confusing, rambling plot all but sinks it before it gets to that end.
After being absent from the last one, Bloom returns as Will Turner in DEAD MEN TELL NO TALES, as does Geoffrey Rush as Captain Hector Barbossa, the nemesis of Johnny Depp’s Captain Jack Sparrow, along with the whole colorful, crazy crew of pirates. This time, the romantic leads are Henry Turner (Brenton Thwaites), the son of Will Turner and wife Elizabeth, and a beautiful astronomer named Carina Smyth (Kaya Scodelario).
The main villain is Captain Salazar (Javier Bardem), an angry ghostly captain leading a crew of dead men, trapped in the Devil’s Triangle by a young Jack Sparrow. Salazar is set on revenge, and release from the curse that has kept him and his crew half-dead for years. The key to that is a magical object called the Trident of Poseidon. Resourceful scientist Carina is also seeking the Trident, for her own reasons, using her scientific knowledge and skills, with the help of British seaman Henry. Naturally Jack’s magic compass plays a part too.
Depp does his usual bit as Jack Sparrow, drunken and mumbling as always, vaguely clueless and seeming to accidentally stumble out of harm’s way over and over, with the occasional moment of clarity and cleverness. Geoffrey Rush is still wonderfully entertaining as cold-hearted, smiling Barbossa, now living a life of luxury aboard his ship, at least until Salazar’s ghost ship turns up. Barbossa and Salazar team up to hunt Sparrow, but their prey is elusive, naturally.
The plot, frankly, makes no sense, and has a kind of unsettling magic-tops-science theme. Still, the real point of the whole film is to showcase familiar characters and show off some really fabulous special effects, before tying it all up.
Those visual effects are the real treat of this film, and mostly why it is worthwhile for fans of the series to see it. The effects for Bardem and his disintegrating ghost pirates are particularly amazing. Bardem’s CGI hair seeming to wave as if underwater even on the ship’s dry deck. Salazar’s disintegrating ghost ship is a wonderfully eerie creation, which swallows up other ships, and the equally disintegrating crew members are amazing as well.
In other visual effects scenes, the pirates drag a whole building through a seaport, knocking down buildings as they go. A wall of water hovers over the action in the final sequence. Amazing effects and outstanding make-up – again, Bardem in particular – dot the whole film.
While the plot is dimwitted, there are some good comic moments. Watch for a cameo by Sir Paul McCartney as a Jack Sparrow relative, one of the little comic gems in the film. The writers borrowed from Charlie Chaplin for a scene where Sparrow is uncovered asleep in the safe he is supposed to rob, and other physical comedy bits abound. Down-on-his-luck, Sparrow’s shabby little ship is named the Dying Gull, which of course is a cute reference to the famous Roman statue the Dying Gaul.
Geoffrey Rush does his usual good job as the comically menacing Barbossa. But Bardem does the real menacing, with deliciously chilling style. Having these two gifted actors on board really gives a boost to the film.
After rambling around, the plot gets around to the final sequence, which really delivers and gives the series a fan-pleasing, satisfying send-off, with Jack Sparrow literally sailing off into the sunset.
Truthfully, it was time to let this franchise go, although one never knows if a franchise is truly gone now, what with prequels and so forth. But PIRATES OF THE CARIBBEAN: DEAD MEN TELL NO TALES wraps it all up nicely, although it could lose about 20 minutes of pointless plot. Still Johnny Depp made one heck of a fun pirate, and there are other pirate stories to tell. Maybe Depp in movie versions of Gilbert and Sullivan’s THE PIRATES OF PENZANCE or PETER AND THE STARCATCHER? Arrrgh, it could work, matey.
On Sunday, visitors to Disneyland Paris couldn’t believe their eyes when the cast and crew of PIRATES OF THE CARIBBEAN: DEAD MEN TELL NO TALES, the highly anticipated next chapter in the celebrated franchise, disembarked at Disneyland Paris for the European Premiere as part of the 25th anniversary celebrations.
Geoffrey Rush, Johnny Depp, Javier Bardem and Orlando Bloom
The event, which was inspired by the beloved Pirates of the Caribbean ride, was attended by Captain Jack Sparrow himself, Johnny Depp, Javier Bardem, Brenton Thwaites, Kaya Scodelario, Orlando Bloom, Geoffrey Rush, directors Joachim Rønning and Espen Sandberg, and producer Jerry Bruckheimer.
PIRATES OF THE CARIBBEAN: DEAD MEN TELL NO TALES is in theaters in 3D May 26, 2017.
Johnny Depp returns to the big screen as the iconic, swashbuckling anti-hero Jack Sparrow in the all-new PIRATES OF THE CARIBBEAN: DEAD MEN TELL NO TALES.
The rip-roaring adventure finds down-on-his-luck Captain Jack feeling the winds of ill-fortune blowing strongly his way when deadly ghost sailors, led by the terrifying Captain Salazar (Javier Bardem), escape from the Devil’s Triangle bent on killing every pirate at sea—notably Jack. Jack’s only hope of survival lies in the legendary Trident of Poseidon, but to find it he must forge an uneasy alliance with Carina Smyth (Kaya Scodelario), a brilliant and beautiful astronomer, and Henry (Brenton Thwaites), a headstrong young sailor in the Royal Navy. At the helm of the Dying Gull, his pitifully small and shabby ship, Captain Jack seeks not only to reverse his recent spate of ill fortune, but to save his very life from the most formidable and malicious foe he has ever faced.
PIRATES OF THE CARIBBEAN: DEAD MEN TELL NO TALES also stars Kevin R. McNally as Joshamee Gibbs, Golshifteh Farahani as the sea-witch Shansa, David Wenham as Scarfield, Stephen Graham as Scrum, Orlando Bloom as Will Turner, and Geoffrey Rush as Captain Hector Barbossa.
Joachim Rønning and Espen Sandberg helm PIRATES OF THE CARIBBEAN: DEAD MEN TELL NO TALES with Jerry Bruckheimer producer. The executive producers are Mike Stenson, Chad Oman, Joe Caracciolo, Jr., Terry Rossio and Brigham Taylor. The story is by Jeff Nathanson and Terry Rossio, and Jeff Nathanson wrote the screenplay.
PIRATES OF THE CARIBBEAN: DEAD MEN TELL NO TALES is in theaters May 2017 in 3D, RealD 3D and IMAX 3D!
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Johnny Depp returns to the big screen as the iconic, swashbuckling anti-hero Jack Sparrow in the all-new PIRATES OF THE CARIBBEAN: DEAD MEN TELL NO TALES.
The rip-roaring adventure finds down-on-his-luck Captain Jack feeling the winds of ill-fortune blowing strongly his way when deadly ghost sailors, led by the terrifying Captain Salazar (Javier Bardem), escape from the Devil’s Triangle bent on killing every pirate at sea—notably Jack. Jack’s only hope of survival lies in the legendary Trident of Poseidon, but to find it he must forge an uneasy alliance with Carina Smyth (Kaya Scodelario), a brilliant and beautiful astronomer, and Henry (Brenton Thwaites), a headstrong young sailor in the Royal Navy. At the helm of the Dying Gull, his pitifully small and shabby ship, Captain Jack seeks not only to reverse his recent spate of ill fortune, but to save his very life from the most formidable and malicious foe he has ever faced.
PIRATES OF THE CARIBBEAN: DEAD MEN TELL NO TALES also stars Kevin R. McNally as Joshamee Gibbs, Golshifteh Farahani as the sea-witch Shansa, David Wenham as Scarfield, Stephen Graham as Scrum, Orlando Bloom as Will Turner, and Geoffrey Rush as Captain Hector Barbossa.
Joachim Rønning and Espen Sandberg helm PIRATES OF THE CARIBBEAN: DEAD MEN TELL NO TALES with Jerry Bruckheimer producer. The executive producers are Mike Stenson, Chad Oman, Joe Caracciolo, Jr., Terry Rossio and Brigham Taylor. The story is by Jeff Nathanson and Terry Rossio, and Jeff Nathanson wrote the screenplay.
The extended Walt Disney Studios PIRATES OF THE CARIBBEAN: DEAD MEN TELL NO TALES Big Game spot and poster are here. Catch a look now.
Johnny Depp returns to the big screen as the iconic, swashbuckling anti-hero Jack Sparrow in the all-new PIRATES OF THE CARIBBEAN: DEAD MEN TELL NO TALES.
The rip-roaring adventure finds down-on-his-luck Captain Jack feeling the winds of ill-fortune blowing strongly his way when deadly ghost sailors, led by the terrifying Captain Salazar (Javier Bardem), escape from the Devil’s Triangle bent on killing every pirate at sea—notably Jack.
Jack’s only hope of survival lies in the legendary Trident of Poseidon, but to find it he must forge an uneasy alliance with Carina Smyth (Kaya Scodelario), a brilliant and beautiful astronomer, and Henry (Brenton Thwaites), a headstrong young sailor in the Royal Navy.
At the helm of the Dying Gull, his pitifully small and shabby ship, Captain Jack seeks not only to reverse his recent spate of ill fortune, but to save his very life from the most formidable and malicious foe he has ever faced.
PIRATES OF THE CARIBBEAN: DEAD MEN TELL NO TALES also stars Kevin R. McNally as Joshamee Gibbs, Golshifteh Farahani as the sea-witch Shansa, Stephen Graham as Scrum, David Wenham as Scarfield and Geoffrey Rush as Captain Hector Barbossa.
Joachim Rønning & Espen Sandberg are directing PIRATES OF THE CARIBBEAN: DEAD MEN TELL NO TALES with Jerry Bruckheimer producing. The executive producers are Mike Stenson, Chad Oman, Joe Caracciolo, Jr. and Brigham Taylor. Jeff Nathanson wrote the screenplay.
PIRATES OF THE CARIBBEAN: DEAD MEN TELL NO TALES is in theaters May 2017 in 3D, RealD 3D and IMAX 3D!
GODS OF EGYPT is the kind of film that looks like it started out with blockbuster ambitions. With a big name cast that features “Game of Thrones” star Nikolaj Coster-Waldau, Gerard Butler (“300”), Chadwick Boseman (“42”) and Geoffrey Rush, plus pretty Elodie Yung, and some very expensive-looking visual effects, GODS OF EGYPT seeks to draw on Egyptian mythology to create an action/adventure epic. Unfortunately, this plodding, overweight snoozer never gets off the ground, due to a remarkably dull, confusing script that mixes a little “Thief of Baghdad,” a classic hero plot-line and bits and pieces of Egyptian myth with some remarkably bad dialog, into a hot mess that is more Gordian knot than classic epic.
Director Alex Proyas has created a silly, overblown would-be epic that might stand as an example of bad film-making – or at least boring film-making. Brenton Thwaites plays Bek, a “Thief of Baghdad” type character, who finds himself on a quest with the god Horus (Nikolaj Coster-Waldau), who has been deposed on the verge of being crowned king of Egypt by his jealous uncle, the god Set (Gerard Butler). In this Egypt, there are no pharaohs and the gods themselves rule and live among mortals, one of several strange things in this movie fantasy universe. Other Egyptian deities join in this would-be saga of a royal coup, such as Thoth (Chadwick Boseman), Hathor (Elodie Yung) and Ra (Geoffrey Rush).
Confused? Not how you remember Egyptian history or myth? Sometimes, this kind of pseudo-historical epic can be saved by clever, funny dialog and charismatic characters. Sadly, neither comes to the rescue here. Despite some good actors in the cast (Geoffrey Rush, for heaven’s sake), they mostly overact under Proyas’ direction, mouthing the script’s nonsensical dialog. But mostly the script is to blame. Although GODS OF EGYPT has more actual Egyptian legend than one expects, it is mashed-up with so much other stuff in a goofy quest tale that even an expert in Egyptian myths would have trouble sorting it out.
The dazzling, golden special effects are sure to lure a few viewers, and the hero tale story seems a perfect draw for preteens, the audience most likely to enjoy this movie. But the movie’s confusing mix of Egyptian gods and myth, rambling plot and lack of effective comic relief might lose even those few.
This film is not one of those “so bad it’s good” movies. No, it is just bad. Rather than laughing at it, one is more likely to nod off, except it is too noisy to do that. This is the kind of movie that makes one want to just leave after about five minutes.
There is nothing to redeem this one, not even the lavish visual effects. Be warned: GODS OF EGYPT is likely to strike you down, with overwhelming boredom, an urge to cringe and a profound regret at spending actual money to see this big-budget turkey.
Check out the Big Game TV spot for Lionsgate’s GODS OF EGYPT.
From director Alex Proyas, the movie hits theaters February 26.
In this spectacular action-adventure inspired by the classic mythology of Egypt, the survival of mankind hangs in the balance as an unexpected mortal hero Bek [Brenton Thwaites] undertakes a thrilling journey to save the world and rescue his true love. In order to succeed, he must enlist the help of the powerful god Horus [Nikolaj Coster-Waldau] in an unlikely alliance against Set [Gerard Butler], the merciless god of darkness, who has usurped Egypt’s throne, plunging the once peaceful and prosperous empire into chaos and conflict. As their breathtaking battle against Set and his henchmen takes them into the afterlife and across the heavens, both god and mortal must pass tests of courage and sacrifice if they hope to prevail in the epic final confrontation.
GODS OF EGYPT also stars Chadwick Boseman, Elodie Yung, Courtney Eaton and Geoffrey Rush.
Opening in theaters on February 26, check out the new poster and TV spot for GODS OF EGYPT.
In this spectacular action-adventure inspired by the classic mythology of Egypt, the survival of mankind hangs in the balance as an unexpected mortal hero Bek (Brenton Thwaites) undertakes a thrilling journey to save the world and rescue his true love.
In order to succeed, he must enlist the help of the powerful god Horus (Nikolaj Coster-Waldau) in an unlikely alliance against Set (Gerard Butler), the merciless god of darkness, who has usurped Egypt’s throne, plunging the once peaceful and prosperous empire into chaos and conflict. As their breathtaking battle against Set and his henchmen takes them into the afterlife and across the heavens, both god and mortal must pass tests of courage and sacrifice if they hope to prevail in the epic final confrontation.
Chadwick Boseman, Elodie Yung, Courtney Eaton and Geoffrey Rush co-star in director Alex Proyas’ action fantasy.
Lionsgate has released the new trailer & teaser posters for director Alexander Proyas GODS OF EGYPT, coming to theaters February 26, 2016.
Proyas previously helmed I, ROBOT and THE CROW.
His latest film, inspired by the classic mythology of Egypt, the survival of mankind hangs in the balance as an unexpected mortal hero Bek (Brenton Thwaites) undertakes a thrilling journey to save the world and rescue his true love.
In order to succeed, he must enlist the help of the powerful god Horus (Nikolaj Coster-Waldau) in an unlikely alliance against Set (Gerard Butler), the merciless god of darkness, who has usurped Egypt’s throne, plunging the once peaceful and prosperous empire into chaos and conflict.
As their breathtaking battle against Set and his henchmen takes them into the afterlife and across the heavens, both god and mortal must pass tests of courage and sacrifice if they hope to prevail in the epic final confrontation.
GODS OF EGYPT also stars Chadwick Boseman, Elodie Yung, Courtney Eaton and Geoffrey Rush.
© 2017 Disney Enterprises Inc.
© 2017 Disney Enterprises Inc.
